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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 209 232 73 0.75 it is the complementary color RGBA 46 23 182 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 209 232 73 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 209 232 73 0.75 shade: RGBA 214 232 68 0.75, RGBA 231 250 87 0.75, RGBA 248 255 106 0.75, RGBA 255 255 125 0.75 and RGBA 255 255 144 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 209 232 73 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 209 232 73 0.75 shade: RGBA 209 232 73 0.75, RGBA 192 214 54 0.75, RGBA 175 196 35 0.75, RGBA 158 178 16 0.75 and RGBA 141 160 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 209 232 73 0.75 shade: RGB 210 233 73, RGB 233 213 73, RGB 233 170 73, RGB 233 127 73 and RGB 233 84 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 209 232 73 0.75 shade: RGB 210 233 73, RGB 167 233 73, RGB 124 233 73, RGB 81 233 73 and RGB 73 233 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 209 232 73 0.75 shade matches the following richer shades: RGB 210 233 73 and RGB 221 249 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 209 232 73 0.75 shade: RGB 210 233 73, RGB 198 216 90, RGB 186 200 106, RGB 174 183 123 and RGB 163 167 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 209 232 73 0.75 shade: RGB 233 169 73, RGB 233 211 73, RGB 211 233 73, RGB 169 233 73 and RGB 126 233 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 209 232 73 0.75 shade: RGB 174 199 25, RGB 200 228 37, RGB 210 233 73, RGB 219 237 110 and RGB 228 242 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 209 232 73 0.75 shade: RGB 209 232 73, RGB 73 233 126 and RGB 190 73 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 209 232 73 0.75 shade: RGB 209 232 73, RGB 73 211 233 and RGB 233 73 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 209 232 73 0.75 shade: RGB 209 232 73, RGB 73 233 126, RGB 95 73 233 and RGB 233 73 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 209 232 73 0.75 shade: RGB 209 232 73, RGB 73 233 174, RGB 95 73 233 and RGB 233 73 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 51 / 7

HEX #D1E849BF

RGBA 209 232 73 0.75

HSLA 68.68, 0.78%, 0.6%, 0.75

LABA 87.85, -27.57, 70.97, 0.75

 

Complementary color

CMYK 56 / 66 / 0 / 21

HEX #2E17B6BF

RGBA 46 23 182 0.75

HSLA 248.68, 0.78%, 0.4%, 0.75

LABA 25.48, 56.29, -77.04, 0.75

 

CMYK 6 / 0 / 53 / 7

HEX #D6E844BF

RGBA 214 232 68 0.75

HSLA 66.59, 0.78%, 0.59%, 0.75

LABA 88.17, -25.83, 73.17, 0.75

 

CMYK 6 / 0 / 49 / 1

HEX #E7FA57BF

RGBA 231 250 87 0.75

HSLA 66.99, 0.94%, 0.66%, 0.75

LABA 94.33, -26.5, 72.88, 0.75

 

CMYK 2 / 0 / 44 / 0

HEX #F8FF6ABF

RGBA 248 255 106 0.75

HSLA 62.82, 1%, 0.71%, 0.75

LABA 97.03, -20.95, 68.57, 0.75

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF7DBF

RGBA 255 255 125 0.75

HSLA 60, 1%, 0.75%, 0.75

LABA 97.74, -16.78, 61.29, 0.75

 

CMYK 0 / 0 / 33 / 0

HEX #FFFF90BF

RGBA 255 255 144 0.75

HSLA 60, 1%, 0.78%, 0.75

LABA 97.95, -15.11, 52.8, 0.75

 

CMYK 7 / 0 / 51 / 7

HEX #D1E849BF

RGBA 209 232 73 0.75

HSLA 68.68, 0.78%, 0.6%, 0.75

LABA 87.85, -27.57, 70.97, 0.75

 

CMYK 8 / 0 / 56 / 12

HEX #C0D636BF

RGBA 192 214 54 0.75

HSLA 68.25, 0.66%, 0.53%, 0.75

LABA 81.6, -26.86, 70.97, 0.75

 

CMYK 8 / 0 / 62 / 17

HEX #AFC423BF

RGBA 175 196 35 0.75

HSLA 67.83, 0.7%, 0.45%, 0.75

LABA 75.27, -25.98, 70.23, 0.75

 

