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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 212 250 140 0.75 it is the complementary color RGBA 43 5 115 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 212 250 140 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 212 250 140 0.75 shade: RGBA 217 250 135 0.75, RGBA 234 255 154 0.75, RGBA 251 255 173 0.75, RGBA 255 255 192 0.75 and RGBA 255 255 211 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 212 250 140 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 212 250 140 0.75 shade: RGBA 212 250 140 0.75, RGBA 195 232 121 0.75, RGBA 178 214 102 0.75, RGBA 161 196 83 0.75 and RGBA 144 178 64 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 212 250 140 0.75 shade: RGB 211 250 137, RGB 242 250 137, RGB 250 228 137, RGB 250 198 137 and RGB 250 168 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 212 250 140 0.75 shade: RGB 211 250 137, RGB 181 250 137, RGB 150 250 137, RGB 137 250 155 and RGB 137 250 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 212 250 140 0.75 shade matches the following richer shades: RGB 211 250 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 212 250 140 0.75 shade: RGB 211 250 137, RGB 208 240 147, RGB 205 230 157, RGB 202 220 167 and RGB 199 210 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 212 250 140 0.75 shade: RGB 250 228 137, RGB 243 250 137, RGB 213 250 137, RGB 183 250 137 and RGB 153 250 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 212 250 140 0.75 shade: RGB 182 247 58, RGB 196 248 98, RGB 211 250 137, RGB 226 252 177 and RGB 241 253 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 212 250 140 0.75 shade: RGB 212 250 140, RGB 137 250 198 and RGB 243 137 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 212 250 140 0.75 shade: RGB 212 250 140, RGB 137 213 250 and RGB 250 137 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 212 250 140 0.75 shade: RGB 212 250 140, RGB 137 250 198, RGB 175 137 250 and RGB 250 137 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 212 250 140 0.75 shade: RGB 212 250 140, RGB 137 250 231, RGB 175 137 250 and RGB 250 137 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 33 / 1

HEX #D4FA8CBF

RGBA 212 250 140 0.75

HSLA 80.73, 0.92%, 0.76%, 0.75

LABA 93.56, -29.34, 48.6, 0.75

 

Complementary color

CMYK 47 / 72 / 0 / 41

HEX #2B0573BF

RGBA 43 5 115 0.75

HSLA 260.73, 0.92%, 0.24%, 0.75

LABA 14.73, 43.52, -53.34, 0.75

 

CMYK 10 / 0 / 35 / 1

HEX #D9FA87BF

RGBA 217 250 135 0.75

HSLA 77.22, 0.92%, 0.75%, 0.75

LABA 93.83, -28.02, 51.37, 0.75

 

CMYK 6 / 0 / 30 / 0

HEX #EAFF9ABF

RGBA 234 255 154 0.75

HSLA 72.48, 1%, 0.8%, 0.75

LABA 96.55, -22.03, 45.94, 0.75

 

CMYK 1 / 0 / 24 / 0

HEX #FBFFADBF

RGBA 251 255 173 0.75

HSLA 62.93, 1%, 0.84%, 0.75

LABA 98.05, -13.52, 38.82, 0.75

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFC0BF

RGBA 255 255 192 0.75

HSLA 60, 1%, 0.88%, 0.75

LABA 98.66, -9.68, 30.2, 0.75

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFD3BF

RGBA 255 255 211 0.75

HSLA 60, 1%, 0.91%, 0.75

LABA 99.02, -7.05, 21.08, 0.75

 

CMYK 11 / 0 / 33 / 1

HEX #D4FA8CBF

RGBA 212 250 140 0.75

HSLA 80.73, 0.92%, 0.76%, 0.75

LABA 93.56, -29.34, 48.6, 0.75

 

CMYK 12 / 0 / 36 / 7

HEX #C3E879BF

RGBA 195 232 121 0.75

HSLA 80, 0.71%, 0.69%, 0.75

LABA 87.34, -29.23, 49.72, 0.75

 

CMYK 13 / 0 / 39 / 12

HEX #B2D666BF

RGBA 178 214 102 0.75

HSLA 79.29, 0.58%, 0.62%, 0.75

LABA 81.03, -29.08, 50.82, 0.75

 

