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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 212 232 140 0.75 it is the complementary color RGBA 43 23 115 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 212 232 140 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 212 232 140 0.75 shade: RGBA 217 232 135 0.75, RGBA 234 250 154 0.75, RGBA 251 255 173 0.75, RGBA 255 255 192 0.75 and RGBA 255 255 211 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 212 232 140 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 212 232 140 0.75 shade: RGBA 212 232 140 0.75, RGBA 195 214 121 0.75, RGBA 178 196 102 0.75, RGBA 161 178 83 0.75 and RGBA 144 160 64 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 232 227 140, RGB 232 203 140, RGB 232 178 140 and RGB 232 153 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 187 232 140, RGB 162 232 140, RGB 140 232 142 and RGB 140 232 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 212 232 140 0.75 shade matches the following richer shades: RGB 212 232 140, RGB 219 243 129 and RGB 225 255 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 206 221 151, RGB 200 210 162, RGB 193 199 173 and RGB 187 188 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 212 232 140 0.75 shade: RGB 232 203 140, RGB 232 228 140, RGB 212 232 140, RGB 188 232 140 and RGB 163 232 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 212 232 140 0.75 shade: RGB 187 219 71, RGB 199 225 106, RGB 212 232 140, RGB 225 239 174 and RGB 238 246 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 140 232 178 and RGB 215 140 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 140 212 232 and RGB 232 140 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 140 232 178, RGB 160 140 232 and RGB 232 140 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 212 232 140 0.75 shade: RGB 212 232 140, RGB 140 232 206, RGB 160 140 232 and RGB 232 140 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 30 / 7

HEX #D4E88CBF

RGBA 212 232 140 0.75

HSLA 73.04, 0.67%, 0.73%, 0.75

LABA 88.73, -20.77, 42.52, 0.75

 

Complementary color

CMYK 47 / 60 / 0 / 41

HEX #2B1773BF

RGBA 43 23 115 0.75

HSLA 253.04, 0.67%, 0.27%, 0.75

LABA 17.29, 35.99, -49.11, 0.75

 

CMYK 5 / 0 / 31 / 7

HEX #D9E887BF

RGBA 217 232 135 0.75

HSLA 69.28, 0.68%, 0.72%, 0.75

LABA 89.02, -19.42, 45.41, 0.75

 

CMYK 5 / 0 / 29 / 1

HEX #EAFA9ABF

RGBA 234 250 154 0.75

HSLA 70, 0.91%, 0.79%, 0.75

LABA 95.24, -19.63, 44.28, 0.75

 

CMYK 1 / 0 / 24 / 0

HEX #FBFFADBF

RGBA 251 255 173 0.75

HSLA 62.93, 1%, 0.84%, 0.75

LABA 98.05, -13.52, 38.82, 0.75

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFC0BF

RGBA 255 255 192 0.75

HSLA 60, 1%, 0.88%, 0.75

LABA 98.66, -9.68, 30.2, 0.75

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFD3BF

RGBA 255 255 211 0.75

HSLA 60, 1%, 0.91%, 0.75

LABA 99.02, -7.05, 21.08, 0.75

 

CMYK 6 / 0 / 30 / 7

HEX #D4E88CBF

RGBA 212 232 140 0.75

HSLA 73.04, 0.67%, 0.73%, 0.75

LABA 88.73, -20.77, 42.52, 0.75

 

CMYK 7 / 0 / 33 / 12

HEX #C3D679BF

RGBA 195 214 121 0.75

HSLA 72.26, 0.53%, 0.66%, 0.75

LABA 82.42, -20.59, 43.66, 0.75

 

CMYK 7 / 0 / 36 / 17

HEX #B2C466BF

RGBA 178 196 102 0.75

HSLA 71.49, 0.44%, 0.58%, 0.75

LABA 76.01, -20.35, 44.82, 0.75

 

CMYK 7 / 0 / 40 / 23

HEX #A1B253BF

RGBA 161 178 83 0.75

HSLA 70.74, 0.38%, 0.51%, 0.75

LABA 69.5, -20.05, 45.95, 0.75

 

CMYK 8 / 0 / 45 / 28

HEX #90A040BF

RGBA 144 160 64 0.75

HSLA 70, 0.43%, 0.44%, 0.75

LABA 62.88, -19.64, 46.98, 0.75

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 0 / 2 / 40 / 9

HEX #E8E38C

RGB 232 227 140

HSL 56.74, 0.67%, 0.73%

LAB 88.92, -10.63, 43.06

 

CMYK 0 / 13 / 40 / 9

HEX #E8CB8C

RGB 232 203 140

HSL 41.09, 0.67%, 0.73%

LAB 82.79, 1.6, 35.16

 

CMYK 0 / 23 / 40 / 9

HEX #E8B28C

RGB 232 178 140

HSL 24.78, 0.67%, 0.73%

LAB 76.61, 14.75, 26.99

 

CMYK 0 / 34 / 40 / 9

HEX #E8998C

RGB 232 153 140

HSL 8.48, 0.67%, 0.73%

LAB 70.75, 28.07, 19.03

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 19 / 0 / 40 / 9

HEX #BBE88C

RGB 187 232 140

HSL 89.35, 0.67%, 0.73%

LAB 87.08, -29.98, 40.07

 

CMYK 30 / 0 / 40 / 9

HEX #A2E88C

RGB 162 232 140

HSL 105.65, 0.67%, 0.73%

LAB 85.65, -38.62, 37.94

 

