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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 212 236 231 0 it is the complementary color RGBA 43 19 24 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 212 236 231 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 212 236 231 0 shade: RGBA 217 236 226 0, RGBA 234 254 245 0 and RGBA 251 255 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 212 236 231 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 212 236 231 0 shade: RGBA 212 236 231 0, RGBA 195 218 212 0, RGBA 178 200 193 0, RGBA 161 182 174 0 and RGBA 144 164 155 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 212 236 225, RGB 212 236 218, RGB 213 236 212 and RGB 219 236 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 212 235 236, RGB 212 228 236, RGB 212 222 236 and RGB 212 216 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 212 236 231 0 shade matches the following richer shades: RGB 212 236 231, RGB 208 241 234, RGB 203 246 237 and RGB 198 251 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 217 231 228, RGB 222 226 226, RGB 227 221 223 and RGB 232 217 220

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 212 236 231 0 shade: RGB 212 236 218, RGB 212 236 225, RGB 212 236 231, RGB 212 235 236 and RGB 212 229 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 212 236 231 0 shade: RGB 155 211 199, RGB 184 224 215, RGB 212 236 231, RGB 241 249 247 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 212 213 236 and RGB 236 222 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 231 212 236 and RGB 236 231 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 212 213 236, RGB 236 212 218 and RGB 236 236 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 212 236 231 0 shade: RGB 212 236 231, RGB 219 212 236, RGB 236 212 218 and RGB 230 236 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D4ECE700

RGBA 212 236 231 0

HSLA 167.5, 0.39%, 0.88%, 0

LABA 91.58, -8.8, -0.27, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2B131800

RGBA 43 19 24 0

HSLA 347.5, 0.39%, 0.12%, 0

LABA 9.36, 13.07, 1.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9ECE200

RGBA 217 236 226 0

HSLA 148.42, 0.33%, 0.89%, 0

LABA 91.79, -8.1, 2.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EAFEF500

RGBA 234 254 245 0

HSLA 153, 0.91%, 0.96%, 0

LABA 98.02, -8.14, 2.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFF00

RGBA 251 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.71, -1.31, -0.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4ECE700

RGBA 212 236 231 0

HSLA 167.5, 0.39%, 0.88%, 0

LABA 91.58, -8.8, -0.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3DAD400

RGBA 195 218 212 0

HSLA 164.35, 0.24%, 0.81%, 0

LABA 85.25, -8.79, 0.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2C8C100

RGBA 178 200 193 0

HSLA 160.91, 0.17%, 0.74%, 0

LABA 78.82, -8.79, 0.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1B6AE00

RGBA 161 182 174 0

HSLA 157.14, 0.13%, 0.67%, 0

LABA 72.29, -8.8, 1.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #90A49B00

RGBA 144 164 155 0

HSLA 153, 0.1%, 0.6%, 0

LABA 65.63, -8.81, 2.29, 0

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 10 / 0 / 5 / 7

HEX #D4ECE1

RGB 212 236 225

HSL 152.5, 0.39%, 0.88%

LAB 91.43, -9.93, 2.64

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECDA

RGB 212 236 218

HSL 135, 0.39%, 0.88%

LAB 91.26, -11.21, 6.04

 

CMYK 10 / 0 / 10 / 7

HEX #D5ECD4

RGB 213 236 212

HSL 117.5, 0.39%, 0.88%

LAB 91.18, -11.94, 9.07

 

CMYK 7 / 0 / 10 / 7

HEX #DBECD4

RGB 219 236 212

HSL 102.5, 0.39%, 0.88%

LAB 91.6, -9.91, 9.72

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 10 / 3 / 0 / 7

HEX #D4E4EC

RGB 212 228 236

HSL 200, 0.39%, 0.88%

LAB 89.65, -3.76, -5.72

 

CMYK 10 / 6 / 0 / 7

HEX #D4DEEC

RGB 212 222 236

HSL 215, 0.39%, 0.88%

LAB 88.11, -0.66, -7.99

 

CMYK 10 / 8 / 0 / 7

HEX #D4D8EC

RGB 212 216 236

HSL 230, 0.39%, 0.88%

LAB 86.59, 2.47, -10.26

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 14 / 0 / 3 / 5

HEX #D0F1EA

RGB 208 241 234

HSL 167.27, 0.54%, 0.88%

LAB 92.69, -12.03, -0.24

 

CMYK 17 / 0 / 4 / 4

HEX #CBF6ED

RGB 203 246 237

HSL 167.44, 0.7%, 0.88%

LAB 93.76, -15.5, -0.26

 

