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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 201 198 226 0.5 it is the complementary color RGBA 54 57 29 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 201 198 226 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 201 198 226 0.5 shade: RGBA 206 198 221 0.5, RGBA 223 216 240 0.5, RGBA 240 234 255 0.5, RGBA 255 252 255 0.5 and RGBA 255 255 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 201 198 226 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 201 198 226 0.5 shade: RGBA 201 198 226 0.5, RGBA 184 180 207 0.5, RGBA 167 162 188 0.5, RGBA 150 144 169 0.5 and RGBA 133 126 150 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 201 198 226 0.5 shade: RGB 200 197 226, RGB 208 197 226, RGB 216 197 226, RGB 224 197 226 and RGB 226 197 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 201 198 226 0.5 shade: RGB 200 197 226 and RGB 197 197 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 201 198 226 0.5 shade matches the following richer shades: RGB 200 197 226, RGB 195 190 233, RGB 189 183 240, RGB 184 176 247 and RGB 178 169 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 201 198 226 0.5 shade: RGB 200 197 226, RGB 206 204 219, RGB 211 211 212, RGB 217 218 205 and RGB 222 225 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 201 198 226 0.5 shade: RGB 197 210 226, RGB 197 202 226, RGB 200 197 226, RGB 208 197 226 and RGB 215 197 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 201 198 226 0.5 shade: RGB 148 142 198, RGB 174 170 212, RGB 200 197 226, RGB 226 225 240 and RGB 252 252 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 201 198 226 0.5 shade: RGB 201 198 226, RGB 226 197 217 and RGB 206 226 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 201 198 226 0.5 shade: RGB 201 198 226, RGB 226 200 197 and RGB 197 226 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 201 198 226 0.5 shade: RGB 201 198 226, RGB 226 197 217, RGB 223 226 197 and RGB 197 226 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 201 198 226 0.5 shade: RGB 201 198 226, RGB 226 197 209, RGB 223 226 197 and RGB 197 226 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 6 / 0 / 6

HEX #C9C6E27F

RGBA 201 198 226 0.5

HSLA 246.43, 0.33%, 0.83%, 0.5

LABA 80.9, 6.43, -13.51, 0.5

 

Complementary color

CMYK 3 / 0 / 25 / 39

HEX #36391D7F

RGBA 54 57 29 0.5

HSLA 66.43, 0.33%, 0.17%, 0.5

LABA 23, -6.53, 16.99, 0.5

 

CMYK 3 / 5 / 0 / 7

HEX #CEC6DD7F

RGBA 206 198 221 0.5

HSLA 260.87, 0.25%, 0.82%, 0.5

LABA 81.14, 7.07, -10.43, 0.5

 

CMYK 4 / 5 / 0 / 3

HEX #DFD8F07F

RGBA 223 216 240 0.5

HSLA 257.5, 0.44%, 0.89%, 0.5

LABA 87.53, 6.82, -10.87, 0.5

 

CMYK 3 / 4 / 0 / 0

HEX #F0EAFF7F

RGBA 240 234 255 0.5

HSLA 257.14, 1%, 0.96%, 0.5

LABA 93.71, 5.82, -9.41, 0.5

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF7F

RGBA 255 252 255 0.5

HSLA 300, 1%, 0.99%, 0.5

LABA 99.26, 1.52, -1.09, 0.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF7F

RGBA 255 255 255 0.5

HSLA 0, 0%, 1%, 0.5

LABA 100, 0.01, -0.01, 0.5

 

CMYK 6 / 6 / 0 / 6

HEX #C9C6E27F

RGBA 201 198 226 0.5

HSLA 246.43, 0.33%, 0.83%, 0.5

LABA 80.9, 6.43, -13.51, 0.5

 

CMYK 6 / 7 / 0 / 9

HEX #B8B4CF7F

RGBA 184 180 207 0.5

HSLA 248.89, 0.22%, 0.76%, 0.5

LABA 74.41, 6.69, -13.11, 0.5

 

CMYK 6 / 7 / 0 / 13

HEX #A7A2BC7F

RGBA 167 162 188 0.5

HSLA 251.54, 0.16%, 0.69%, 0.5

LABA 67.79, 6.97, -12.72, 0.5

 

