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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 1 147 131 0.75 it is the complementary color RGBA 254 108 124 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 1 147 131 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 1 147 131 0.75 shade: RGBA 6 147 126 0.75, RGBA 23 165 145 0.75, RGBA 40 183 164 0.75, RGBA 57 201 183 0.75 and RGBA 74 219 202 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 1 147 131 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 1 147 131 0.75 shade: RGBA 1 147 131 0.75, RGBA 0 129 112 0.75, RGBA 0 111 93 0.75, RGBA 0 93 74 0.75 and RGBA 0 75 55 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 1 147 92, RGB 1 147 52, RGB 1 147 13 and RGB 28 147 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 1 124 147, RGB 1 84 147, RGB 1 45 147 and RGB 1 5 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 1 147 131 0.75 shade matches the following richer shades: RGB 1 147 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 13 135 122, RGB 25 123 112, RGB 37 111 103 and RGB 49 99 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 52, RGB 1 147 91, RGB 1 147 130, RGB 1 125 147 and RGB 1 86 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 1 147 131 0.75 shade: RGB 0 65 58, RGB 1 106 95, RGB 1 147 131, RGB 1 188 168 and RGB 1 229 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 13 1 147 and RGB 147 72 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 130 1 147 and RGB 147 130 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 13 1 147, RGB 147 1 18 and RGB 135 147 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 1 147 131 0.75 shade: RGB 1 147 131, RGB 57 1 147, RGB 147 1 18 and RGB 91 147 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 8 / 32

HEX #019383BF

RGBA 1 147 131 0.75

HSLA 173.42, 0.99%, 0.29%, 0.75

LABA 54.57, -36.74, -0.89, 0.75

 

Complementary color

CMYK 0 / 43 / 38 / 0

HEX #FE6C7CBF

RGBA 254 108 124 0.75

HSLA 353.42, 0.99%, 0.71%, 0.75

LABA 64.36, 56.89, 19.69, 0.75

 

CMYK 72 / 0 / 11 / 32

HEX #06937EBF

RGBA 6 147 126 0.75

HSLA 171.06, 0.92%, 0.3%, 0.75

LABA 54.46, -37.94, 1.84, 0.75

 

CMYK 65 / 0 / 9 / 26

HEX #17A591BF

RGBA 23 165 145 0.75

HSLA 171.55, 0.76%, 0.37%, 0.75

LABA 60.9, -39.54, 0.43, 0.75

 

CMYK 59 / 0 / 8 / 21

HEX #28B7A4BF

RGBA 40 183 164 0.75

HSLA 172.03, 0.64%, 0.44%, 0.75

LABA 67.28, -40.7, -0.81, 0.75

 

CMYK 54 / 0 / 7 / 16

HEX #39C9B7BF

RGBA 57 201 183 0.75

HSLA 172.5, 0.57%, 0.51%, 0.75

LABA 73.59, -41.52, -1.92, 0.75

 

CMYK 50 / 0 / 6 / 11

HEX #4ADBCABF

RGBA 74 219 202 0.75

HSLA 172.97, 0.67%, 0.57%, 0.75

LABA 79.83, -42.11, -2.93, 0.75

 

CMYK 74 / 0 / 8 / 32

HEX #019383BF

RGBA 1 147 131 0.75

HSLA 173.42, 0.99%, 0.29%, 0.75

LABA 54.57, -36.74, -0.89, 0.75

 

CMYK 75 / 0 / 10 / 37

HEX #008170BF

RGBA 0 129 112 0.75

HSLA 172.09, 1%, 0.25%, 0.75

LABA 48.1, -34.29, 0.71, 0.75

 

CMYK 75 / 0 / 12 / 42

HEX #006F5DBF

RGBA 0 111 93 0.75

HSLA 170.27, 1%, 0.22%, 0.75

LABA 41.47, -31.73, 2.4, 0.75

 

CMYK 75 / 0 / 15 / 48

HEX #005D4ABF

RGBA 0 93 74 0.75

HSLA 167.74, 1%, 0.18%, 0.75

LABA 34.65, -29.1, 4.21, 0.75

 

CMYK 75 / 0 / 20 / 53

HEX #004B37BF

RGBA 0 75 55 0.75

HSLA 164, 1%, 0.15%, 0.75

LABA 27.59, -26.36, 6.17, 0.75

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 99 / 0 / 37 / 42

HEX #01935C

RGB 1 147 92

HSL 157.4, 0.99%, 0.29%

LAB 53.65, -46.78, 19.99

 

CMYK 99 / 0 / 65 / 42

HEX #019334

RGB 1 147 52

HSL 140.96, 0.99%, 0.29%

LAB 53.08, -53.62, 39.98

 

CMYK 99 / 0 / 91 / 42

HEX #01930D

RGB 1 147 13

HSL 124.93, 0.99%, 0.29%

LAB 52.84, -56.68, 52.99

 

CMYK 81 / 0 / 99 / 42

HEX #1C9301

RGB 28 147 1

HSL 108.9, 0.99%, 0.29%

LAB 53.08, -54.69, 55.33

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 99 / 16 / 0 / 42

HEX #017C93

RGB 1 124 147

HSL 189.45, 0.99%, 0.29%

LAB 47.66, -20.22, -20.58

 

