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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 197 162 220 0.75 it is the complementary color RGBA 58 93 35 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 197 162 220 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 197 162 220 0.75 shade: RGBA 202 162 215 0.75, RGBA 219 180 234 0.75, RGBA 236 198 253 0.75, RGBA 253 216 255 0.75 and RGBA 255 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 197 162 220 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 197 162 220 0.75 shade: RGBA 197 162 220 0.75, RGBA 180 144 201 0.75, RGBA 163 126 182 0.75, RGBA 146 108 163 0.75 and RGBA 129 90 144 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 197 162 220 0.75 shade: RGB 197 163 220, RGB 213 163 220, RGB 220 163 212, RGB 220 163 196 and RGB 220 163 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 197 162 220 0.75 shade: RGB 197 163 220, RGB 182 163 220, RGB 166 163 220 and RGB 163 163 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 197 162 220 0.75 shade matches the following richer shades: RGB 197 163 220, RGB 199 152 230, RGB 201 142 241 and RGB 204 132 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 197 162 220 0.75 shade: RGB 197 163 220, RGB 195 173 210, RGB 193 183 199, RGB 191 194 189 and RGB 189 204 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 197 162 220 0.75 shade: RGB 166 163 220, RGB 182 163 220, RGB 197 163 220, RGB 212 163 220 and RGB 220 163 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 197 162 220 0.75 shade: RGB 160 103 197, RGB 178 133 209, RGB 197 163 220, RGB 216 192 231 and RGB 235 222 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 197 162 220 0.75 shade: RGB 197 162 220, RGB 220 163 174 and RGB 163 220 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 197 162 220 0.75 shade: RGB 197 162 220, RGB 220 197 163 and RGB 163 220 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 197 162 220 0.75 shade: RGB 197 162 220, RGB 220 163 174, RGB 186 220 163 and RGB 163 220 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 197 162 220 0.75 shade: RGB 197 162 220, RGB 220 168 163, RGB 186 220 163 and RGB 163 214 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 20 / 0 / 10

HEX #C5A2DCBF

RGBA 197 162 220 0.75

HSLA 276.21, 0.45%, 0.75%, 0.75

LABA 71.47, 23.51, -24.56, 0.75

 

Complementary color

CMYK 28 / 0 / 47 / 48

HEX #3A5D23BF

RGBA 58 93 35 0.75

HSLA 96.21, 0.45%, 0.25%, 0.75

LABA 35.69, -24.14, 28.83, 0.75

 

CMYK 5 / 18 / 0 / 12

HEX #CAA2D7BF

RGBA 202 162 215 0.75

HSLA 285.28, 0.4%, 0.74%, 0.75

LABA 71.76, 24.12, -21.33, 0.75

 

CMYK 5 / 17 / 0 / 6

HEX #DBB4EABF

RGBA 219 180 234 0.75

HSLA 283.33, 0.56%, 0.81%, 0.75

LABA 78.25, 23.57, -21.66, 0.75

 

CMYK 5 / 16 / 0 / 1

HEX #ECC6FDBF

RGBA 236 198 253 0.75

HSLA 281.45, 0.93%, 0.88%, 0.75

LABA 84.64, 23.07, -21.98, 0.75

 

CMYK 1 / 11 / 0 / 0

HEX #FDD8FFBF

RGBA 253 216 255 0.75

HSLA 296.92, 1%, 0.92%, 0.75

LABA 90.42, 19.42, -14.19, 0.75

 

CMYK 0 / 6 / 0 / 0

HEX #FFEAFFBF

RGBA 255 234 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 94.88, 10.72, -7.54, 0.75

 

CMYK 8 / 20 / 0 / 10

HEX #C5A2DCBF

RGBA 197 162 220 0.75

HSLA 276.21, 0.45%, 0.75%, 0.75

LABA 71.47, 23.51, -24.56, 0.75

 

CMYK 8 / 21 / 0 / 16

HEX #B490C9BF

RGBA 180 144 201 0.75

HSLA 277.89, 0.35%, 0.68%, 0.75

LABA 64.86, 24.1, -24.31, 0.75

 

CMYK 8 / 23 / 0 / 21

HEX #A37EB6BF

RGBA 163 126 182 0.75

HSLA 279.64, 0.28%, 0.6%, 0.75

LABA 58.12, 24.73, -24.06, 0.75

 

CMYK 8 / 25 / 0 / 27

HEX #926CA3BF

RGBA 146 108 163 0.75

HSLA 281.45, 0.23%, 0.53%, 0.75

LABA 51.24, 25.42, -23.82, 0.75

 

