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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 203 197 0 it is the complementary color RGBA 66 52 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 203 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 203 197 0 shade: RGBA 194 203 192 0, RGBA 211 221 211 0, RGBA 228 239 230 0, RGBA 245 255 249 0 and RGBA 255 255 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 203 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 203 197 0 shade: RGBA 189 203 197 0, RGBA 172 185 178 0, RGBA 155 167 159 0, RGBA 138 149 140 0 and RGBA 121 131 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 189 203 194, RGB 189 203 190, RGB 193 203 189 and RGB 196 203 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 189 203 201, RGB 189 202 203, RGB 189 198 203 and RGB 189 194 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 203 197 0 shade matches the following richer shades: RGB 189 203 197, RGB 180 213 199, RGB 170 222 200, RGB 161 232 201 and RGB 151 241 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 199 194 196, RGB 208 184 195, RGB 218 175 193 and RGB 227 165 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 203 197 0 shade: RGB 189 203 190, RGB 189 203 194, RGB 189 203 197, RGB 189 203 201 and RGB 189 202 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 203 197 0 shade: RGB 143 167 157, RGB 166 185 177, RGB 189 203 197, RGB 212 222 218 and RGB 236 240 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 189 193 203 and RGB 203 192 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 197 189 203 and RGB 203 197 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 189 193 203, RGB 203 189 195 and RGB 203 200 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 203 197 0 shade: RGB 189 203 197, RGB 190 189 203, RGB 203 189 195 and RGB 202 203 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BDCBC500

RGBA 189 203 197 0

HSLA 154.29, 0.12%, 0.77%, 0

LABA 80.49, -5.89, 1.34, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #42343A00

RGBA 66 52 58 0

HSLA 334.29, 0.12%, 0.23%, 0

LABA 23.4, 7.46, -1.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C2CBC000

RGBA 194 203 192 0

HSLA 109.09, 0.1%, 0.77%, 0

LABA 80.73, -5.1, 4.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D3DDD300

RGBA 211 221 211 0

HSLA 120, 0.13%, 0.85%, 0

LABA 87.13, -5.18, 3.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E4EFE600

RGBA 228 239 230 0

HSLA 130.91, 0.26%, 0.92%, 0

LABA 93.42, -5.26, 3.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F5FFF900

RGBA 245 255 249 0

HSLA 144, 1%, 0.98%, 0

LABA 99.13, -4.34, 1.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF00

RGBA 255 255 255 0

HSLA 0, 0%, 1%, 0

LABA 100, 0.01, -0.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BDCBC500

RGBA 189 203 197 0

HSLA 154.29, 0.12%, 0.77%, 0

LABA 80.49, -5.89, 1.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ACB9B200

RGBA 172 185 178 0

HSLA 147.69, 0.08%, 0.7%, 0

LABA 73.99, -5.84, 1.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9BA79F00

RGBA 155 167 159 0

HSLA 140, 0.06%, 0.63%, 0

LABA 67.36, -5.79, 2.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8A958C00

RGBA 138 149 140 0

HSLA 130.91, 0.05%, 0.56%, 0

LABA 60.6, -5.74, 3.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #79837900

RGBA 121 131 121 0

HSLA 120, 0.04%, 0.49%, 0

LABA 53.68, -5.7, 4.14, 0

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 7 / 0 / 4 / 20

HEX #BDCBC2

RGB 189 203 194

HSL 141.43, 0.12%, 0.77%

LAB 80.42, -6.45, 2.84

 

CMYK 7 / 0 / 6 / 20

HEX #BDCBBE

RGB 189 203 190

HSL 124.29, 0.12%, 0.77%

LAB 80.32, -7.18, 4.84

 

CMYK 5 / 0 / 7 / 20

HEX #C1CBBD

RGB 193 203 189

HSL 102.86, 0.12%, 0.77%

LAB 80.58, -5.98, 5.79

 

CMYK 3 / 0 / 7 / 20

HEX #C4CBBD

RGB 196 203 189

HSL 90, 0.12%, 0.77%

LAB 80.81, -4.93, 6.14

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 7 / 0 / 1 / 20

HEX #BDCBC9

RGB 189 203 201

HSL 171.43, 0.12%, 0.77%

LAB 80.6, -5.13, -0.65

 

CMYK 7 / 0 / 0 / 20

HEX #BDCACB

RGB 189 202 203

HSL 184.29, 0.12%, 0.77%

LAB 80.39, -4.22, -2.03

 

CMYK 7 / 2 / 0 / 20

HEX #BDC6CB

RGB 189 198 203

HSL 201.43, 0.12%, 0.77%

LAB 79.34, -2.11, -3.57

 

CMYK 7 / 4 / 0 / 20

HEX #BDC2CB

RGB 189 194 203

HSL 218.57, 0.12%, 0.77%

LAB 78.29, 0.01, -5.11

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 15 / 0 / 7 / 16

HEX #B4D5C7

RGB 180 213 199

HSL 154.55, 0.28%, 0.77%

LAB 82.6, -13.66, 3.26

 

