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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 188 162 0.5 it is the complementary color RGBA 66 67 93 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 188 162 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 188 162 0.5 shade: RGBA 194 188 157 0.5, RGBA 211 206 176 0.5, RGBA 228 224 195 0.5, RGBA 245 242 214 0.5 and RGBA 255 255 233 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 188 162 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 188 162 0.5 shade: RGBA 189 188 162 0.5, RGBA 172 170 143 0.5, RGBA 155 152 124 0.5, RGBA 138 134 105 0.5 and RGBA 121 116 86 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 163, RGB 189 181 163, RGB 189 174 163, RGB 189 167 163 and RGB 189 163 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 163, RGB 183 189 163, RGB 176 189 163, RGB 169 189 163 and RGB 163 189 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 188 162 0.5 shade matches the following richer shades: RGB 189 188 163, RGB 202 200 150, RGB 215 212 137, RGB 228 224 124 and RGB 241 236 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 163, RGB 177 177 175, RGB 164 165 188, RGB 151 153 201 and RGB 138 141 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 188 162 0.5 shade: RGB 189 174 163, RGB 189 181 163, RGB 189 188 163, RGB 184 189 163 and RGB 176 189 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 188 162 0.5 shade: RGB 155 154 114, RGB 172 171 138, RGB 189 188 163, RGB 207 206 187 and RGB 224 223 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 162, RGB 163 189 167 and RGB 177 163 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 162, RGB 163 189 188 and RGB 188 163 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 162, RGB 163 189 167, RGB 163 164 189 and RGB 189 163 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 188 162 0.5 shade: RGB 189 188 162, RGB 163 189 175, RGB 163 164 189 and RGB 189 163 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 7 / 13

HEX #BDBCA27F

RGBA 189 188 162 0.5

HSLA 57.78, 0.17%, 0.69%, 0.5

LABA 75.7, -4.13, 13.3, 0.5

 

Complementary color

CMYK 15 / 14 / 0 / 32

HEX #42435D7F

RGBA 66 67 93 0.5

HSLA 237.78, 0.17%, 0.31%, 0.5

LABA 29.32, 6.26, -15.51, 0.5

 

CMYK 0 / 2 / 10 / 12

HEX #C2BC9D7F

RGBA 194 188 157 0.5

HSLA 50.27, 0.23%, 0.69%, 0.5

LABA 75.99, -3.04, 16.47, 0.5

 

CMYK 0 / 1 / 8 / 9

HEX #D3CEB07F

RGBA 211 206 176 0.5

HSLA 51.43, 0.28%, 0.76%, 0.5

LABA 82.45, -3.26, 15.56, 0.5

 

CMYK 0 / 1 / 7 / 5

HEX #E4E0C37F

RGBA 228 224 195 0.5

HSLA 52.73, 0.38%, 0.83%, 0.5

LABA 88.8, -3.45, 14.7, 0.5

 

CMYK 0 / 1 / 6 / 2

HEX #F5F2D67F

RGBA 245 242 214 0.5

HSLA 54.19, 0.61%, 0.9%, 0.5

LABA 95.06, -3.62, 13.88, 0.5

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFE97F

RGBA 255 255 233 0.5

HSLA 60, 1%, 0.96%, 0.5

LABA 99.48, -3.69, 10.51, 0.5

 

CMYK 0 / 0 / 7 / 13

HEX #BDBCA27F

RGBA 189 188 162 0.5

HSLA 57.78, 0.17%, 0.69%, 0.5

LABA 75.7, -4.13, 13.3, 0.5

 

CMYK 0 / 1 / 8 / 16

HEX #ACAA8F7F

RGBA 172 170 143 0.5

HSLA 55.86, 0.15%, 0.62%, 0.5

LABA 69.11, -3.95, 14.2, 0.5

 

CMYK 0 / 1 / 10 / 20

HEX #9B987C7F

RGBA 155 152 124 0.5

HSLA 54.19, 0.13%, 0.55%, 0.5

LABA 62.41, -3.75, 15.16, 0.5

 

CMYK 0 / 1 / 12 / 23

HEX #8A86697F

RGBA 138 134 105 0.5

HSLA 52.73, 0.14%, 0.48%, 0.5

LABA 55.56, -3.52, 16.19, 0.5

 

