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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 197 162 209 0.75 it is the complementary color RGBA 58 93 46 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 197 162 209 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 197 162 209 0.75 shade: RGBA 202 162 204 0.75, RGBA 219 180 223 0.75, RGBA 236 198 242 0.75, RGBA 253 216 255 0.75 and RGBA 255 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 197 162 209 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 197 162 209 0.75 shade: RGBA 197 162 209 0.75, RGBA 180 144 190 0.75, RGBA 163 126 171 0.75, RGBA 146 108 152 0.75 and RGBA 129 90 133 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 197 162 209 0.75 shade: RGB 198 163 210, RGB 210 163 209, RGB 210 163 196, RGB 210 163 184 and RGB 210 163 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 197 162 209 0.75 shade: RGB 198 163 210, RGB 185 163 210, RGB 172 163 210 and RGB 163 163 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 197 162 209 0.75 shade matches the following richer shades: RGB 198 163 210, RGB 203 152 221, RGB 209 140 232, RGB 214 129 243 and RGB 219 118 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 197 162 209 0.75 shade: RGB 198 163 210, RGB 192 174 198, RGB 187 185 187, RGB 181 196 176 and RGB 176 207 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 197 162 209 0.75 shade: RGB 172 163 210, RGB 185 163 210, RGB 197 163 210, RGB 210 163 210 and RGB 210 163 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 197 162 209 0.75 shade: RGB 163 107 182, RGB 180 135 196, RGB 198 163 210, RGB 215 190 223 and RGB 232 218 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 197 162 209 0.75 shade: RGB 197 162 209, RGB 210 163 166 and RGB 163 210 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 197 162 209 0.75 shade: RGB 197 162 209, RGB 210 197 163 and RGB 163 210 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 197 162 209 0.75 shade: RGB 197 162 209, RGB 210 163 166, RGB 175 210 163 and RGB 163 210 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 197 162 209 0.75 shade: RGB 197 162 209, RGB 210 174 163, RGB 175 210 163 and RGB 163 199 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 17 / 0 / 14

HEX #C5A2D1BF

RGBA 197 162 209 0.75

HSLA 284.68, 0.34%, 0.73%, 0.75

LABA 71.09, 21.28, -19.1, 0.75

 

Complementary color

CMYK 28 / 0 / 38 / 48

HEX #3A5D2EBF

RGBA 58 93 46 0.75

HSLA 104.68, 0.34%, 0.27%, 0.75

LABA 35.84, -22.69, 22.99, 0.75

 

CMYK 1 / 15 / 0 / 15

HEX #CAA2CCBF

RGBA 202 162 204 0.75

HSLA 297.14, 0.29%, 0.72%, 0.75

LABA 71.39, 21.98, -15.84, 0.75

 

CMYK 1 / 14 / 0 / 9

HEX #DBB4DFBF

RGBA 219 180 223 0.75

HSLA 294.42, 0.4%, 0.79%, 0.75

LABA 77.89, 21.46, -16.26, 0.75

 

CMYK 2 / 14 / 0 / 4

HEX #ECC6F2BF

RGBA 236 198 242 0.75

HSLA 291.82, 0.63%, 0.86%, 0.75

LABA 84.29, 20.97, -16.67, 0.75

 

CMYK 1 / 11 / 0 / 0

HEX #FDD8FFBF

RGBA 253 216 255 0.75

HSLA 296.92, 1%, 0.92%, 0.75

LABA 90.42, 19.42, -14.19, 0.75

 

CMYK 0 / 6 / 0 / 0

HEX #FFEAFFBF

RGBA 255 234 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 94.88, 10.72, -7.54, 0.75

 

CMYK 4 / 17 / 0 / 14

HEX #C5A2D1BF

RGBA 197 162 209 0.75

HSLA 284.68, 0.34%, 0.73%, 0.75

LABA 71.09, 21.28, -19.1, 0.75

 

CMYK 4 / 18 / 0 / 19

HEX #B490BEBF

RGBA 180 144 190 0.75

HSLA 286.96, 0.26%, 0.65%, 0.75

LABA 64.46, 21.83, -18.75, 0.75

 

CMYK 4 / 20 / 0 / 25

HEX #A37EABBF

RGBA 163 126 171 0.75

HSLA 289.33, 0.21%, 0.58%, 0.75

LABA 57.7, 22.43, -18.4, 0.75

 

CMYK 3 / 22 / 0 / 30

HEX #926C98BF

RGBA 146 108 152 0.75

HSLA 291.82, 0.18%, 0.51%, 0.75

LABA 50.81, 23.09, -18.04, 0.75

 