CMYK 23 / 0 / 10 / 13

HEX #AADEC8

RGB 170 222 200

HSL 154.62, 0.44%, 0.77%

LAB 84.46, -21.16, 5.34

 

CMYK 31 / 0 / 13 / 9

HEX #A1E8C9

RGB 161 232 201

HSL 153.8, 0.61%, 0.77%

LAB 86.75, -28.54, 8.05

 

CMYK 37 / 0 / 16 / 5

HEX #97F1CB

RGB 151 241 203

HSL 154.67, 0.76%, 0.77%

LAB 88.83, -35.2, 9.91

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 0 / 3 / 2 / 22

HEX #C7C2C4

RGB 199 194 196

HSL 336, 0.04%, 0.77%

LAB 78.87, 2.11, -0.39

 

CMYK 0 / 12 / 6 / 18

HEX #D0B8C3

RGB 208 184 195

HSL 332.5, 0.2%, 0.77%

LAB 77.06, 10.43, -2.42

 

CMYK 0 / 20 / 11 / 15

HEX #DAAFC1

RGB 218 175 193

HSL 334.88, 0.37%, 0.77%

LAB 75.71, 18.48, -3.21

 

CMYK 0 / 27 / 15 / 11

HEX #E3A5C0

RGB 227 165 192

HSL 333.87, 0.53%, 0.77%

LAB 74.22, 26.89, -4.76

 

CMYK 7 / 0 / 6 / 20

HEX #BDCBBE

RGB 189 203 190

HSL 124.29, 0.12%, 0.77%

LAB 80.32, -7.18, 4.84

 

CMYK 7 / 0 / 4 / 20

HEX #BDCBC2

RGB 189 203 194

HSL 141.43, 0.12%, 0.77%

LAB 80.42, -6.45, 2.84

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 7 / 0 / 1 / 20

HEX #BDCBC9

RGB 189 203 201

HSL 171.43, 0.12%, 0.77%

LAB 80.6, -5.13, -0.65

 

CMYK 7 / 0 / 0 / 20

HEX #BDCACB

RGB 189 202 203

HSL 184.29, 0.12%, 0.77%

LAB 80.39, -4.22, -2.03

 

CMYK 14 / 0 / 6 / 35

HEX #8FA79D

RGB 143 167 157

HSL 155, 0.12%, 0.61%

LAB 66.45, -10.37, 2.36

 

CMYK 10 / 0 / 4 / 27

HEX #A6B9B1

RGB 166 185 177

HSL 154.74, 0.12%, 0.69%

LAB 73.53, -8.09, 1.83

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 5 / 0 / 2 / 13

HEX #D4DEDA

RGB 212 222 218

HSL 156, 0.13%, 0.85%

LAB 87.63, -4.09, 0.78

 

CMYK 2 / 0 / 1 / 6

HEX #ECF0EE

RGB 236 240 238

HSL 150, 0.12%, 0.93%

LAB 94.45, -1.68, 0.49

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CB

RGB 189 193 203

HSL 222.86, 0.12%, 0.77%

LAB 78.03, 0.54, -5.5

 

CMYK 0 / 5 / 7 / 20

HEX #CBC0BD

RGB 203 192 189

HSL 12.86, 0.12%, 0.77%

LAB 78.5, 3.33, 2.88

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 3 / 7 / 0 / 20

HEX #C5BDCB

RGB 197 189 203

HSL 274.29, 0.12%, 0.77%

LAB 77.62, 5.39, -6.03

 

CMYK 0 / 3 / 7 / 20

HEX #CBC5BD

RGB 203 197 189

HSL 34.29, 0.12%, 0.77%

LAB 79.79, 0.68, 4.74

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CB

RGB 189 193 203

HSL 222.86, 0.12%, 0.77%

LAB 78.03, 0.54, -5.5

 

CMYK 0 / 7 / 4 / 20

HEX #CBBDC3

RGB 203 189 195

HSL 334.29, 0.12%, 0.77%

LAB 77.89, 5.99, -1.25

 

CMYK 0 / 1 / 7 / 20

HEX #CBC8BD

RGB 203 200 189

HSL 47.14, 0.12%, 0.77%

LAB 80.56, -0.9, 5.86

 

CMYK 7 / 0 / 3 / 20

HEX #BDCBC5

RGB 189 203 197

HSL 154.29, 0.12%, 0.77%

LAB 80.49, -5.89, 1.34

 

CMYK 6 / 7 / 0 / 20

HEX #BEBDCB

RGB 190 189 203

HSL 244.29, 0.12%, 0.77%

LAB 77.07, 3.02, -6.91

 

CMYK 0 / 7 / 4 / 20

HEX #CBBDC3

RGB 203 189 195

HSL 334.29, 0.12%, 0.77%

LAB 77.89, 5.99, -1.25

 

CMYK 0 / 0 / 7 / 20

HEX #CACBBD

RGB 202 203 189

HSL 64.29, 0.12%, 0.77%

LAB 81.26, -2.82, 6.85

 

Description

Color code: RGBA 189 203 197 0 | qconv.com Color code: RGBA 189 203 197 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 203 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 203 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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