CMYK 13 / 0 / 43 / 17

HEX #A1C453BF

RGBA 161 196 83 0.75

HSLA 78.58, 0.49%, 0.55%, 0.75

LABA 74.62, -28.86, 51.84, 0.75

 

CMYK 14 / 0 / 48 / 23

HEX #90B240BF

RGBA 144 178 64 0.75

HSLA 77.89, 0.47%, 0.47%, 0.75

LABA 68.12, -28.54, 52.7, 0.75

 

CMYK 16 / 0 / 45 / 2

HEX #D3FA89

RGB 211 250 137

HSL 80.71, 0.92%, 0.76%

LAB 93.46, -30.03, 49.88

 

CMYK 3 / 0 / 45 / 2

HEX #F2FA89

RGB 242 250 137

HSL 64.25, 0.92%, 0.76%

LAB 95.6, -18.36, 53

 

CMYK 0 / 9 / 45 / 2

HEX #FAE489

RGB 250 228 137

HSL 48.32, 0.92%, 0.76%

LAB 90.6, -4.38, 46.97

 

CMYK 0 / 21 / 45 / 2

HEX #FAC689

RGB 250 198 137

HSL 32.39, 0.92%, 0.76%

LAB 83.19, 11.01, 37.55

 

CMYK 0 / 33 / 45 / 2

HEX #FAA889

RGB 250 168 137

HSL 16.46, 0.92%, 0.76%

LAB 76.15, 26.75, 28.32

 

CMYK 16 / 0 / 45 / 2

HEX #D3FA89

RGB 211 250 137

HSL 80.71, 0.92%, 0.76%

LAB 93.46, -30.03, 49.88

 

CMYK 28 / 0 / 45 / 2

HEX #B5FA89

RGB 181 250 137

HSL 96.64, 0.92%, 0.76%

LAB 91.69, -40.66, 47.29

 

CMYK 40 / 0 / 45 / 2

HEX #96FA89

RGB 150 250 137

HSL 113.1, 0.92%, 0.76%

LAB 90.17, -50.57, 45.05

 

CMYK 45 / 0 / 38 / 2

HEX #89FA9B

RGB 137 250 155

HSL 129.56, 0.92%, 0.76%

LAB 89.89, -51.65, 35.79

 

CMYK 45 / 0 / 26 / 2

HEX #89FAB9

RGB 137 250 185

HSL 145.49, 0.92%, 0.76%

LAB 90.41, -46.45, 21.35

 

CMYK 16 / 0 / 45 / 2

HEX #D3FA89

RGB 211 250 137

HSL 80.71, 0.92%, 0.76%

LAB 93.46, -30.03, 49.88

 

CMYK 16 / 0 / 45 / 2

HEX #D3FA89

RGB 211 250 137

HSL 80.71, 0.92%, 0.76%

LAB 93.46, -30.03, 49.88

 

CMYK 13 / 0 / 39 / 6

HEX #D0F093

RGB 208 240 147

HSL 80.65, 0.76%, 0.76%

LAB 90.71, -25.28, 41.53

 

CMYK 11 / 0 / 32 / 10

HEX #CDE69D

RGB 205 230 157

HSL 80.55, 0.59%, 0.76%

LAB 87.97, -20.29, 32.92

 

CMYK 8 / 0 / 24 / 14

HEX #CADCA7

RGB 202 220 167

HSL 80.38, 0.43%, 0.76%

LAB 85.27, -15.04, 24.09

 

CMYK 5 / 0 / 16 / 18

HEX #C7D2B1

RGB 199 210 177

HSL 80, 0.27%, 0.76%

LAB 82.6, -9.51, 15.11

 

CMYK 0 / 9 / 45 / 2

HEX #FAE489

RGB 250 228 137

HSL 48.32, 0.92%, 0.76%

LAB 90.6, -4.38, 46.97

 

CMYK 3 / 0 / 45 / 2

HEX #F3FA89

RGB 243 250 137

HSL 63.72, 0.92%, 0.76%

LAB 95.68, -17.97, 53.1

 

CMYK 15 / 0 / 45 / 2

HEX #D5FA89

RGB 213 250 137

HSL 79.65, 0.92%, 0.76%

LAB 93.59, -29.29, 50.07

 

