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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 212 165 151 0.75 it is the complementary color RGBA 43 90 104 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 212 165 151 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 212 165 151 0.75 shade: RGBA 217 165 146 0.75, RGBA 234 183 165 0.75, RGBA 251 201 184 0.75, RGBA 255 219 203 0.75 and RGBA 255 237 222 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 212 165 151 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 212 165 151 0.75 shade: RGBA 212 165 151 0.75, RGBA 195 147 132 0.75, RGBA 178 129 113 0.75, RGBA 161 111 94 0.75 and RGBA 144 93 75 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 212 165 151 0.75 shade: RGB 211 165 151 and RGB 211 151 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 212 165 151 0.75 shade: RGB 211 165 151, RGB 211 181 151, RGB 211 197 151, RGB 209 211 151 and RGB 193 211 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 212 165 151 0.75 shade matches the following richer shades: RGB 211 165 151, RGB 223 158 139, RGB 235 152 127 and RGB 247 145 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 212 165 151 0.75 shade: RGB 211 165 151, RGB 199 171 163, RGB 187 178 175, RGB 175 184 187 and RGB 164 191 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 212 165 151 0.75 shade: RGB 211 151 170, RGB 211 151 154, RGB 211 164 151, RGB 211 180 151 and RGB 211 196 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 212 165 151 0.75 shade: RGB 187 114 93, RGB 199 139 122, RGB 211 165 151, RGB 224 190 180 and RGB 236 215 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 212 165 151 0.75 shade: RGB 212 165 151, RGB 186 211 151 and RGB 151 162 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 212 165 151 0.75 shade: RGB 212 165 151, RGB 151 211 164 and RGB 164 151 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 212 165 151 0.75 shade: RGB 212 165 151, RGB 186 211 151, RGB 151 198 211 and RGB 176 151 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 212 165 151 0.75 shade: RGB 212 165 151, RGB 168 211 151, RGB 151 198 211 and RGB 194 151 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 22 / 13

HEX #D4A597BF

RGBA 212 165 151 0.75

HSLA 13.77, 0.41%, 0.71%, 0.75

LABA 71.65, 15.3, 13.9, 0.75

 

Complementary color

CMYK 44 / 10 / 0 / 44

HEX #2B5A68BF

RGBA 43 90 104 0.75

HSLA 193.77, 0.41%, 0.29%, 0.75

LABA 35.65, -11.53, -12.91, 0.75

 

CMYK 0 / 18 / 25 / 11

HEX #D9A592BF

RGBA 217 165 146 0.75

HSLA 16.06, 0.48%, 0.71%, 0.75

LABA 72.05, 16.57, 17.27, 0.75

 

CMYK 0 / 16 / 22 / 6

HEX #EAB7A5BF

RGBA 234 183 165 0.75

HSLA 15.65, 0.62%, 0.78%, 0.75

LABA 78.51, 15.91, 16.21, 0.75

 

CMYK 0 / 15 / 20 / 1

HEX #FBC9B8BF

RGBA 251 201 184 0.75

HSLA 15.22, 0.89%, 0.85%, 0.75

LABA 84.87, 15.31, 15.22, 0.75

 

CMYK 0 / 11 / 15 / 0

HEX #FFDBCBBF

RGBA 255 219 203 0.75

HSLA 18.46, 1%, 0.9%, 0.75

LABA 89.97, 10.06, 12.48, 0.75

NCS® S0515-Y70R

CMYK 0 / 5 / 10 / 0

HEX #FFEDDEBF

RGBA 255 237 222 0.75

HSLA 27.27, 1%, 0.94%, 0.75

LABA 94.78, 3.66, 9.44, 0.75

NCS® S0515-Y70R

CMYK 0 / 17 / 22 / 13

HEX #D4A597BF

RGBA 212 165 151 0.75

HSLA 13.77, 0.41%, 0.71%, 0.75

LABA 71.65, 15.3, 13.9, 0.75

 

CMYK 0 / 18 / 24 / 18

HEX #C39384BF

RGBA 195 147 132 0.75

HSLA 14.29, 0.34%, 0.64%, 0.75

LABA 65.07, 15.99, 14.96, 0.75

 

