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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 211 162 249 0.75 it is the complementary color RGBA 44 93 6 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 211 162 249 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 211 162 249 0.75 shade: RGBA 216 162 244 0.75, RGBA 233 180 255 0.75, RGBA 250 198 255 0.75, RGBA 255 216 255 0.75 and RGBA 255 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 211 162 249 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 211 162 249 0.75 shade: RGBA 211 162 249 0.75, RGBA 194 144 230 0.75, RGBA 177 126 211 0.75, RGBA 160 108 192 0.75 and RGBA 143 90 173 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 211 162 249 0.75 shade: RGB 212 164 249, RGB 235 164 249, RGB 249 164 240, RGB 249 164 217 and RGB 249 164 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 211 162 249 0.75 shade: RGB 212 164 249, RGB 189 164 249, RGB 166 164 249 and RGB 164 164 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 211 162 249 0.75 shade matches the following richer shades: RGB 212 164 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 211 162 249 0.75 shade: RGB 212 164 249, RGB 211 172 241, RGB 210 180 234, RGB 209 187 226 and RGB 208 195 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 211 162 249 0.75 shade: RGB 165 164 249, RGB 188 164 249, RGB 211 164 249, RGB 234 164 249 and RGB 249 164 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 211 162 249 0.75 shade: RGB 175 86 244, RGB 194 125 247, RGB 212 164 249, RGB 230 203 252 and RGB 249 241 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 211 162 249 0.75 shade: RGB 211 162 249, RGB 249 164 185 and RGB 164 249 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 211 162 249 0.75 shade: RGB 211 162 249, RGB 249 211 164 and RGB 164 249 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 211 162 249 0.75 shade: RGB 211 162 249, RGB 249 164 185, RGB 202 249 164 and RGB 164 249 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 211 162 249 0.75 shade: RGB 211 162 249, RGB 249 168 164, RGB 202 249 164 and RGB 164 245 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 26 / 0 / 2

HEX #D3A2F9BF

RGBA 211 162 249 0.75

HSLA 273.79, 0.88%, 0.81%, 0.75

LABA 73.89, 33.91, -36.54, 0.75

 

Complementary color

CMYK 40 / 0 / 70 / 48

HEX #2C5D06BF

RGBA 44 93 6 0.75

HSLA 93.79, 0.88%, 0.19%, 0.75

LABA 34.76, -31.61, 39.29, 0.75

 

CMYK 9 / 25 / 0 / 3

HEX #D8A2F4BF

RGBA 216 162 244 0.75

HSLA 279.51, 0.79%, 0.8%, 0.75

LABA 74.17, 34.37, -33.35, 0.75

 

CMYK 6 / 22 / 0 / 0

HEX #E9B4FFBF

RGBA 233 180 255 0.75

HSLA 282.4, 1%, 0.85%, 0.75

LABA 80.28, 32.12, -29.73, 0.75

 

CMYK 1 / 17 / 0 / 0

HEX #FAC6FFBF

RGBA 250 198 255 0.75

HSLA 294.74, 1%, 0.89%, 0.75

LABA 85.97, 27.92, -20.91, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFD8FFBF

RGBA 255 216 255 0.75

HSLA 300, 1%, 0.92%, 0.75

LABA 90.59, 20.08, -13.92, 0.75

 

CMYK 0 / 6 / 0 / 0

HEX #FFEAFFBF

RGBA 255 234 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 94.88, 10.72, -7.54, 0.75

 

CMYK 11 / 26 / 0 / 2

HEX #D3A2F9BF

RGBA 211 162 249 0.75

HSLA 273.79, 0.88%, 0.81%, 0.75

LABA 73.89, 33.91, -36.54, 0.75

 

CMYK 12 / 28 / 0 / 7

HEX #C290E6BF

RGBA 194 144 230 0.75

HSLA 274.88, 0.63%, 0.73%, 0.75

LABA 67.37, 34.62, -36.41, 0.75

 

CMYK 12 / 30 / 0 / 13

HEX #B17ED3BF

RGBA 177 126 211 0.75

HSLA 276, 0.49%, 0.66%, 0.75

LABA 60.76, 35.38, -36.28, 0.75

 

