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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 212 237 226 0 it is the complementary color RGBA 43 18 29 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 212 237 226 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 212 237 226 0 shade: RGBA 217 237 221 0, RGBA 234 255 240 0 and RGBA 251 255 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 212 237 226 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 212 237 226 0 shade: RGBA 212 237 226 0, RGBA 195 219 207 0, RGBA 178 201 188 0, RGBA 161 183 169 0 and RGBA 144 165 150 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 212 237 219, RGB 212 237 212, RGB 218 237 212 and RGB 225 237 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 212 237 233, RGB 212 234 237, RGB 212 228 237 and RGB 212 221 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 212 237 226 0 shade matches the following richer shades: RGB 212 237 226, RGB 207 242 226, RGB 202 247 227 and RGB 197 252 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 217 232 225, RGB 222 227 225, RGB 227 222 224 and RGB 232 217 224

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 212 237 226 0 shade: RGB 212 237 212, RGB 212 237 219, RGB 212 237 226, RGB 212 237 232 and RGB 212 235 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 212 237 226 0 shade: RGB 154 213 187, RGB 183 225 206, RGB 212 237 226, RGB 241 249 246 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 212 218 237 and RGB 237 216 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 226 212 237 and RGB 237 226 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 212 218 237, RGB 237 212 223 and RGB 237 231 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 212 237 226 0 shade: RGB 212 237 226, RGB 213 212 237, RGB 237 212 223 and RGB 236 237 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D4EDE200

RGBA 212 237 226 0

HSLA 153.6, 0.41%, 0.88%, 0

LABA 91.71, -10.25, 2.53, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2B121D00

RGBA 43 18 29 0

HSLA 333.6, 0.41%, 0.12%, 0

LABA 9.28, 14.6, -1.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9EDDD00

RGBA 217 237 221 0

HSLA 132, 0.36%, 0.89%, 0

LABA 91.93, -9.51, 5.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EAFFF000

RGBA 234 255 240 0

HSLA 137.14, 1%, 0.96%, 0

LABA 98.15, -9.53, 4.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFF00

RGBA 251 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.71, -1.31, -0.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4EDE200

RGBA 212 237 226 0

HSLA 153.6, 0.41%, 0.88%, 0

LABA 91.71, -10.25, 2.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3DBCF00

RGBA 195 219 207 0

HSLA 150, 0.25%, 0.81%, 0

LABA 85.39, -10.25, 3.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2C9BC00

RGBA 178 201 188 0

HSLA 146.09, 0.18%, 0.74%, 0

LABA 78.97, -10.27, 3.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1B7A900

RGBA 161 183 169 0

HSLA 141.82, 0.13%, 0.67%, 0

LABA 72.43, -10.3, 4.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #90A59600

RGBA 144 165 150 0

HSLA 137.14, 0.1%, 0.61%, 0

LABA 65.78, -10.33, 5.3, 0

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 11 / 0 / 8 / 7

HEX #D4EDDB

RGB 212 237 219

HSL 136.8, 0.41%, 0.88%

LAB 91.54, -11.53, 5.93

 

CMYK 11 / 0 / 11 / 7

HEX #D4EDD4

RGB 212 237 212

HSL 120, 0.41%, 0.88%

LAB 91.38, -12.77, 9.34

 

CMYK 8 / 0 / 11 / 7

HEX #DAEDD4

RGB 218 237 212

HSL 105.6, 0.41%, 0.88%

LAB 91.79, -10.75, 9.98

 

CMYK 5 / 0 / 11 / 7

HEX #E1EDD4

RGB 225 237 212

HSL 88.8, 0.41%, 0.88%

LAB 92.28, -8.36, 10.75

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE9

RGB 212 237 233

HSL 170.4, 0.41%, 0.88%

LAB 91.89, -8.93, -0.86

 

CMYK 11 / 1 / 0 / 7

HEX #D4EAED

RGB 212 234 237

HSL 187.2, 0.41%, 0.88%

LAB 91.21, -6.63, -3.93

 

CMYK 11 / 4 / 0 / 7

HEX #D4E4ED

RGB 212 228 237

HSL 201.6, 0.41%, 0.88%

LAB 89.67, -3.56, -6.21

 

CMYK 11 / 7 / 0 / 7

HEX #D4DDED

RGB 212 221 237

HSL 218.4, 0.41%, 0.88%

LAB 87.88, 0.06, -8.85

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 14 / 0 / 7 / 5

HEX #CFF2E2

RGB 207 242 226

HSL 152.57, 0.57%, 0.88%

LAB 92.69, -14.37, 3.91

 

CMYK 18 / 0 / 8 / 3

HEX #CAF7E3

RGB 202 247 227

HSL 153.33, 0.74%, 0.88%

LAB 93.72, -18.24, 4.85

 