CMYK 27 / 0 / 45 / 2

HEX #B7FA89

RGB 183 250 137

HSL 95.58, 0.92%, 0.76%

LAB 91.79, -39.97, 47.45

 

CMYK 39 / 0 / 45 / 2

HEX #99FA89

RGB 153 250 137

HSL 111.5, 0.92%, 0.76%

LAB 90.3, -49.67, 45.25

 

CMYK 26 / 0 / 77 / 3

HEX #B6F73A

RGB 182 247 58

HSL 80.63, 0.92%, 0.6%

LAB 90.22, -45.47, 77.57

 

CMYK 21 / 0 / 60 / 3

HEX #C4F862

RGB 196 248 98

HSL 80.8, 0.91%, 0.68%

LAB 91.57, -38.28, 64.89

 

CMYK 16 / 0 / 45 / 2

HEX #D3FA89

RGB 211 250 137

HSL 80.71, 0.92%, 0.76%

LAB 93.46, -30.03, 49.88

 

CMYK 10 / 0 / 30 / 1

HEX #E2FCB1

RGB 226 252 177

HSL 80.8, 0.93%, 0.84%

LAB 95.57, -20.68, 33.21

 

CMYK 5 / 0 / 14 / 1

HEX #F1FDD9

RGB 241 253 217

HSL 80, 0.9%, 0.92%

LAB 97.62, -10.04, 15.9

 

CMYK 15 / 0 / 44 / 2

HEX #D4FA8C

RGB 212 250 140

HSL 80.73, 0.92%, 0.76%

LAB 93.56, -29.34, 48.6

 

CMYK 45 / 0 / 21 / 2

HEX #89FAC6

RGB 137 250 198

HSL 152.39, 0.92%, 0.76%

LAB 90.67, -43.91, 15.04

 

CMYK 3 / 45 / 0 / 2

HEX #F389FA

RGB 243 137 250

HSL 296.28, 0.92%, 0.76%

LAB 72.13, 56.47, -39.55

 

CMYK 15 / 0 / 44 / 2

HEX #D4FA8C

RGB 212 250 140

HSL 80.73, 0.92%, 0.76%

LAB 93.56, -29.34, 48.6

 

CMYK 45 / 15 / 0 / 2

HEX #89D5FA

RGB 137 213 250

HSL 199.65, 0.92%, 0.76%

LAB 81.73, -14, -25.43

 

CMYK 0 / 45 / 15 / 2

HEX #FA89D5

RGB 250 137 213

HSL 319.65, 0.92%, 0.76%

LAB 71.57, 52.37, -20.03

 

CMYK 15 / 0 / 44 / 2

HEX #D4FA8C

RGB 212 250 140

HSL 80.73, 0.92%, 0.76%

LAB 93.56, -29.34, 48.6

 

CMYK 45 / 0 / 21 / 2

HEX #89FAC6

RGB 137 250 198

HSL 152.39, 0.92%, 0.76%

LAB 90.67, -43.91, 15.04

 

CMYK 30 / 45 / 0 / 2

HEX #AF89FA

RGB 175 137 250

HSL 260.18, 0.92%, 0.76%

LAB 64.89, 37.78, -51.43

 

CMYK 0 / 45 / 24 / 2

HEX #FA89BE

RGB 250 137 190

HSL 331.86, 0.92%, 0.76%

LAB 70.82, 49.03, -8.39

 

CMYK 15 / 0 / 44 / 2

HEX #D4FA8C

RGB 212 250 140

HSL 80.73, 0.92%, 0.76%

LAB 93.56, -29.34, 48.6

 

CMYK 45 / 0 / 8 / 2

HEX #89FAE7

RGB 137 250 231

HSL 169.91, 0.92%, 0.76%

LAB 91.44, -36.77, -0.93

 

CMYK 30 / 45 / 0 / 2

HEX #AF89FA

RGB 175 137 250

HSL 260.18, 0.92%, 0.76%

LAB 64.89, 37.78, -51.43

 

CMYK 0 / 45 / 38 / 2

HEX #FA899C

RGB 250 137 156

HSL 349.91, 0.92%, 0.76%

LAB 69.91, 44.78, 9.27

 

Description

Color code: RGBA 212 250 140 0.75 | qconv.com Color code: RGBA 212 250 140 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 250 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 250 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 33% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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