CMYK 13 / 33 / 0 / 19

HEX #A06CC0BF

RGBA 160 108 192 0.75

HSLA 277.14, 0.4%, 0.59%, 0.75

LABA 54.03, 36.19, -36.15, 0.75

 

CMYK 13 / 36 / 0 / 24

HEX #8F5AADBF

RGBA 143 90 173 0.75

HSLA 278.31, 0.34%, 0.52%, 0.75

LABA 47.2, 37.03, -36.01, 0.75

 

CMYK 15 / 34 / 0 / 2

HEX #D4A4F9

RGB 212 164 249

HSL 273.88, 0.88%, 0.81%

LAB 74.44, 33.12, -35.68

 

CMYK 6 / 34 / 0 / 2

HEX #EBA4F9

RGB 235 164 249

HSL 290.12, 0.88%, 0.81%

LAB 76.71, 40.07, -31.98

 

CMYK 0 / 34 / 4 / 2

HEX #F9A4F0

RGB 249 164 240

HSL 306.35, 0.88%, 0.81%

LAB 77.86, 42.76, -25.22

 

CMYK 0 / 34 / 13 / 2

HEX #F9A4D9

RGB 249 164 217

HSL 322.59, 0.88%, 0.81%

LAB 77.1, 38.92, -13.89

 

CMYK 0 / 34 / 22 / 2

HEX #F9A4C2

RGB 249 164 194

HSL 338.82, 0.88%, 0.81%

LAB 76.43, 35.42, -2.33

 

CMYK 15 / 34 / 0 / 2

HEX #D4A4F9

RGB 212 164 249

HSL 273.88, 0.88%, 0.81%

LAB 74.44, 33.12, -35.68

 

CMYK 24 / 34 / 0 / 2

HEX #BDA4F9

RGB 189 164 249

HSL 257.65, 0.88%, 0.81%

LAB 72.37, 26.36, -39.05

 

CMYK 33 / 34 / 0 / 2

HEX #A6A4F9

RGB 166 164 249

HSL 241.41, 0.88%, 0.81%

LAB 70.52, 19.9, -42.07

 

CMYK 34 / 34 / 0 / 2

HEX #A4A4F9

RGB 164 164 249

HSL 240, 0.88%, 0.81%

LAB 70.37, 19.36, -42.31

 

CMYK 15 / 34 / 0 / 2

HEX #D4A4F9

RGB 212 164 249

HSL 273.88, 0.88%, 0.81%

LAB 74.44, 33.12, -35.68

 

CMYK 15 / 34 / 0 / 2

HEX #D4A4F9

RGB 212 164 249

HSL 273.88, 0.88%, 0.81%

LAB 74.44, 33.12, -35.68

 

CMYK 12 / 29 / 0 / 5

HEX #D3ACF1

RGB 211 172 241

HSL 273.91, 0.71%, 0.81%

LAB 75.89, 26.79, -29.12

 

CMYK 10 / 23 / 0 / 8

HEX #D2B4EA

RGB 210 180 234

HSL 273.33, 0.56%, 0.81%

LAB 77.45, 20.69, -22.95

 

CMYK 8 / 17 / 0 / 11

HEX #D1BBE2

RGB 209 187 226

HSL 273.85, 0.4%, 0.81%

LAB 78.8, 14.96, -16.6

 

CMYK 5 / 11 / 0 / 15

HEX #D0C3DA

RGB 208 195 218

HSL 273.91, 0.24%, 0.81%

LAB 80.46, 8.76, -9.82

 

CMYK 34 / 34 / 0 / 2

HEX #A5A4F9

RGB 165 164 249

HSL 240.71, 0.88%, 0.81%

LAB 70.45, 19.63, -42.19

 

CMYK 24 / 34 / 0 / 2

HEX #BCA4F9

RGB 188 164 249

HSL 256.94, 0.88%, 0.81%

LAB 72.28, 26.07, -39.19

 

CMYK 15 / 34 / 0 / 2

HEX #D3A4F9

RGB 211 164 249

HSL 273.18, 0.88%, 0.81%

LAB 74.34, 32.83, -35.83

 

CMYK 6 / 34 / 0 / 2

HEX #EAA4F9

RGB 234 164 249

HSL 289.41, 0.88%, 0.81%

LAB 76.61, 39.77, -32.15

 

