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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 198 232 145 0.75 it is the complementary color RGBA 57 23 110 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 198 232 145 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 198 232 145 0.75 shade: RGBA 203 232 140 0.75, RGBA 220 250 159 0.75, RGBA 237 255 178 0.75, RGBA 254 255 197 0.75 and RGBA 255 255 216 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 198 232 145 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 198 232 145 0.75 shade: RGBA 198 232 145 0.75, RGBA 181 214 126 0.75, RGBA 164 196 107 0.75, RGBA 147 178 88 0.75 and RGBA 130 160 69 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 146, RGB 221 232 146, RGB 232 219 146, RGB 232 196 146 and RGB 232 173 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 146, RGB 175 232 146, RGB 152 232 146, RGB 146 232 163 and RGB 146 232 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 198 232 145 0.75 shade matches the following richer shades: RGB 198 232 146, RGB 200 243 135 and RGB 203 253 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 146, RGB 196 221 156, RGB 193 210 167, RGB 191 200 178 and RGB 189 189 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 198 232 145 0.75 shade: RGB 232 219 146, RGB 222 232 146, RGB 199 232 146, RGB 176 232 146 and RGB 153 232 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 198 232 145 0.75 shade: RGB 163 217 78, RGB 180 225 112, RGB 198 232 146, RGB 216 239 180 and RGB 234 246 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 145, RGB 146 232 196 and RGB 230 146 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 145, RGB 146 199 232 and RGB 232 146 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 145, RGB 146 232 196, RGB 179 146 232 and RGB 232 146 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 198 232 145 0.75 shade: RGB 198 232 145, RGB 146 232 222, RGB 179 146 232 and RGB 232 146 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 28 / 7

HEX #C6E891BF

RGBA 198 232 145 0.75

HSLA 83.45, 0.65%, 0.74%, 0.75

LABA 87.85, -25.37, 38.72, 0.75

 

Complementary color

CMYK 36 / 59 / 0 / 43

HEX #39176EBF

RGBA 57 23 110 0.75

HSLA 263.45, 0.65%, 0.26%, 0.75

LABA 18.4, 36.64, -43.98, 0.75

 

CMYK 9 / 0 / 30 / 7

HEX #CBE88CBF

RGBA 203 232 140 0.75

HSLA 78.91, 0.67%, 0.73%, 0.75

LABA 88.11, -24.14, 41.6, 0.75

 

CMYK 9 / 0 / 27 / 1

HEX #DCFA9FBF

RGBA 220 250 159 0.75

HSLA 79.78, 0.9%, 0.8%, 0.75

LABA 94.35, -24.21, 40.48, 0.75

 

CMYK 5 / 0 / 23 / 0

HEX #EDFFB2BF

RGBA 237 255 178 0.75

HSLA 74.03, 1%, 0.85%, 0.75

LABA 97.12, -18.04, 34.92, 0.75

 

CMYK 0 / 0 / 17 / 0

HEX #FEFFC5BF

RGBA 254 255 197 0.75

HSLA 61.03, 1%, 0.89%, 0.75

LABA 98.68, -9.37, 27.69, 0.75

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFD8BF

RGBA 255 255 216 0.75

HSLA 60, 1%, 0.92%, 0.75

LABA 99.12, -6.32, 18.67, 0.75

 

CMYK 11 / 0 / 28 / 7

HEX #C6E891BF

RGBA 198 232 145 0.75

HSLA 83.45, 0.65%, 0.74%, 0.75

LABA 87.85, -25.37, 38.72, 0.75

 

CMYK 12 / 0 / 31 / 12

HEX #B5D67EBF

RGBA 181 214 126 0.75

HSLA 82.5, 0.52%, 0.67%, 0.75

LABA 81.52, -25.34, 39.85, 0.75

 

CMYK 12 / 0 / 34 / 17

HEX #A4C46BBF

RGBA 164 196 107 0.75

HSLA 81.57, 0.43%, 0.59%, 0.75

LABA 75.1, -25.28, 41.02, 0.75

 

CMYK 13 / 0 / 38 / 23

HEX #93B258BF

RGBA 147 178 88 0.75

HSLA 80.67, 0.37%, 0.52%, 0.75

LABA 68.57, -25.17, 42.18, 0.75

 

