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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 209 218 237 0 it is the complementary color RGBA 46 37 18 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 209 218 237 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 209 218 237 0 shade: RGBA 214 218 232 0, RGBA 231 236 251 0 and RGBA 248 254 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 209 218 237 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 209 218 237 0 shade: RGBA 209 218 237 0, RGBA 192 200 218 0, RGBA 175 182 199 0, RGBA 158 164 180 0 and RGBA 141 146 161 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 209 218 237 0 shade: RGB 207 217 236, RGB 207 209 236, RGB 214 207 236, RGB 221 207 236 and RGB 229 207 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 209 218 237 0 shade: RGB 207 217 236, RGB 207 209 236 and RGB 207 207 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 209 218 237 0 shade matches the following richer shades: RGB 207 217 236, RGB 202 215 242, RGB 197 213 247 and RGB 191 211 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 209 218 237 0 shade: RGB 207 217 236, RGB 213 219 231, RGB 218 220 226, RGB 223 222 220 and RGB 229 224 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 209 218 237 0 shade: RGB 207 233 236, RGB 207 225 236, RGB 207 217 236, RGB 207 209 236 and RGB 213 207 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 209 218 237 0 shade: RGB 148 169 213, RGB 178 193 225, RGB 207 217 236, RGB 237 241 248 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 209 218 237 0 shade: RGB 209 218 237, RGB 233 207 236 and RGB 229 236 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 209 218 237 0 shade: RGB 209 218 237, RGB 236 207 217 and RGB 217 236 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 209 218 237 0 shade: RGB 209 218 237, RGB 233 207 236, RGB 236 227 207 and RGB 211 236 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 209 218 237 0 shade: RGB 209 218 237, RGB 236 207 232, RGB 236 227 207 and RGB 207 236 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D1DAED00

RGBA 209 218 237 0

HSLA 220.71, 0.44%, 0.87%, 0

LABA 86.9, 0.66, -10.33, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2E251200

RGBA 46 37 18 0

HSLA 40.71, 0.44%, 0.13%, 0

LABA 15.21, 1.11, 14.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6DAE800

RGBA 214 218 232 0

HSLA 226.67, 0.28%, 0.87%, 0

LABA 87.13, 1.29, -7.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7ECFB00

RGBA 231 236 251 0

HSLA 225, 0.71%, 0.95%, 0

LABA 93.43, 1.13, -7.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8FEFF00

RGBA 248 254 255 0

HSLA 188.57, 1%, 0.99%, 0

LABA 99.24, -1.78, -1.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1DAED00

RGBA 209 218 237 0

HSLA 220.71, 0.44%, 0.87%, 0

LABA 86.9, 0.66, -10.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C0C8DA00

RGBA 192 200 218 0

HSLA 221.54, 0.26%, 0.8%, 0

LABA 80.5, 0.81, -9.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFB6C700

RGBA 175 182 199 0

HSLA 222.5, 0.18%, 0.73%, 0

LABA 73.99, 0.97, -9.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EA4B400

RGBA 158 164 180 0

HSLA 223.64, 0.13%, 0.66%, 0

LABA 67.36, 1.14, -8.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D92A100

RGBA 141 146 161 0

HSLA 225, 0.1%, 0.59%, 0

LABA 60.6, 1.32, -8.52, 0

 

CMYK 12 / 8 / 0 / 7

HEX #CFD9EC

RGB 207 217 236

HSL 219.31, 0.43%, 0.87%

LAB 86.48, 0.34, -10.46

 

CMYK 12 / 11 / 0 / 7

HEX #CFD1EC

RGB 207 209 236

HSL 235.86, 0.43%, 0.87%

LAB 84.44, 4.55, -13.49

 

CMYK 9 / 12 / 0 / 7

HEX #D6CFEC

RGB 214 207 236

HSL 254.48, 0.43%, 0.87%

LAB 84.47, 7.86, -13.39

 

CMYK 6 / 12 / 0 / 7

HEX #DDCFEC

RGB 221 207 236

HSL 268.97, 0.43%, 0.87%

LAB 85.02, 10.14, -12.51

 

CMYK 3 / 12 / 0 / 7

HEX #E5CFEC

RGB 229 207 236

HSL 285.52, 0.43%, 0.87%

LAB 85.68, 12.77, -11.47

 

CMYK 12 / 8 / 0 / 7

HEX #CFD9EC

RGB 207 217 236

HSL 219.31, 0.43%, 0.87%

LAB 86.48, 0.34, -10.46

 

CMYK 12 / 11 / 0 / 7

HEX #CFD1EC

RGB 207 209 236

HSL 235.86, 0.43%, 0.87%

LAB 84.44, 4.55, -13.49

 

CMYK 12 / 12 / 0 / 7

HEX #CFCFEC

RGB 207 207 236

HSL 240, 0.43%, 0.87%

LAB 83.94, 5.61, -14.25

 

CMYK 12 / 8 / 0 / 7

HEX #CFD9EC

RGB 207 217 236

HSL 219.31, 0.43%, 0.87%

LAB 86.48, 0.34, -10.46

 

CMYK 17 / 11 / 0 / 5

HEX #CAD7F2

RGB 202 215 242

HSL 220.5, 0.61%, 0.87%

LAB 85.79, 1.05, -14.69

 

CMYK 20 / 14 / 0 / 3

HEX #C5D5F7

RGB 197 213 247

HSL 220.8, 0.76%, 0.87%

LAB 85.09, 1.64, -18.43

 

CMYK 25 / 17 / 0 / 1

HEX #BFD3FD

RGB 191 211 253

HSL 220.65, 0.94%, 0.87%

LAB 84.36, 2.24, -22.75

 

