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Color name
RGBA 201 126 20 0.3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 201 126 20 0.3 it is the complementary color RGBA 54 129 235 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 201 126 20 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 201 126 20 0.3 shade: RGBA 206 126 15 0.3, RGBA 223 144 34 0.3, RGBA 240 162 53 0.3, RGBA 255 180 72 0.3 and RGBA 255 198 91 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 201 126 20 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 201 126 20 0.3 shade: RGBA 201 126 20 0.3, RGBA 184 108 1 0.3, RGBA 167 90 0 0.3, RGBA 150 72 0 0.3 and RGBA 133 54 0 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 201 126 20 0.3 shade: RGB 200 125 20, RGB 200 77 20, RGB 200 28 20 and RGB 200 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 201 126 20 0.3 shade: RGB 200 125 20, RGB 200 174 20, RGB 177 200 20, RGB 129 200 20 and RGB 80 200 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 201 126 20 0.3 shade matches the following richer shades: RGB 200 125 20 and RGB 217 128 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 201 126 20 0.3 shade: RGB 200 125 20, RGB 182 122 37, RGB 164 119 55, RGB 146 116 73 and RGB 129 113 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 201 126 20 0.3 shade: RGB 200 29 20, RGB 200 77 20, RGB 200 125 20, RGB 200 173 20 and RGB 179 200 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 201 126 20 0.3 shade: RGB 124 78 12, RGB 162 102 16, RGB 200 125 20, RGB 233 148 28 and RGB 236 166 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 201 126 20 0.3 shade: RGB 201 126 20, RGB 59 200 20 and RGB 53 20 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 201 126 20 0.3 shade: RGB 201 126 20, RGB 20 200 125 and RGB 125 20 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 201 126 20 0.3 shade: RGB 201 126 20, RGB 59 200 20, RGB 20 95 200 and RGB 161 20 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 201 126 20 0.3 shade: RGB 201 126 20, RGB 20 200 35, RGB 20 95 200 and RGB 200 20 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 27 / 6

HEX #C97E144C

RGBA 201 126 20 0.3

HSLA 35.14, 0.82%, 0.43%, 0.3

LABA 59.33, 21.94, 61.89, 0.3

 

Complementary color

CMYK 23 / 14 / 0 / 2

HEX #3681EB4C

RGBA 54 129 235 0.3

HSLA 215.14, 0.82%, 0.57%, 0.3

LABA 54.54, 13.6, -60.09, 0.3

 

CMYK 0 / 12 / 28 / 6

HEX #CE7E0F4C

RGBA 206 126 15 0.3

HSLA 34.87, 0.86%, 0.43%, 0.3

LABA 59.96, 24.01, 63.75, 0.3

 

CMYK 0 / 11 / 25 / 4

HEX #DF90224C

RGBA 223 144 34 0.3

HSLA 34.92, 0.75%, 0.5%, 0.3

LABA 66.33, 21.98, 64.72, 0.3

 

CMYK 0 / 10 / 23 / 2

HEX #F0A2354C

RGBA 240 162 53 0.3

HSLA 34.97, 0.86%, 0.57%, 0.3

LABA 72.64, 20.19, 64.53, 0.3

 

CMYK 0 / 9 / 22 / 0

HEX #FFB4484C

RGBA 255 180 72 0.3

HSLA 35.41, 1%, 0.64%, 0.3

LABA 78.68, 17.78, 63.43, 0.3

 

CMYK 0 / 7 / 19 / 0

HEX #FFC65B4C

RGBA 255 198 91 0.3

HSLA 39.15, 1%, 0.68%, 0.3

LABA 83.13, 9.42, 59.93, 0.3

 

CMYK 0 / 11 / 27 / 6

HEX #C97E144C

RGBA 201 126 20 0.3

HSLA 35.14, 0.82%, 0.43%, 0.3

LABA 59.33, 21.94, 61.89, 0.3

 

CMYK 0 / 12 / 30 / 8

HEX #B86C014C

RGBA 184 108 1 0.3

HSLA 35.08, 0.99%, 0.36%, 0.3

LABA 52.86, 24.13, 60.1, 0.3

 