CMYK 6 / 7 / 0 / 17

HEX #9690A97F

RGBA 150 144 169 0.5

HSLA 254.4, 0.13%, 0.61%, 0.5

LABA 61.04, 7.27, -12.32, 0.5

 

CMYK 6 / 8 / 0 / 21

HEX #857E967F

RGBA 133 126 150 0.5

HSLA 257.5, 0.1%, 0.54%, 0.5

LABA 54.14, 7.59, -11.94, 0.5

 

CMYK 12 / 13 / 0 / 11

HEX #C8C5E2

RGB 200 197 226

HSL 246.21, 0.33%, 0.83%

LAB 80.57, 6.64, -14.01

 

CMYK 8 / 13 / 0 / 11

HEX #D0C5E2

RGB 208 197 226

HSL 262.76, 0.33%, 0.83%

LAB 81.2, 9.25, -13.01

 

CMYK 4 / 13 / 0 / 11

HEX #D8C5E2

RGB 216 197 226

HSL 279.31, 0.33%, 0.83%

LAB 81.85, 11.89, -11.96

 

CMYK 1 / 13 / 0 / 11

HEX #E0C5E2

RGB 224 197 226

HSL 295.86, 0.33%, 0.83%

LAB 82.52, 14.56, -10.89

 

CMYK 0 / 13 / 2 / 11

HEX #E2C5DD

RGB 226 197 221

HSL 310.34, 0.33%, 0.83%

LAB 82.55, 14.32, -8.15

 

CMYK 12 / 13 / 0 / 11

HEX #C8C5E2

RGB 200 197 226

HSL 246.21, 0.33%, 0.83%

LAB 80.57, 6.64, -14.01

 

CMYK 13 / 13 / 0 / 11

HEX #C5C5E2

RGB 197 197 226

HSL 240, 0.33%, 0.83%

LAB 80.34, 5.68, -14.38

 

CMYK 12 / 13 / 0 / 11

HEX #C8C5E2

RGB 200 197 226

HSL 246.21, 0.33%, 0.83%

LAB 80.57, 6.64, -14.01

 

CMYK 16 / 18 / 0 / 9

HEX #C3BEE9

RGB 195 190 233

HSL 246.98, 0.49%, 0.83%

LAB 78.64, 10.29, -20.72

NCS® S1030-R60B

CMYK 21 / 24 / 0 / 6

HEX #BDB7F0

RGB 189 183 240

HSL 246.32, 0.66%, 0.83%

LAB 76.67, 13.8, -27.55

NCS® S1030-R60B

CMYK 26 / 29 / 0 / 3

HEX #B8B0F7

RGB 184 176 247

HSL 246.76, 0.82%, 0.83%

LAB 74.8, 17.78, -34.23

NCS® S1030-R60B

CMYK 30 / 33 / 0 / 0

HEX #B2A9FE

RGB 178 169 254

HSL 246.35, 0.98%, 0.83%

LAB 72.89, 21.66, -41.01

NCS® S1030-R60B

CMYK 12 / 13 / 0 / 11

HEX #C8C5E2

RGB 200 197 226

HSL 246.21, 0.33%, 0.83%

LAB 80.57, 6.64, -14.01

 

CMYK 6 / 7 / 0 / 14

HEX #CECCDB

RGB 206 204 219

HSL 248, 0.17%, 0.83%

LAB 82.61, 3.5, -7.18

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D4

RGB 211 211 212

HSL 240, 0.01%, 0.83%

LAB 84.58, 0.19, -0.5

 

CMYK 0 / 0 / 6 / 15

HEX #D9DACD

RGB 217 218 205

HSL 64.62, 0.15%, 0.83%

LAB 86.65, -2.62, 6.27

 

CMYK 1 / 0 / 12 / 12

HEX #DEE1C6

RGB 222 225 198

HSL 66.67, 0.31%, 0.83%

LAB 88.67, -5.62, 12.87

 

CMYK 13 / 7 / 0 / 11

HEX #C5D2E2

RGB 197 210 226

HSL 213.1, 0.33%, 0.83%

LAB 83.68, -1.22, -9.39

 

CMYK 13 / 11 / 0 / 11

HEX #C5CAE2

RGB 197 202 226

HSL 229.66, 0.33%, 0.83%

LAB 81.62, 3.01, -12.46

 

