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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 20 142 195 0.75 it is the complementary color RGBA 235 113 60 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 20 142 195 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 20 142 195 0.75 shade: RGBA 25 142 190 0.75, RGBA 42 160 209 0.75, RGBA 59 178 228 0.75, RGBA 76 196 247 0.75 and RGBA 93 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 20 142 195 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 20 142 195 0.75 shade: RGBA 20 142 195 0.75, RGBA 3 124 176 0.75, RGBA 0 106 157 0.75, RGBA 0 88 138 0.75 and RGBA 0 70 119 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 20 142 195 0.75 shade: RGB 20 141 194, RGB 20 95 194, RGB 20 48 194, RGB 40 20 194 and RGB 87 20 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 20 142 195 0.75 shade: RGB 20 141 194, RGB 20 95 194, RGB 20 48 194 and RGB 20 20 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 20 142 195 0.75 shade matches the following richer shades: RGB 20 141 194 and RGB 3 148 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 20 142 195 0.75 shade: RGB 20 141 194, RGB 38 134 177, RGB 55 128 159, RGB 72 121 142 and RGB 90 114 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 20 142 195 0.75 shade: RGB 20 194 153, RGB 20 188 194, RGB 20 142 194, RGB 20 96 194 and RGB 20 49 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 20 142 195 0.75 shade: RGB 13 87 119, RGB 16 114 157, RGB 20 141 194, RGB 25 168 231 and RGB 62 182 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 20 142 195 0.75 shade: RGB 20 142 195, RGB 107 20 194 and RGB 194 177 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 20 142 195 0.75 shade: RGB 20 142 195, RGB 194 20 142 and RGB 142 194 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 20 142 195 0.75 shade: RGB 20 142 195, RGB 107 20 194, RGB 194 72 20 and RGB 107 194 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 20 142 195 0.75 shade: RGB 20 142 195, RGB 159 20 194, RGB 194 72 20 and RGB 55 194 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 20 / 0 / 18

HEX #148EC3BF

RGBA 20 142 195 0.75

HSLA 198.17, 0.81%, 0.42%, 0.75

LABA 55.52, -11.81, -36.08, 0.75

 

Complementary color

CMYK 0 / 39 / 56 / 6

HEX #EB713CBF

RGBA 235 113 60 0.75

HSLA 18.17, 0.81%, 0.58%, 0.75

LABA 61.48, 43.77, 50.29, 0.75

 

CMYK 65 / 19 / 0 / 19

HEX #198EBEBF

RGBA 25 142 190 0.75

HSLA 197.45, 0.77%, 0.42%, 0.75

LABA 55.35, -13.31, -33.5, 0.75

 

CMYK 60 / 18 / 0 / 14

HEX #2AA0D1BF

RGBA 42 160 209 0.75

HSLA 197.6, 0.67%, 0.49%, 0.75

LABA 61.86, -15.09, -34.02, 0.75

 

CMYK 56 / 16 / 0 / 8

HEX #3BB2E4BF

RGBA 59 178 228 0.75

HSLA 197.75, 0.76%, 0.56%, 0.75

LABA 68.29, -16.49, -34.48, 0.75

 

CMYK 52 / 15 / 0 / 2

HEX #4CC4F7BF

RGBA 76 196 247 0.75

HSLA 197.89, 0.91%, 0.63%, 0.75

LABA 74.66, -17.6, -34.89, 0.75

 

CMYK 48 / 12 / 0 / 0

HEX #5DD6FFBF

RGBA 93 214 255 0.75

HSLA 195.19, 1%, 0.68%, 0.75

LABA 80.54, -21.82, -30.06, 0.75

 

CMYK 67 / 20 / 0 / 18

HEX #148EC3BF

RGBA 20 142 195 0.75

HSLA 198.17, 0.81%, 0.42%, 0.75

LABA 55.52, -11.81, -36.08, 0.75

 

CMYK 74 / 22 / 0 / 23

HEX #037CB0BF

RGBA 3 124 176 0.75

HSLA 198.03, 0.97%, 0.35%, 0.75

LABA 48.97, -9.35, -35.48, 0.75

 

CMYK 75 / 24 / 0 / 29

HEX #006A9DBF

RGBA 0 106 157 0.75

HSLA 199.49, 1%, 0.31%, 0.75

LABA 42.37, -6.19, -34.73, 0.75

 

