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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 196 162 220 0.75 it is the complementary color RGBA 59 93 35 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 196 162 220 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 196 162 220 0.75 shade: RGBA 201 162 215 0.75, RGBA 218 180 234 0.75, RGBA 235 198 253 0.75, RGBA 252 216 255 0.75 and RGBA 255 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 196 162 220 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 196 162 220 0.75 shade: RGBA 196 162 220 0.75, RGBA 179 144 201 0.75, RGBA 162 126 182 0.75, RGBA 145 108 163 0.75 and RGBA 128 90 144 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 196 162 220 0.75 shade: RGB 196 163 220, RGB 212 163 220, RGB 220 163 213, RGB 220 163 197 and RGB 220 163 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 196 162 220 0.75 shade: RGB 196 163 220, RGB 181 163 220, RGB 165 163 220 and RGB 163 163 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 196 162 220 0.75 shade matches the following richer shades: RGB 196 163 220, RGB 198 152 230, RGB 200 142 241 and RGB 202 132 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 196 162 220 0.75 shade: RGB 196 163 220, RGB 194 173 210, RGB 193 183 199, RGB 191 194 189 and RGB 189 204 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 196 162 220 0.75 shade: RGB 165 163 220, RGB 181 163 220, RGB 196 163 220, RGB 211 163 220 and RGB 220 163 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 196 162 220 0.75 shade: RGB 158 103 197, RGB 177 133 209, RGB 196 163 220, RGB 215 192 231 and RGB 234 222 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 196 162 220 0.75 shade: RGB 196 162 220, RGB 220 163 175 and RGB 163 220 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 196 162 220 0.75 shade: RGB 196 162 220, RGB 220 196 163 and RGB 163 220 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 196 162 220 0.75 shade: RGB 196 162 220, RGB 220 163 175, RGB 186 220 163 and RGB 163 220 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 196 162 220 0.75 shade: RGB 196 162 220, RGB 220 167 163, RGB 186 220 163 and RGB 163 215 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 20 / 0 / 10

HEX #C4A2DCBF

RGBA 196 162 220 0.75

HSLA 275.17, 0.45%, 0.75%, 0.75

LABA 71.38, 23.19, -24.71, 0.75

 

Complementary color

CMYK 27 / 0 / 47 / 48

HEX #3B5D23BF

RGBA 59 93 35 0.75

HSLA 95.17, 0.45%, 0.25%, 0.75

LABA 35.75, -23.75, 28.91, 0.75

 

CMYK 5 / 18 / 0 / 12

HEX #C9A2D7BF

RGBA 201 162 215 0.75

HSLA 284.15, 0.4%, 0.74%, 0.75

LABA 71.67, 23.79, -21.49, 0.75

 

CMYK 5 / 17 / 0 / 6

HEX #DAB4EABF

RGBA 218 180 234 0.75

HSLA 282.22, 0.56%, 0.81%, 0.75

LABA 78.16, 23.25, -21.81, 0.75

 

CMYK 5 / 16 / 0 / 1

HEX #EBC6FDBF

RGBA 235 198 253 0.75

HSLA 280.36, 0.93%, 0.88%, 0.75

LABA 84.56, 22.75, -22.13, 0.75

 

CMYK 1 / 11 / 0 / 0

HEX #FCD8FFBF

RGBA 252 216 255 0.75

HSLA 295.38, 1%, 0.92%, 0.75

LABA 90.33, 19.1, -14.33, 0.75

 

CMYK 0 / 6 / 0 / 0

HEX #FFEAFFBF

RGBA 255 234 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 94.88, 10.72, -7.54, 0.75

 

CMYK 8 / 20 / 0 / 10

HEX #C4A2DCBF

RGBA 196 162 220 0.75

HSLA 275.17, 0.45%, 0.75%, 0.75

LABA 71.38, 23.19, -24.71, 0.75

 

CMYK 8 / 21 / 0 / 16

HEX #B390C9BF

RGBA 179 144 201 0.75

HSLA 276.84, 0.35%, 0.68%, 0.75

LABA 64.76, 23.77, -24.46, 0.75

 

CMYK 8 / 23 / 0 / 21

HEX #A27EB6BF

RGBA 162 126 182 0.75

HSLA 278.57, 0.28%, 0.6%, 0.75

LABA 58.02, 24.4, -24.22, 0.75

 

CMYK 8 / 25 / 0 / 27

HEX #916CA3BF

RGBA 145 108 163 0.75

HSLA 280.36, 0.23%, 0.53%, 0.75

LABA 51.14, 25.09, -23.99, 0.75

 

