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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 19 142 191 0.75 it is the complementary color RGBA 236 113 64 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 19 142 191 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 19 142 191 0.75 shade: RGBA 24 142 186 0.75, RGBA 41 160 205 0.75, RGBA 58 178 224 0.75, RGBA 75 196 243 0.75 and RGBA 92 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 19 142 191 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 19 142 191 0.75 shade: RGBA 19 142 191 0.75, RGBA 2 124 172 0.75, RGBA 0 106 153 0.75, RGBA 0 88 134 0.75 and RGBA 0 70 115 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 19 142 191 0.75 shade: RGB 19 141 190, RGB 19 95 190, RGB 19 49 190, RGB 35 19 190 and RGB 81 19 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 19 142 191 0.75 shade: RGB 19 141 190, RGB 19 95 190, RGB 19 49 190 and RGB 19 19 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 19 142 191 0.75 shade matches the following richer shades: RGB 19 141 190 and RGB 2 149 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 19 142 191 0.75 shade: RGB 19 141 190, RGB 36 134 173, RGB 53 127 156, RGB 70 120 140 and RGB 86 112 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 19 142 191 0.75 shade: RGB 19 190 147, RGB 19 187 190, RGB 19 142 190, RGB 19 96 190 and RGB 19 50 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 19 142 191 0.75 shade: RGB 11 86 115, RGB 15 114 153, RGB 19 141 190, RGB 23 169 228 and RGB 56 184 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 19 142 191 0.75 shade: RGB 19 142 191, RGB 102 19 190 and RGB 190 170 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 19 142 191 0.75 shade: RGB 19 142 191, RGB 190 19 142 and RGB 142 190 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 19 142 191 0.75 shade: RGB 19 142 191, RGB 102 19 190, RGB 190 67 19 and RGB 107 190 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 19 142 191 0.75 shade: RGB 19 142 191, RGB 153 19 190, RGB 190 67 19 and RGB 56 190 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 19 / 0 / 19

HEX #138EBFBF

RGBA 19 142 191 0.75

HSLA 197.09, 0.82%, 0.41%, 0.75

LABA 55.32, -13.32, -34.11, 0.75

 

Complementary color

CMYK 0 / 39 / 55 / 6

HEX #EC7140BF

RGBA 236 113 64 0.75

HSLA 17.09, 0.82%, 0.59%, 0.75

LABA 61.67, 44.32, 48.56, 0.75

 

CMYK 65 / 18 / 0 / 20

HEX #188EBABF

RGBA 24 142 186 0.75

HSLA 196.3, 0.77%, 0.41%, 0.75

LABA 55.16, -14.82, -31.52, 0.75

 

CMYK 60 / 16 / 0 / 15

HEX #29A0CDBF

RGBA 41 160 205 0.75

HSLA 196.46, 0.67%, 0.48%, 0.75

LABA 61.67, -16.56, -32.08, 0.75

 

CMYK 56 / 15 / 0 / 9

HEX #3AB2E0BF

RGBA 58 178 224 0.75

HSLA 196.63, 0.73%, 0.55%, 0.75

LABA 68.11, -17.93, -32.58, 0.75

 

CMYK 52 / 15 / 0 / 4

HEX #4BC4F3BF

RGBA 75 196 243 0.75

HSLA 196.79, 0.88%, 0.62%, 0.75

LABA 74.47, -19.01, -33.02, 0.75

 

CMYK 48 / 12 / 0 / 0

HEX #5CD6FFBF

RGBA 92 214 255 0.75

HSLA 195.09, 1%, 0.68%, 0.75

LABA 80.51, -21.98, -30.11, 0.75

 

CMYK 68 / 19 / 0 / 19

HEX #138EBFBF

RGBA 19 142 191 0.75

HSLA 197.09, 0.82%, 0.41%, 0.75

LABA 55.32, -13.32, -34.11, 0.75

 

CMYK 74 / 21 / 0 / 24

HEX #027CACBF

RGBA 2 124 172 0.75

HSLA 196.94, 0.98%, 0.34%, 0.75

LABA 48.77, -10.91, -33.47, 0.75

 

CMYK 75 / 23 / 0 / 30

HEX #006A99BF

RGBA 0 106 153 0.75

HSLA 198.43, 1%, 0.3%, 0.75

LABA 42.17, -7.77, -32.68, 0.75

 

