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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 198 113 29 0.75 it is the complementary color RGBA 57 142 226 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 198 113 29 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 198 113 29 0.75 shade: RGBA 203 113 24 0.75, RGBA 220 131 43 0.75, RGBA 237 149 62 0.75, RGBA 254 167 81 0.75 and RGBA 255 185 100 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 198 113 29 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 198 113 29 0.75 shade: RGBA 198 113 29 0.75, RGBA 181 95 10 0.75, RGBA 164 77 0 0.75, RGBA 147 59 0 0.75 and RGBA 130 41 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 198 113 29 0.75 shade: RGB 200 114 30, RGB 200 68 30 and RGB 200 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 198 113 29 0.75 shade: RGB 200 114 30, RGB 200 160 30, RGB 193 200 30, RGB 148 200 30 and RGB 102 200 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 198 113 29 0.75 shade matches the following richer shades: RGB 200 114 30 and RGB 218 114 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 198 113 29 0.75 shade: RGB 200 114 30, RGB 181 114 48, RGB 163 114 67, RGB 144 115 86 and RGB 125 115 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 198 113 29 0.75 shade: RGB 200 30 38, RGB 200 67 30, RGB 200 112 30, RGB 200 157 30 and RGB 197 200 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 198 113 29 0.75 shade: RGB 128 73 19, RGB 164 94 24, RGB 200 114 30, RGB 224 135 47 and RGB 229 156 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 198 113 29 0.75 shade: RGB 198 113 29, RGB 84 200 30 and RGB 44 30 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 198 113 29 0.75 shade: RGB 198 113 29, RGB 30 200 112 and RGB 112 30 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 198 113 29 0.75 shade: RGB 198 113 29, RGB 84 200 30, RGB 30 118 200 and RGB 146 30 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 198 113 29 0.75 shade: RGB 198 113 29, RGB 33 200 30, RGB 30 118 200 and RGB 197 30 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 64 / 17

HEX #C6711DBF

RGBA 198 113 29 0.75

HSLA 29.82, 0.74%, 0.45%, 0.75

LABA 55.99, 27.9, 56.41, 0.75

 

Complementary color

CMYK 56 / 28 / 0 / 9

HEX #398EE2BF

RGBA 57 142 226 0.75

HSLA 209.82, 0.74%, 0.55%, 0.75

LABA 57.76, 2.81, -49.92, 0.75

 

CMYK 0 / 33 / 66 / 15

HEX #CB7118BF

RGBA 203 113 24 0.75

HSLA 29.83, 0.79%, 0.45%, 0.75

LABA 56.66, 29.88, 58.84, 0.75

 

CMYK 0 / 30 / 60 / 10

HEX #DC832BBF

RGBA 220 131 43 0.75

HSLA 29.83, 0.72%, 0.52%, 0.75

LABA 63.03, 27.91, 58.57, 0.75

 

CMYK 0 / 28 / 55 / 5

HEX #ED953EBF

RGBA 237 149 62 0.75

HSLA 29.83, 0.83%, 0.59%, 0.75

LABA 69.36, 26.17, 57.56, 0.75

 

CMYK 0 / 26 / 51 / 0

HEX #FEA751BF

RGBA 254 167 81 0.75

HSLA 29.83, 0.99%, 0.66%, 0.75

LABA 75.64, 24.61, 56.24, 0.75

 

CMYK 0 / 21 / 46 / 0

HEX #FFB964BF

RGBA 255 185 100 0.75

HSLA 32.9, 1%, 0.7%, 0.75

LABA 80.11, 16.76, 52.35, 0.75

 

CMYK 0 / 32 / 64 / 17

HEX #C6711DBF

RGBA 198 113 29 0.75

HSLA 29.82, 0.74%, 0.45%, 0.75

LABA 55.99, 27.9, 56.41, 0.75

 

CMYK 0 / 36 / 71 / 22

HEX #B55F0ABF

RGBA 181 95 10 0.75

HSLA 29.82, 0.9%, 0.37%, 0.75

LABA 49.53, 30.02, 55.81, 0.75

 

CMYK 0 / 40 / 75 / 27

HEX #A44D00BF

RGBA 164 77 0 0.75

HSLA 28.17, 1%, 0.32%, 0.75

LABA 43.06, 32.35, 52.83, 0.75

 