CMYK 0 / 21 / 27 / 23

HEX #B28171BF

RGBA 178 129 113 0.75

HSLA 14.77, 0.3%, 0.57%, 0.75

LABA 58.38, 16.76, 16.13, 0.75

 

CMYK 0 / 23 / 31 / 28

HEX #A16F5EBF

RGBA 161 111 94 0.75

HSLA 15.22, 0.26%, 0.5%, 0.75

LABA 51.56, 17.66, 17.44, 0.75

 

CMYK 0 / 27 / 36 / 33

HEX #905D4BBF

RGBA 144 93 75 0.75

HSLA 15.65, 0.32%, 0.43%, 0.75

LABA 44.61, 18.71, 18.92, 0.75

 

CMYK 0 / 22 / 28 / 17

HEX #D3A597

RGB 211 165 151

HSL 14, 0.41%, 0.71%

LAB 71.55, 14.92, 13.74

 

CMYK 0 / 28 / 28 / 17

HEX #D39797

RGB 211 151 151

HSL 0, 0.41%, 0.71%

LAB 68.18, 22.52, 8.97

 

CMYK 0 / 22 / 28 / 17

HEX #D3A597

RGB 211 165 151

HSL 14, 0.41%, 0.71%

LAB 71.55, 14.92, 13.74

 

CMYK 0 / 14 / 28 / 17

HEX #D3B597

RGB 211 181 151

HSL 30, 0.41%, 0.71%

LAB 75.53, 6.31, 19.29

 

CMYK 0 / 7 / 28 / 17

HEX #D3C597

RGB 211 197 151

HSL 46, 0.41%, 0.71%

LAB 79.62, -2.14, 24.89

 

CMYK 1 / 0 / 28 / 17

HEX #D1D397

RGB 209 211 151

HSL 62, 0.41%, 0.71%

LAB 83.11, -10.12, 29.57

 

CMYK 9 / 0 / 28 / 17

HEX #C1D397

RGB 193 211 151

HSL 78, 0.41%, 0.71%

LAB 81.93, -16.13, 27.77

 

CMYK 0 / 22 / 28 / 17

HEX #D3A597

RGB 211 165 151

HSL 14, 0.41%, 0.71%

LAB 71.55, 14.92, 13.74

 

CMYK 0 / 29 / 38 / 13

HEX #DF9E8B

RGB 223 158 139

HSL 13.57, 0.57%, 0.71%

LAB 70.87, 21.82, 19.58

 

CMYK 0 / 35 / 46 / 8

HEX #EB987F

RGB 235 152 127

HSL 13.89, 0.73%, 0.71%

LAB 70.63, 28.39, 26.05

 

CMYK 0 / 41 / 53 / 3

HEX #F79173

RGB 247 145 115

HSL 13.64, 0.89%, 0.71%

LAB 70.36, 35.59, 32.49

 

CMYK 0 / 22 / 28 / 17

HEX #D3A597

RGB 211 165 151

HSL 14, 0.41%, 0.71%

LAB 71.55, 14.92, 13.74

 

CMYK 0 / 14 / 18 / 22

HEX #C7ABA3

RGB 199 171 163

HSL 13.33, 0.24%, 0.71%

LAB 72.17, 8.87, 7.87

 

CMYK 0 / 5 / 6 / 27

HEX #BBB2AF

RGB 187 178 175

HSL 15, 0.08%, 0.71%

LAB 73.22, 2.66, 2.66

 

CMYK 6 / 2 / 0 / 27

HEX #AFB8BB

RGB 175 184 187

HSL 195, 0.08%, 0.71%

LAB 74.18, -2.53, -2.61

 

CMYK 18 / 4 / 0 / 22

HEX #A4BFC7

RGB 164 191 199

HSL 193.71, 0.24%, 0.71%

LAB 75.62, -7.41, -7.09

 

CMYK 0 / 28 / 19 / 17

HEX #D397AA

RGB 211 151 170

HSL 341, 0.41%, 0.71%

LAB 68.67, 25.29, -0.93

 

CMYK 0 / 28 / 27 / 17

HEX #D3979A

RGB 211 151 154

HSL 357, 0.41%, 0.71%

LAB 68.25, 22.94, 7.4

 

CMYK 0 / 22 / 28 / 17

HEX #D3A497

RGB 211 164 151

HSL 13, 0.41%, 0.71%

LAB 71.31, 15.46, 13.4

 

