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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 19 149 197 0 it is the complementary color RGBA 236 106 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 19 149 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 19 149 197 0 shade: RGBA 24 149 192 0, RGBA 41 167 211 0, RGBA 58 185 230 0, RGBA 75 203 249 0 and RGBA 92 221 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 19 149 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 19 149 197 0 shade: RGBA 19 149 197 0, RGBA 2 131 178 0, RGBA 0 113 159 0, RGBA 0 95 140 0 and RGBA 0 77 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 19 149 197 0 shade: RGB 19 148 195, RGB 19 100 195, RGB 19 53 195, RGB 33 19 195 and RGB 80 19 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 19 149 197 0 shade: RGB 19 148 195, RGB 19 100 195, RGB 19 53 195 and RGB 19 19 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 19 149 197 0 shade matches the following richer shades: RGB 19 148 195 and RGB 2 156 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 19 149 197 0 shade: RGB 19 148 195, RGB 37 140 178, RGB 54 132 160, RGB 71 124 143 and RGB 89 116 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 19 149 197 0 shade: RGB 19 195 148, RGB 19 195 195, RGB 19 148 195, RGB 19 101 195 and RGB 19 54 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 19 149 197 0 shade: RGB 12 91 120, RGB 16 119 157, RGB 19 148 195, RGB 23 176 232 and RGB 61 189 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 19 149 197 0 shade: RGB 19 149 197, RGB 101 19 195 and RGB 195 172 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 19 149 197 0 shade: RGB 19 149 197, RGB 195 19 148 and RGB 148 195 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 19 149 197 0 shade: RGB 19 149 197, RGB 101 19 195, RGB 195 66 19 and RGB 113 195 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 19 149 197 0 shade: RGB 19 149 197, RGB 154 19 195, RGB 195 66 19 and RGB 60 195 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #1395C500

RGBA 19 149 197 0

HSLA 196.18, 0.82%, 0.42%, 0

LABA 57.72, -15.02, -33.77, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #EC6A3A00

RGBA 236 106 58 0

HSLA 16.18, 0.82%, 0.58%, 0

LABA 60.29, 47.44, 50.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1895C000

RGBA 24 149 192 0

HSLA 195.36, 0.78%, 0.42%, 0

LABA 57.55, -16.52, -31.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #29A7D300

RGBA 41 167 211 0

HSLA 195.53, 0.67%, 0.49%, 0

LABA 64.01, -18.26, -31.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3AB9E600

RGBA 58 185 230 0

HSLA 195.7, 0.77%, 0.56%, 0

LABA 70.39, -19.63, -32.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4BCBF900

RGBA 75 203 249 0

HSLA 195.86, 0.94%, 0.64%, 0

LABA 76.71, -20.72, -32.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5CDDFF00

RGBA 92 221 255 0

HSLA 192.52, 1%, 0.68%, 0

LABA 82.49, -25.47, -27.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1395C500

RGBA 19 149 197 0

HSLA 196.18, 0.82%, 0.42%, 0

LABA 57.72, -15.02, -33.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0283B200

RGBA 2 131 178 0

HSLA 196.02, 0.98%, 0.35%, 0

LABA 51.22, -12.65, -33.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00719F00

RGBA 0 113 159 0

HSLA 197.36, 1%, 0.31%, 0

LABA 44.68, -9.58, -32.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #005F8C00

RGBA 0 95 140 0

HSLA 199.29, 1%, 0.27%, 0

LABA 37.98, -6.26, -31.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #004D7900

RGBA 0 77 121 0

HSLA 201.82, 1%, 0.24%, 0

LABA 31.09, -2.72, -30.69, 0

 

CMYK 90 / 24 / 0 / 24

HEX #1394C3

RGB 19 148 195

HSL 196.02, 0.82%, 0.42%

LAB 57.33, -15.19, -33.25

 

CMYK 90 / 49 / 0 / 24

HEX #1364C3

RGB 19 100 195

HSL 212.39, 0.82%, 0.42%

LAB 43.05, 13.71, -55.91

 

CMYK 90 / 73 / 0 / 24

HEX #1335C3

RGB 19 53 195

HSL 228.41, 0.82%, 0.42%

LAB 30.94, 44.21, -75.71

 

CMYK 83 / 90 / 0 / 24

HEX #2113C3

RGB 33 19 195

HSL 244.77, 0.82%, 0.42%

LAB 25.95, 60.69, -83.98

 

CMYK 59 / 90 / 0 / 24

HEX #5013C3

RGB 80 19 195

HSL 260.8, 0.82%, 0.42%

LAB 29.69, 63.23, -77.66

 

CMYK 90 / 24 / 0 / 24

HEX #1394C3

RGB 19 148 195

HSL 196.02, 0.82%, 0.42%

LAB 57.33, -15.19, -33.25

 

CMYK 90 / 49 / 0 / 24

HEX #1364C3

RGB 19 100 195

HSL 212.39, 0.82%, 0.42%

LAB 43.05, 13.71, -55.91

 

CMYK 90 / 73 / 0 / 24

HEX #1335C3

RGB 19 53 195

HSL 228.41, 0.82%, 0.42%

LAB 30.94, 44.21, -75.71

 

CMYK 90 / 90 / 0 / 24

HEX #1313C3

RGB 19 19 195

HSL 240, 0.82%, 0.42%

LAB 25.39, 60.35, -84.92

 

CMYK 90 / 24 / 0 / 24

HEX #1394C3

RGB 19 148 195

HSL 196.02, 0.82%, 0.42%

LAB 57.33, -15.19, -33.25

 

CMYK 99 / 26 / 0 / 17

HEX #029CD4

RGB 2 156 212

HSL 196, 0.98%, 0.42%

LAB 60.38, -14.07, -38.04

 