CMYK 14 / 0 / 43 / 28

HEX #82A045BF

RGBA 130 160 69 0.75

HSLA 79.78, 0.4%, 0.45%, 0.75

LABA 61.93, -24.99, 43.29, 0.75

 

CMYK 15 / 0 / 37 / 9

HEX #C6E892

RGB 198 232 146

HSL 83.72, 0.65%, 0.74%

LAB 87.87, -25.25, 38.24

 

CMYK 5 / 0 / 37 / 9

HEX #DDE892

RGB 221 232 146

HSL 67.67, 0.65%, 0.74%

LAB 89.47, -16.67, 40.62

 

CMYK 0 / 6 / 37 / 9

HEX #E8DB92

RGB 232 219 146

HSL 50.93, 0.65%, 0.74%

LAB 86.94, -5.94, 37.52

 

CMYK 0 / 16 / 37 / 9

HEX #E8C492

RGB 232 196 146

HSL 34.88, 0.65%, 0.74%

LAB 81.13, 5.93, 29.87

 

CMYK 0 / 25 / 37 / 9

HEX #E8AD92

RGB 232 173 146

HSL 18.84, 0.65%, 0.74%

LAB 75.52, 18.1, 22.3

 

CMYK 15 / 0 / 37 / 9

HEX #C6E892

RGB 198 232 146

HSL 83.72, 0.65%, 0.74%

LAB 87.87, -25.25, 38.24

 

CMYK 25 / 0 / 37 / 9

HEX #AFE892

RGB 175 232 146

HSL 99.77, 0.65%, 0.74%

LAB 86.46, -33.41, 36.12

 

CMYK 34 / 0 / 37 / 9

HEX #98E892

RGB 152 232 146

HSL 115.81, 0.65%, 0.74%

LAB 85.23, -40.98, 34.29

 

CMYK 37 / 0 / 30 / 9

HEX #92E8A3

RGB 146 232 163

HSL 131.86, 0.65%, 0.74%

LAB 85.23, -40.07, 25.58

 

CMYK 37 / 0 / 20 / 9

HEX #92E8BA

RGB 146 232 186

HSL 147.91, 0.65%, 0.74%

LAB 85.69, -35.84, 14.29

 

CMYK 15 / 0 / 37 / 9

HEX #C6E892

RGB 198 232 146

HSL 83.72, 0.65%, 0.74%

LAB 87.87, -25.25, 38.24

 

CMYK 18 / 0 / 44 / 5

HEX #C8F387

RGB 200 243 135

HSL 83.89, 0.82%, 0.74%

LAB 90.84, -31.02, 47.43

 

CMYK 20 / 0 / 51 / 1

HEX #CBFD7C

RGB 203 253 124

HSL 83.26, 0.97%, 0.74%

LAB 93.62, -35.67, 56.01

 

CMYK 15 / 0 / 37 / 9

HEX #C6E892

RGB 198 232 146

HSL 83.72, 0.65%, 0.74%

LAB 87.87, -25.25, 38.24

 

CMYK 11 / 0 / 29 / 13

HEX #C4DD9C

RGB 196 221 156

HSL 83.08, 0.49%, 0.74%

LAB 84.92, -19.3, 29.24

 

CMYK 8 / 0 / 20 / 18

HEX #C1D2A7

RGB 193 210 167

HSL 83.72, 0.32%, 0.74%

LAB 81.96, -13.26, 19.43

 

CMYK 5 / 0 / 11 / 22

HEX #BFC8B2

RGB 191 200 178

HSL 84.55, 0.17%, 0.74%

LAB 79.39, -7.04, 9.94

 

CMYK 0 / 0 / 0 / 26

HEX #BDBDBD

RGB 189 189 189

HSL 0, 0%, 0.74%

LAB 76.61, 0, -0.01

 

CMYK 0 / 6 / 37 / 9

HEX #E8DB92

RGB 232 219 146

HSL 50.93, 0.65%, 0.74%

LAB 86.94, -5.94, 37.52

 

CMYK 4 / 0 / 37 / 9

HEX #DEE892

RGB 222 232 146

HSL 66.98, 0.65%, 0.74%

LAB 89.54, -16.29, 40.73

 

CMYK 14 / 0 / 37 / 9

HEX #C7E892

RGB 199 232 146

HSL 83.02, 0.65%, 0.74%

LAB 87.94, -24.88, 38.33

 