CMYK 8 / 0 / 68 / 23

HEX #9EB210BF

RGBA 158 178 16 0.75

HSLA 67.41, 0.84%, 0.38%, 0.75

LABA 68.86, -24.9, 68.31, 0.75

 

CMYK 9 / 0 / 75 / 28

HEX #8DA000BF

RGBA 141 160 0 0.75

HSLA 67.13, 1%, 0.31%, 0.75

LABA 62.34, -23.62, 64.89, 0.75

 

CMYK 10 / 0 / 69 / 9

HEX #D2E949

RGB 210 233 73

HSL 68.63, 0.78%, 0.6%

LAB 88.19, -27.64, 71.34

 

CMYK 0 / 9 / 69 / 9

HEX #E9D549

RGB 233 213 73

HSL 52.5, 0.78%, 0.6%

LAB 84.69, -8.43, 68.42

 

CMYK 0 / 27 / 69 / 9

HEX #E9AA49

RGB 233 170 73

HSL 36.38, 0.78%, 0.6%

LAB 73.9, 13.9, 57.3

 

CMYK 0 / 45 / 69 / 9

HEX #E97F49

RGB 233 127 73

HSL 20.25, 0.78%, 0.6%

LAB 64.15, 36.57, 46.66

 

CMYK 0 / 64 / 69 / 9

HEX #E95449

RGB 233 84 73

HSL 4.13, 0.78%, 0.6%

LAB 56.23, 56.92, 37.54

 

CMYK 10 / 0 / 69 / 9

HEX #D2E949

RGB 210 233 73

HSL 68.63, 0.78%, 0.6%

LAB 88.19, -27.64, 71.34

 

CMYK 28 / 0 / 69 / 9

HEX #A7E949

RGB 167 233 73

HSL 84.75, 0.78%, 0.6%

LAB 85.49, -44.11, 67.73

 

CMYK 47 / 0 / 69 / 9

HEX #7CE949

RGB 124 233 73

HSL 100.88, 0.78%, 0.6%

LAB 83.47, -58.29, 65

 

CMYK 65 / 0 / 69 / 9

HEX #51E949

RGB 81 233 73

HSL 117, 0.78%, 0.6%

LAB 82.11, -68.89, 63.17

 

CMYK 69 / 0 / 53 / 9

HEX #49E96D

RGB 73 233 109

HSL 133.5, 0.78%, 0.6%

LAB 82.27, -66.41, 47.99

 

CMYK 10 / 0 / 69 / 9

HEX #D2E949

RGB 210 233 73

HSL 68.63, 0.78%, 0.6%

LAB 88.19, -27.64, 71.34

 

CMYK 11 / 0 / 77 / 2

HEX #DDF939

RGB 221 249 57

HSL 68.75, 0.94%, 0.6%

LAB 93.2, -31.45, 81.48

 

CMYK 10 / 0 / 69 / 9

HEX #D2E949

RGB 210 233 73

HSL 68.63, 0.78%, 0.6%

LAB 88.19, -27.64, 71.34

 

CMYK 8 / 0 / 58 / 15

HEX #C6D85A

RGB 198 216 90

HSL 68.57, 0.62%, 0.6%

LAB 82.84, -23.23, 58.66

 

CMYK 7 / 0 / 47 / 22

HEX #BAC86A

RGB 186 200 106

HSL 68.94, 0.46%, 0.6%

LAB 77.75, -18.76, 45.12

 

CMYK 5 / 0 / 33 / 28

HEX #AEB77B

RGB 174 183 123

HSL 69, 0.29%, 0.6%

LAB 72.43, -12.92, 29.52

 

CMYK 2 / 0 / 17 / 35

HEX #A3A78B

RGB 163 167 139

HSL 68.57, 0.14%, 0.6%

LAB 67.49, -6.4, 14.02

 

CMYK 0 / 27 / 69 / 9

HEX #E9A949

RGB 233 169 73

HSL 36, 0.78%, 0.6%

LAB 73.66, 14.43, 57.04

 

CMYK 0 / 9 / 69 / 9

HEX #E9D349

RGB 233 211 73

HSL 51.75, 0.78%, 0.6%

LAB 84.17, -7.42, 67.9

 

CMYK 9 / 0 / 69 / 9

HEX #D3E949

RGB 211 233 73

HSL 68.25, 0.78%, 0.6%

LAB 88.26, -27.24, 71.43

 