CMYK 0 / 2 / 14 / 26

HEX #7974567F

RGBA 121 116 86 0.5

HSLA 51.43, 0.17%, 0.41%, 0.5

LABA 48.55, -3.23, 17.31, 0.5

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA3

RGB 189 188 163

HSL 57.69, 0.16%, 0.69%

LAB 75.72, -3.97, 12.79

 

CMYK 0 / 4 / 14 / 26

HEX #BDB5A3

RGB 189 181 163

HSL 41.54, 0.16%, 0.69%

LAB 73.88, -0.25, 10.18

 

CMYK 0 / 8 / 14 / 26

HEX #BDAEA3

RGB 189 174 163

HSL 25.38, 0.16%, 0.69%

LAB 72.05, 3.51, 7.58

 

CMYK 0 / 12 / 14 / 26

HEX #BDA7A3

RGB 189 167 163

HSL 9.23, 0.16%, 0.69%

LAB 70.25, 7.31, 4.98

 

CMYK 0 / 14 / 14 / 26

HEX #BDA3A3

RGB 189 163 163

HSL 0, 0.16%, 0.69%

LAB 69.22, 9.5, 3.51

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA3

RGB 189 188 163

HSL 57.69, 0.16%, 0.69%

LAB 75.72, -3.97, 12.79

 

CMYK 3 / 0 / 14 / 26

HEX #B7BDA3

RGB 183 189 163

HSL 73.85, 0.16%, 0.69%

LAB 75.52, -6.7, 12.44

 

CMYK 7 / 0 / 14 / 26

HEX #B0BDA3

RGB 176 189 163

HSL 90, 0.16%, 0.69%

LAB 74.99, -9.24, 11.63

 

CMYK 11 / 0 / 14 / 26

HEX #A9BDA3

RGB 169 189 163

HSL 106.15, 0.16%, 0.69%

LAB 74.49, -11.74, 10.85

 

CMYK 14 / 0 / 13 / 26

HEX #A3BDA4

RGB 163 189 164

HSL 122.31, 0.16%, 0.69%

LAB 74.1, -13.67, 9.69

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA3

RGB 189 188 163

HSL 57.69, 0.16%, 0.69%

LAB 75.72, -3.97, 12.79

 

CMYK 0 / 1 / 26 / 21

HEX #CAC896

RGB 202 200 150

HSL 57.69, 0.33%, 0.69%

LAB 79.65, -7.28, 25.33

 

CMYK 0 / 1 / 36 / 16

HEX #D7D489

RGB 215 212 137

HSL 57.69, 0.49%, 0.69%

LAB 83.62, -10.03, 37.5

 

CMYK 0 / 2 / 46 / 11

HEX #E4E07C

RGB 228 224 124

HSL 57.69, 0.66%, 0.69%

LAB 87.61, -12.3, 49.17

 

CMYK 0 / 2 / 54 / 5

HEX #F1EC6F

RGB 241 236 111

HSL 57.69, 0.82%, 0.69%

LAB 91.61, -14.17, 60.19

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA3

RGB 189 188 163

HSL 57.69, 0.16%, 0.69%

LAB 75.72, -3.97, 12.79

 

CMYK 0 / 0 / 1 / 31

HEX #B1B1AF

RGB 177 177 175

HSL 60, 0.01%, 0.69%

LAB 72.15, -0.37, 1.01

 

CMYK 13 / 12 / 0 / 26

HEX #A4A5BC

RGB 164 165 188

HSL 237.5, 0.15%, 0.69%

LAB 68.34, 4.3, -11.92

 

CMYK 25 / 24 / 0 / 21

HEX #9799C9

RGB 151 153 201

HSL 237.6, 0.32%, 0.69%

LAB 64.63, 9.81, -24.88

 

CMYK 36 / 34 / 0 / 16

HEX #8A8DD6

RGB 138 141 214

HSL 237.63, 0.48%, 0.69%

LAB 61.05, 16.23, -37.75

 

CMYK 0 / 8 / 14 / 26

HEX #BDAEA3

RGB 189 174 163

HSL 25.38, 0.16%, 0.69%

LAB 72.05, 3.51, 7.58

 