CMYK 8 / 28 / 0 / 33

HEX #805A90BF

RGBA 128 90 144 0.75

HSLA 282.22, 0.23%, 0.46%, 0.75

LABA 44.11, 25.85, -23.76, 0.75

 

CMYK 11 / 26 / 0 / 14

HEX #C4A3DC

RGB 196 163 220

HSL 274.74, 0.45%, 0.75%

LAB 71.62, 22.64, -24.34

 

CMYK 4 / 26 / 0 / 14

HEX #D4A3DC

RGB 212 163 220

HSL 291.58, 0.45%, 0.75%

LAB 73.13, 27.8, -21.91

 

CMYK 0 / 26 / 3 / 14

HEX #DCA3D5

RGB 220 163 213

HSL 307.37, 0.45%, 0.75%

LAB 73.68, 29.13, -17.15

 

CMYK 0 / 26 / 10 / 14

HEX #DCA3C5

RGB 220 163 197

HSL 324.21, 0.45%, 0.75%

LAB 73.18, 26.34, -9.12

 

CMYK 0 / 26 / 17 / 14

HEX #DCA3B6

RGB 220 163 182

HSL 340, 0.45%, 0.75%

LAB 72.75, 23.9, -1.5

 

CMYK 11 / 26 / 0 / 14

HEX #C4A3DC

RGB 196 163 220

HSL 274.74, 0.45%, 0.75%

LAB 71.62, 22.64, -24.34

 

CMYK 18 / 26 / 0 / 14

HEX #B5A3DC

RGB 181 163 220

HSL 258.95, 0.45%, 0.75%

LAB 70.31, 17.9, -26.47

 

CMYK 25 / 26 / 0 / 14

HEX #A5A3DC

RGB 165 163 220

HSL 242.11, 0.45%, 0.75%

LAB 69.01, 12.99, -28.57

 

CMYK 26 / 26 / 0 / 14

HEX #A3A3DC

RGB 163 163 220

HSL 240, 0.45%, 0.75%

LAB 68.86, 12.39, -28.82

 

CMYK 11 / 26 / 0 / 14

HEX #C4A3DC

RGB 196 163 220

HSL 274.74, 0.45%, 0.75%

LAB 71.62, 22.64, -24.34

 

CMYK 14 / 34 / 0 / 10

HEX #C698E6

RGB 198 152 230

HSL 275.38, 0.61%, 0.75%

LAB 69.59, 31.43, -32.93

 

CMYK 17 / 41 / 0 / 5

HEX #C88EF1

RGB 200 142 241

HSL 275.15, 0.78%, 0.75%

LAB 68, 39.84, -41.43

 

CMYK 20 / 47 / 0 / 2

HEX #CA84FB

RGB 202 132 251

HSL 275.29, 0.94%, 0.75%

LAB 66.54, 47.91, -49.19

 

CMYK 11 / 26 / 0 / 14

HEX #C4A3DC

RGB 196 163 220

HSL 274.74, 0.45%, 0.75%

LAB 71.62, 22.64, -24.34

 

CMYK 8 / 18 / 0 / 18

HEX #C2ADD2

RGB 194 173 210

HSL 274.05, 0.29%, 0.75%

LAB 73.55, 14.44, -15.95

 

CMYK 3 / 8 / 0 / 22

HEX #C1B7C7

RGB 193 183 199

HSL 277.5, 0.13%, 0.75%

LAB 75.65, 6.49, -6.81

 

CMYK 2 / 0 / 3 / 24

HEX #BFC2BD

RGB 191 194 189

HSL 96, 0.04%, 0.75%

LAB 78.07, -1.95, 2.14

NCS® S2502-G50Y

CMYK 7 / 0 / 12 / 20

HEX #BDCCB3

RGB 189 204 179

HSL 96, 0.2%, 0.75%

LAB 80.33, -9.65, 10.73

NCS® S2502-G50Y

CMYK 25 / 26 / 0 / 14

HEX #A5A3DC

RGB 165 163 220

HSL 242.11, 0.45%, 0.75%

LAB 69.01, 12.99, -28.57

 

CMYK 18 / 26 / 0 / 14

HEX #B5A3DC

RGB 181 163 220

HSL 258.95, 0.45%, 0.75%

LAB 70.31, 17.9, -26.47

 