CMYK 40 / 0 / 39 / 9

HEX #8CE88E

RGB 140 232 142

HSL 121.3, 0.67%, 0.73%

LAB 84.61, -45.25, 35.38

 

CMYK 40 / 0 / 28 / 9

HEX #8CE8A7

RGB 140 232 167

HSL 137.61, 0.67%, 0.73%

LAB 85.04, -41.11, 23.21

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 10 / 0 / 47 / 5

HEX #DBF381

RGB 219 243 129

HSL 72.63, 0.83%, 0.73%

LAB 92.02, -24.57, 52.01

 

CMYK 12 / 0 / 54 / 0

HEX #E1FF76

RGB 225 255 118

HSL 73.14, 1%, 0.73%

LAB 95.51, -28.95, 61.27

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 7 / 0 / 32 / 13

HEX #CEDD97

RGB 206 221 151

HSL 72.86, 0.51%, 0.73%

LAB 85.54, -16.28, 32.76

 

CMYK 5 / 0 / 23 / 18

HEX #C8D2A2

RGB 200 210 162

HSL 72.5, 0.35%, 0.73%

LAB 82.37, -11.46, 22.71

 

CMYK 3 / 0 / 13 / 22

HEX #C1C7AD

RGB 193 199 173

HSL 73.85, 0.19%, 0.73%

LAB 79.16, -6.64, 12.32

 

CMYK 1 / 0 / 2 / 26

HEX #BBBCB9

RGB 187 188 185

HSL 80, 0.02%, 0.73%

LAB 76.09, -0.9, 1.38

 

CMYK 0 / 13 / 40 / 9

HEX #E8CB8C

RGB 232 203 140

HSL 41.09, 0.67%, 0.73%

LAB 82.79, 1.6, 35.16

 

CMYK 0 / 2 / 40 / 9

HEX #E8E48C

RGB 232 228 140

HSL 57.39, 0.67%, 0.73%

LAB 89.18, -11.12, 43.38

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 19 / 0 / 40 / 9

HEX #BCE88C

RGB 188 232 140

HSL 88.7, 0.67%, 0.73%

LAB 87.14, -29.63, 40.16

 

CMYK 30 / 0 / 40 / 9

HEX #A3E88C

RGB 163 232 140

HSL 105, 0.67%, 0.73%

LAB 85.7, -38.29, 38.02

 

CMYK 15 / 0 / 68 / 14

HEX #BBDB47

RGB 187 219 71

HSL 72.97, 0.67%, 0.57%

LAB 82.74, -30.34, 66.06

 

CMYK 12 / 0 / 53 / 12

HEX #C7E16A

RGB 199 225 106

HSL 73.11, 0.66%, 0.65%

LAB 85.52, -25.84, 54.6

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 6 / 0 / 27 / 6

HEX #E1EFAE

RGB 225 239 174

HSL 72.92, 0.67%, 0.81%

LAB 92.04, -15.11, 29.97

 

CMYK 3 / 0 / 15 / 4

HEX #EEF6D1

RGB 238 246 209

HSL 72.97, 0.67%, 0.89%

LAB 95.45, -8.85, 16.92

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 40 / 0 / 23 / 9

HEX #8CE8B2

RGB 140 232 178

HSL 144.78, 0.67%, 0.73%

LAB 85.25, -39.07, 17.8

 

CMYK 7 / 40 / 0 / 9

HEX #D78CE8

RGB 215 140 232

HSL 288.91, 0.67%, 0.73%

LAB 68.77, 43.46, -35.16

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 40 / 9 / 0 / 9

HEX #8CD4E8

RGB 140 212 232

HSL 193.04, 0.67%, 0.73%

LAB 81.01, -17.43, -16.94

 

CMYK 0 / 40 / 9 / 9

HEX #E88CD4

RGB 232 140 212

HSL 313.04, 0.67%, 0.73%

LAB 69.94, 45.06, -22.16

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 40 / 0 / 23 / 9

HEX #8CE8B2

RGB 140 232 178

HSL 144.78, 0.67%, 0.73%

LAB 85.25, -39.07, 17.8

 

CMYK 31 / 40 / 0 / 9

HEX #A08CE8

RGB 160 140 232

HSL 253.04, 0.67%, 0.73%

LAB 63.39, 27.57, -43.97

 

CMYK 0 / 40 / 16 / 9

HEX #E88CC2

RGB 232 140 194

HSL 324.78, 0.67%, 0.73%

LAB 69.33, 42.16, -13.08

 

CMYK 9 / 0 / 40 / 9

HEX #D4E88C

RGB 212 232 140

HSL 73.04, 0.67%, 0.73%

LAB 88.73, -20.77, 42.52

 

CMYK 40 / 0 / 11 / 9

HEX #8CE8CE

RGB 140 232 206

HSL 163.04, 0.67%, 0.73%

LAB 85.88, -33.33, 4.04

 

CMYK 31 / 40 / 0 / 9

HEX #A08CE8

RGB 160 140 232

HSL 253.04, 0.67%, 0.73%

LAB 63.39, 27.57, -43.97

 

CMYK 0 / 40 / 28 / 9

HEX #E88CA6

RGB 232 140 166

HSL 343.04, 0.67%, 0.73%

LAB 68.51, 38.13, 1.36

 

Description

Color code: RGBA 212 232 140 0.75 | qconv.com Color code: RGBA 212 232 140 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 232 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 232 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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