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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 197 78 23 0.6 it is the complementary color RGBA 58 177 232 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 197 78 23 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 197 78 23 0.6 shade: RGBA 202 78 18 0.6, RGBA 219 96 37 0.6, RGBA 236 114 56 0.6, RGBA 253 132 75 0.6 and RGBA 255 150 94 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 197 78 23 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 197 78 23 0.6 shade: RGBA 197 78 23 0.6, RGBA 180 60 4 0.6, RGBA 163 42 0 0.6, RGBA 146 24 0 0.6 and RGBA 129 6 0 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 197 78 23 0.6 shade: RGB 196 78 23, RGB 196 31 23 and RGB 196 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 197 78 23 0.6 shade: RGB 196 78 23, RGB 196 125 23, RGB 196 171 23, RGB 175 196 23 and RGB 128 196 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 197 78 23 0.6 shade matches the following richer shades: RGB 196 78 23 and RGB 214 71 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 197 78 23 0.6 shade: RGB 196 78 23, RGB 179 84 41, RGB 161 91 59, RGB 143 97 76 and RGB 125 104 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 197 78 23 0.6 shade: RGB 196 23 63, RGB 196 29 23, RGB 196 75 23, RGB 196 121 23 and RGB 196 167 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 197 78 23 0.6 shade: RGB 122 49 14, RGB 159 63 19, RGB 196 78 23, RGB 229 94 32 and RGB 233 121 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 197 78 23 0.6 shade: RGB 197 78 23, RGB 110 196 23 and RGB 23 40 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 197 78 23 0.6 shade: RGB 197 78 23, RGB 23 196 75 and RGB 75 23 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 197 78 23 0.6 shade: RGB 197 78 23, RGB 110 196 23, RGB 23 144 196 and RGB 110 23 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 197 78 23 0.6 shade: RGB 197 78 23, RGB 58 196 23, RGB 23 144 196 and RGB 162 23 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 53 / 14

HEX #C54E1799

RGBA 197 78 23 0.6

HSLA 18.97, 0.79%, 0.43%, 0.6

LABA 48.74, 45.14, 52.58, 0.6

 

Complementary color

CMYK 45 / 14 / 0 / 5

HEX #3AB1E899

RGBA 58 177 232 0.6

HSLA 198.97, 0.79%, 0.57%, 0.6

LABA 68.15, -14.74, -36.9, 0.6

 

CMYK 0 / 37 / 55 / 12

HEX #CA4E1299

RGBA 202 78 18 0.6

HSLA 19.57, 0.84%, 0.43%, 0.6

LABA 49.56, 46.89, 55.26, 0.6

 

CMYK 0 / 34 / 50 / 8

HEX #DB602599

RGBA 219 96 37 0.6

HSLA 19.45, 0.72%, 0.5%, 0.6

LABA 55.64, 45.18, 54.27, 0.6

 

CMYK 0 / 31 / 46 / 4

HEX #EC723899

RGBA 236 114 56 0.6

HSLA 19.33, 0.83%, 0.57%, 0.6

LABA 61.79, 43.5, 52.56, 0.6

 

CMYK 0 / 29 / 42 / 0

HEX #FD844B99

RGBA 253 132 75 0.6

HSLA 19.21, 0.98%, 0.64%, 0.6

LABA 67.94, 41.89, 50.65, 0.6

 

CMYK 0 / 25 / 38 / 0

HEX #FF965E99

RGBA 255 150 94 0.6

HSLA 20.87, 1%, 0.68%, 0.6

LABA 72.15, 34.59, 45.99, 0.6

 

CMYK 0 / 36 / 53 / 14

HEX #C54E1799

RGBA 197 78 23 0.6

HSLA 18.97, 0.79%, 0.43%, 0.6

LABA 48.74, 45.14, 52.58, 0.6

 

CMYK 0 / 40 / 59 / 18

HEX #B43C0499

RGBA 180 60 4 0.6

HSLA 19.09, 0.96%, 0.36%, 0.6

LABA 42.68, 46.73, 52.86, 0.6

 

CMYK 0 / 45 / 60 / 22

HEX #A32A0099

RGBA 163 42 0 0.6

HSLA 15.46, 1%, 0.32%, 0.6

LABA 36.82, 48, 49.43, 0.6

 