CMYK 75 / 27 / 0 / 34

HEX #00588ABF

RGBA 0 88 138 0.75

HSLA 201.74, 1%, 0.27%, 0.75

LABA 35.62, -2.69, -33.98, 0.75

 

CMYK 75 / 31 / 0 / 40

HEX #004677BF

RGBA 0 70 119 0.75

HSLA 204.71, 1%, 0.23%, 0.75

LABA 28.67, 1.07, -33.28, 0.75

 

CMYK 90 / 27 / 0 / 24

HEX #148DC2

RGB 20 141 194

HSL 198.28, 0.81%, 0.42%

LAB 55.17, -11.61, -36.06

 

CMYK 90 / 51 / 0 / 24

HEX #145FC2

RGB 20 95 194

HSL 214.14, 0.81%, 0.42%

LAB 41.58, 16.63, -57.71

 

CMYK 90 / 75 / 0 / 24

HEX #1430C2

RGB 20 48 194

HSL 230.34, 0.81%, 0.42%

LAB 29.81, 46.83, -77

 

CMYK 79 / 90 / 0 / 24

HEX #2814C2

RGB 40 20 194

HSL 246.9, 0.81%, 0.42%

LAB 26.29, 60.35, -82.81

 

CMYK 55 / 90 / 0 / 24

HEX #5714C2

RGB 87 20 194

HSL 263.1, 0.81%, 0.42%

LAB 30.45, 63.32, -75.78

 

CMYK 90 / 27 / 0 / 24

HEX #148DC2

RGB 20 141 194

HSL 198.28, 0.81%, 0.42%

LAB 55.17, -11.61, -36.06

 

CMYK 90 / 51 / 0 / 24

HEX #145FC2

RGB 20 95 194

HSL 214.14, 0.81%, 0.42%

LAB 41.58, 16.63, -57.71

 

CMYK 90 / 75 / 0 / 24

HEX #1430C2

RGB 20 48 194

HSL 230.34, 0.81%, 0.42%

LAB 29.81, 46.83, -77

 

CMYK 90 / 90 / 0 / 24

HEX #1414C2

RGB 20 20 194

HSL 240, 0.81%, 0.42%

LAB 25.39, 59.77, -84.33

 

CMYK 90 / 27 / 0 / 24

HEX #148DC2

RGB 20 141 194

HSL 198.28, 0.81%, 0.42%

LAB 55.17, -11.61, -36.06

 

CMYK 99 / 30 / 0 / 17

HEX #0394D3

RGB 3 148 211

HSL 198.17, 0.97%, 0.42%

LAB 57.94, -9.95, -41.3

 

CMYK 90 / 27 / 0 / 24

HEX #148DC2

RGB 20 141 194

HSL 198.28, 0.81%, 0.42%

LAB 55.17, -11.61, -36.06

 

CMYK 79 / 24 / 0 / 31

HEX #2686B1

RGB 38 134 177

HSL 198.56, 0.65%, 0.42%

LAB 52.55, -12.33, -30.42

 

CMYK 65 / 19 / 0 / 38

HEX #37809F

RGB 55 128 159

HSL 197.88, 0.49%, 0.42%

LAB 50.4, -12.72, -23.3

 

CMYK 49 / 15 / 0 / 44

HEX #48798E

RGB 72 121 142

HSL 198, 0.33%, 0.42%

LAB 48.27, -10.51, -16.55

 

CMYK 28 / 9 / 0 / 51

HEX #5A727D

RGB 90 114 125

HSL 198.86, 0.16%, 0.42%

LAB 46.56, -6.02, -8.95

 

CMYK 90 / 0 / 21 / 24

HEX #14C299

RGB 20 194 153

HSL 165.86, 0.81%, 0.42%

LAB 70.2, -49.78, 9.4

 

CMYK 90 / 3 / 0 / 24

HEX #14BCC2

RGB 20 188 194

HSL 182.07, 0.81%, 0.42%

LAB 69.48, -35.7, -14.08

 

CMYK 90 / 27 / 0 / 24

HEX #148EC2

RGB 20 142 194

HSL 197.93, 0.81%, 0.42%

LAB 55.47, -12.17, -35.59

 