CMYK 75 / 26 / 0 / 36

HEX #005886BF

RGBA 0 88 134 0.75

HSLA 200.6, 1%, 0.26%, 0.75

LABA 35.4, -4.34, -31.89, 0.75

 

CMYK 75 / 29 / 0 / 41

HEX #004673BF

RGBA 0 70 115 0.75

HSLA 203.48, 1%, 0.23%, 0.75

LABA 28.43, -0.66, -31.15, 0.75

 

CMYK 90 / 26 / 0 / 25

HEX #138DBE

RGB 19 141 190

HSL 197.19, 0.82%, 0.41%

LAB 54.98, -13.13, -34.09

 

CMYK 90 / 50 / 0 / 25

HEX #135FBE

RGB 19 95 190

HSL 213.33, 0.82%, 0.41%

LAB 41.28, 14.97, -55.87

 

CMYK 90 / 74 / 0 / 25

HEX #1331BE

RGB 19 49 190

HSL 229.47, 0.82%, 0.41%

LAB 29.55, 44.82, -75.07

 

CMYK 82 / 90 / 0 / 25

HEX #2313BE

RGB 35 19 190

HSL 245.61, 0.82%, 0.41%

LAB 25.38, 59.38, -81.97

 

CMYK 57 / 90 / 0 / 25

HEX #5113BE

RGB 81 19 190

HSL 261.75, 0.82%, 0.41%

LAB 29.24, 62.08, -75.45

 

CMYK 90 / 26 / 0 / 25

HEX #138DBE

RGB 19 141 190

HSL 197.19, 0.82%, 0.41%

LAB 54.98, -13.13, -34.09

 

CMYK 90 / 50 / 0 / 25

HEX #135FBE

RGB 19 95 190

HSL 213.33, 0.82%, 0.41%

LAB 41.28, 14.97, -55.87

 

CMYK 90 / 74 / 0 / 25

HEX #1331BE

RGB 19 49 190

HSL 229.47, 0.82%, 0.41%

LAB 29.55, 44.82, -75.07

 

CMYK 90 / 90 / 0 / 25

HEX #1313BE

RGB 19 19 190

HSL 240, 0.82%, 0.41%

LAB 24.71, 58.96, -83.11

 

CMYK 90 / 26 / 0 / 25

HEX #138DBE

RGB 19 141 190

HSL 197.19, 0.82%, 0.41%

LAB 54.98, -13.13, -34.09

 

CMYK 99 / 28 / 0 / 19

HEX #0295CF

RGB 2 149 207

HSL 196.98, 0.98%, 0.41%

LAB 58.05, -12.02, -38.89

 

CMYK 90 / 26 / 0 / 25

HEX #138DBE

RGB 19 141 190

HSL 197.19, 0.82%, 0.41%

LAB 54.98, -13.13, -34.09

 

CMYK 79 / 23 / 0 / 32

HEX #2486AD

RGB 36 134 173

HSL 197.08, 0.66%, 0.41%

LAB 52.33, -13.96, -28.46

 

CMYK 66 / 19 / 0 / 39

HEX #357F9C

RGB 53 127 156

HSL 196.89, 0.49%, 0.41%

LAB 49.9, -13.51, -22.33

 

CMYK 50 / 14 / 0 / 45

HEX #46788C

RGB 70 120 140

HSL 197.14, 0.33%, 0.41%

LAB 47.79, -11.04, -16.11

 

CMYK 30 / 9 / 0 / 52

HEX #56707B

RGB 86 112 123

HSL 197.84, 0.18%, 0.41%

LAB 45.63, -6.67, -9.18

 

CMYK 90 / 0 / 23 / 25

HEX #13BE93

RGB 19 190 147

HSL 164.91, 0.82%, 0.41%

LAB 68.8, -49.73, 10.68

 

CMYK 90 / 2 / 0 / 25

HEX #13BBBE

RGB 19 187 190

HSL 181.05, 0.82%, 0.41%

LAB 69.04, -36.51, -12.55

 

CMYK 90 / 25 / 0 / 25

HEX #138EBE

RGB 19 142 190

HSL 196.84, 0.82%, 0.41%

LAB 55.28, -13.68, -33.61

 

