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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 149 98 it is the complementary color RGB 57 106 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 149 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 149 98 shade: RGB 203 149 93, RGB 220 167 112, RGB 237 185 131, RGB 254 203 150 and RGB 255 221 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 149 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 181 131 79, RGB 164 113 60, RGB 147 95 41 and RGB 130 77 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 198 122 98 and RGB 198 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 198 176 98, RGB 193 198 98, RGB 166 198 98 and RGB 139 198 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 149 98 shade matches the following richer shades: RGB 198 149 98, RGB 216 149 80, RGB 233 150 63 and RGB 250 150 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 181 149 115, RGB 164 148 132, RGB 146 148 150 and RGB 129 148 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 149 98 shade: RGB 198 98 101, RGB 198 121 98, RGB 198 148 98, RGB 198 175 98 and RGB 195 198 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 149 98 shade: RGB 157 108 57, RGB 187 128 67, RGB 198 149 98, RGB 209 169 128 and RGB 220 190 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 128 198 98 and RGB 108 98 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 98 198 148 and RGB 148 98 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 128 198 98, RGB 98 148 198 and RGB 168 98 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 149 98 shade: RGB 198 149 98, RGB 98 198 98, RGB 98 148 198 and RGB 198 98 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

 

Complementary color

CMYK 64 / 32 / 0 / 38

HEX #396A9D

RGB 57 106 157

HSL 210.6, 0.47%, 0.42%

LAB 43.67, -0.07, -32.6

 

CMYK 0 / 27 / 54 / 20

HEX #CB955D

RGB 203 149 93

HSL 30.55, 0.51%, 0.58%

LAB 65.73, 13.93, 37.31

 

CMYK 0 / 24 / 49 / 14

HEX #DCA770

RGB 220 167 112

HSL 30.56, 0.61%, 0.65%

LAB 72.24, 12.94, 35.88

 

CMYK 0 / 22 / 45 / 7

HEX #EDB983

RGB 237 185 131

HSL 30.57, 0.75%, 0.72%

LAB 78.66, 12.07, 34.54

 

CMYK 0 / 20 / 41 / 0

HEX #FECB96

RGB 254 203 150

HSL 30.58, 0.98%, 0.79%

LAB 84.99, 11.31, 33.28

 

CMYK 0 / 13 / 34 / 0

HEX #FFDDA9

RGB 255 221 169

HSL 36.28, 1%, 0.83%

LAB 89.78, 4.54, 29.9

 