CMYK 90 / 51 / 0 / 24

HEX #1460C2

RGB 20 96 194

HSL 213.79, 0.81%, 0.42%

LAB 41.86, 15.97, -57.26

 

CMYK 90 / 75 / 0 / 24

HEX #1431C2

RGB 20 49 194

HSL 230, 0.81%, 0.42%

LAB 30.01, 46.25, -76.66

 

CMYK 89 / 27 / 0 / 53

HEX #0D5777

RGB 13 87 119

HSL 198.11, 0.8%, 0.26%

LAB 34.47, -8.9, -24.12

 

CMYK 90 / 27 / 0 / 38

HEX #10729D

RGB 16 114 157

HSL 198.3, 0.82%, 0.34%

LAB 45.05, -10.14, -30.51

 

CMYK 90 / 27 / 0 / 24

HEX #148DC2

RGB 20 141 194

HSL 198.28, 0.81%, 0.42%

LAB 55.17, -11.61, -36.06

 

CMYK 89 / 27 / 0 / 9

HEX #19A8E7

RGB 25 168 231

HSL 198.35, 0.81%, 0.5%

LAB 64.95, -12.98, -41.39

 

CMYK 74 / 23 / 0 / 8

HEX #3EB6EB

RGB 62 182 235

HSL 198.38, 0.81%, 0.58%

LAB 69.81, -15.94, -35.94

 

CMYK 90 / 27 / 0 / 24

HEX #148EC3

RGB 20 142 195

HSL 198.17, 0.81%, 0.42%

LAB 55.52, -11.81, -36.08

 

CMYK 45 / 90 / 0 / 24

HEX #6B14C2

RGB 107 20 194

HSL 270, 0.81%, 0.42%

LAB 32.97, 65.31, -71.55

 

CMYK 0 / 9 / 90 / 24

HEX #C2B114

RGB 194 177 20

HSL 54.14, 0.81%, 0.42%

LAB 71.53, -8.63, 71

 

CMYK 90 / 27 / 0 / 24

HEX #148EC3

RGB 20 142 195

HSL 198.17, 0.81%, 0.42%

LAB 55.52, -11.81, -36.08

 

CMYK 0 / 90 / 27 / 24

HEX #C2148E

RGB 194 20 142

HSL 317.93, 0.81%, 0.42%

LAB 44.12, 71.08, -21.74

 

CMYK 27 / 0 / 90 / 24

HEX #8EC214

RGB 142 194 20

HSL 77.93, 0.81%, 0.42%

LAB 72.48, -38.81, 70.15

 

CMYK 90 / 27 / 0 / 24

HEX #148EC3

RGB 20 142 195

HSL 198.17, 0.81%, 0.42%

LAB 55.52, -11.81, -36.08

 

CMYK 45 / 90 / 0 / 24

HEX #6B14C2

RGB 107 20 194

HSL 270, 0.81%, 0.42%

LAB 32.97, 65.31, -71.55

 

CMYK 0 / 63 / 90 / 24

HEX #C24814

RGB 194 72 20

HSL 17.93, 0.81%, 0.42%

LAB 47.18, 46.72, 52.24

 

CMYK 45 / 0 / 90 / 24

HEX #6BC214

RGB 107 194 20

HSL 90, 0.81%, 0.42%

LAB 70.71, -51.33, 67.95

 

CMYK 90 / 27 / 0 / 24

HEX #148EC3

RGB 20 142 195

HSL 198.17, 0.81%, 0.42%

LAB 55.52, -11.81, -36.08

 

CMYK 18 / 90 / 0 / 24

HEX #9F14C2

RGB 159 20 194

HSL 287.93, 0.81%, 0.42%

LAB 40.84, 72.27, -58.36

 

CMYK 0 / 63 / 90 / 24

HEX #C24814

RGB 194 72 20

HSL 17.93, 0.81%, 0.42%

LAB 47.18, 46.72, 52.24

 

CMYK 72 / 0 / 90 / 24

HEX #37C214

RGB 55 194 20

HSL 107.93, 0.81%, 0.42%

LAB 69.07, -64.45, 65.92

 

Description

Color code: RGBA 20 142 195 0.75 | qconv.com Color code: RGBA 20 142 195 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 142 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 142 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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