CMYK 90 / 24 / 0 / 24

HEX #1394C3

RGB 19 148 195

HSL 196.02, 0.82%, 0.42%

LAB 57.33, -15.19, -33.25

 

CMYK 79 / 21 / 0 / 30

HEX #258CB2

RGB 37 140 178

HSL 196.17, 0.66%, 0.42%

LAB 54.41, -15.43, -28.1

 

CMYK 66 / 18 / 0 / 37

HEX #3684A0

RGB 54 132 160

HSL 195.85, 0.5%, 0.42%

LAB 51.64, -14.79, -21.98

 

CMYK 50 / 13 / 0 / 44

HEX #477C8F

RGB 71 124 143

HSL 195.83, 0.34%, 0.42%

LAB 49.18, -12.16, -15.76

 

CMYK 29 / 8 / 0 / 51

HEX #59747E

RGB 89 116 126

HSL 196.22, 0.17%, 0.42%

LAB 47.13, -7.24, -8.7

 

CMYK 90 / 0 / 24 / 24

HEX #13C394

RGB 19 195 148

HSL 163.98, 0.82%, 0.42%

LAB 70.39, -51.46, 12.38

 

CMYK 90 / 0 / 0 / 24

HEX #13C3C3

RGB 19 195 195

HSL 180, 0.82%, 0.42%

LAB 71.63, -38.67, -11.4

 

CMYK 90 / 24 / 0 / 24

HEX #1394C3

RGB 19 148 195

HSL 196.02, 0.82%, 0.42%

LAB 57.33, -15.19, -33.25

 

CMYK 90 / 48 / 0 / 24

HEX #1365C3

RGB 19 101 195

HSL 212.05, 0.82%, 0.42%

LAB 43.34, 13.06, -55.45

 

CMYK 90 / 72 / 0 / 24

HEX #1336C3

RGB 19 54 195

HSL 228.07, 0.82%, 0.42%

LAB 31.15, 43.61, -75.35

 

CMYK 90 / 24 / 0 / 53

HEX #0C5B78

RGB 12 91 120

HSL 196.11, 0.82%, 0.26%

LAB 35.82, -11.01, -22.62

 

CMYK 90 / 24 / 0 / 38

HEX #10779D

RGB 16 119 157

HSL 196.17, 0.82%, 0.34%

LAB 46.63, -13.02, -28.05

 

CMYK 90 / 24 / 0 / 24

HEX #1394C3

RGB 19 148 195

HSL 196.02, 0.82%, 0.42%

LAB 57.33, -15.19, -33.25

 

CMYK 90 / 24 / 0 / 9

HEX #17B0E8

RGB 23 176 232

HSL 196.08, 0.82%, 0.5%

LAB 67.32, -17.04, -38.23

 

CMYK 74 / 20 / 0 / 7

HEX #3DBDEC

RGB 61 189 236

HSL 196.11, 0.82%, 0.58%

LAB 71.85, -19.41, -33.32

 

CMYK 90 / 24 / 0 / 23

HEX #1395C5

RGB 19 149 197

HSL 196.18, 0.82%, 0.42%

LAB 57.72, -15.02, -33.77

 

CMYK 48 / 90 / 0 / 24

HEX #6513C3

RGB 101 19 195

HSL 267.95, 0.82%, 0.42%

LAB 32.2, 65.13, -73.43

 

CMYK 0 / 12 / 90 / 24

HEX #C3AC13

RGB 195 172 19

HSL 52.16, 0.82%, 0.42%

LAB 70.28, -5.6, 70.24

 

CMYK 90 / 24 / 0 / 23

HEX #1395C5

RGB 19 149 197

HSL 196.18, 0.82%, 0.42%

LAB 57.72, -15.02, -33.77

 

CMYK 0 / 90 / 24 / 24

HEX #C31394

RGB 195 19 148

HSL 316.02, 0.82%, 0.42%

LAB 44.53, 72.13, -24.73

 

CMYK 24 / 0 / 90 / 24

HEX #94C313

RGB 148 195 19

HSL 76.02, 0.82%, 0.42%

LAB 73.14, -36.94, 70.99

 

CMYK 90 / 24 / 0 / 23

HEX #1395C5

RGB 19 149 197

HSL 196.18, 0.82%, 0.42%

LAB 57.72, -15.02, -33.77

 

CMYK 48 / 90 / 0 / 24

HEX #6513C3

RGB 101 19 195

HSL 267.95, 0.82%, 0.42%

LAB 32.2, 65.13, -73.43

 

CMYK 0 / 66 / 90 / 24

HEX #C34213

RGB 195 66 19

HSL 16.02, 0.82%, 0.42%

LAB 46.37, 49.67, 52.08

 

CMYK 42 / 0 / 90 / 24

HEX #71C313

RGB 113 195 19

HSL 87.95, 0.82%, 0.42%

LAB 71.27, -49.78, 68.7

 

CMYK 90 / 24 / 0 / 23

HEX #1395C5

RGB 19 149 197

HSL 196.18, 0.82%, 0.42%

LAB 57.72, -15.02, -33.77

 

CMYK 21 / 90 / 0 / 24

HEX #9A13C3

RGB 154 19 195

HSL 286.02, 0.82%, 0.42%

LAB 40.04, 71.86, -60.28

 

CMYK 0 / 66 / 90 / 24

HEX #C34213

RGB 195 66 19

HSL 16.02, 0.82%, 0.42%

LAB 46.37, 49.67, 52.08

 

CMYK 69 / 0 / 90 / 24

HEX #3CC313

RGB 60 195 19

HSL 106.02, 0.82%, 0.42%

LAB 69.5, -63.89, 66.49

 

Description

Color code: RGBA 19 149 197 0 | qconv.com Color code: RGBA 19 149 197 0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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