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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 214 211 0.75 it is the complementary color RGBA 66 41 44 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 214 211 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 214 211 0.75 shade: RGBA 194 214 206 0.75, RGBA 211 232 225 0.75, RGBA 228 250 244 0.75, RGBA 245 255 255 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 214 211 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 214 211 0.75 shade: RGBA 189 214 211 0.75, RGBA 172 196 192 0.75, RGBA 155 178 173 0.75, RGBA 138 160 154 0.75 and RGBA 121 142 135 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 189 214 204, RGB 189 214 198, RGB 189 214 191 and RGB 194 214 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 189 210 214, RGB 189 203 214, RGB 189 197 214 and RGB 189 190 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 214 211 0.75 shade matches the following richer shades: RGB 189 214 211, RGB 180 222 217, RGB 172 231 224, RGB 163 240 231 and RGB 154 248 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 198 205 204, RGB 206 196 198, RGB 215 188 191 and RGB 224 179 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 197, RGB 189 214 204, RGB 189 214 210, RGB 189 210 214 and RGB 189 204 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 214 211 0.75 shade: RGB 138 182 177, RGB 164 198 194, RGB 189 214 211, RGB 215 230 228 and RGB 240 246 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 191 189 214 and RGB 214 201 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 210 189 214 and RGB 214 210 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 191 189 214, RGB 214 189 192 and RGB 212 214 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 214 211 0.75 shade: RGB 189 214 211, RGB 198 189 214, RGB 214 189 192 and RGB 205 214 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 1 / 12

HEX #BDD6D3BF

RGBA 189 214 211 0.75

HSLA 172.8, 0.23%, 0.79%, 0.75

LABA 83.76, -8.89, -1.35, 0.75

 

Complementary color

CMYK 0 / 28 / 25 / 56

HEX #42292CBF

RGBA 66 41 44 0.75

HSLA 352.8, 0.23%, 0.21%, 0.75

LABA 19.74, 12.18, 2.85, 0.75

 

CMYK 7 / 0 / 3 / 12

HEX #C2D6CEBF

RGBA 194 214 206 0.75

HSLA 156, 0.2%, 0.8%, 0.75

LABA 83.98, -8.21, 1.65, 0.75

 

CMYK 7 / 0 / 2 / 7

HEX #D3E8E1BF

RGBA 211 232 225 0.75

HSLA 160, 0.31%, 0.87%, 0.75

LABA 90.32, -8.23, 1.02, 0.75

 

CMYK 7 / 0 / 2 / 1

HEX #E4FAF4BF

RGBA 228 250 244 0.75

HSLA 163.64, 0.69%, 0.94%, 0.75

LABA 96.57, -8.26, 0.41, 0.75

 

CMYK 3 / 0 / 0 / 0

HEX #F5FFFFBF

RGBA 245 255 255 0.75

HSLA 180, 1%, 0.98%, 0.75

LABA 99.28, -3.26, -1.15, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 9 / 0 / 1 / 12

HEX #BDD6D3BF

RGBA 189 214 211 0.75

HSLA 172.8, 0.23%, 0.79%, 0.75

LABA 83.76, -8.89, -1.35, 0.75

 

CMYK 9 / 0 / 2 / 17

HEX #ACC4C0BF

RGBA 172 196 192 0.75

HSLA 170, 0.17%, 0.72%, 0.75

LABA 77.31, -8.89, -0.75, 0.75

 

CMYK 10 / 0 / 2 / 23

HEX #9BB2ADBF

RGBA 155 178 173 0.75

HSLA 166.96, 0.13%, 0.65%, 0.75

LABA 70.75, -8.91, -0.13, 0.75

 

CMYK 10 / 0 / 3 / 28

HEX #8AA09ABF

RGBA 138 160 154 0.75

HSLA 163.64, 0.1%, 0.58%, 0.75

LABA 64.06, -8.93, 0.52, 0.75

 

CMYK 11 / 0 / 4 / 33

HEX #798E87BF

RGBA 121 142 135 0.75

HSLA 160, 0.09%, 0.52%, 0.75

LABA 57.23, -8.98, 1.2, 0.75

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 12 / 0 / 5 / 16

HEX #BDD6CC

RGB 189 214 204

HSL 156, 0.23%, 0.79%

LAB 83.59, -10.25, 2.1

 

CMYK 12 / 0 / 7 / 16

HEX #BDD6C6

RGB 189 214 198

HSL 141.6, 0.23%, 0.79%

LAB 83.44, -11.38, 5.07

 

CMYK 12 / 0 / 11 / 16

HEX #BDD6BF

RGB 189 214 191

HSL 124.8, 0.23%, 0.79%

LAB 83.27, -12.66, 8.55

 

CMYK 9 / 0 / 12 / 16

HEX #C2D6BD

RGB 194 214 189

HSL 108, 0.23%, 0.79%

LAB 83.57, -11.3, 10.08

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 12 / 2 / 0 / 16

HEX #BDD2D6

RGB 189 210 214

HSL 189.6, 0.23%, 0.79%

LAB 82.79, -6.22, -4.38

 

CMYK 12 / 5 / 0 / 16

HEX #BDCBD6

RGB 189 203 214

HSL 206.4, 0.23%, 0.79%

LAB 80.95, -2.56, -7.1

 

CMYK 12 / 8 / 0 / 16

HEX #BDC5D6

RGB 189 197 214

HSL 220.8, 0.23%, 0.79%

LAB 79.39, 0.62, -9.42

 