CMYK 0 / 45 / 75 / 32

HEX #933B00BF

RGBA 147 59 0 0.75

HSLA 24.08, 1%, 0.29%, 0.75

LABA 36.61, 34.71, 47.68, 0.75

 

CMYK 0 / 51 / 75 / 37

HEX #822900BF

RGBA 130 41 0 0.75

HSLA 18.92, 1%, 0.25%, 0.75

LABA 30.23, 36.75, 42.19, 0.75

 

CMYK 0 / 43 / 85 / 22

HEX #C8721E

RGB 200 114 30

HSL 29.65, 0.74%, 0.45%

LAB 56.49, 28.23, 56.59

 

CMYK 0 / 66 / 85 / 22

HEX #C8441E

RGB 200 68 30

HSL 13.41, 0.74%, 0.45%

LAB 47.63, 50.8, 49.05

 

CMYK 0 / 85 / 85 / 22

HEX #C81E1E

RGB 200 30 30

HSL 0, 0.74%, 0.45%

LAB 43.21, 63.05, 45.22

 

CMYK 0 / 43 / 85 / 22

HEX #C8721E

RGB 200 114 30

HSL 29.65, 0.74%, 0.45%

LAB 56.49, 28.23, 56.59

 

CMYK 0 / 20 / 85 / 22

HEX #C8A01E

RGB 200 160 30

HSL 45.88, 0.74%, 0.45%

LAB 67.66, 3.23, 65.92

 

CMYK 4 / 0 / 85 / 22

HEX #C1C81E

RGB 193 200 30

HSL 62.47, 0.74%, 0.45%

LAB 77.72, -20.49, 73.99

 

CMYK 26 / 0 / 85 / 22

HEX #94C81E

RGB 148 200 30

HSL 78.35, 0.74%, 0.45%

LAB 74.63, -38.88, 70.16

 

CMYK 49 / 0 / 85 / 22

HEX #66C81E

RGB 102 200 30

HSL 94.59, 0.74%, 0.45%

LAB 72.38, -54.85, 67.32

 

CMYK 0 / 43 / 85 / 22

HEX #C8721E

RGB 200 114 30

HSL 29.65, 0.74%, 0.45%

LAB 56.49, 28.23, 56.59

 

CMYK 0 / 48 / 95 / 15

HEX #DA720B

RGB 218 114 11

HSL 29.86, 0.9%, 0.45%

LAB 58.94, 35.33, 64.56

 

CMYK 0 / 43 / 85 / 22

HEX #C8721E

RGB 200 114 30

HSL 29.65, 0.74%, 0.45%

LAB 56.49, 28.23, 56.59

 

CMYK 0 / 37 / 73 / 29

HEX #B57230

RGB 181 114 48

HSL 29.77, 0.58%, 0.45%

LAB 54.1, 20.76, 46.02

 

CMYK 0 / 30 / 59 / 36

HEX #A37243

RGB 163 114 67

HSL 29.38, 0.42%, 0.45%

LAB 52.09, 14.12, 33.47

 

CMYK 0 / 20 / 40 / 44

HEX #907356

RGB 144 115 86

HSL 30, 0.25%, 0.45%

LAB 50.53, 7.19, 20.36

 

CMYK 0 / 8 / 17 / 51

HEX #7D7368

RGB 125 115 104

HSL 31.43, 0.09%, 0.45%

LAB 49.03, 1.88, 7.48

 

CMYK 0 / 85 / 81 / 22

HEX #C81E26

RGB 200 30 38

HSL 357.18, 0.74%, 0.45%

LAB 43.28, 63.26, 41.06

 

CMYK 0 / 67 / 85 / 22

HEX #C8431E

RGB 200 67 30

HSL 13.06, 0.74%, 0.45%

LAB 47.48, 51.21, 48.92

 

CMYK 0 / 44 / 85 / 22

HEX #C8701E

RGB 200 112 30

HSL 28.94, 0.74%, 0.45%

LAB 56.05, 29.3, 56.22

 