CMYK 0 / 50 / 60 / 26

HEX #92180099

RGBA 146 24 0 0.6

HSLA 9.86, 1%, 0.29%, 0.6

LABA 31.26, 48.36, 44.41, 0.6

 

CMYK 0 / 57 / 60 / 30

HEX #81060099

RGBA 129 6 0 0.6

HSLA 2.79, 1%, 0.25%, 0.6

LABA 26.15, 47.21, 38.71, 0.6

 

CMYK 0 / 60 / 88 / 23

HEX #C44E17

RGB 196 78 23

HSL 19.08, 0.79%, 0.43%

LAB 48.57, 44.77, 52.38

 

CMYK 0 / 84 / 88 / 23

HEX #C41F17

RGB 196 31 23

HSL 2.77, 0.79%, 0.43%

LAB 42.43, 61.58, 47.59

 

CMYK 0 / 88 / 88 / 23

HEX #C41717

RGB 196 23 23

HSL 0, 0.79%, 0.43%

LAB 41.86, 63.19, 47.15

 

CMYK 0 / 60 / 88 / 23

HEX #C44E17

RGB 196 78 23

HSL 19.08, 0.79%, 0.43%

LAB 48.57, 44.77, 52.38

 

CMYK 0 / 36 / 88 / 23

HEX #C47D17

RGB 196 125 23

HSL 35.38, 0.79%, 0.43%

LAB 58.48, 20.37, 60.17

 

CMYK 0 / 13 / 88 / 23

HEX #C4AB17

RGB 196 171 23

HSL 51.33, 0.79%, 0.43%

LAB 70.12, -4.55, 69.39

 

CMYK 11 / 0 / 88 / 23

HEX #AFC417

RGB 175 196 23

HSL 67.28, 0.79%, 0.43%

LAB 75.24, -26.3, 72.77

 

CMYK 35 / 0 / 88 / 23

HEX #80C417

RGB 128 196 23

HSL 83.58, 0.79%, 0.43%

LAB 72.32, -44.85, 69.17

 

CMYK 0 / 60 / 88 / 23

HEX #C44E17

RGB 196 78 23

HSL 19.08, 0.79%, 0.43%

LAB 48.57, 44.77, 52.38

 

CMYK 0 / 67 / 98 / 16

HEX #D64705

RGB 214 71 5

HSL 18.95, 0.95%, 0.43%

LAB 50.47, 53.98, 60.18

 

CMYK 0 / 60 / 88 / 23

HEX #C44E17

RGB 196 78 23

HSL 19.08, 0.79%, 0.43%

LAB 48.57, 44.77, 52.38

 

CMYK 0 / 53 / 77 / 30

HEX #B35429

RGB 179 84 41

HSL 18.7, 0.63%, 0.43%

LAB 47.09, 35.82, 42.09

 

CMYK 0 / 43 / 63 / 37

HEX #A15B3B

RGB 161 91 59

HSL 18.82, 0.46%, 0.43%

LAB 46.14, 25.66, 30.65

 

CMYK 0 / 32 / 47 / 44

HEX #8F614C

RGB 143 97 76

HSL 18.81, 0.31%, 0.43%

LAB 45.51, 16.06, 19.5

 

CMYK 0 / 17 / 25 / 51

HEX #7D685E

RGB 125 104 94

HSL 19.35, 0.14%, 0.43%

LAB 45.73, 6.68, 8.75

 

CMYK 0 / 88 / 68 / 23

HEX #C4173F

RGB 196 23 63

HSL 346.13, 0.79%, 0.43%

LAB 42.32, 64.52, 24.9

 

CMYK 0 / 85 / 88 / 23

HEX #C41D17

RGB 196 29 23

HSL 2.08, 0.79%, 0.43%

LAB 42.27, 62.02, 47.47

 

CMYK 0 / 62 / 88 / 23

HEX #C44B17

RGB 196 75 23

HSL 18.03, 0.79%, 0.43%

LAB 48.04, 46.15, 51.97

 

