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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 211 185 220 0.75 it is the complementary color RGBA 44 70 35 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 211 185 220 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 211 185 220 0.75 shade: RGBA 216 185 215 0.75, RGBA 233 203 234 0.75, RGBA 250 221 253 0.75, RGBA 255 239 255 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 211 185 220 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 211 185 220 0.75 shade: RGBA 211 185 220 0.75, RGBA 194 167 201 0.75, RGBA 177 149 182 0.75, RGBA 160 131 163 0.75 and RGBA 143 113 144 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 211 185 220 0.75 shade: RGB 210 184 219, RGB 219 184 219, RGB 219 184 209, RGB 219 184 200 and RGB 219 184 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 211 185 220 0.75 shade: RGB 210 184 219, RGB 201 184 219, RGB 191 184 219 and RGB 184 184 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 211 185 220 0.75 shade matches the following richer shades: RGB 210 184 219, RGB 214 175 228, RGB 218 166 236, RGB 223 158 245 and RGB 227 149 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 211 185 220 0.75 shade: RGB 210 184 219, RGB 206 192 210, RGB 202 201 202, RGB 197 210 193 and RGB 193 218 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 211 185 220 0.75 shade: RGB 191 184 219, RGB 200 184 219, RGB 210 184 219, RGB 219 184 219 and RGB 219 184 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 211 185 220 0.75 shade: RGB 175 129 191, RGB 193 156 205, RGB 210 184 219, RGB 227 211 233 and RGB 245 239 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 211 185 220 0.75 shade: RGB 211 185 220, RGB 219 184 186 and RGB 184 219 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 211 185 220 0.75 shade: RGB 211 185 220, RGB 219 210 184 and RGB 184 219 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 211 185 220 0.75 shade: RGB 211 185 220, RGB 219 184 186, RGB 193 219 184 and RGB 184 219 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 211 185 220 0.75 shade: RGB 211 185 220, RGB 219 192 184, RGB 193 219 184 and RGB 184 211 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 12 / 0 / 10

HEX #D3B9DCBF

RGBA 211 185 220 0.75

HSLA 284.57, 0.33%, 0.79%, 0.75

LABA 78.29, 15.53, -14.11, 0.75

 

Complementary color

CMYK 28 / 0 / 38 / 54

HEX #2C4623BF

RGBA 44 70 35 0.75

HSLA 104.57, 0.33%, 0.21%, 0.75

LABA 26.84, -17.8, 17.97, 0.75

 

CMYK 0 / 11 / 0 / 11

HEX #D8B9D7BF

RGBA 216 185 215 0.75

HSLA 301.94, 0.28%, 0.79%, 0.75

LABA 78.58, 16.26, -10.93, 0.75

 

CMYK 0 / 10 / 0 / 6

HEX #E9CBEABF

RGBA 233 203 234 0.75

HSLA 298.06, 0.42%, 0.86%, 0.75

LABA 84.98, 15.85, -11.4, 0.75

 

CMYK 1 / 9 / 0 / 1

HEX #FADDFDBF

RGBA 250 221 253 0.75

HSLA 294.38, 0.89%, 0.93%, 0.75

LABA 91.29, 15.47, -11.87, 0.75

 

CMYK 0 / 5 / 0 / 0

HEX #FFEFFFBF

RGBA 255 239 255 0.75

HSLA 300, 1%, 0.97%, 0.75

LABA 96.09, 8.15, -5.76, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 3 / 12 / 0 / 10

HEX #D3B9DCBF

RGBA 211 185 220 0.75

HSLA 284.57, 0.33%, 0.79%, 0.75

LABA 78.29, 15.53, -14.11, 0.75

 

CMYK 3 / 13 / 0 / 16

HEX #C2A7C9BF

RGBA 194 167 201 0.75

HSLA 287.65, 0.24%, 0.72%, 0.75

LABA 71.77, 15.95, -13.69, 0.75

 

CMYK 2 / 14 / 0 / 21

HEX #B195B6BF

RGBA 177 149 182 0.75

HSLA 290.91, 0.18%, 0.65%, 0.75

LABA 65.14, 16.41, -13.26, 0.75

 

CMYK 1 / 15 / 0 / 27

HEX #A083A3BF

RGBA 160 131 163 0.75

HSLA 294.38, 0.15%, 0.58%, 0.75

LABA 58.37, 16.92, -12.83, 0.75

 