CMYK 0 / 14 / 30 / 10

HEX #A75A004C

RGBA 167 90 0 0.3

HSLA 32.34, 1%, 0.33%, 0.3

LABA 46.35, 26.62, 55.04, 0.3

 

CMYK 0 / 16 / 30 / 12

HEX #9648004C

RGBA 150 72 0 0.3

HSLA 28.8, 1%, 0.29%, 0.3

LABA 39.78, 29.14, 49.76, 0.3

 

CMYK 0 / 18 / 30 / 14

HEX #8536004C

RGBA 133 54 0 0.3

HSLA 24.36, 1%, 0.26%, 0.3

LABA 33.19, 31.58, 44.46, 0.3

 

CMYK 0 / 38 / 90 / 22

HEX #C87D14

RGB 200 125 20

HSL 35, 0.82%, 0.43%

LAB 58.97, 22.05, 61.56

 

CMYK 0 / 62 / 90 / 22

HEX #C84D14

RGB 200 77 20

HSL 19, 0.82%, 0.43%

LAB 49.05, 46.65, 54.1

 

CMYK 0 / 86 / 90 / 22

HEX #C81C14

RGB 200 28 20

HSL 2.67, 0.82%, 0.43%

LAB 43, 63.28, 49.69

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 0 / 38 / 90 / 22

HEX #C87D14

RGB 200 125 20

HSL 35, 0.82%, 0.43%

LAB 58.97, 22.05, 61.56

 

CMYK 0 / 13 / 90 / 22

HEX #C8AE14

RGB 200 174 20

HSL 51.33, 0.82%, 0.43%

LAB 71.28, -4.42, 71.04

 

CMYK 12 / 0 / 90 / 22

HEX #B1C814

RGB 177 200 20

HSL 67.67, 0.82%, 0.43%

LAB 76.5, -27.44, 74.35

 

CMYK 36 / 0 / 90 / 22

HEX #81C814

RGB 129 200 20

HSL 83.67, 0.82%, 0.43%

LAB 73.56, -46.24, 70.74

 

CMYK 60 / 0 / 90 / 22

HEX #50C814

RGB 80 200 20

HSL 100, 0.82%, 0.43%

LAB 71.6, -61.16, 68.31

 

CMYK 0 / 38 / 90 / 22

HEX #C87D14

RGB 200 125 20

HSL 35, 0.82%, 0.43%

LAB 58.97, 22.05, 61.56

 

CMYK 0 / 41 / 99 / 15

HEX #D98002

RGB 217 128 2

HSL 35.16, 0.98%, 0.43%

LAB 61.82, 27.48, 67.86

 

CMYK 0 / 38 / 90 / 22

HEX #C87D14

RGB 200 125 20

HSL 35, 0.82%, 0.43%

LAB 58.97, 22.05, 61.56

 

CMYK 0 / 33 / 80 / 29

HEX #B67A25

RGB 182 122 37

HSL 35.17, 0.66%, 0.43%

LAB 56.09, 16.28, 52.76

 

CMYK 0 / 27 / 66 / 36

HEX #A47737

RGB 164 119 55

HSL 35.23, 0.5%, 0.43%

LAB 53.34, 10.85, 41.21

 

CMYK 0 / 21 / 50 / 43

HEX #927449

RGB 146 116 73

HSL 35.34, 0.33%, 0.43%

LAB 50.78, 6.03, 28.12

 

CMYK 0 / 12 / 29 / 49

HEX #81715B

RGB 129 113 91

HSL 34.74, 0.17%, 0.43%

LAB 48.55, 2.62, 14.52

 

CMYK 0 / 86 / 90 / 22

HEX #C81D14

RGB 200 29 20

HSL 3, 0.82%, 0.43%

LAB 43.08, 63.07, 49.74

 

CMYK 0 / 62 / 90 / 22

HEX #C84D14

RGB 200 77 20

HSL 19, 0.82%, 0.43%

LAB 49.05, 46.65, 54.1

 

CMYK 0 / 38 / 90 / 22

HEX #C87D14

RGB 200 125 20

HSL 35, 0.82%, 0.43%

LAB 58.97, 22.05, 61.56

 