CMYK 8 / 28 / 0 / 33

HEX #815A90BF

RGBA 129 90 144 0.75

HSLA 283.33, 0.23%, 0.46%, 0.75

LABA 44.22, 26.18, -23.58, 0.75

 

CMYK 10 / 26 / 0 / 14

HEX #C5A3DC

RGB 197 163 220

HSL 275.79, 0.45%, 0.75%

LAB 71.71, 22.96, -24.19

 

CMYK 3 / 26 / 0 / 14

HEX #D5A3DC

RGB 213 163 220

HSL 292.63, 0.45%, 0.75%

LAB 73.23, 28.13, -21.75

 

CMYK 0 / 26 / 4 / 14

HEX #DCA3D4

RGB 220 163 212

HSL 308.42, 0.45%, 0.75%

LAB 73.65, 28.95, -16.65

 

CMYK 0 / 26 / 11 / 14

HEX #DCA3C4

RGB 220 163 196

HSL 325.26, 0.45%, 0.75%

LAB 73.15, 26.17, -8.62

 

CMYK 0 / 26 / 18 / 14

HEX #DCA3B5

RGB 220 163 181

HSL 341.05, 0.45%, 0.75%

LAB 72.72, 23.74, -0.98

 

CMYK 10 / 26 / 0 / 14

HEX #C5A3DC

RGB 197 163 220

HSL 275.79, 0.45%, 0.75%

LAB 71.71, 22.96, -24.19

 

CMYK 17 / 26 / 0 / 14

HEX #B6A3DC

RGB 182 163 220

HSL 260, 0.45%, 0.75%

LAB 70.39, 18.21, -26.33

 

CMYK 25 / 26 / 0 / 14

HEX #A6A3DC

RGB 166 163 220

HSL 243.16, 0.45%, 0.75%

LAB 69.09, 13.29, -28.44

 

CMYK 26 / 26 / 0 / 14

HEX #A3A3DC

RGB 163 163 220

HSL 240, 0.45%, 0.75%

LAB 68.86, 12.39, -28.82

 

CMYK 10 / 26 / 0 / 14

HEX #C5A3DC

RGB 197 163 220

HSL 275.79, 0.45%, 0.75%

LAB 71.71, 22.96, -24.19

 

CMYK 13 / 34 / 0 / 10

HEX #C798E6

RGB 199 152 230

HSL 276.15, 0.61%, 0.75%

LAB 69.69, 31.74, -32.77

 

CMYK 17 / 41 / 0 / 5

HEX #C98EF1

RGB 201 142 241

HSL 275.76, 0.78%, 0.75%

LAB 68.1, 40.13, -41.26

 

CMYK 19 / 47 / 0 / 2

HEX #CC84FB

RGB 204 132 251

HSL 276.3, 0.94%, 0.75%

LAB 66.75, 48.45, -48.84

 

CMYK 10 / 26 / 0 / 14

HEX #C5A3DC

RGB 197 163 220

HSL 275.79, 0.45%, 0.75%

LAB 71.71, 22.96, -24.19

 

CMYK 7 / 18 / 0 / 18

HEX #C3ADD2

RGB 195 173 210

HSL 275.68, 0.29%, 0.75%

LAB 73.64, 14.77, -15.81

 

CMYK 3 / 8 / 0 / 22

HEX #C1B7C7

RGB 193 183 199

HSL 277.5, 0.13%, 0.75%

LAB 75.65, 6.49, -6.81

 

CMYK 2 / 0 / 3 / 24

HEX #BFC2BD

RGB 191 194 189

HSL 96, 0.04%, 0.75%

LAB 78.07, -1.95, 2.14

NCS® S2502-G50Y

CMYK 7 / 0 / 12 / 20

HEX #BDCCB3

RGB 189 204 179

HSL 96, 0.2%, 0.75%

LAB 80.33, -9.65, 10.73

NCS® S2502-G50Y

CMYK 25 / 26 / 0 / 14

HEX #A6A3DC

RGB 166 163 220

HSL 243.16, 0.45%, 0.75%

LAB 69.09, 13.29, -28.44

 

CMYK 17 / 26 / 0 / 14

HEX #B6A3DC

RGB 182 163 220

HSL 260, 0.45%, 0.75%

LAB 70.39, 18.21, -26.33

 