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 0 / 28 / 56 / 29

HEX #B5834F

RGB 181 131 79

HSL 30.59, 0.41%, 0.51%

LAB 58.62, 13.34, 35.43

NCS® S3030-Y30R

CMYK 0 / 31 / 63 / 36

HEX #A4713C

RGB 164 113 60

HSL 30.58, 0.46%, 0.44%

LAB 51.87, 14.59, 36.97

NCS® S3030-Y30R

CMYK 0 / 35 / 72 / 42

HEX #935F29

RGB 147 95 41

HSL 30.57, 0.56%, 0.37%

LAB 45.01, 16.1, 38.51

NCS® S3030-Y30R

CMYK 0 / 41 / 83 / 49

HEX #824D16

RGB 130 77 22

HSL 30.56, 0.71%, 0.3%

LAB 38.04, 17.93, 39.73

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 0 / 38 / 51 / 22

HEX #C67A62

RGB 198 122 98

HSL 14.4, 0.47%, 0.58%

LAB 58.79, 27.08, 25.62

NCS® S3030-Y30R

CMYK 0 / 51 / 51 / 22

HEX #C66262

RGB 198 98 98

HSL 0, 0.47%, 0.58%

LAB 53.62, 39.8, 18.73

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 0 / 11 / 51 / 22

HEX #C6B062

RGB 198 176 98

HSL 46.8, 0.47%, 0.58%

LAB 72.19, -2.27, 42.54

NCS® S3030-Y30R

CMYK 3 / 0 / 51 / 22

HEX #C1C662

RGB 193 198 98

HSL 63, 0.47%, 0.58%

LAB 77.64, -15.7, 48.97

NCS® S3030-Y30R

CMYK 16 / 0 / 51 / 22

HEX #A6C662

RGB 166 198 98

HSL 79.2, 0.47%, 0.58%

LAB 75.69, -26.45, 46.17

NCS® S3030-Y30R

CMYK 30 / 0 / 51 / 22

HEX #8BC662

RGB 139 198 98

HSL 95.4, 0.47%, 0.58%

LAB 74.04, -36.5, 43.79

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 0 / 31 / 63 / 15

HEX #D89550

RGB 216 149 80

HSL 30.44, 0.64%, 0.58%

LAB 67.03, 18.4, 45.87

NCS® S3030-Y30R

CMYK 0 / 36 / 73 / 9

HEX #E9963F

RGB 233 150 63

HSL 30.71, 0.79%, 0.58%

LAB 69.11, 24.02, 56.71

NCS® S3030-Y30R

CMYK 0 / 40 / 82 / 2

HEX #FA962E

RGB 250 150 46

HSL 30.59, 0.95%, 0.58%

LAB 71.1, 30.4, 66.14

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 0 / 18 / 36 / 29

HEX #B59573

RGB 181 149 115

HSL 30.91, 0.31%, 0.58%

LAB 63.8, 7.09, 22.46

NCS® S3030-Y30R

CMYK 0 / 10 / 20 / 36

HEX #A49484

RGB 164 148 132

HSL 30, 0.15%, 0.58%

LAB 62.29, 3.24, 10.61

NCS® S3030-Y30R

CMYK 3 / 1 / 0 / 41

HEX #929496

RGB 146 148 150

HSL 210, 0.02%, 0.58%

LAB 61.21, -0.33, -1.32

NCS® S3030-Y30R

CMYK 23 / 11 / 0 / 35

HEX #8194A7

RGB 129 148 167

HSL 210, 0.18%, 0.58%

LAB 60.46, -2.44, -12.22

NCS® S3030-Y30R

CMYK 0 / 51 / 49 / 22

HEX #C66265

RGB 198 98 101

HSL 358.2, 0.47%, 0.58%

LAB 53.69, 40.08, 17.05

 

CMYK 0 / 39 / 51 / 22

HEX #C67962

RGB 198 121 98

HSL 13.8, 0.47%, 0.58%

LAB 58.57, 27.62, 25.32

 

CMYK 0 / 25 / 51 / 22

HEX #C69462

RGB 198 148 98

HSL 30, 0.47%, 0.58%

LAB 65.02, 12.83, 33.64

 

CMYK 0 / 12 / 51 / 22

HEX #C6AF62

RGB 198 175 98

HSL 46.2, 0.47%, 0.58%

LAB 71.93, -1.74, 42.22

 

CMYK 2 / 0 / 51 / 22

HEX #C3C662

RGB 195 198 98

HSL 61.8, 0.47%, 0.58%

LAB 77.8, -14.89, 49.19

 

CMYK 0 / 31 / 64 / 38

HEX #9D6C39

RGB 157 108 57

HSL 30.6, 0.47%, 0.42%

LAB 49.72, 14.13, 35.85

 

CMYK 0 / 32 / 64 / 27

HEX #BB8043

RGB 187 128 67

HSL 30.5, 0.47%, 0.5%

LAB 58.42, 16.69, 41.62

 

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 0 / 19 / 39 / 18

HEX #D1A980

RGB 209 169 128

HSL 30.37, 0.47%, 0.66%

LAB 71.89, 9.08, 26.69

NCS® S3030-Y30R

CMYK 0 / 14 / 28 / 14

HEX #DCBE9E

RGB 220 190 158

HSL 30.97, 0.47%, 0.74%

LAB 78.76, 5.93, 20.12

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 35 / 0 / 51 / 22

HEX #80C662

RGB 128 198 98

HSL 102, 0.47%, 0.58%

LAB 73.45, -40.29, 42.95

NCS® S3030-Y30R

CMYK 45 / 51 / 0 / 22

HEX #6C62C6

RGB 108 98 198

HSL 246, 0.47%, 0.58%

LAB 46.98, 29.6, -51.11

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 51 / 0 / 25 / 22

HEX #62C694

RGB 98 198 148

HSL 150, 0.47%, 0.58%

LAB 72.97, -40.9, 16.25

NCS® S3030-Y30R

CMYK 25 / 51 / 0 / 22

HEX #9462C6

RGB 148 98 198

HSL 270, 0.47%, 0.58%

LAB 50.81, 39.77, -44.76

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 35 / 0 / 51 / 22

HEX #80C662

RGB 128 198 98

HSL 102, 0.47%, 0.58%

LAB 73.45, -40.29, 42.95

NCS® S3030-Y30R

CMYK 51 / 25 / 0 / 22

HEX #6294C6

RGB 98 148 198

HSL 210, 0.47%, 0.58%

LAB 59.76, -2.71, -30.99

NCS® S3030-Y30R

CMYK 0 / 25 / 51 / 22

HEX #C69562

RGB 198 149 98

HSL 30.6, 0.47%, 0.58%

LAB 65.27, 12.29, 33.96

NCS® S3030-Y30R

CMYK 51 / 0 / 51 / 22

HEX #62C662

RGB 98 198 98

HSL 120, 0.47%, 0.58%

LAB 72.14, -49.47, 41.04

NCS® S3030-Y30R

CMYK 51 / 25 / 0 / 22

HEX #6294C6

RGB 98 148 198

HSL 210, 0.47%, 0.58%

LAB 59.76, -2.71, -30.99

NCS® S3030-Y30R

CMYK 0 / 51 / 0 / 22

HEX #C662C6

RGB 198 98 198

HSL 300, 0.47%, 0.58%

LAB 56.9, 53.64, -34.77

NCS® S3030-Y30R

Description

Color code: RGBA 198 149 98 1 | qconv.com Color code: RGBA 198 149 98 1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 149 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 149 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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