CMYK 22 / 0 / 10 / 1

HEX #C5FCE4

RGB 197 252 228

HSL 153.82, 0.9%, 0.88%

LAB 94.78, -22.03, 5.82

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 6 / 0 / 3 / 9

HEX #D9E8E1

RGB 217 232 225

HSL 152, 0.25%, 0.88%

LAB 90.73, -6.26, 1.68

 

CMYK 2 / 0 / 1 / 11

HEX #DEE3E1

RGB 222 227 225

HSL 156, 0.08%, 0.88%

LAB 89.81, -2.03, 0.38

 

CMYK 0 / 2 / 1 / 11

HEX #E3DEE0

RGB 227 222 224

HSL 336, 0.08%, 0.88%

LAB 88.9, 2.05, -0.39

 

CMYK 0 / 6 / 3 / 9

HEX #E8D9E0

RGB 232 217 224

HSL 332, 0.25%, 0.88%

LAB 88.05, 6.35, -1.59

 

CMYK 11 / 0 / 11 / 7

HEX #D4EDD4

RGB 212 237 212

HSL 120, 0.41%, 0.88%

LAB 91.38, -12.77, 9.34

 

CMYK 11 / 0 / 8 / 7

HEX #D4EDDB

RGB 212 237 219

HSL 136.8, 0.41%, 0.88%

LAB 91.54, -11.53, 5.93

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 11 / 0 / 2 / 7

HEX #D4EDE8

RGB 212 237 232

HSL 168, 0.41%, 0.88%

LAB 91.86, -9.12, -0.38

 

CMYK 11 / 1 / 0 / 7

HEX #D4EBED

RGB 212 235 237

HSL 184.8, 0.41%, 0.88%

LAB 91.47, -7.14, -3.55

 

CMYK 28 / 0 / 12 / 16

HEX #9AD5BB

RGB 154 213 187

HSL 153.56, 0.41%, 0.72%

LAB 80.76, -24.27, 6.8

 

CMYK 19 / 0 / 8 / 12

HEX #B7E1CE

RGB 183 225 206

HSL 152.86, 0.41%, 0.8%

LAB 86.19, -17.38, 4.78

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 3 / 0 / 1 / 2

HEX #F1F9F6

RGB 241 249 246

HSL 157.5, 0.4%, 0.96%

LAB 97.27, -3.16, 0.51

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 11 / 8 / 0 / 7

HEX #D4DAED

RGB 212 218 237

HSL 225.6, 0.41%, 0.88%

LAB 87.12, 1.62, -9.99

 

CMYK 0 / 9 / 11 / 7

HEX #EDD8D4

RGB 237 216 212

HSL 9.6, 0.41%, 0.88%

LAB 87.91, 6.58, 4.58

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 5 / 11 / 0 / 7

HEX #E2D4ED

RGB 226 212 237

HSL 273.6, 0.41%, 0.88%

LAB 86.69, 9.33, -10.52

 

CMYK 0 / 5 / 11 / 7

HEX #EDE2D4

RGB 237 226 212

HSL 33.6, 0.41%, 0.88%

LAB 90.39, 1.4, 8.16

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 11 / 8 / 0 / 7

HEX #D4DAED

RGB 212 218 237

HSL 225.6, 0.41%, 0.88%

LAB 87.12, 1.62, -9.99

 

CMYK 0 / 11 / 6 / 7

HEX #EDD4DF

RGB 237 212 223

HSL 333.6, 0.41%, 0.88%

LAB 87.2, 10.51, -2.25

 

CMYK 0 / 3 / 11 / 7

HEX #EDE7D4

RGB 237 231 212

HSL 45.6, 0.41%, 0.88%

LAB 91.64, -1.16, 9.96

 

CMYK 11 / 0 / 5 / 7

HEX #D4EDE2

RGB 212 237 226

HSL 153.6, 0.41%, 0.88%

LAB 91.71, -10.25, 2.53

 

CMYK 10 / 11 / 0 / 7

HEX #D5D4ED

RGB 213 212 237

HSL 242.4, 0.41%, 0.88%

LAB 85.68, 5.09, -12.13

 

CMYK 0 / 11 / 6 / 7

HEX #EDD4DF

RGB 237 212 223

HSL 333.6, 0.41%, 0.88%

LAB 87.2, 10.51, -2.25

 

CMYK 0 / 0 / 11 / 7

HEX #ECEDD4

RGB 236 237 212

HSL 62.4, 0.41%, 0.88%

LAB 93.08, -4.56, 12

 

Description

Color code: RGBA 212 237 226 0 | qconv.com Color code: RGBA 212 237 226 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 237 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 237 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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