CMYK 12 / 8 / 0 / 7

HEX #CFD9EC

RGB 207 217 236

HSL 219.31, 0.43%, 0.87%

LAB 86.48, 0.34, -10.46

 

CMYK 8 / 5 / 0 / 9

HEX #D5DBE7

RGB 213 219 231

HSL 220, 0.27%, 0.87%

LAB 87.28, 0.25, -6.58

 

CMYK 4 / 3 / 0 / 11

HEX #DADCE2

RGB 218 220 226

HSL 225, 0.12%, 0.87%

LAB 87.77, 0.43, -3.18

 

CMYK 0 / 0 / 1 / 13

HEX #DFDEDC

RGB 223 222 220

HSL 40, 0.04%, 0.87%

LAB 88.49, -0.01, 1.09

 

CMYK 0 / 2 / 6 / 10

HEX #E5E0D7

RGB 229 224 215

HSL 38.57, 0.21%, 0.87%

LAB 89.33, 0.14, 4.99

SW® 9585

CMYK 12 / 1 / 0 / 7

HEX #CFE9EC

RGB 207 233 236

HSL 186.21, 0.43%, 0.87%

LAB 90.6, -7.91, -4.36

 

CMYK 12 / 5 / 0 / 7

HEX #CFE1EC

RGB 207 225 236

HSL 202.76, 0.43%, 0.87%

LAB 88.53, -3.81, -7.41

 

CMYK 12 / 8 / 0 / 7

HEX #CFD9EC

RGB 207 217 236

HSL 219.31, 0.43%, 0.87%

LAB 86.48, 0.34, -10.46

 

CMYK 12 / 11 / 0 / 7

HEX #CFD1EC

RGB 207 209 236

HSL 235.86, 0.43%, 0.87%

LAB 84.44, 4.55, -13.49

 

CMYK 10 / 12 / 0 / 7

HEX #D5CFEC

RGB 213 207 236

HSL 252.41, 0.43%, 0.87%

LAB 84.39, 7.54, -13.52

 

CMYK 31 / 21 / 0 / 16

HEX #94A9D5

RGB 148 169 213

HSL 220.62, 0.44%, 0.71%

LAB 69.09, 2.88, -24.7

 

CMYK 21 / 14 / 0 / 12

HEX #B2C1E1

RGB 178 193 225

HSL 220.85, 0.44%, 0.79%

LAB 77.9, 1.62, -17.66

 

CMYK 12 / 8 / 0 / 7

HEX #CFD9EC

RGB 207 217 236

HSL 219.31, 0.43%, 0.87%

LAB 86.48, 0.34, -10.46

 

CMYK 4 / 3 / 0 / 3

HEX #EDF1F8

RGB 237 241 248

HSL 218.18, 0.44%, 0.95%

LAB 95.03, -0.05, -3.84

NCS® S0505-R70B

CMYK 12 / 8 / 0 / 7

HEX #D1DAED

RGB 209 218 237

HSL 220.71, 0.44%, 0.87%

LAB 86.9, 0.66, -10.33

 

CMYK 1 / 12 / 0 / 7

HEX #E9CFEC

RGB 233 207 236

HSL 293.79, 0.43%, 0.87%

LAB 86.01, 14.1, -10.94

 

CMYK 3 / 0 / 12 / 7

HEX #E5ECCF

RGB 229 236 207

HSL 74.48, 0.43%, 0.87%

LAB 92.2, -7.3, 13.27

 

CMYK 12 / 8 / 0 / 7

HEX #D1DAED

RGB 209 218 237

HSL 220.71, 0.44%, 0.87%

LAB 86.9, 0.66, -10.33

 

CMYK 0 / 12 / 8 / 7

HEX #ECCFD9

RGB 236 207 217

HSL 339.31, 0.43%, 0.87%

LAB 85.74, 11.77, -1.22

 

CMYK 8 / 0 / 12 / 7

HEX #D9ECCF

RGB 217 236 207

HSL 99.31, 0.43%, 0.87%

LAB 91.35, -11.44, 11.94

 

CMYK 12 / 8 / 0 / 7

HEX #D1DAED

RGB 209 218 237

HSL 220.71, 0.44%, 0.87%

LAB 86.9, 0.66, -10.33

 

CMYK 1 / 12 / 0 / 7

HEX #E9CFEC

RGB 233 207 236

HSL 293.79, 0.43%, 0.87%

LAB 86.01, 14.1, -10.94

 

CMYK 0 / 4 / 12 / 7

HEX #ECE3CF

RGB 236 227 207

HSL 41.38, 0.43%, 0.87%

LAB 90.45, -0.26, 10.85

 

CMYK 11 / 0 / 12 / 7

HEX #D3ECCF

RGB 211 236 207

HSL 111.72, 0.43%, 0.87%

LAB 90.94, -13.48, 11.3

 

CMYK 12 / 8 / 0 / 7

HEX #D1DAED

RGB 209 218 237

HSL 220.71, 0.44%, 0.87%

LAB 86.9, 0.66, -10.33

 

CMYK 0 / 12 / 2 / 7

HEX #ECCFE8

RGB 236 207 232

HSL 308.28, 0.43%, 0.87%

LAB 86.15, 14.38, -8.58

 

CMYK 0 / 4 / 12 / 7

HEX #ECE3CF

RGB 236 227 207

HSL 41.38, 0.43%, 0.87%

LAB 90.45, -0.26, 10.85

 

CMYK 12 / 0 / 10 / 7

HEX #CFECD4

RGB 207 236 212

HSL 130.34, 0.43%, 0.87%

LAB 90.78, -13.94, 8.44

 

Description

Color code: RGBA 209 218 237 0 | qconv.com Color code: RGBA 209 218 237 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 218 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 218 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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