CMYK 12 / 13 / 0 / 11

HEX #C8C5E2

RGB 200 197 226

HSL 246.21, 0.33%, 0.83%

LAB 80.57, 6.64, -14.01

 

CMYK 8 / 13 / 0 / 11

HEX #D0C5E2

RGB 208 197 226

HSL 262.76, 0.33%, 0.83%

LAB 81.2, 9.25, -13.01

 

CMYK 5 / 13 / 0 / 11

HEX #D7C5E2

RGB 215 197 226

HSL 277.24, 0.33%, 0.83%

LAB 81.77, 11.56, -12.1

 

CMYK 25 / 28 / 0 / 22

HEX #948EC6

RGB 148 142 198

HSL 246.43, 0.33%, 0.67%

LAB 61.41, 14.45, -28.16

 

CMYK 18 / 20 / 0 / 17

HEX #AEAAD4

RGB 174 170 212

HSL 245.71, 0.33%, 0.75%

LAB 71.22, 10.02, -20.74

 

CMYK 12 / 13 / 0 / 11

HEX #C8C5E2

RGB 200 197 226

HSL 246.21, 0.33%, 0.83%

LAB 80.57, 6.64, -14.01

 

CMYK 6 / 6 / 0 / 6

HEX #E2E1F0

RGB 226 225 240

HSL 244, 0.33%, 0.91%

LAB 90, 3.1, -7.18

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 11 / 12 / 0 / 11

HEX #C9C6E2

RGB 201 198 226

HSL 246.43, 0.33%, 0.83%

LAB 80.9, 6.43, -13.51

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D9

RGB 226 197 217

HSL 318.62, 0.33%, 0.83%

LAB 82.44, 13.61, -6.18

 

CMYK 9 / 0 / 13 / 11

HEX #CEE2C5

RGB 206 226 197

HSL 101.38, 0.33%, 0.83%

LAB 87.75, -11.87, 11.93

 

CMYK 11 / 12 / 0 / 11

HEX #C9C6E2

RGB 201 198 226

HSL 246.43, 0.33%, 0.83%

LAB 80.9, 6.43, -13.51

 

CMYK 0 / 12 / 13 / 11

HEX #E2C8C5

RGB 226 200 197

HSL 6.21, 0.33%, 0.83%

LAB 82.65, 8.63, 4.83

 

CMYK 13 / 0 / 12 / 11

HEX #C5E2C8

RGB 197 226 200

HSL 126.21, 0.33%, 0.83%

LAB 87.21, -14.41, 9.51

 

CMYK 11 / 12 / 0 / 11

HEX #C9C6E2

RGB 201 198 226

HSL 246.43, 0.33%, 0.83%

LAB 80.9, 6.43, -13.51

 

CMYK 0 / 13 / 4 / 11

HEX #E2C5D9

RGB 226 197 217

HSL 318.62, 0.33%, 0.83%

LAB 82.44, 13.61, -6.18

 

CMYK 1 / 0 / 13 / 11

HEX #DFE2C5

RGB 223 226 197

HSL 66.21, 0.33%, 0.83%

LAB 88.98, -5.93, 13.84

 

CMYK 13 / 0 / 9 / 11

HEX #C5E2CE

RGB 197 226 206

HSL 138.62, 0.33%, 0.83%

LAB 87.35, -13.33, 6.56

 

CMYK 11 / 12 / 0 / 11

HEX #C9C6E2

RGB 201 198 226

HSL 246.43, 0.33%, 0.83%

LAB 80.9, 6.43, -13.51

 

CMYK 0 / 13 / 8 / 11

HEX #E2C5D1

RGB 226 197 209

HSL 335.17, 0.33%, 0.83%

LAB 82.22, 12.22, -2.22

 

CMYK 1 / 0 / 13 / 11

HEX #DFE2C5

RGB 223 226 197

HSL 66.21, 0.33%, 0.83%

LAB 88.98, -5.93, 13.84

 

CMYK 13 / 0 / 5 / 11

HEX #C5E2D7

RGB 197 226 215

HSL 157.24, 0.33%, 0.83%

LAB 87.57, -11.64, 2.14

 

Description

Color code: RGBA 201 198 226 0.5 | qconv.com Color code: RGBA 201 198 226 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 198 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 198 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 6 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 6% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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