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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 232 181 0.75 it is the complementary color RGBA 66 23 74 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 232 181 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 232 181 0.75 shade: RGBA 194 232 176 0.75, RGBA 211 250 195 0.75, RGBA 228 255 214 0.75, RGBA 245 255 233 0.75 and RGBA 255 255 252 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 232 181 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 232 181 0.75 shade: RGBA 189 232 181 0.75, RGBA 172 214 162 0.75, RGBA 155 196 143 0.75, RGBA 138 178 124 0.75 and RGBA 121 160 105 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 203 232 181, RGB 217 232 181, RGB 230 232 181 and RGB 232 220 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 181 232 187, RGB 181 232 201, RGB 181 232 214 and RGB 181 232 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 232 181 0.75 shade matches the following richer shades: RGB 189 232 181, RGB 184 240 173 and RGB 178 248 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 194 224 189, RGB 200 217 197, RGB 205 209 204 and RGB 210 201 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 232 181 0.75 shade: RGB 217 232 181, RGB 203 232 181, RGB 189 232 181, RGB 181 232 186 and RGB 181 232 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 232 181 0.75 shade: RGB 133 213 118, RGB 161 223 149, RGB 189 232 181, RGB 217 242 212 and RGB 245 252 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 181 231 232 and RGB 232 181 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 181 189 232 and RGB 232 181 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 181 231 232, RGB 224 181 232 and RGB 232 183 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 232 181 0.75 shade: RGB 189 232 181, RGB 181 215 232, RGB 224 181 232 and RGB 232 198 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 16 / 7

HEX #BDE8B5BF

RGBA 189 232 181 0.75

HSLA 110.59, 0.53%, 0.81%, 0.75

LABA 87.91, -23.32, 20.33, 0.75

 

Complementary color

CMYK 8 / 52 / 0 / 53

HEX #42174ABF

RGBA 66 23 74 0.75

HSLA 290.59, 0.53%, 0.19%, 0.75

LABA 16.82, 29.33, -22.43, 0.75

 

CMYK 12 / 0 / 18 / 7

HEX #C2E8B0BF

RGBA 194 232 176 0.75

HSLA 100.71, 0.55%, 0.8%, 0.75

LABA 88.12, -22.42, 23.26, 0.75

 

CMYK 12 / 0 / 17 / 1

HEX #D3FAC3BF

RGBA 211 250 195 0.75

HSLA 102.55, 0.85%, 0.87%, 0.75

LABA 94.38, -22.32, 22.32, 0.75

 

CMYK 8 / 0 / 12 / 0

HEX #E4FFD6BF

RGBA 228 255 214 0.75

HSLA 99.51, 1%, 0.92%, 0.75

LABA 97.17, -15.95, 16.69, 0.75

 

CMYK 3 / 0 / 6 / 0

HEX #F5FFE9BF

RGBA 245 255 233 0.75

HSLA 87.27, 1%, 0.96%, 0.75

LABA 98.76, -7.08, 9.37, 0.75

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFCBF

RGBA 255 255 252 0.75

HSLA 60, 1%, 0.99%, 0.75

LABA 99.93, -0.52, 1.42, 0.75

NCS® S0300-N

CMYK 14 / 0 / 16 / 7

HEX #BDE8B5BF

RGBA 189 232 181 0.75

HSLA 110.59, 0.53%, 0.81%, 0.75

LABA 87.91, -23.32, 20.33, 0.75

 

CMYK 15 / 0 / 18 / 12

HEX #ACD6A2BF

RGBA 172 214 162 0.75

HSLA 108.46, 0.39%, 0.74%, 0.75

LABA 81.55, -23.47, 21.28, 0.75

 

CMYK 16 / 0 / 20 / 17

HEX #9BC48FBF

RGBA 155 196 143 0.75

HSLA 106.42, 0.31%, 0.66%, 0.75

LABA 75.1, -23.62, 22.29, 0.75

 

CMYK 17 / 0 / 23 / 23

HEX #8AB27CBF

RGBA 138 178 124 0.75

HSLA 104.44, 0.26%, 0.59%, 0.75

LABA 68.53, -23.78, 23.35, 0.75

 

CMYK 18 / 0 / 26 / 28

HEX #79A069BF

RGBA 121 160 105 0.75

HSLA 102.55, 0.22%, 0.52%, 0.75

LABA 61.85, -23.95, 24.48, 0.75

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 13 / 0 / 22 / 9

HEX #CBE8B5

RGB 203 232 181

HSL 94.12, 0.53%, 0.81%

LAB 88.8, -18.51, 21.71

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B5

RGB 217 232 181

HSL 77.65, 0.53%, 0.81%

LAB 89.77, -13.55, 23.19

 

CMYK 1 / 0 / 22 / 9

HEX #E6E8B5

RGB 230 232 181

HSL 62.35, 0.53%, 0.81%

LAB 90.72, -8.84, 24.66

 

CMYK 0 / 5 / 22 / 9

HEX #E8DCB5

RGB 232 220 181

HSL 45.88, 0.53%, 0.81%

LAB 87.81, -2.01, 20.67

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 22 / 0 / 19 / 9

HEX #B5E8BB

RGB 181 232 187

HSL 127.06, 0.53%, 0.81%

LAB 87.55, -24.96, 16.64

 

CMYK 22 / 0 / 13 / 9

HEX #B5E8C9

RGB 181 232 201

HSL 143.53, 0.53%, 0.81%

LAB 87.85, -22.42, 9.77

 