CMYK 1 / 16 / 0 / 33

HEX #8F7190BF

RGBA 143 113 144 0.75

HSLA 298.06, 0.12%, 0.5%, 0.75

LABA 51.45, 17.48, -12.39, 0.75

 

CMYK 4 / 16 / 0 / 14

HEX #D2B8DB

RGB 210 184 219

HSL 284.57, 0.33%, 0.79%

LAB 77.93, 15.54, -14.12

 

CMYK 0 / 16 / 0 / 14

HEX #DBB8DB

RGB 219 184 219

HSL 300, 0.33%, 0.79%

LAB 78.73, 18.55, -12.84

 

CMYK 0 / 16 / 5 / 14

HEX #DBB8D1

RGB 219 184 209

HSL 317.14, 0.33%, 0.79%

LAB 78.43, 16.74, -7.88

 

CMYK 0 / 16 / 9 / 14

HEX #DBB8C8

RGB 219 184 200

HSL 332.57, 0.33%, 0.79%

LAB 78.18, 15.17, -3.38

 

CMYK 0 / 16 / 13 / 14

HEX #DBB8BE

RGB 219 184 190

HSL 349.71, 0.33%, 0.79%

LAB 77.91, 13.5, 1.65

 

CMYK 4 / 16 / 0 / 14

HEX #D2B8DB

RGB 210 184 219

HSL 284.57, 0.33%, 0.79%

LAB 77.93, 15.54, -14.12

 

CMYK 8 / 16 / 0 / 14

HEX #C9B8DB

RGB 201 184 219

HSL 269.14, 0.33%, 0.79%

LAB 77.17, 12.56, -15.34

 

CMYK 13 / 16 / 0 / 14

HEX #BFB8DB

RGB 191 184 219

HSL 252, 0.33%, 0.79%

LAB 76.36, 9.3, -16.64

 

CMYK 16 / 16 / 0 / 14

HEX #B8B8DB

RGB 184 184 219

HSL 240, 0.33%, 0.79%

LAB 75.81, 7.05, -17.52

 

CMYK 4 / 16 / 0 / 14

HEX #D2B8DB

RGB 210 184 219

HSL 284.57, 0.33%, 0.79%

LAB 77.93, 15.54, -14.12

 

CMYK 6 / 23 / 0 / 11

HEX #D6AFE4

RGB 214 175 228

HSL 284.15, 0.5%, 0.79%

LAB 76.41, 23.49, -21.26

 

CMYK 8 / 30 / 0 / 7

HEX #DAA6EC

RGB 218 166 236

HSL 284.57, 0.65%, 0.79%

LAB 74.97, 31.22, -27.76

 

CMYK 9 / 36 / 0 / 4

HEX #DF9EF5

RGB 223 158 245

HSL 284.83, 0.81%, 0.79%

LAB 74.02, 38.84, -34.07

 

CMYK 11 / 41 / 0 / 0

HEX #E395FE

RGB 227 149 254

HSL 284.57, 0.98%, 0.79%

LAB 72.88, 46.57, -40.69

 

CMYK 4 / 16 / 0 / 14

HEX #D2B8DB

RGB 210 184 219

HSL 284.57, 0.33%, 0.79%

LAB 77.93, 15.54, -14.12

 

CMYK 2 / 9 / 0 / 18

HEX #CEC0D2

RGB 206 192 210

HSL 286.67, 0.17%, 0.79%

LAB 79.31, 8.17, -7.23

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9CA

RGB 202 201 202

HSL 300, 0.01%, 0.79%

LAB 81.07, 0.53, -0.39

 

CMYK 6 / 0 / 8 / 18

HEX #C5D2C1

RGB 197 210 193

HSL 105.88, 0.16%, 0.79%

LAB 82.81, -7.51, 6.91

 

CMYK 11 / 0 / 16 / 15

HEX #C1DAB8

RGB 193 218 184

HSL 104.12, 0.31%, 0.79%

LAB 84.45, -14.53, 13.97

 

CMYK 13 / 16 / 0 / 14

HEX #BFB8DB

RGB 191 184 219

HSL 252, 0.33%, 0.79%

LAB 76.36, 9.3, -16.64

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 4 / 16 / 0 / 14

HEX #D2B8DB

RGB 210 184 219

HSL 284.57, 0.33%, 0.79%

LAB 77.93, 15.54, -14.12

 

