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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 201 165 221 0.75 it is the complementary color RGBA 54 90 34 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 201 165 221 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 201 165 221 0.75 shade: RGBA 206 165 216 0.75, RGBA 223 183 235 0.75, RGBA 240 201 254 0.75, RGBA 255 219 255 0.75 and RGBA 255 237 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 201 165 221 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 201 165 221 0.75 shade: RGBA 201 165 221 0.75, RGBA 184 147 202 0.75, RGBA 167 129 183 0.75, RGBA 150 111 164 0.75 and RGBA 133 93 145 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 201 165 221 0.75 shade: RGB 202 166 221, RGB 217 166 221, RGB 221 166 211, RGB 221 166 196 and RGB 221 166 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 201 165 221 0.75 shade: RGB 202 166 221, RGB 187 166 221, RGB 172 166 221 and RGB 166 166 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 201 165 221 0.75 shade matches the following richer shades: RGB 202 166 221, RGB 204 156 231, RGB 207 146 241 and RGB 210 137 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 201 165 221 0.75 shade: RGB 202 166 221, RGB 199 176 211, RGB 196 186 202, RGB 193 196 192 and RGB 190 206 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 201 165 221 0.75 shade: RGB 172 166 221, RGB 186 166 221, RGB 201 166 221, RGB 216 166 221 and RGB 221 166 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 201 165 221 0.75 shade: RGB 166 106 199, RGB 184 136 210, RGB 202 166 221, RGB 220 196 233 and RGB 238 226 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 201 165 221 0.75 shade: RGB 201 165 221, RGB 221 166 175 and RGB 166 221 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 201 165 221 0.75 shade: RGB 201 165 221, RGB 221 201 166 and RGB 166 221 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 201 165 221 0.75 shade: RGB 201 165 221, RGB 221 166 175, RGB 186 221 166 and RGB 166 221 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 201 165 221 0.75 shade: RGB 201 165 221, RGB 221 174 166, RGB 186 221 166 and RGB 166 214 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 19 / 0 / 10

HEX #C9A5DDBF

RGBA 201 165 221 0.75

HSLA 278.57, 0.45%, 0.76%, 0.75

LABA 72.59, 23.35, -23.36, 0.75

 

Complementary color

CMYK 30 / 0 / 47 / 49

HEX #365A22BF

RGBA 54 90 34 0.75

HSLA 98.57, 0.45%, 0.24%, 0.75

LABA 34.42, -24.33, 27.83, 0.75

 

CMYK 3 / 18 / 0 / 11

HEX #CEA5D8BF

RGBA 206 165 216 0.75

HSLA 288.24, 0.4%, 0.75%, 0.75

LABA 72.89, 23.98, -20.14, 0.75

 

CMYK 4 / 17 / 0 / 6

HEX #DFB7EBBF

RGBA 223 183 235 0.75

HSLA 286.15, 0.57%, 0.82%, 0.75

LABA 79.36, 23.44, -20.49, 0.75

 

CMYK 4 / 16 / 0 / 0

HEX #F0C9FEBF

RGBA 240 201 254 0.75

HSLA 284.15, 0.96%, 0.89%, 0.75

LABA 85.73, 22.94, -20.83, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFBF

RGBA 255 219 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.3, 18.51, -12.86, 0.75

 

CMYK 0 / 5 / 0 / 0

HEX #FFEDFFBF

RGBA 255 237 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 95.6, 9.18, -6.47, 0.75

 

CMYK 7 / 19 / 0 / 10

HEX #C9A5DDBF

RGBA 201 165 221 0.75

HSLA 278.57, 0.45%, 0.76%, 0.75

LABA 72.59, 23.35, -23.36, 0.75

 

CMYK 7 / 20 / 0 / 16

HEX #B893CABF

RGBA 184 147 202 0.75

HSLA 280.36, 0.34%, 0.68%, 0.75

LABA 66, 23.92, -23.08, 0.75

 

CMYK 7 / 22 / 0 / 21

HEX #A781B7BF

RGBA 167 129 183 0.75

HSLA 282.22, 0.27%, 0.61%, 0.75

LABA 59.28, 24.55, -22.81, 0.75

 

CMYK 6 / 24 / 0 / 27

HEX #966FA4BF

RGBA 150 111 164 0.75

HSLA 284.15, 0.23%, 0.54%, 0.75

LABA 52.43, 25.22, -22.54, 0.75

 

