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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 197 237 145 0.75 it is the complementary color RGBA 58 18 110 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 197 237 145 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 197 237 145 0.75 shade: RGBA 202 237 140 0.75, RGBA 219 255 159 0.75, RGBA 236 255 178 0.75, RGBA 253 255 197 0.75 and RGBA 255 255 216 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 197 237 145 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 197 237 145 0.75 shade: RGBA 197 237 145 0.75, RGBA 180 219 126 0.75, RGBA 163 201 107 0.75, RGBA 146 183 88 0.75 and RGBA 129 165 69 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 222 237 145, RGB 237 228 145, RGB 237 203 145 and RGB 237 178 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 172 237 145, RGB 148 237 145, RGB 145 237 168 and RGB 145 237 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 197 237 145 0.75 shade matches the following richer shades: RGB 197 237 145 and RGB 199 247 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 196 227 156, RGB 195 217 166, RGB 193 206 176 and RGB 192 196 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 197 237 145 0.75 shade: RGB 237 228 145, RGB 222 237 145, RGB 197 237 145, RGB 173 237 145 and RGB 148 237 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 197 237 145 0.75 shade: RGB 160 226 74, RGB 179 231 110, RGB 197 237 145, RGB 216 243 181 and RGB 235 249 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 145 237 203 and RGB 237 145 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 145 197 237 and RGB 237 145 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 145 237 203, RGB 185 145 237 and RGB 237 145 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 197 237 145 0.75 shade: RGB 197 237 145, RGB 145 237 231, RGB 185 145 237 and RGB 237 145 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 29 / 5

HEX #C5ED91BF

RGBA 197 237 145 0.75

HSLA 86.09, 0.72%, 0.75%, 0.75

LABA 89.15, -28.11, 40.38, 0.75

 

Complementary color

CMYK 35 / 63 / 0 / 43

HEX #3A126EBF

RGBA 58 18 110 0.75

HSLA 266.09, 0.72%, 0.25%, 0.75

LABA 17.73, 39.13, -45.08, 0.75

 

CMYK 11 / 0 / 31 / 5

HEX #CAED8CBF

RGBA 202 237 140 0.75

HSLA 81.65, 0.73%, 0.74%, 0.75

LABA 89.4, -26.89, 43.22, 0.75

 

CMYK 11 / 0 / 28 / 0

HEX #DBFF9FBF

RGBA 219 255 159 0.75

HSLA 82.5, 1%, 0.81%, 0.75

LABA 95.62, -26.93, 42.11, 0.75

 

CMYK 6 / 0 / 23 / 0

HEX #ECFFB2BF

RGBA 236 255 178 0.75

HSLA 74.81, 1%, 0.85%, 0.75

LABA 97.05, -18.4, 34.81, 0.75

 

CMYK 1 / 0 / 17 / 0

HEX #FDFFC5BF

RGBA 253 255 197 0.75

HSLA 62.07, 1%, 0.89%, 0.75

LABA 98.6, -9.73, 27.58, 0.75

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFD8BF

RGBA 255 255 216 0.75

HSLA 60, 1%, 0.92%, 0.75

LABA 99.12, -6.32, 18.67, 0.75

 

CMYK 13 / 0 / 29 / 5

HEX #C5ED91BF

RGBA 197 237 145 0.75

HSLA 86.09, 0.72%, 0.75%, 0.75

LABA 89.15, -28.11, 40.38, 0.75

 

CMYK 13 / 0 / 32 / 11

HEX #B4DB7EBF

RGBA 180 219 126 0.75

HSLA 85.16, 0.56%, 0.68%, 0.75

LABA 82.85, -28.11, 41.51, 0.75

 

CMYK 14 / 0 / 35 / 16

HEX #A3C96BBF

RGBA 163 201 107 0.75

HSLA 84.26, 0.47%, 0.6%, 0.75

LABA 76.45, -28.07, 42.67, 0.75

 

CMYK 15 / 0 / 39 / 21

HEX #92B758BF

RGBA 146 183 88 0.75

HSLA 83.37, 0.4%, 0.53%, 0.75

LABA 69.95, -27.99, 43.82, 0.75

 

CMYK 16 / 0 / 44 / 26

HEX #81A545BF

RGBA 129 165 69 0.75

HSLA 82.5, 0.41%, 0.46%, 0.75

LABA 63.35, -27.83, 44.9, 0.75

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 6 / 0 / 39 / 7

HEX #DEED91

RGB 222 237 145

HSL 69.78, 0.72%, 0.75%

LAB 90.84, -18.85, 42.89

 

CMYK 0 / 4 / 39 / 7

HEX #EDE491

RGB 237 228 145

HSL 54.13, 0.72%, 0.75%

LAB 89.64, -8.65, 41.59

 

CMYK 0 / 14 / 39 / 7

HEX #EDCB91

RGB 237 203 145

HSL 37.83, 0.72%, 0.75%

LAB 83.32, 4.12, 33.37

 

CMYK 0 / 25 / 39 / 7

HEX #EDB291

RGB 237 178 145

HSL 21.52, 0.72%, 0.75%

LAB 77.21, 17.27, 25.22

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 27 / 0 / 39 / 7

HEX #ACED91

RGB 172 237 145

HSL 102.39, 0.72%, 0.75%

LAB 87.67, -36.85, 38.17

 