CMYK 2 / 24 / 0 / 36

HEX #815A85BF

RGBA 129 90 133 0.75

HSLA 294.42, 0.19%, 0.44%, 0.75

LABA 43.76, 23.81, -17.67, 0.75

 

CMYK 6 / 22 / 0 / 18

HEX #C6A3D2

RGB 198 163 210

HSL 284.68, 0.34%, 0.73%

LAB 71.46, 21.26, -19.08

 

CMYK 0 / 22 / 0 / 18

HEX #D2A3D1

RGB 210 163 209

HSL 301.28, 0.34%, 0.73%

LAB 72.56, 25.06, -16.75

 

CMYK 0 / 22 / 7 / 18

HEX #D2A3C4

RGB 210 163 196

HSL 317.87, 0.34%, 0.73%

LAB 72.15, 22.7, -10.22

 

CMYK 0 / 22 / 12 / 18

HEX #D2A3B8

RGB 210 163 184

HSL 333.19, 0.34%, 0.73%

LAB 71.8, 20.64, -4.12

 

CMYK 0 / 22 / 19 / 18

HEX #D2A3AB

RGB 210 163 171

HSL 349.79, 0.34%, 0.73%

LAB 71.44, 18.55, 2.55

 

CMYK 6 / 22 / 0 / 18

HEX #C6A3D2

RGB 198 163 210

HSL 284.68, 0.34%, 0.73%

LAB 71.46, 21.26, -19.08

 

CMYK 12 / 22 / 0 / 18

HEX #B9A3D2

RGB 185 163 210

HSL 268.09, 0.34%, 0.73%

LAB 70.29, 17, -20.96

 

CMYK 18 / 22 / 0 / 18

HEX #ACA3D2

RGB 172 163 210

HSL 251.49, 0.34%, 0.73%

LAB 69.2, 12.83, -22.73

 

CMYK 22 / 22 / 0 / 18

HEX #A3A3D2

RGB 163 163 210

HSL 240, 0.34%, 0.73%

LAB 68.49, 10.02, -23.88

 

CMYK 6 / 22 / 0 / 18

HEX #C6A3D2

RGB 198 163 210

HSL 284.68, 0.34%, 0.73%

LAB 71.46, 21.26, -19.08

 

CMYK 8 / 31 / 0 / 13

HEX #CB98DD

RGB 203 152 221

HSL 284.35, 0.5%, 0.73%

LAB 69.73, 31.12, -27.72

 

CMYK 10 / 40 / 0 / 9

HEX #D18CE8

RGB 209 140 232

HSL 285, 0.67%, 0.73%

LAB 68.12, 41.67, -36.22

 

CMYK 12 / 47 / 0 / 5

HEX #D681F3

RGB 214 129 243

HSL 284.74, 0.83%, 0.73%

LAB 66.88, 51.08, -44.18

 

CMYK 14 / 54 / 0 / 0

HEX #DB76FE

RGB 219 118 254

HSL 284.56, 0.99%, 0.73%

LAB 65.88, 60.1, -51.75

 

CMYK 6 / 22 / 0 / 18

HEX #C6A3D2

RGB 198 163 210

HSL 284.68, 0.34%, 0.73%

LAB 71.46, 21.26, -19.08

 

CMYK 3 / 12 / 0 / 22

HEX #C0AEC6

RGB 192 174 198

HSL 285, 0.17%, 0.73%

LAB 73.26, 10.85, -9.84

 

CMYK 0 / 1 / 0 / 27

HEX #BBB9BB

RGB 187 185 187

HSL 300, 0.01%, 0.73%

LAB 75.36, 1.07, -0.77

 

CMYK 8 / 0 / 10 / 23

HEX #B5C4B0

RGB 181 196 176

HSL 105, 0.14%, 0.73%

LAB 77.54, -8.84, 8.29

 

CMYK 15 / 0 / 20 / 19

HEX #B0CFA5

RGB 176 207 165

HSL 104.29, 0.3%, 0.73%

LAB 79.94, -18.12, 17.5

 

CMYK 18 / 22 / 0 / 18

HEX #ACA3D2

RGB 172 163 210

HSL 251.49, 0.34%, 0.73%

LAB 69.2, 12.83, -22.73

 

CMYK 12 / 22 / 0 / 18

HEX #B9A3D2

RGB 185 163 210

HSL 268.09, 0.34%, 0.73%

LAB 70.29, 17, -20.96

 