CMYK 24 / 0 / 37 / 9

HEX #B0E892

RGB 176 232 146

HSL 99.07, 0.65%, 0.74%

LAB 86.51, -33.06, 36.21

 

CMYK 34 / 0 / 37 / 9

HEX #99E892

RGB 153 232 146

HSL 115.12, 0.65%, 0.74%

LAB 85.28, -40.66, 34.36

 

CMYK 25 / 0 / 64 / 15

HEX #A3D94E

RGB 163 217 78

HSL 83.31, 0.65%, 0.58%

LAB 80.72, -38.2, 60.74

 

CMYK 20 / 0 / 50 / 12

HEX #B4E170

RGB 180 225 112

HSL 83.89, 0.65%, 0.66%

LAB 84.34, -32.48, 50.12

 

CMYK 15 / 0 / 37 / 9

HEX #C6E892

RGB 198 232 146

HSL 83.72, 0.65%, 0.74%

LAB 87.87, -25.25, 38.24

 

CMYK 10 / 0 / 25 / 6

HEX #D8EFB4

RGB 216 239 180

HSL 83.39, 0.65%, 0.82%

LAB 91.52, -17.51, 26.1

 

CMYK 5 / 0 / 13 / 4

HEX #EAF6D6

RGB 234 246 214

HSL 82.5, 0.64%, 0.9%

LAB 95.27, -9.45, 14.05

 

CMYK 15 / 0 / 38 / 9

HEX #C6E891

RGB 198 232 145

HSL 83.45, 0.65%, 0.74%

LAB 87.85, -25.37, 38.72

 

CMYK 37 / 0 / 16 / 9

HEX #92E8C4

RGB 146 232 196

HSL 154.88, 0.65%, 0.74%

LAB 85.91, -33.84, 9.37

 

CMYK 1 / 37 / 0 / 9

HEX #E692E8

RGB 230 146 232

HSL 298.6, 0.65%, 0.74%

LAB 71.7, 44.82, -30.51

 

CMYK 15 / 0 / 38 / 9

HEX #C6E891

RGB 198 232 145

HSL 83.45, 0.65%, 0.74%

LAB 87.85, -25.37, 38.72

 

CMYK 37 / 14 / 0 / 9

HEX #92C7E8

RGB 146 199 232

HSL 203.02, 0.65%, 0.74%

LAB 77.75, -9.14, -21.84

 

CMYK 0 / 37 / 14 / 9

HEX #E892C7

RGB 232 146 199

HSL 323.02, 0.65%, 0.74%

LAB 70.76, 39.82, -13.72

 

CMYK 15 / 0 / 38 / 9

HEX #C6E891

RGB 198 232 145

HSL 83.45, 0.65%, 0.74%

LAB 87.85, -25.37, 38.72

 

CMYK 37 / 0 / 16 / 9

HEX #92E8C4

RGB 146 232 196

HSL 154.88, 0.65%, 0.74%

LAB 85.91, -33.84, 9.37

 

CMYK 23 / 37 / 0 / 9

HEX #B392E8

RGB 179 146 232

HSL 263.02, 0.65%, 0.74%

LAB 66.5, 29.54, -38.98

 

CMYK 0 / 37 / 22 / 9

HEX #E892B6

RGB 232 146 182

HSL 334.88, 0.65%, 0.74%

LAB 70.24, 37.22, -5.04

 

CMYK 15 / 0 / 38 / 9

HEX #C6E891

RGB 198 232 145

HSL 83.45, 0.65%, 0.74%

LAB 87.85, -25.37, 38.72

 

CMYK 37 / 0 / 4 / 9

HEX #92E8DE

RGB 146 232 222

HSL 173.02, 0.65%, 0.74%

LAB 86.55, -28.19, -3.36

 

CMYK 23 / 37 / 0 / 9

HEX #B392E8

RGB 179 146 232

HSL 263.02, 0.65%, 0.74%

LAB 66.5, 29.54, -38.98

 

CMYK 0 / 37 / 33 / 9

HEX #E8929C

RGB 232 146 156

HSL 353.02, 0.65%, 0.74%

LAB 69.55, 33.68, 8.46

 

Description

Color code: RGBA 198 232 145 0.75 | qconv.com Color code: RGBA 198 232 145 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 232 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 232 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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