CMYK 12 / 11 / 0 / 16

HEX #BDBED6

RGB 189 190 214

HSL 237.6, 0.23%, 0.79%

LAB 77.58, 4.36, -12.12

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 19 / 0 / 2 / 13

HEX #B4DED9

RGB 180 222 217

HSL 172.86, 0.39%, 0.79%

LAB 85.48, -14.62, -2.08

 

CMYK 26 / 0 / 3 / 9

HEX #ACE7E0

RGB 172 231 224

HSL 172.88, 0.55%, 0.79%

LAB 87.63, -20.07, -2.67

 

CMYK 32 / 0 / 4 / 6

HEX #A3F0E7

RGB 163 240 231

HSL 172.99, 0.72%, 0.79%

LAB 89.8, -25.49, -3.21

 

CMYK 38 / 0 / 4 / 3

HEX #9AF8ED

RGB 154 248 237

HSL 172.98, 0.87%, 0.79%

LAB 91.74, -30.34, -3.53

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 3 / 0 / 0 / 20

HEX #C6CDCC

RGB 198 205 204

HSL 171.43, 0.07%, 0.79%

LAB 81.85, -2.57, -0.34

 

CMYK 0 / 13 / 11 / 16

HEX #D7BCBF

RGB 215 188 191

HSL 353.33, 0.25%, 0.79%

LAB 78.56, 10.09, 2.02

NCS® S2005-R10B

CMYK 0 / 20 / 18 / 12

HEX #E0B3B8

RGB 224 179 184

HSL 353.33, 0.42%, 0.79%

LAB 77.01, 17.04, 3.66

NCS® S2005-R10B

CMYK 12 / 0 / 8 / 16

HEX #BDD6C5

RGB 189 214 197

HSL 139.2, 0.23%, 0.79%

LAB 83.41, -11.57, 5.57

 

CMYK 12 / 0 / 5 / 16

HEX #BDD6CC

RGB 189 214 204

HSL 156, 0.23%, 0.79%

LAB 83.59, -10.25, 2.1

 

CMYK 12 / 0 / 2 / 16

HEX #BDD6D2

RGB 189 214 210

HSL 170.4, 0.23%, 0.79%

LAB 83.74, -9.09, -0.86

 

CMYK 12 / 2 / 0 / 16

HEX #BDD2D6

RGB 189 210 214

HSL 189.6, 0.23%, 0.79%

LAB 82.79, -6.22, -4.38

 

CMYK 12 / 5 / 0 / 16

HEX #BDCCD6

RGB 189 204 214

HSL 204, 0.23%, 0.79%

LAB 81.21, -3.09, -6.71

 

CMYK 24 / 0 / 3 / 29

HEX #8AB6B1

RGB 138 182 177

HSL 173.18, 0.23%, 0.63%

LAB 70.89, -15.67, -2.25

 

CMYK 17 / 0 / 2 / 22

HEX #A4C6C2

RGB 164 198 194

HSL 172.94, 0.23%, 0.71%

LAB 77.39, -12.13, -1.79

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 7 / 0 / 1 / 10

HEX #D7E6E4

RGB 215 230 228

HSL 172, 0.23%, 0.87%

LAB 90.16, -5.34, -0.75

 

CMYK 2 / 0 / 0 / 4

HEX #F0F6F5

RGB 240 246 245

HSL 170, 0.25%, 0.95%

LAB 96.42, -2.15, -0.22

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 11 / 12 / 0 / 16

HEX #BFBDD6

RGB 191 189 214

HSL 244.8, 0.23%, 0.79%

LAB 77.48, 5.56, -12.26

 

CMYK 0 / 6 / 12 / 16

HEX #D6C9BD

RGB 214 201 189

HSL 28.8, 0.23%, 0.79%

LAB 81.7, 2.5, 7.61

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 2 / 12 / 0 / 16

HEX #D2BDD6

RGB 210 189 214

HSL 290.4, 0.23%, 0.79%

LAB 79.01, 11.89, -9.8

 

CMYK 0 / 2 / 12 / 16

HEX #D6D2BD

RGB 214 210 189

HSL 50.4, 0.23%, 0.79%

LAB 84, -2.2, 10.89

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 11 / 12 / 0 / 16

HEX #BFBDD6

RGB 191 189 214

HSL 244.8, 0.23%, 0.79%

LAB 77.48, 5.56, -12.26

 

CMYK 0 / 12 / 10 / 16

HEX #D6BDC0

RGB 214 189 192

HSL 352.8, 0.23%, 0.79%

LAB 78.75, 9.37, 1.74

 

CMYK 1 / 0 / 12 / 16

HEX #D4D6BD

RGB 212 214 189

HSL 64.8, 0.23%, 0.79%

LAB 84.88, -4.98, 12.12

 

CMYK 12 / 0 / 1 / 16

HEX #BDD6D3

RGB 189 214 211

HSL 172.8, 0.23%, 0.79%

LAB 83.76, -8.89, -1.35

 

CMYK 7 / 12 / 0 / 16

HEX #C6BDD6

RGB 198 189 214

HSL 261.6, 0.23%, 0.79%

LAB 78.03, 7.87, -11.38

 

CMYK 0 / 12 / 10 / 16

HEX #D6BDC0

RGB 214 189 192

HSL 352.8, 0.23%, 0.79%

LAB 78.75, 9.37, 1.74

 

CMYK 4 / 0 / 12 / 16

HEX #CDD6BD

RGB 205 214 189

HSL 81.6, 0.23%, 0.79%

LAB 84.35, -7.46, 11.3

 

Description

Color code: RGBA 189 214 211 0.75 | qconv.com Color code: RGBA 189 214 211 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 214 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 214 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 1 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 1% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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