CMYK 11 / 26 / 0 / 14

HEX #C4A3DC

RGB 196 163 220

HSL 274.74, 0.45%, 0.75%

LAB 71.62, 22.64, -24.34

 

CMYK 4 / 26 / 0 / 14

HEX #D3A3DC

RGB 211 163 220

HSL 290.53, 0.45%, 0.75%

LAB 73.03, 27.48, -22.06

 

CMYK 0 / 26 / 3 / 14

HEX #DCA3D5

RGB 220 163 213

HSL 307.37, 0.45%, 0.75%

LAB 73.68, 29.13, -17.15

 

CMYK 20 / 48 / 0 / 23

HEX #9E67C5

RGB 158 103 197

HSL 275.11, 0.45%, 0.59%

LAB 52.95, 39.52, -40.74

 

CMYK 15 / 36 / 0 / 18

HEX #B185D1

RGB 177 133 209

HSL 274.74, 0.45%, 0.67%

LAB 62.28, 31.04, -32.79

 

CMYK 11 / 26 / 0 / 14

HEX #C4A3DC

RGB 196 163 220

HSL 274.74, 0.45%, 0.75%

LAB 71.62, 22.64, -24.34

 

CMYK 7 / 17 / 0 / 9

HEX #D7C0E7

RGB 215 192 231

HSL 275.38, 0.45%, 0.83%

LAB 80.69, 15.21, -16.39

 

CMYK 4 / 9 / 0 / 5

HEX #EADEF3

RGB 234 222 243

HSL 274.29, 0.47%, 0.91%

LAB 89.95, 7.85, -8.75

 

CMYK 11 / 26 / 0 / 14

HEX #C4A2DC

RGB 196 162 220

HSL 275.17, 0.45%, 0.75%

LAB 71.38, 23.19, -24.71

 

CMYK 0 / 26 / 20 / 14

HEX #DCA3AF

RGB 220 163 175

HSL 347.37, 0.45%, 0.75%

LAB 72.56, 22.82, 2.09

 

CMYK 26 / 0 / 21 / 14

HEX #A3DCAD

RGB 163 220 173

HSL 130.53, 0.45%, 0.75%

LAB 82.91, -27.49, 17.31

 

CMYK 11 / 26 / 0 / 14

HEX #C4A2DC

RGB 196 162 220

HSL 275.17, 0.45%, 0.75%

LAB 71.38, 23.19, -24.71

 

CMYK 0 / 11 / 26 / 14

HEX #DCC4A3

RGB 220 196 163

HSL 34.74, 0.45%, 0.75%

LAB 80.37, 3.44, 19.68

 

CMYK 26 / 0 / 11 / 14

HEX #A3DCC4

RGB 163 220 196

HSL 154.74, 0.45%, 0.75%

LAB 83.42, -23.14, 5.91

 

CMYK 11 / 26 / 0 / 14

HEX #C4A2DC

RGB 196 162 220

HSL 275.17, 0.45%, 0.75%

LAB 71.38, 23.19, -24.71

 

CMYK 0 / 26 / 20 / 14

HEX #DCA3AF

RGB 220 163 175

HSL 347.37, 0.45%, 0.75%

LAB 72.56, 22.82, 2.09

 

CMYK 15 / 0 / 26 / 14

HEX #BADCA3

RGB 186 220 163

HSL 95.79, 0.45%, 0.75%

LAB 84.11, -21.37, 24.41

 

CMYK 26 / 0 / 5 / 14

HEX #A3DCD0

RGB 163 220 208

HSL 167.37, 0.45%, 0.75%

LAB 83.72, -20.67, -0.02

 

CMYK 11 / 26 / 0 / 14

HEX #C4A2DC

RGB 196 162 220

HSL 275.17, 0.45%, 0.75%

LAB 71.38, 23.19, -24.71

 

CMYK 0 / 24 / 26 / 14

HEX #DCA7A3

RGB 220 167 163

HSL 4.21, 0.45%, 0.75%

LAB 73.22, 18.92, 9.64

 

CMYK 15 / 0 / 26 / 14

HEX #BADCA3

RGB 186 220 163

HSL 95.79, 0.45%, 0.75%

LAB 84.11, -21.37, 24.41

 

CMYK 26 / 2 / 0 / 14

HEX #A3D7DC

RGB 163 215 220

HSL 185.26, 0.45%, 0.75%

LAB 82.68, -15.54, -7.93

 

Description

Color code: RGBA 196 162 220 0.75 | qconv.com Color code: RGBA 196 162 220 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 162 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 162 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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