CMYK 90 / 49 / 0 / 25

HEX #1360BE

RGB 19 96 190

HSL 212.98, 0.82%, 0.41%

LAB 41.57, 14.32, -55.41

 

CMYK 90 / 74 / 0 / 25

HEX #1332BE

RGB 19 50 190

HSL 229.12, 0.82%, 0.41%

LAB 29.76, 44.23, -74.72

 

CMYK 90 / 25 / 0 / 55

HEX #0B5673

RGB 11 86 115

HSL 196.73, 0.83%, 0.25%

LAB 33.91, -10.02, -22.51

 

CMYK 90 / 25 / 0 / 40

HEX #0F7299

RGB 15 114 153

HSL 196.96, 0.82%, 0.33%

LAB 44.85, -11.71, -28.46

 

CMYK 90 / 26 / 0 / 25

HEX #138DBE

RGB 19 141 190

HSL 197.19, 0.82%, 0.41%

LAB 54.98, -13.13, -34.09

 

CMYK 90 / 26 / 0 / 11

HEX #17A9E4

RGB 23 169 228

HSL 197.27, 0.82%, 0.49%

LAB 65.09, -14.68, -39.52

 

CMYK 76 / 22 / 0 / 8

HEX #38B8EB

RGB 56 184 235

HSL 197.09, 0.82%, 0.57%

LAB 70.26, -17.69, -35.25

 

CMYK 90 / 26 / 0 / 25

HEX #138EBF

RGB 19 142 191

HSL 197.09, 0.82%, 0.41%

LAB 55.32, -13.32, -34.11

 

CMYK 46 / 90 / 0 / 25

HEX #6613BE

RGB 102 19 190

HSL 269.12, 0.82%, 0.41%

LAB 31.83, 64.1, -71.09

 

CMYK 0 / 11 / 90 / 25

HEX #BEAA13

RGB 190 170 19

HSL 52.98, 0.82%, 0.41%

LAB 69.29, -6.77, 69.27

 

CMYK 90 / 26 / 0 / 25

HEX #138EBF

RGB 19 142 191

HSL 197.09, 0.82%, 0.41%

LAB 55.32, -13.32, -34.11

 

CMYK 0 / 90 / 25 / 25

HEX #BE138E

RGB 190 19 142

HSL 316.84, 0.82%, 0.41%

LAB 43.31, 70.38, -23.05

 

CMYK 25 / 0 / 90 / 25

HEX #8EBE13

RGB 142 190 19

HSL 76.84, 0.82%, 0.41%

LAB 71.3, -37.05, 69.35

 

CMYK 90 / 26 / 0 / 25

HEX #138EBF

RGB 19 142 191

HSL 197.09, 0.82%, 0.41%

LAB 55.32, -13.32, -34.11

 

CMYK 46 / 90 / 0 / 25

HEX #6613BE

RGB 102 19 190

HSL 269.12, 0.82%, 0.41%

LAB 31.83, 64.1, -71.09

 

CMYK 0 / 65 / 90 / 25

HEX #BE4313

RGB 190 67 19

HSL 16.84, 0.82%, 0.41%

LAB 45.65, 47.48, 51.15

 

CMYK 44 / 0 / 90 / 25

HEX #6BBE13

RGB 107 190 19

HSL 89.12, 0.82%, 0.41%

LAB 69.47, -49.79, 67.09

 

CMYK 90 / 26 / 0 / 25

HEX #138EBF

RGB 19 142 191

HSL 197.09, 0.82%, 0.41%

LAB 55.32, -13.32, -34.11

 

CMYK 19 / 90 / 0 / 25

HEX #9913BE

RGB 153 19 190

HSL 287.02, 0.82%, 0.41%

LAB 39.51, 70.8, -58.22

 

CMYK 0 / 65 / 90 / 25

HEX #BE4313

RGB 190 67 19

HSL 16.84, 0.82%, 0.41%

LAB 45.65, 47.48, 51.15

 

CMYK 71 / 0 / 90 / 25

HEX #38BE13

RGB 56 190 19

HSL 107.02, 0.82%, 0.41%

LAB 67.81, -63.05, 65.02

 

Description

Color code: RGBA 19 142 191 0.75 | qconv.com Color code: RGBA 19 142 191 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 142 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 142 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 19 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 19% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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