CMYK 27 / 0 / 69 / 9

HEX #A9E949

RGB 169 233 73

HSL 84, 0.78%, 0.6%

LAB 85.6, -43.38, 67.88

 

CMYK 46 / 0 / 69 / 9

HEX #7EE949

RGB 126 233 73

HSL 100.13, 0.78%, 0.6%

LAB 83.54, -57.7, 65.11

 

CMYK 13 / 0 / 87 / 22

HEX #AEC719

RGB 174 199 25

HSL 68.62, 0.78%, 0.44%

LAB 76.02, -28.11, 73.01

 

CMYK 12 / 0 / 84 / 11

HEX #C8E425

RGB 200 228 37

HSL 68.8, 0.78%, 0.52%

LAB 85.96, -30.8, 79.58

 

CMYK 10 / 0 / 69 / 9

HEX #D2E949

RGB 210 233 73

HSL 68.63, 0.78%, 0.6%

LAB 88.19, -27.64, 71.34

 

CMYK 8 / 0 / 54 / 7

HEX #DBED6E

RGB 219 237 110

HSL 68.5, 0.78%, 0.68%

LAB 90.21, -23.44, 58.59

 

CMYK 6 / 0 / 39 / 5

HEX #E4F293

RGB 228 242 147

HSL 68.84, 0.79%, 0.76%

LAB 92.62, -18.79, 44.26

 

CMYK 10 / 0 / 69 / 9

HEX #D1E849

RGB 209 232 73

HSL 68.68, 0.78%, 0.6%

LAB 87.85, -27.57, 70.97

 

CMYK 69 / 0 / 46 / 9

HEX #49E97E

RGB 73 233 126

HSL 139.88, 0.78%, 0.6%

LAB 82.49, -63.92, 40.14

 

CMYK 18 / 69 / 0 / 9

HEX #BE49E9

RGB 190 73 233

HSL 283.88, 0.78%, 0.6%

LAB 53.6, 69.41, -59.91

 

CMYK 10 / 0 / 69 / 9

HEX #D1E849

RGB 209 232 73

HSL 68.68, 0.78%, 0.6%

LAB 87.85, -27.57, 70.97

 

CMYK 69 / 9 / 0 / 9

HEX #49D3E9

RGB 73 211 233

HSL 188.25, 0.78%, 0.6%

LAB 78.4, -29.86, -21.65

 

CMYK 0 / 69 / 9 / 9

HEX #E949D3

RGB 233 73 211

HSL 308.25, 0.78%, 0.6%

LAB 58.78, 75.13, -38.85

 

CMYK 10 / 0 / 69 / 9

HEX #D1E849

RGB 209 232 73

HSL 68.68, 0.78%, 0.6%

LAB 87.85, -27.57, 70.97

 

CMYK 69 / 0 / 46 / 9

HEX #49E97E

RGB 73 233 126

HSL 139.88, 0.78%, 0.6%

LAB 82.49, -63.92, 40.14

 

CMYK 59 / 69 / 0 / 9

HEX #5F49E9

RGB 95 73 233

HSL 248.25, 0.78%, 0.6%

LAB 42.89, 52.29, -77.78

 

CMYK 0 / 69 / 23 / 9

HEX #E949B4

RGB 233 73 180

HSL 319.88, 0.78%, 0.6%

LAB 57.45, 70.86, -23.16

 

CMYK 10 / 0 / 69 / 9

HEX #D1E849

RGB 209 232 73

HSL 68.68, 0.78%, 0.6%

LAB 87.85, -27.57, 70.97

 

CMYK 69 / 0 / 25 / 9

HEX #49E9AE

RGB 73 233 174

HSL 157.88, 0.78%, 0.6%

LAB 83.31, -54.85, 16.85

 

CMYK 59 / 69 / 0 / 9

HEX #5F49E9

RGB 95 73 233

HSL 248.25, 0.78%, 0.6%

LAB 42.89, 52.29, -77.78

 

CMYK 0 / 69 / 43 / 9

HEX #E94984

RGB 233 73 132

HSL 337.88, 0.78%, 0.6%

LAB 55.84, 65.51, 2.55

 

Description

Color code: RGBA 209 232 73 0.75 | qconv.com Color code: RGBA 209 232 73 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 232 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 232 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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