CMYK 6 / 27 / 0 / 32

HEX #855D91BF

RGBA 133 93 145 0.75

HSLA 286.15, 0.22%, 0.47%, 0.75

LABA 45.44, 25.96, -22.26, 0.75

 

CMYK 9 / 25 / 0 / 13

HEX #CAA6DD

RGB 202 166 221

HSL 279.27, 0.45%, 0.76%

LAB 72.92, 23.12, -22.85

 

CMYK 2 / 25 / 0 / 13

HEX #D9A6DD

RGB 217 166 221

HSL 295.64, 0.45%, 0.76%

LAB 74.35, 28, -20.55

 

CMYK 0 / 25 / 5 / 13

HEX #DDA6D3

RGB 221 166 211

HSL 310.91, 0.45%, 0.76%

LAB 74.41, 27.49, -14.95

 

CMYK 0 / 25 / 11 / 13

HEX #DDA6C4

RGB 221 166 196

HSL 327.27, 0.45%, 0.76%

LAB 73.95, 24.9, -7.42

 

CMYK 0 / 25 / 18 / 13

HEX #DDA6B6

RGB 221 166 182

HSL 342.55, 0.45%, 0.76%

LAB 73.56, 22.64, -0.3

 

CMYK 9 / 25 / 0 / 13

HEX #CAA6DD

RGB 202 166 221

HSL 279.27, 0.45%, 0.76%

LAB 72.92, 23.12, -22.85

 

CMYK 15 / 25 / 0 / 13

HEX #BBA6DD

RGB 187 166 221

HSL 262.91, 0.45%, 0.76%

LAB 71.59, 18.33, -25

 

CMYK 22 / 25 / 0 / 13

HEX #ACA6DD

RGB 172 166 221

HSL 246.55, 0.45%, 0.76%

LAB 70.36, 13.67, -27

 

CMYK 25 / 25 / 0 / 13

HEX #A6A6DD

RGB 166 166 221

HSL 240, 0.45%, 0.76%

LAB 69.89, 11.85, -27.75

 

CMYK 9 / 25 / 0 / 13

HEX #CAA6DD

RGB 202 166 221

HSL 279.27, 0.45%, 0.76%

LAB 72.92, 23.12, -22.85

 

CMYK 12 / 32 / 0 / 9

HEX #CC9CE7

RGB 204 156 231

HSL 278.4, 0.61%, 0.76%

LAB 71.13, 31.29, -31.05

 

CMYK 14 / 39 / 0 / 5

HEX #CF92F1

RGB 207 146 241

HSL 278.53, 0.77%, 0.76%

LAB 69.59, 39.71, -38.89

 

CMYK 16 / 45 / 0 / 2

HEX #D289FB

RGB 210 137 251

HSL 278.42, 0.93%, 0.76%

LAB 68.43, 47.46, -46.16

 

CMYK 9 / 25 / 0 / 13

HEX #CAA6DD

RGB 202 166 221

HSL 279.27, 0.45%, 0.76%

LAB 72.92, 23.12, -22.85

 

CMYK 6 / 17 / 0 / 17

HEX #C7B0D3

RGB 199 176 211

HSL 279.43, 0.28%, 0.76%

LAB 74.76, 14.66, -14.63

 

CMYK 3 / 8 / 0 / 21

HEX #C4BACA

RGB 196 186 202

HSL 277.5, 0.13%, 0.76%

LAB 76.75, 6.47, -6.79

 

CMYK 2 / 0 / 2 / 23

HEX #C1C4C0

RGB 193 196 192

HSL 105, 0.03%, 0.76%

LAB 78.82, -1.77, 1.63

 

CMYK 8 / 0 / 12 / 19

HEX #BECEB6

RGB 190 206 182

HSL 100, 0.2%, 0.76%

LAB 81, -9.81, 10.1

 

CMYK 22 / 25 / 0 / 13

HEX #ACA6DD

RGB 172 166 221

HSL 246.55, 0.45%, 0.76%

LAB 70.36, 13.67, -27

 

CMYK 16 / 25 / 0 / 13

HEX #BAA6DD

RGB 186 166 221

HSL 261.82, 0.45%, 0.76%

LAB 71.51, 18.02, -25.14

 

CMYK 9 / 25 / 0 / 13

HEX #C9A6DD

RGB 201 166 221

HSL 278.18, 0.45%, 0.76%

LAB 72.83, 22.8, -23

 