CMYK 0 / 15 / 28 / 17

HEX #D3B497

RGB 211 180 151

HSL 29, 0.41%, 0.71%

LAB 75.28, 6.84, 18.94

 

CMYK 0 / 7 / 28 / 17

HEX #D3C497

RGB 211 196 151

HSL 45, 0.41%, 0.71%

LAB 79.36, -1.62, 24.54

 

CMYK 0 / 39 / 50 / 27

HEX #BB725D

RGB 187 114 93

HSL 13.4, 0.41%, 0.55%

LAB 55.47, 26.54, 23.82

 

CMYK 0 / 30 / 39 / 22

HEX #C78B7A

RGB 199 139 122

HSL 13.25, 0.41%, 0.63%

LAB 63.35, 20.72, 18.26

 

CMYK 0 / 22 / 28 / 17

HEX #D3A597

RGB 211 165 151

HSL 14, 0.41%, 0.71%

LAB 71.55, 14.92, 13.74

 

CMYK 0 / 15 / 20 / 12

HEX #E0BEB4

RGB 224 190 180

HSL 13.64, 0.42%, 0.79%

LAB 79.6, 10.56, 9.54

 

CMYK 0 / 9 / 11 / 7

HEX #ECD7D1

RGB 236 215 209

HSL 13.33, 0.42%, 0.87%

LAB 87.5, 6.26, 5.57

 

CMYK 0 / 22 / 29 / 17

HEX #D4A597

RGB 212 165 151

HSL 13.77, 0.41%, 0.71%

LAB 71.65, 15.3, 13.9

 

CMYK 12 / 0 / 28 / 17

HEX #BAD397

RGB 186 211 151

HSL 85, 0.41%, 0.71%

LAB 81.44, -18.71, 27.02

 

CMYK 28 / 23 / 0 / 17

HEX #97A2D3

RGB 151 162 211

HSL 229, 0.41%, 0.71%

LAB 67.37, 7.18, -26.22

 

CMYK 0 / 22 / 29 / 17

HEX #D4A597

RGB 212 165 151

HSL 13.77, 0.41%, 0.71%

LAB 71.65, 15.3, 13.9

 

CMYK 28 / 0 / 22 / 17

HEX #97D3A4

RGB 151 211 164

HSL 133, 0.41%, 0.71%

LAB 79.53, -28.64, 17.23

 

CMYK 22 / 28 / 0 / 17

HEX #A497D3

RGB 164 151 211

HSL 253, 0.41%, 0.71%

LAB 65.54, 17.32, -28.95

 

CMYK 0 / 22 / 29 / 17

HEX #D4A597

RGB 212 165 151

HSL 13.77, 0.41%, 0.71%

LAB 71.65, 15.3, 13.9

 

CMYK 12 / 0 / 28 / 17

HEX #BAD397

RGB 186 211 151

HSL 85, 0.41%, 0.71%

LAB 81.44, -18.71, 27.02

 

CMYK 28 / 6 / 0 / 17

HEX #97C6D3

RGB 151 198 211

HSL 193, 0.41%, 0.71%

LAB 77.08, -12.35, -11.5

 

CMYK 17 / 28 / 0 / 17

HEX #B097D3

RGB 176 151 211

HSL 265, 0.41%, 0.71%

LAB 66.57, 21.05, -27.28

 

CMYK 0 / 22 / 29 / 17

HEX #D4A597

RGB 212 165 151

HSL 13.77, 0.41%, 0.71%

LAB 71.65, 15.3, 13.9

 

CMYK 20 / 0 / 28 / 17

HEX #A8D397

RGB 168 211 151

HSL 103, 0.41%, 0.71%

LAB 80.26, -25.14, 25.24

 

CMYK 28 / 6 / 0 / 17

HEX #97C6D3

RGB 151 198 211

HSL 193, 0.41%, 0.71%

LAB 77.08, -12.35, -11.5

 

CMYK 8 / 28 / 0 / 17

HEX #C297D3

RGB 194 151 211

HSL 283, 0.41%, 0.71%

LAB 68.25, 26.78, -24.56

 

Description

Color code: RGBA 212 165 151 0.75 | qconv.com Color code: RGBA 212 165 151 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 165 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 165 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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