CMYK 99 / 43 / 0 / 42

HEX #015493

RGB 1 84 147

HSL 205.89, 0.99%, 0.29%

LAB 34.91, 3.71, -40.59

 

CMYK 99 / 69 / 0 / 42

HEX #012D93

RGB 1 45 147

HSL 221.92, 0.99%, 0.29%

LAB 23.64, 30.61, -58.91

 

CMYK 99 / 97 / 0 / 42

HEX #010593

RGB 1 5 147

HSL 238.36, 0.99%, 0.29%

LAB 16.61, 50.86, -70.58

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 90 / 0 / 10 / 47

HEX #0D877A

RGB 13 135 122

HSL 173.61, 0.82%, 0.29%

LAB 50.47, -33.33, -1.66

 

CMYK 80 / 0 / 9 / 52

HEX #197B70

RGB 25 123 112

HSL 173.27, 0.66%, 0.29%

LAB 46.37, -29.62, -1.79

 

CMYK 67 / 0 / 7 / 56

HEX #256F67

RGB 37 111 103

HSL 173.51, 0.5%, 0.29%

LAB 42.37, -24.59, -2.24

 

CMYK 51 / 0 / 5 / 61

HEX #31635E

RGB 49 99 94

HSL 174, 0.34%, 0.29%

LAB 38.52, -18.21, -2.37

 

CMYK 99 / 0 / 65 / 42

HEX #019334

RGB 1 147 52

HSL 140.96, 0.99%, 0.29%

LAB 53.08, -53.62, 39.98

 

CMYK 99 / 0 / 38 / 42

HEX #01935B

RGB 1 147 91

HSL 156.99, 0.99%, 0.29%

LAB 53.63, -46.99, 20.52

 

CMYK 99 / 0 / 12 / 42

HEX #019382

RGB 1 147 130

HSL 173.01, 0.99%, 0.29%

LAB 54.54, -37.03, -0.35

 

CMYK 99 / 15 / 0 / 42

HEX #017D93

RGB 1 125 147

HSL 189.04, 0.99%, 0.29%

LAB 47.98, -20.75, -20.08

 

CMYK 99 / 41 / 0 / 42

HEX #015693

RGB 1 86 147

HSL 205.07, 0.99%, 0.29%

LAB 35.53, 2.39, -39.59

 

CMYK 100 / 0 / 11 / 75

HEX #00413A

RGB 0 65 58

HSL 173.54, 1%, 0.13%

LAB 23.95, -20.53, -1.03

NCS® S7020-B70G

CMYK 99 / 0 / 10 / 58

HEX #016A5F

RGB 1 106 95

HSL 173.71, 0.98%, 0.21%

LAB 39.82, -28.71, -1.22

NCS® S7020-B70G

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

NCS® S7020-B70G

CMYK 99 / 0 / 11 / 26

HEX #01BCA8

RGB 1 188 168

HSL 173.58, 0.99%, 0.37%

LAB 68.61, -44.05, -1.1

NCS® S7020-B70G

CMYK 100 / 0 / 11 / 10

HEX #01E5CC

RGB 1 229 204

HSL 173.42, 0.99%, 0.45%

LAB 82.06, -51.34, -0.82

NCS® S7020-B70G

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 91 / 99 / 0 / 42

HEX #0D0193

RGB 13 1 147

HSL 244.93, 0.99%, 0.29%

LAB 16.57, 52.33, -70.64

 

CMYK 0 / 51 / 99 / 42

HEX #934801

RGB 147 72 1

HSL 29.18, 0.99%, 0.29%

LAB 39.31, 27.87, 48.91

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 12 / 99 / 0 / 42

HEX #820193

RGB 130 1 147

HSL 293.01, 0.99%, 0.29%

LAB 31.52, 62.24, -45.51

 

CMYK 0 / 12 / 99 / 42

HEX #938201

RGB 147 130 1

HSL 53.01, 0.99%, 0.29%

LAB 54.21, -5.12, 58.99

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 91 / 99 / 0 / 42

HEX #0D0193

RGB 13 1 147

HSL 244.93, 0.99%, 0.29%

LAB 16.57, 52.33, -70.64

 

CMYK 0 / 99 / 88 / 42

HEX #930112

RGB 147 1 18

HSL 353.01, 0.99%, 0.29%

LAB 30.08, 53.27, 35.67

 

CMYK 8 / 0 / 99 / 42

HEX #879301

RGB 135 147 1

HSL 64.93, 0.99%, 0.29%

LAB 58.06, -19.69, 61.34

 

CMYK 99 / 0 / 11 / 42

HEX #019383

RGB 1 147 131

HSL 173.42, 0.99%, 0.29%

LAB 54.57, -36.74, -0.89

 

CMYK 61 / 99 / 0 / 42

HEX #390193

RGB 57 1 147

HSL 263.01, 0.99%, 0.29%

LAB 20.04, 53.9, -64.77

 

CMYK 0 / 99 / 88 / 42

HEX #930112

RGB 147 1 18

HSL 353.01, 0.99%, 0.29%

LAB 30.08, 53.27, 35.67

 

CMYK 38 / 0 / 99 / 42

HEX #5B9301

RGB 91 147 1

HSL 83.01, 0.99%, 0.29%

LAB 55.17, -38.05, 57.87

 

Description

Color code: RGBA 1 147 131 0.75 | qconv.com Color code: RGBA 1 147 131 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 147 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 147 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 8 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 8% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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