CMYK 6 / 22 / 0 / 18

HEX #C5A3D2

RGB 197 163 210

HSL 283.4, 0.34%, 0.73%

LAB 71.36, 20.93, -19.23

 

CMYK 0 / 22 / 0 / 18

HEX #D2A3D2

RGB 210 163 210

HSL 300, 0.34%, 0.73%

LAB 72.59, 25.25, -17.25

 

CMYK 0 / 22 / 6 / 18

HEX #D2A3C5

RGB 210 163 197

HSL 316.6, 0.34%, 0.73%

LAB 72.18, 22.88, -10.72

 

CMYK 10 / 41 / 0 / 29

HEX #A36BB6

RGB 163 107 182

HSL 284.8, 0.34%, 0.57%

LAB 53.69, 35.49, -30.92

 

CMYK 8 / 31 / 0 / 23

HEX #B487C4

RGB 180 135 196

HSL 284.26, 0.34%, 0.65%

LAB 62.52, 28.1, -25.08

 

CMYK 6 / 22 / 0 / 18

HEX #C6A3D2

RGB 198 163 210

HSL 284.68, 0.34%, 0.73%

LAB 71.46, 21.26, -19.08

 

CMYK 4 / 15 / 0 / 13

HEX #D7BEDF

RGB 215 190 223

HSL 285.45, 0.34%, 0.81%

LAB 79.96, 14.74, -13.2

 

CMYK 2 / 8 / 0 / 7

HEX #E8DAED

RGB 232 218 237

HSL 284.21, 0.35%, 0.89%

LAB 88.64, 8.17, -7.56

 

CMYK 6 / 22 / 0 / 18

HEX #C5A2D1

RGB 197 162 209

HSL 284.68, 0.34%, 0.73%

LAB 71.09, 21.28, -19.1

 

CMYK 0 / 22 / 21 / 18

HEX #D2A3A6

RGB 210 163 166

HSL 356.17, 0.34%, 0.73%

LAB 71.32, 17.78, 5.13

 

CMYK 22 / 0 / 15 / 18

HEX #A3D2B2

RGB 163 210 178

HSL 139.15, 0.34%, 0.73%

LAB 80.23, -21.7, 10.9

 

CMYK 6 / 22 / 0 / 18

HEX #C5A2D1

RGB 197 162 209

HSL 284.68, 0.34%, 0.73%

LAB 71.09, 21.28, -19.1

 

CMYK 0 / 6 / 22 / 18

HEX #D2C5A3

RGB 210 197 163

HSL 43.4, 0.34%, 0.73%

LAB 79.77, -0.87, 18.72

 

CMYK 22 / 0 / 6 / 18

HEX #A3D2C5

RGB 163 210 197

HSL 163.4, 0.34%, 0.73%

LAB 80.69, -17.96, 1.42

 

CMYK 6 / 22 / 0 / 18

HEX #C5A2D1

RGB 197 162 209

HSL 284.68, 0.34%, 0.73%

LAB 71.09, 21.28, -19.1

 

CMYK 0 / 22 / 21 / 18

HEX #D2A3A6

RGB 210 163 166

HSL 356.17, 0.34%, 0.73%

LAB 71.32, 17.78, 5.13

 

CMYK 17 / 0 / 22 / 18

HEX #AFD2A3

RGB 175 210 163

HSL 104.68, 0.34%, 0.73%

LAB 80.66, -20.29, 19.55

 

CMYK 22 / 0 / 2 / 18

HEX #A3D2CE

RGB 163 210 206

HSL 174.89, 0.34%, 0.73%

LAB 80.93, -16.07, -3.05

 

CMYK 6 / 22 / 0 / 18

HEX #C5A2D1

RGB 197 162 209

HSL 284.68, 0.34%, 0.73%

LAB 71.09, 21.28, -19.1

 

CMYK 0 / 17 / 22 / 18

HEX #D2AEA3

RGB 210 174 163

HSL 14.04, 0.34%, 0.73%

LAB 73.94, 11.38, 10.53

 

CMYK 17 / 0 / 22 / 18

HEX #AFD2A3

RGB 175 210 163

HSL 104.68, 0.34%, 0.73%

LAB 80.66, -20.29, 19.55

 

CMYK 22 / 5 / 0 / 18

HEX #A3C7D2

RGB 163 199 210

HSL 194.04, 0.34%, 0.73%

LAB 78.04, -9.52, -9.45

Pantone® 551 C

Description

Color code: RGBA 197 162 209 0.75 | qconv.com Color code: RGBA 197 162 209 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 162 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 162 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 17 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 17% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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