CMYK 21 / 0 / 4 / 2

HEX #C6FBF0

RGB 198 251 240

HSL 167.55, 0.87%, 0.88%

LAB 94.86, -18.89, -0.25

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 6 / 0 / 1 / 9

HEX #D9E7E4

RGB 217 231 228

HSL 167.14, 0.23%, 0.88%

LAB 90.55, -5.19, -0.16

 

CMYK 2 / 0 / 0 / 11

HEX #DEE2E2

RGB 222 226 226

HSL 180, 0.06%, 0.88%

LAB 89.59, -1.34, -0.48

 

CMYK 0 / 3 / 2 / 11

HEX #E3DDDF

RGB 227 221 223

HSL 340, 0.1%, 0.88%

LAB 88.62, 2.39, -0.26

 

CMYK 0 / 6 / 5 / 9

HEX #E8D9DC

RGB 232 217 220

HSL 348, 0.25%, 0.88%

LAB 87.94, 5.66, 0.37

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECDA

RGB 212 236 218

HSL 135, 0.39%, 0.88%

LAB 91.26, -11.21, 6.04

 

CMYK 10 / 0 / 5 / 7

HEX #D4ECE1

RGB 212 236 225

HSL 152.5, 0.39%, 0.88%

LAB 91.43, -9.93, 2.64

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 10 / 0 / 0 / 7

HEX #D4EBEC

RGB 212 235 236

HSL 182.5, 0.39%, 0.88%

LAB 91.45, -7.34, -3.07

 

CMYK 10 / 3 / 0 / 7

HEX #D4E5EC

RGB 212 229 236

HSL 197.5, 0.39%, 0.88%

LAB 89.9, -4.27, -5.34

 

CMYK 27 / 0 / 6 / 17

HEX #9BD3C7

RGB 155 211 199

HSL 167.14, 0.39%, 0.72%

LAB 80.56, -20.49, 0.11

 

CMYK 18 / 0 / 4 / 12

HEX #B8E0D7

RGB 184 224 215

HSL 166.5, 0.39%, 0.8%

LAB 86.21, -14.79, 0.07

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 3 / 0 / 1 / 2

HEX #F1F9F7

RGB 241 249 247

HSL 165, 0.4%, 0.96%

LAB 97.3, -2.98, 0.03

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 10 / 10 / 0 / 7

HEX #D4D5EC

RGB 212 213 236

HSL 237.5, 0.39%, 0.88%

LAB 85.83, 4.05, -11.39

 

CMYK 0 / 6 / 10 / 7

HEX #ECDED4

RGB 236 222 212

HSL 25, 0.39%, 0.88%

LAB 89.31, 3.12, 6.6

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 2 / 10 / 0 / 7

HEX #E7D4EC

RGB 231 212 236

HSL 287.5, 0.39%, 0.88%

LAB 87.06, 10.8, -9.39

 

CMYK 0 / 2 / 10 / 7

HEX #ECE7D4

RGB 236 231 212

HSL 47.5, 0.39%, 0.88%

LAB 91.57, -1.51, 9.84

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 10 / 10 / 0 / 7

HEX #D4D5EC

RGB 212 213 236

HSL 237.5, 0.39%, 0.88%

LAB 85.83, 4.05, -11.39

 

CMYK 0 / 10 / 8 / 7

HEX #ECD4DA

RGB 236 212 218

HSL 345, 0.39%, 0.88%

LAB 86.99, 9.31, 0.07

 

CMYK 0 / 0 / 10 / 7

HEX #ECECD4

RGB 236 236 212

HSL 60, 0.39%, 0.88%

LAB 92.83, -4.05, 11.64

 

CMYK 10 / 0 / 2 / 7

HEX #D4ECE7

RGB 212 236 231

HSL 167.5, 0.39%, 0.88%

LAB 91.58, -8.8, -0.27

 

CMYK 7 / 10 / 0 / 7

HEX #DBD4EC

RGB 219 212 236

HSL 257.5, 0.39%, 0.88%

LAB 86.11, 6.85, -10.91

 

CMYK 0 / 10 / 8 / 7

HEX #ECD4DA

RGB 236 212 218

HSL 345, 0.39%, 0.88%

LAB 86.99, 9.31, 0.07

 

CMYK 3 / 0 / 10 / 7

HEX #E6ECD4

RGB 230 236 212

HSL 75, 0.39%, 0.88%

LAB 92.38, -6.14, 10.94

 

Description

Color code: RGBA 212 236 231 0 | qconv.com Color code: RGBA 212 236 231 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 236 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 236 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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