CMYK 22 / 0 / 8 / 9

HEX #B5E8D6

RGB 181 232 214

HSL 158.82, 0.53%, 0.81%

LAB 88.16, -19.91, 3.4

 

CMYK 22 / 0 / 2 / 9

HEX #B5E8E4

RGB 181 232 228

HSL 175.29, 0.53%, 0.81%

LAB 88.51, -17.05, -3.42

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 23 / 0 / 28 / 6

HEX #B8F0AD

RGB 184 240 173

HSL 110.15, 0.69%, 0.81%

LAB 89.64, -30.1, 26.78

 

CMYK 28 / 0 / 33 / 3

HEX #B2F8A5

RGB 178 248 165

HSL 110.6, 0.86%, 0.81%

LAB 91.38, -36.99, 33.12

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 13 / 0 / 16 / 12

HEX #C2E0BD

RGB 194 224 189

HSL 111.43, 0.36%, 0.81%

LAB 86.23, -16.35, 13.86

 

CMYK 8 / 0 / 9 / 15

HEX #C8D9C5

RGB 200 217 197

HSL 111, 0.21%, 0.81%

LAB 84.96, -9.37, 7.9

 

CMYK 2 / 0 / 2 / 18

HEX #CDD1CC

RGB 205 209 204

HSL 108, 0.05%, 0.81%

LAB 83.41, -2.27, 1.99

 

CMYK 1 / 5 / 0 / 17

HEX #D2C9D4

RGB 210 201 212

HSL 289.09, 0.11%, 0.81%

LAB 81.96, 5.11, -4.36

 

CMYK 6 / 0 / 22 / 9

HEX #D9E8B5

RGB 217 232 181

HSL 77.65, 0.53%, 0.81%

LAB 89.77, -13.55, 23.19

 

CMYK 13 / 0 / 22 / 9

HEX #CBE8B5

RGB 203 232 181

HSL 94.12, 0.53%, 0.81%

LAB 88.8, -18.51, 21.71

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 22 / 0 / 20 / 9

HEX #B5E8BA

RGB 181 232 186

HSL 125.88, 0.53%, 0.81%

LAB 87.52, -25.14, 17.13

 

CMYK 22 / 0 / 14 / 9

HEX #B5E8C8

RGB 181 232 200

HSL 142.35, 0.53%, 0.81%

LAB 87.83, -22.61, 10.26

 

CMYK 38 / 0 / 45 / 16

HEX #85D576

RGB 133 213 118

HSL 110.53, 0.53%, 0.65%

LAB 78.39, -42.65, 39.3

 

CMYK 28 / 0 / 33 / 13

HEX #A1DF95

RGB 161 223 149

HSL 110.27, 0.54%, 0.73%

LAB 83.19, -33.53, 30.14

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 10 / 0 / 12 / 5

HEX #D9F2D4

RGB 217 242 212

HSL 110, 0.54%, 0.89%

LAB 93.02, -13.59, 11.73

 

CMYK 3 / 0 / 3 / 1

HEX #F5FCF4

RGB 245 252 244

HSL 112.5, 0.57%, 0.97%

LAB 98.26, -3.71, 3.01

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 22 / 0 / 0 / 9

HEX #B5E7E8

RGB 181 231 232

HSL 181.18, 0.53%, 0.81%

LAB 88.35, -15.71, -5.75

 

CMYK 0 / 22 / 9 / 9

HEX #E8B5D2

RGB 232 181 210

HSL 325.88, 0.53%, 0.81%

LAB 78.96, 23.01, -7.5

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 22 / 19 / 0 / 9

HEX #B5BDE8

RGB 181 189 232

HSL 230.59, 0.53%, 0.81%

LAB 77.31, 6.28, -22.31

 

CMYK 0 / 22 / 19 / 9

HEX #E8B5BD

RGB 232 181 189

HSL 350.59, 0.53%, 0.81%

LAB 78.39, 19.64, 3.04

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 22 / 0 / 0 / 9

HEX #B5E7E8

RGB 181 231 232

HSL 181.18, 0.53%, 0.81%

LAB 88.35, -15.71, -5.75

 

CMYK 3 / 22 / 0 / 9

HEX #E0B5E8

RGB 224 181 232

HSL 290.59, 0.53%, 0.81%

LAB 78.88, 24.27, -19.59

 

CMYK 0 / 21 / 22 / 9

HEX #E8B7B5

RGB 232 183 181

HSL 2.35, 0.53%, 0.81%

LAB 78.67, 17.38, 7.78

 

CMYK 19 / 0 / 22 / 9

HEX #BDE8B5

RGB 189 232 181

HSL 110.59, 0.53%, 0.81%

LAB 87.91, -23.32, 20.33

 

CMYK 22 / 7 / 0 / 9

HEX #B5D7E8

RGB 181 215 232

HSL 200, 0.53%, 0.81%

LAB 84.1, -7.54, -12.07

 

CMYK 3 / 22 / 0 / 9

HEX #E0B5E8

RGB 224 181 232

HSL 290.59, 0.53%, 0.81%

LAB 78.88, 24.27, -19.59

 

CMYK 0 / 15 / 22 / 9

HEX #E8C6B5

RGB 232 198 181

HSL 20, 0.53%, 0.81%

LAB 82.31, 9.43, 12.97

 

Description

Color code: RGBA 189 232 181 0.75 | qconv.com Color code: RGBA 189 232 181 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 232 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 232 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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