CMYK 0 / 38 / 88 / 23

HEX #C47917

RGB 196 121 23

HSL 33.99, 0.79%, 0.43%

LAB 57.53, 22.56, 59.43

 

CMYK 0 / 15 / 88 / 23

HEX #C4A717

RGB 196 167 23

HSL 49.94, 0.79%, 0.43%

LAB 69.07, -2.44, 68.55

 

CMYK 0 / 60 / 89 / 52

HEX #7A310E

RGB 122 49 14

HSL 19.44, 0.79%, 0.27%

LAB 30.32, 29.96, 35.86

 

CMYK 0 / 60 / 88 / 38

HEX #9F3F13

RGB 159 63 19

HSL 18.86, 0.79%, 0.35%

LAB 39.53, 37.81, 44.05

 

CMYK 0 / 60 / 88 / 23

HEX #C44E17

RGB 196 78 23

HSL 19.08, 0.79%, 0.43%

LAB 48.57, 44.77, 52.38

 

CMYK 0 / 59 / 86 / 10

HEX #E55E20

RGB 229 94 32

HSL 18.88, 0.79%, 0.51%

LAB 56.85, 49.68, 57.92

 

CMYK 0 / 48 / 70 / 9

HEX #E97945

RGB 233 121 69

HSL 19.02, 0.79%, 0.59%

LAB 62.87, 39.42, 47.25

 

CMYK 0 / 60 / 88 / 23

HEX #C54E17

RGB 197 78 23

HSL 18.97, 0.79%, 0.43%

LAB 48.74, 45.14, 52.58

 

CMYK 44 / 0 / 88 / 23

HEX #6EC417

RGB 110 196 23

HSL 89.83, 0.79%, 0.43%

LAB 71.46, -51.05, 68.1

 

CMYK 88 / 80 / 0 / 23

HEX #1728C4

RGB 23 40 196

HSL 234.1, 0.79%, 0.43%

LAB 28.6, 51.96, -80.16

 

CMYK 0 / 60 / 88 / 23

HEX #C54E17

RGB 197 78 23

HSL 18.97, 0.79%, 0.43%

LAB 48.74, 45.14, 52.58

 

CMYK 88 / 0 / 62 / 23

HEX #17C44B

RGB 23 196 75

HSL 138.03, 0.79%, 0.43%

LAB 69.59, -64.92, 48.37

 

CMYK 62 / 88 / 0 / 23

HEX #4B17C4

RGB 75 23 196

HSL 258.03, 0.79%, 0.43%

LAB 29.65, 61.98, -78.33

 

CMYK 0 / 60 / 88 / 23

HEX #C54E17

RGB 197 78 23

HSL 18.97, 0.79%, 0.43%

LAB 48.74, 45.14, 52.58

 

CMYK 44 / 0 / 88 / 23

HEX #6EC417

RGB 110 196 23

HSL 89.83, 0.79%, 0.43%

LAB 71.46, -51.05, 68.1

 

CMYK 88 / 27 / 0 / 23

HEX #1790C4

RGB 23 144 196

HSL 198.03, 0.79%, 0.43%

LAB 56.2, -12.39, -35.57

 

CMYK 44 / 88 / 0 / 23

HEX #6E17C4

RGB 110 23 196

HSL 270.17, 0.79%, 0.43%

LAB 33.8, 65.39, -71.33

 

CMYK 0 / 60 / 88 / 23

HEX #C54E17

RGB 197 78 23

HSL 18.97, 0.79%, 0.43%

LAB 48.74, 45.14, 52.58

 

CMYK 70 / 0 / 88 / 23

HEX #3AC417

RGB 58 196 23

HSL 107.86, 0.79%, 0.43%

LAB 69.78, -64.44, 66

 

CMYK 88 / 27 / 0 / 23

HEX #1790C4

RGB 23 144 196

HSL 198.03, 0.79%, 0.43%

LAB 56.2, -12.39, -35.57

 

CMYK 17 / 88 / 0 / 23

HEX #A217C4

RGB 162 23 196

HSL 288.21, 0.79%, 0.43%

LAB 41.66, 72.56, -58.18

 

Description

Color code: RGBA 197 78 23 0.6 | qconv.com Color code: RGBA 197 78 23 0.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 78 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 78 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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