CMYK 0 / 22 / 85 / 22

HEX #C89D1E

RGB 200 157 30

HSL 44.82, 0.74%, 0.45%

LAB 66.89, 4.85, 65.28

 

CMYK 1 / 0 / 85 / 22

HEX #C5C81E

RGB 197 200 30

HSL 61.06, 0.74%, 0.45%

LAB 78.04, -18.79, 74.38

 

CMYK 0 / 43 / 85 / 50

HEX #804913

RGB 128 73 19

HSL 29.72, 0.74%, 0.29%

LAB 36.75, 19.24, 39.71

 

CMYK 0 / 43 / 85 / 36

HEX #A45E18

RGB 164 94 24

HSL 30, 0.74%, 0.37%

LAB 46.93, 23.54, 48.64

 

CMYK 0 / 43 / 85 / 22

HEX #C8721E

RGB 200 114 30

HSL 29.65, 0.74%, 0.45%

LAB 56.49, 28.23, 56.59

 

CMYK 0 / 40 / 79 / 12

HEX #E0872F

RGB 224 135 47

HSL 29.83, 0.74%, 0.53%

LAB 64.47, 27.59, 58.51

 

CMYK 0 / 32 / 64 / 10

HEX #E59C53

RGB 229 156 83

HSL 30, 0.74%, 0.61%

LAB 70.22, 20.26, 48.44

 

CMYK 0 / 43 / 85 / 22

HEX #C6711D

RGB 198 113 29

HSL 29.82, 0.74%, 0.45%

LAB 55.99, 27.9, 56.41

 

CMYK 58 / 0 / 85 / 22

HEX #54C81E

RGB 84 200 30

HSL 100.94, 0.74%, 0.45%

LAB 71.75, -59.83, 66.53

 

CMYK 78 / 85 / 0 / 22

HEX #2C1EC8

RGB 44 30 200

HSL 244.94, 0.74%, 0.45%

LAB 28.47, 58.65, -82.71

 

CMYK 0 / 43 / 85 / 22

HEX #C6711D

RGB 198 113 29

HSL 29.82, 0.74%, 0.45%

LAB 55.99, 27.9, 56.41

 

CMYK 85 / 0 / 44 / 22

HEX #1EC870

RGB 30 200 112

HSL 148.94, 0.74%, 0.45%

LAB 71.39, -60.14, 32.76

 

CMYK 44 / 85 / 0 / 22

HEX #701EC8

RGB 112 30 200

HSL 268.94, 0.74%, 0.45%

LAB 35.09, 64.62, -71.55

 

CMYK 0 / 43 / 85 / 22

HEX #C6711D

RGB 198 113 29

HSL 29.82, 0.74%, 0.45%

LAB 55.99, 27.9, 56.41

 

CMYK 58 / 0 / 85 / 22

HEX #54C81E

RGB 84 200 30

HSL 100.94, 0.74%, 0.45%

LAB 71.75, -59.83, 66.53

 

CMYK 85 / 41 / 0 / 22

HEX #1E76C8

RGB 30 118 200

HSL 208.94, 0.74%, 0.45%

LAB 48.76, 4.96, -49.61

 

CMYK 27 / 85 / 0 / 22

HEX #921EC8

RGB 146 30 200

HSL 280.94, 0.74%, 0.45%

LAB 39.93, 69.33, -63.43

 

CMYK 0 / 43 / 85 / 22

HEX #C6711D

RGB 198 113 29

HSL 29.82, 0.74%, 0.45%

LAB 55.99, 27.9, 56.41

 

CMYK 84 / 0 / 85 / 22

HEX #21C81E

RGB 33 200 30

HSL 118.94, 0.74%, 0.45%

LAB 70.68, -68.9, 65.17

 

CMYK 85 / 41 / 0 / 22

HEX #1E76C8

RGB 30 118 200

HSL 208.94, 0.74%, 0.45%

LAB 48.76, 4.96, -49.61

 

CMYK 1 / 85 / 0 / 22

HEX #C51EC8

RGB 197 30 200

HSL 298.94, 0.74%, 0.45%

LAB 48.22, 77.83, -49.64

 

Description

Color code: RGBA 198 113 29 0.75 | qconv.com Color code: RGBA 198 113 29 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 113 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 113 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 64 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 64% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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