CMYK 38 / 0 / 39 / 7

HEX #94ED91

RGB 148 237 145

HSL 118.04, 0.72%, 0.75%

LAB 86.46, -44.55, 36.36

 

CMYK 39 / 0 / 29 / 7

HEX #91EDA8

RGB 145 237 168

HSL 135, 0.72%, 0.75%

LAB 86.71, -41.71, 25.02

 

CMYK 39 / 0 / 19 / 7

HEX #91EDC0

RGB 145 237 192

HSL 150.65, 0.72%, 0.75%

LAB 87.19, -37.22, 13.27

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 19 / 0 / 45 / 3

HEX #C7F787

RGB 199 247 135

HSL 85.71, 0.88%, 0.75%

LAB 91.87, -33.23, 48.69

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 14 / 0 / 31 / 11

HEX #C4E39C

RGB 196 227 156

HSL 86.2, 0.56%, 0.75%

LAB 86.54, -22.23, 31.41

 

CMYK 10 / 0 / 24 / 15

HEX #C3D9A6

RGB 195 217 166

HSL 85.88, 0.4%, 0.75%

LAB 83.96, -16.21, 22.74

 

CMYK 6 / 0 / 15 / 19

HEX #C1CEB0

RGB 193 206 176

HSL 86, 0.23%, 0.75%

LAB 81.08, -9.77, 13.44

 

CMYK 2 / 0 / 5 / 23

HEX #C0C4BB

RGB 192 196 187

HSL 86.67, 0.07%, 0.75%

LAB 78.62, -3.02, 4.02

 

CMYK 0 / 4 / 39 / 7

HEX #EDE491

RGB 237 228 145

HSL 54.13, 0.72%, 0.75%

LAB 89.64, -8.65, 41.59

 

CMYK 6 / 0 / 39 / 7

HEX #DEED91

RGB 222 237 145

HSL 69.78, 0.72%, 0.75%

LAB 90.84, -18.85, 42.89

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 27 / 0 / 39 / 7

HEX #ADED91

RGB 173 237 145

HSL 101.74, 0.72%, 0.75%

LAB 87.73, -36.51, 38.26

 

CMYK 38 / 0 / 39 / 7

HEX #94ED91

RGB 148 237 145

HSL 118.04, 0.72%, 0.75%

LAB 86.46, -44.55, 36.36

 

CMYK 29 / 0 / 67 / 11

HEX #A0E24A

RGB 160 226 74

HSL 86.05, 0.72%, 0.59%

LAB 83.1, -43.55, 64.78

 

CMYK 23 / 0 / 52 / 9

HEX #B3E76E

RGB 179 231 110

HSL 85.79, 0.72%, 0.67%

LAB 85.94, -35.81, 52.93

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 11 / 0 / 26 / 5

HEX #D8F3B5

RGB 216 243 181

HSL 86.13, 0.72%, 0.83%

LAB 92.59, -19.32, 27.05

 

CMYK 6 / 0 / 13 / 2

HEX #EBF9D8

RGB 235 249 216

HSL 85.45, 0.73%, 0.91%

LAB 96.15, -10.28, 14.28

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 39 / 0 / 14 / 7

HEX #91EDCB

RGB 145 237 203

HSL 157.83, 0.72%, 0.75%

LAB 87.44, -34.97, 7.88

 

CMYK 0 / 39 / 1 / 7

HEX #ED91EA

RGB 237 145 234

HSL 301.96, 0.72%, 0.75%

LAB 72.36, 47.83, -30.51

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 39 / 17 / 0 / 7

HEX #91C5ED

RGB 145 197 237

HSL 206.09, 0.72%, 0.75%

LAB 77.32, -7.05, -25.18

 

CMYK 0 / 39 / 17 / 7

HEX #ED91C5

RGB 237 145 197

HSL 326.09, 0.72%, 0.75%

LAB 71.07, 41.69, -12.08

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 39 / 0 / 14 / 7

HEX #91EDCB

RGB 145 237 203

HSL 157.83, 0.72%, 0.75%

LAB 87.44, -34.97, 7.88

 

CMYK 22 / 39 / 0 / 7

HEX #B991ED

RGB 185 145 237

HSL 266.09, 0.72%, 0.75%

LAB 67.04, 32.99, -40.85

 

CMYK 0 / 39 / 24 / 7

HEX #ED91B3

RGB 237 145 179

HSL 337.83, 0.72%, 0.75%

LAB 70.53, 39.05, -2.87

 

CMYK 17 / 0 / 39 / 7

HEX #C5ED91

RGB 197 237 145

HSL 86.09, 0.72%, 0.75%

LAB 89.15, -28.11, 40.38

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE7

RGB 145 237 231

HSL 176.09, 0.72%, 0.75%

LAB 88.14, -28.76, -5.75

 

CMYK 22 / 39 / 0 / 7

HEX #B991ED

RGB 185 145 237

HSL 266.09, 0.72%, 0.75%

LAB 67.04, 32.99, -40.85

 

CMYK 0 / 39 / 36 / 7

HEX #ED9197

RGB 237 145 151

HSL 356.09, 0.72%, 0.75%

LAB 69.82, 35.43, 11.71

 

Description

Color code: RGBA 197 237 145 0.75 | qconv.com Color code: RGBA 197 237 145 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 237 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 237 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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