CMYK 0 / 34 / 3 / 2

HEX #F9A4F2

RGB 249 164 242

HSL 304.94, 0.88%, 0.81%

LAB 77.93, 43.11, -26.19

 

CMYK 28 / 65 / 0 / 4

HEX #AF56F4

RGB 175 86 244

HSL 273.8, 0.88%, 0.65%

LAB 54.35, 62.97, -64.96

 

CMYK 21 / 49 / 0 / 3

HEX #C27DF7

RGB 194 125 247

HSL 273.93, 0.88%, 0.73%

LAB 64.04, 48.61, -51

 

CMYK 15 / 34 / 0 / 2

HEX #D4A4F9

RGB 212 164 249

HSL 273.88, 0.88%, 0.81%

LAB 74.44, 33.12, -35.68

 

CMYK 9 / 19 / 0 / 1

HEX #E6CBFC

RGB 230 203 252

HSL 273.06, 0.89%, 0.89%

LAB 85.28, 18.3, -20.54

 

CMYK 2 / 5 / 0 / 0

HEX #F9F1FE

RGB 249 241 254

HSL 276.92, 0.87%, 0.97%

LAB 96.08, 4.97, -5.3

 

CMYK 15 / 35 / 0 / 2

HEX #D3A2F9

RGB 211 162 249

HSL 273.79, 0.88%, 0.81%

LAB 73.89, 33.91, -36.54

 

CMYK 0 / 34 / 26 / 2

HEX #F9A4B9

RGB 249 164 185

HSL 345.18, 0.88%, 0.81%

LAB 76.19, 34.16, 2.25

 

CMYK 34 / 0 / 29 / 2

HEX #A4F9B1

RGB 164 249 177

HSL 129.18, 0.88%, 0.81%

LAB 91.15, -39.92, 26.63

 

CMYK 15 / 35 / 0 / 2

HEX #D3A2F9

RGB 211 162 249

HSL 273.79, 0.88%, 0.81%

LAB 73.89, 33.91, -36.54

 

CMYK 0 / 15 / 34 / 2

HEX #F9D3A4

RGB 249 211 164

HSL 33.18, 0.88%, 0.81%

LAB 86.71, 6.81, 28.24

 

CMYK 34 / 0 / 15 / 2

HEX #A4F9D3

RGB 164 249 211

HSL 153.18, 0.88%, 0.81%

LAB 91.84, -33.67, 10.15

 

CMYK 15 / 35 / 0 / 2

HEX #D3A2F9

RGB 211 162 249

HSL 273.79, 0.88%, 0.81%

LAB 73.89, 33.91, -36.54

 

CMYK 0 / 34 / 26 / 2

HEX #F9A4B9

RGB 249 164 185

HSL 345.18, 0.88%, 0.81%

LAB 76.19, 34.16, 2.25

 

CMYK 19 / 0 / 34 / 2

HEX #CAF9A4

RGB 202 249 164

HSL 93.18, 0.88%, 0.81%

LAB 93.01, -29.5, 36.03

 

CMYK 34 / 0 / 8 / 2

HEX #A4F9E4

RGB 164 249 228

HSL 165.18, 0.88%, 0.81%

LAB 92.24, -30.17, 1.93

 

CMYK 15 / 35 / 0 / 2

HEX #D3A2F9

RGB 211 162 249

HSL 273.79, 0.88%, 0.81%

LAB 73.89, 33.91, -36.54

 

CMYK 0 / 33 / 34 / 2

HEX #F9A8A4

RGB 249 168 164

HSL 2.82, 0.88%, 0.81%

LAB 76.57, 29.35, 14.27

 

CMYK 19 / 0 / 34 / 2

HEX #CAF9A4

RGB 202 249 164

HSL 93.18, 0.88%, 0.81%

LAB 93.01, -29.5, 36.03

 

CMYK 34 / 2 / 0 / 2

HEX #A4F5F9

RGB 164 245 249

HSL 182.82, 0.88%, 0.81%

LAB 91.7, -23.58, -9.77

 

Description

Color code: RGBA 211 162 249 0.75 | qconv.com Color code: RGBA 211 162 249 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 162 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 162 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 26 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 26% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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