CMYK 0 / 16 / 0 / 14

HEX #DBB8DB

RGB 219 184 219

HSL 300, 0.33%, 0.79%

LAB 78.73, 18.55, -12.84

 

CMYK 0 / 16 / 4 / 14

HEX #DBB8D2

RGB 219 184 210

HSL 315.43, 0.33%, 0.79%

LAB 78.46, 16.92, -8.38

 

CMYK 8 / 32 / 0 / 25

HEX #AF81BF

RGB 175 129 191

HSL 284.52, 0.33%, 0.63%

LAB 60.41, 28.82, -25.56

 

CMYK 6 / 24 / 0 / 20

HEX #C19CCD

RGB 193 156 205

HSL 285.31, 0.33%, 0.71%

LAB 69.13, 22.48, -19.9

 

CMYK 4 / 16 / 0 / 14

HEX #D2B8DB

RGB 210 184 219

HSL 284.57, 0.33%, 0.79%

LAB 77.93, 15.54, -14.12

 

CMYK 3 / 9 / 0 / 9

HEX #E3D3E9

RGB 227 211 233

HSL 283.64, 0.33%, 0.87%

LAB 86.41, 9.44, -8.81

 

CMYK 1 / 3 / 0 / 3

HEX #F5EFF7

RGB 245 239 247

HSL 285, 0.33%, 0.95%

LAB 95.1, 3.42, -3.15

 

CMYK 4 / 16 / 0 / 14

HEX #D3B9DC

RGB 211 185 220

HSL 284.57, 0.33%, 0.79%

LAB 78.29, 15.53, -14.11

 

CMYK 0 / 16 / 15 / 14

HEX #DBB8BA

RGB 219 184 186

HSL 356.57, 0.33%, 0.79%

LAB 77.81, 12.86, 3.67

 

CMYK 16 / 0 / 11 / 14

HEX #B8DBC4

RGB 184 219 196

HSL 140.57, 0.33%, 0.79%

LAB 84.4, -15.95, 7.48

 

CMYK 4 / 16 / 0 / 14

HEX #D3B9DC

RGB 211 185 220

HSL 284.57, 0.33%, 0.79%

LAB 78.29, 15.53, -14.11

 

CMYK 0 / 4 / 16 / 14

HEX #DBD2B8

RGB 219 210 184

HSL 44.57, 0.33%, 0.79%

LAB 84.28, -1.18, 14

 

CMYK 16 / 0 / 4 / 14

HEX #B8DBD2

RGB 184 219 210

HSL 164.57, 0.33%, 0.79%

LAB 84.74, -13.26, 0.57

 

CMYK 4 / 16 / 0 / 14

HEX #D3B9DC

RGB 211 185 220

HSL 284.57, 0.33%, 0.79%

LAB 78.29, 15.53, -14.11

 

CMYK 0 / 16 / 15 / 14

HEX #DBB8BA

RGB 219 184 186

HSL 356.57, 0.33%, 0.79%

LAB 77.81, 12.86, 3.67

 

CMYK 12 / 0 / 16 / 14

HEX #C1DBB8

RGB 193 219 184

HSL 104.57, 0.33%, 0.79%

LAB 84.72, -15.04, 14.34

 

CMYK 16 / 0 / 1 / 14

HEX #B8DBD9

RGB 184 219 217

HSL 176.57, 0.33%, 0.79%

LAB 84.93, -11.85, -2.87

 

CMYK 4 / 16 / 0 / 14

HEX #D3B9DC

RGB 211 185 220

HSL 284.57, 0.33%, 0.79%

LAB 78.29, 15.53, -14.11

 

CMYK 0 / 12 / 16 / 14

HEX #DBC0B8

RGB 219 192 184

HSL 13.71, 0.33%, 0.79%

LAB 79.74, 8.27, 7.53

 

CMYK 12 / 0 / 16 / 14

HEX #C1DBB8

RGB 193 219 184

HSL 104.57, 0.33%, 0.79%

LAB 84.72, -15.04, 14.34

 

CMYK 16 / 4 / 0 / 14

HEX #B8D3DB

RGB 184 211 219

HSL 193.71, 0.33%, 0.79%

LAB 82.86, -7.32, -6.99

 

Description

Color code: RGBA 211 185 220 0.75 | qconv.com Color code: RGBA 211 185 220 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 185 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 185 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 12 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 12% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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