CMYK 0 / 4 / 14 / 26

HEX #BDB5A3

RGB 189 181 163

HSL 41.54, 0.16%, 0.69%

LAB 73.88, -0.25, 10.18

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA3

RGB 189 188 163

HSL 57.69, 0.16%, 0.69%

LAB 75.72, -3.97, 12.79

 

CMYK 3 / 0 / 14 / 26

HEX #B8BDA3

RGB 184 189 163

HSL 71.54, 0.16%, 0.69%

LAB 75.59, -6.33, 12.56

 

CMYK 7 / 0 / 14 / 26

HEX #B0BDA3

RGB 176 189 163

HSL 90, 0.16%, 0.69%

LAB 74.99, -9.24, 11.63

 

CMYK 0 / 1 / 26 / 39

HEX #9B9A72

RGB 155 154 114

HSL 58.54, 0.17%, 0.53%

LAB 62.76, -6.33, 21.2

 

CMYK 0 / 1 / 20 / 33

HEX #ACAB8A

RGB 172 171 138

HSL 58.24, 0.17%, 0.61%

LAB 69.28, -5.27, 17.17

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA3

RGB 189 188 163

HSL 57.69, 0.16%, 0.69%

LAB 75.72, -3.97, 12.79

 

CMYK 0 / 0 / 10 / 19

HEX #CFCEBB

RGB 207 206 187

HSL 57, 0.17%, 0.77%

LAB 82.38, -2.95, 9.57

 

CMYK 0 / 0 / 6 / 12

HEX #E0DFD3

RGB 224 223 211

HSL 55.38, 0.17%, 0.85%

LAB 88.6, -1.75, 5.99

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA2

RGB 189 188 162

HSL 57.78, 0.17%, 0.69%

LAB 75.7, -4.13, 13.3

 

CMYK 14 / 0 / 12 / 26

HEX #A3BDA7

RGB 163 189 167

HSL 129.23, 0.16%, 0.69%

LAB 74.17, -13.11, 8.16

 

CMYK 6 / 14 / 0 / 26

HEX #B1A3BD

RGB 177 163 189

HSL 272.31, 0.16%, 0.69%

LAB 68.91, 10, -11.51

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA2

RGB 189 188 162

HSL 57.78, 0.17%, 0.69%

LAB 75.7, -4.13, 13.3

 

CMYK 14 / 0 / 1 / 26

HEX #A3BDBC

RGB 163 189 188

HSL 177.69, 0.16%, 0.69%

LAB 74.71, -9, -2.48

 

CMYK 1 / 14 / 0 / 26

HEX #BCA3BD

RGB 188 163 189

HSL 297.69, 0.16%, 0.69%

LAB 69.87, 13.79, -9.98

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA2

RGB 189 188 162

HSL 57.78, 0.17%, 0.69%

LAB 75.7, -4.13, 13.3

 

CMYK 14 / 0 / 12 / 26

HEX #A3BDA7

RGB 163 189 167

HSL 129.23, 0.16%, 0.69%

LAB 74.17, -13.11, 8.16

 

CMYK 14 / 13 / 0 / 26

HEX #A3A4BD

RGB 163 164 189

HSL 237.69, 0.16%, 0.69%

LAB 68.03, 4.74, -12.94

 

CMYK 0 / 14 / 2 / 26

HEX #BDA3B9

RGB 189 163 185

HSL 309.23, 0.16%, 0.69%

LAB 69.84, 13.38, -7.8

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA2

RGB 189 188 162

HSL 57.78, 0.17%, 0.69%

LAB 75.7, -4.13, 13.3

 

CMYK 14 / 0 / 7 / 26

HEX #A3BDAF

RGB 163 189 175

HSL 147.69, 0.16%, 0.69%

LAB 74.37, -11.6, 4.1

 

CMYK 14 / 13 / 0 / 26

HEX #A3A4BD

RGB 163 164 189

HSL 237.69, 0.16%, 0.69%

LAB 68.03, 4.74, -12.94

 

CMYK 0 / 14 / 6 / 26

HEX #BDA3B1

RGB 189 163 177

HSL 327.69, 0.16%, 0.69%

LAB 69.6, 11.92, -3.71

 

Description

Color code: RGBA 189 188 162 0.5 | qconv.com Color code: RGBA 189 188 162 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 188 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 188 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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