CMYK 2 / 25 / 0 / 13

HEX #D8A6DD

RGB 216 166 221

HSL 294.55, 0.45%, 0.76%

LAB 74.25, 27.67, -20.71

 

CMYK 0 / 25 / 4 / 13

HEX #DDA6D4

RGB 221 166 212

HSL 309.82, 0.45%, 0.76%

LAB 74.44, 27.67, -15.45

 

CMYK 17 / 47 / 0 / 22

HEX #A66AC7

RGB 166 106 199

HSL 278.71, 0.45%, 0.6%

LAB 54.59, 40.59, -39.23

 

CMYK 12 / 35 / 0 / 18

HEX #B888D2

RGB 184 136 210

HSL 278.92, 0.45%, 0.68%

LAB 63.71, 31.73, -31.06

 

CMYK 9 / 25 / 0 / 13

HEX #CAA6DD

RGB 202 166 221

HSL 279.27, 0.45%, 0.76%

LAB 72.92, 23.12, -22.85

 

CMYK 6 / 16 / 0 / 9

HEX #DCC4E9

RGB 220 196 233

HSL 278.92, 0.46%, 0.84%

LAB 82.15, 15.09, -15.23

 

CMYK 2 / 7 / 0 / 4

HEX #EEE2F4

RGB 238 226 244

HSL 280, 0.45%, 0.92%

LAB 91.28, 7.27, -7.28

 

CMYK 9 / 25 / 0 / 13

HEX #C9A5DD

RGB 201 165 221

HSL 278.57, 0.45%, 0.76%

LAB 72.59, 23.35, -23.36

 

CMYK 0 / 25 / 21 / 13

HEX #DDA6AF

RGB 221 166 175

HSL 350.18, 0.45%, 0.76%

LAB 73.38, 21.57, 3.28

 

CMYK 25 / 0 / 19 / 13

HEX #A6DDB3

RGB 166 221 179

HSL 134.18, 0.45%, 0.76%

LAB 83.48, -25.93, 14.99

 

CMYK 9 / 25 / 0 / 13

HEX #C9A5DD

RGB 201 165 221

HSL 278.57, 0.45%, 0.76%

LAB 72.59, 23.35, -23.36

 

CMYK 0 / 9 / 25 / 13

HEX #DDC9A6

RGB 221 201 166

HSL 38.18, 0.45%, 0.76%

LAB 81.78, 1.61, 20.06

 

CMYK 25 / 0 / 9 / 13

HEX #A6DDC9

RGB 166 221 201

HSL 158.18, 0.45%, 0.76%

LAB 83.98, -21.7, 4.1

 

CMYK 9 / 25 / 0 / 13

HEX #C9A5DD

RGB 201 165 221

HSL 278.57, 0.45%, 0.76%

LAB 72.59, 23.35, -23.36

 

CMYK 0 / 25 / 21 / 13

HEX #DDA6AF

RGB 221 166 175

HSL 350.18, 0.45%, 0.76%

LAB 73.38, 21.57, 3.28

 

CMYK 16 / 0 / 25 / 13

HEX #BADDA6

RGB 186 221 166

HSL 98.18, 0.45%, 0.76%

LAB 84.43, -21.39, 23.3

 

CMYK 25 / 0 / 4 / 13

HEX #A6DDD4

RGB 166 221 212

HSL 170.18, 0.45%, 0.76%

LAB 84.26, -19.42, -1.32

 

CMYK 9 / 25 / 0 / 13

HEX #C9A5DD

RGB 201 165 221

HSL 278.57, 0.45%, 0.76%

LAB 72.59, 23.35, -23.36

 

CMYK 0 / 21 / 25 / 13

HEX #DDAEA6

RGB 221 174 166

HSL 8.73, 0.45%, 0.76%

LAB 75.07, 15.95, 10.65

 

CMYK 16 / 0 / 25 / 13

HEX #BADDA6

RGB 186 221 166

HSL 98.18, 0.45%, 0.76%

LAB 84.43, -21.39, 23.3

 

CMYK 25 / 3 / 0 / 13

HEX #A6D6DD

RGB 166 214 221

HSL 187.64, 0.45%, 0.76%

LAB 82.6, -13.93, -8.55

 

Description

Color code: RGBA 201 165 221 0.75 | qconv.com Color code: RGBA 201 165 221 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 165 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 165 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 19 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 19% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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