CMYK 10 / 26 / 0 / 14

HEX #C5A3DC

RGB 197 163 220

HSL 275.79, 0.45%, 0.75%

LAB 71.71, 22.96, -24.19

 

CMYK 4 / 26 / 0 / 14

HEX #D4A3DC

RGB 212 163 220

HSL 291.58, 0.45%, 0.75%

LAB 73.13, 27.8, -21.91

 

CMYK 0 / 26 / 4 / 14

HEX #DCA3D4

RGB 220 163 212

HSL 308.42, 0.45%, 0.75%

LAB 73.65, 28.95, -16.65

 

CMYK 19 / 48 / 0 / 23

HEX #A067C5

RGB 160 103 197

HSL 276.38, 0.45%, 0.59%

LAB 53.17, 40.08, -40.37

 

CMYK 15 / 36 / 0 / 18

HEX #B285D1

RGB 178 133 209

HSL 275.53, 0.45%, 0.67%

LAB 62.38, 31.34, -32.63

 

CMYK 10 / 26 / 0 / 14

HEX #C5A3DC

RGB 197 163 220

HSL 275.79, 0.45%, 0.75%

LAB 71.71, 22.96, -24.19

 

CMYK 6 / 17 / 0 / 9

HEX #D8C0E7

RGB 216 192 231

HSL 276.92, 0.45%, 0.83%

LAB 80.78, 15.54, -16.26

 

CMYK 3 / 9 / 0 / 5

HEX #EBDEF3

RGB 235 222 243

HSL 277.14, 0.47%, 0.91%

LAB 90.03, 8.18, -8.63

 

CMYK 10 / 26 / 0 / 14

HEX #C5A2DC

RGB 197 162 220

HSL 276.21, 0.45%, 0.75%

LAB 71.47, 23.51, -24.56

 

CMYK 0 / 26 / 21 / 14

HEX #DCA3AE

RGB 220 163 174

HSL 348.42, 0.45%, 0.75%

LAB 72.54, 22.67, 2.61

 

CMYK 26 / 0 / 21 / 14

HEX #A3DCAE

RGB 163 220 174

HSL 131.58, 0.45%, 0.75%

LAB 82.93, -27.31, 16.81

 

CMYK 10 / 26 / 0 / 14

HEX #C5A2DC

RGB 197 162 220

HSL 276.21, 0.45%, 0.75%

LAB 71.47, 23.51, -24.56

 

CMYK 0 / 10 / 26 / 14

HEX #DCC5A3

RGB 220 197 163

HSL 35.79, 0.45%, 0.75%

LAB 80.62, 2.92, 20.03

 

CMYK 26 / 0 / 10 / 14

HEX #A3DCC5

RGB 163 220 197

HSL 155.79, 0.45%, 0.75%

LAB 83.44, -22.94, 5.41

 

CMYK 10 / 26 / 0 / 14

HEX #C5A2DC

RGB 197 162 220

HSL 276.21, 0.45%, 0.75%

LAB 71.47, 23.51, -24.56

 

CMYK 0 / 26 / 21 / 14

HEX #DCA3AE

RGB 220 163 174

HSL 348.42, 0.45%, 0.75%

LAB 72.54, 22.67, 2.61

 

CMYK 15 / 0 / 26 / 14

HEX #BADCA3

RGB 186 220 163

HSL 95.79, 0.45%, 0.75%

LAB 84.11, -21.37, 24.41

 

CMYK 26 / 0 / 5 / 14

HEX #A3DCD0

RGB 163 220 208

HSL 167.37, 0.45%, 0.75%

LAB 83.72, -20.67, -0.02

 

CMYK 10 / 26 / 0 / 14

HEX #C5A2DC

RGB 197 162 220

HSL 276.21, 0.45%, 0.75%

LAB 71.47, 23.51, -24.56

 

CMYK 0 / 24 / 26 / 14

HEX #DCA8A3

RGB 220 168 163

HSL 5.26, 0.45%, 0.75%

LAB 73.46, 18.38, 9.98

 

CMYK 15 / 0 / 26 / 14

HEX #BADCA3

RGB 186 220 163

HSL 95.79, 0.45%, 0.75%

LAB 84.11, -21.37, 24.41

 

CMYK 26 / 3 / 0 / 14

HEX #A3D6DC

RGB 163 214 220

HSL 186.32, 0.45%, 0.75%

LAB 82.4, -15.04, -8.33

 

Description

Color code: RGBA 197 162 220 0.75 | qconv.com Color code: RGBA 197 162 220 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 162 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 162 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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