CMYK 0 / 14 / 90 / 22

HEX #C8AD14

RGB 200 173 20

HSL 51, 0.82%, 0.43%

LAB 71.02, -3.89, 70.84

 

CMYK 11 / 0 / 90 / 22

HEX #B3C814

RGB 179 200 20

HSL 67, 0.82%, 0.43%

LAB 76.64, -26.61, 74.52

 

CMYK 0 / 37 / 90 / 51

HEX #7C4E0C

RGB 124 78 12

HSL 35.36, 0.82%, 0.27%

LAB 37.41, 14.21, 42.63

 

CMYK 0 / 37 / 90 / 36

HEX #A26610

RGB 162 102 16

HSL 35.34, 0.82%, 0.35%

LAB 48.54, 17.95, 52.43

 

CMYK 0 / 38 / 90 / 22

HEX #C87D14

RGB 200 125 20

HSL 35, 0.82%, 0.43%

LAB 58.97, 22.05, 61.56

 

CMYK 0 / 36 / 88 / 9

HEX #E9941C

RGB 233 148 28

HSL 35.12, 0.82%, 0.51%

LAB 68.45, 23.96, 68.64

 

CMYK 0 / 30 / 72 / 7

HEX #ECA642

RGB 236 166 66

HSL 35.29, 0.82%, 0.59%

LAB 73.22, 16.93, 59.72

 

CMYK 0 / 37 / 90 / 21

HEX #C97E14

RGB 201 126 20

HSL 35.14, 0.82%, 0.43%

LAB 59.33, 21.94, 61.89

 

CMYK 71 / 0 / 90 / 22

HEX #3BC814

RGB 59 200 20

HSL 107, 0.82%, 0.43%

LAB 71.07, -65.61, 67.65

 

CMYK 74 / 90 / 0 / 22

HEX #3514C8

RGB 53 20 200

HSL 251, 0.82%, 0.43%

LAB 27.92, 62.52, -83.61

 

CMYK 0 / 37 / 90 / 21

HEX #C97E14

RGB 201 126 20

HSL 35.14, 0.82%, 0.43%

LAB 59.33, 21.94, 61.89

 

CMYK 90 / 0 / 38 / 22

HEX #14C87D

RGB 20 200 125

HSL 155, 0.82%, 0.43%

LAB 71.51, -58.38, 26.19

 

CMYK 38 / 90 / 0 / 22

HEX #7D14C8

RGB 125 20 200

HSL 275, 0.82%, 0.43%

LAB 36.04, 68.71, -69.92

 

CMYK 0 / 37 / 90 / 21

HEX #C97E14

RGB 201 126 20

HSL 35.14, 0.82%, 0.43%

LAB 59.33, 21.94, 61.89

 

CMYK 71 / 0 / 90 / 22

HEX #3BC814

RGB 59 200 20

HSL 107, 0.82%, 0.43%

LAB 71.07, -65.61, 67.65

 

CMYK 90 / 53 / 0 / 22

HEX #145FC8

RGB 20 95 200

HSL 215, 0.82%, 0.43%

LAB 42.01, 19.01, -60.5

 

CMYK 20 / 90 / 0 / 22

HEX #A114C8

RGB 161 20 200

HSL 287, 0.82%, 0.43%

LAB 41.61, 73.64, -60.6

 

CMYK 0 / 37 / 90 / 21

HEX #C97E14

RGB 201 126 20

HSL 35.14, 0.82%, 0.43%

LAB 59.33, 21.94, 61.89

 

CMYK 90 / 0 / 83 / 22

HEX #14C823

RGB 20 200 35

HSL 125, 0.82%, 0.43%

LAB 70.58, -69.74, 63.81

 

CMYK 90 / 53 / 0 / 22

HEX #145FC8

RGB 20 95 200

HSL 215, 0.82%, 0.43%

LAB 42.01, 19.01, -60.5

 

CMYK 0 / 90 / 8 / 22

HEX #C814B9

RGB 200 20 185

HSL 305, 0.82%, 0.43%

LAB 47.34, 77.78, -42.27

 

Description

Color code: RGBA 201 126 20 0.3 | qconv.com Color code: RGBA 201 126 20 0.3 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 126 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 126 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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