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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 165 128 0.5 it is the complementary color RGBA 66 90 127 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 165 128 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 165 128 0.5 shade: RGBA 194 165 123 0.5, RGBA 211 183 142 0.5, RGBA 228 201 161 0.5, RGBA 245 219 180 0.5 and RGBA 255 237 199 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 165 128 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 165 128 0.5 shade: RGBA 189 165 128 0.5, RGBA 172 147 109 0.5, RGBA 155 129 90 0.5, RGBA 138 111 71 0.5 and RGBA 121 93 52 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 127, RGB 189 148 127, RGB 189 131 127 and RGB 189 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 127, RGB 189 181 127, RGB 180 189 127, RGB 163 189 127 and RGB 147 189 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 165 128 0.5 shade matches the following richer shades: RGB 189 165 127, RGB 205 168 111, RGB 220 171 96, RGB 236 175 80 and RGB 252 178 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 127, RGB 173 161 143, RGB 158 158 158, RGB 142 155 174 and RGB 126 151 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 165 128 0.5 shade: RGB 189 131 127, RGB 189 148 127, RGB 189 164 127, RGB 189 181 127 and RGB 181 189 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 165 128 0.5 shade: RGB 154 125 79, RGB 175 145 100, RGB 189 165 127, RGB 203 184 154 and RGB 217 203 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 128, RGB 139 189 127 and RGB 139 127 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 128, RGB 127 189 164 and RGB 164 127 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 128, RGB 139 189 127, RGB 127 152 189 and RGB 177 127 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 165 128 0.5 shade: RGB 189 165 128, RGB 127 189 133, RGB 127 152 189 and RGB 189 127 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 16 / 13

HEX #BDA5807F

RGBA 189 165 128 0.5

HSLA 36.39, 0.32%, 0.62%, 0.5

LABA 68.96, 3.23, 22.43, 0.5

 

Complementary color

CMYK 24 / 15 / 0 / 25

HEX #425A7F7F

RGBA 66 90 127 0.5

HSLA 216.39, 0.32%, 0.38%, 0.5

LABA 37.85, 1.83, -23.62, 0.5

 

CMYK 0 / 7 / 18 / 12

HEX #C2A57B7F

RGBA 194 165 123 0.5

HSLA 35.49, 0.37%, 0.62%, 0.5

LABA 69.33, 4.61, 25.73, 0.5

 

CMYK 0 / 7 / 16 / 9

HEX #D3B78E7F

RGBA 211 183 142 0.5

HSLA 35.65, 0.44%, 0.69%, 0.5

LABA 75.87, 4.07, 24.57, 0.5

 

CMYK 0 / 6 / 15 / 5

HEX #E4C9A17F

RGBA 228 201 161 0.5

HSLA 35.82, 0.55%, 0.76%, 0.5

LABA 82.29, 3.6, 23.5, 0.5

 

CMYK 0 / 5 / 13 / 2

HEX #F5DBB47F

RGBA 245 219 180 0.5

HSLA 36, 0.76%, 0.83%, 0.5

LABA 88.62, 3.19, 22.48, 0.5

 

CMYK 0 / 4 / 11 / 0

HEX #FFEDC77F

RGBA 255 237 199 0.5

HSLA 40.71, 1%, 0.89%, 0.5

LABA 94.29, 0.27, 20.63, 0.5

 

CMYK 0 / 6 / 16 / 13

HEX #BDA5807F

RGBA 189 165 128 0.5

HSLA 36.39, 0.32%, 0.62%, 0.5

LABA 68.96, 3.23, 22.43, 0.5

 

CMYK 0 / 7 / 18 / 16

HEX #AC936D7F

RGBA 172 147 109 0.5

HSLA 36.19, 0.28%, 0.55%, 0.5

LABA 62.29, 3.76, 23.59, 0.5

 

CMYK 0 / 8 / 21 / 20

HEX #9B815A7F

RGBA 155 129 90 0.5

HSLA 36, 0.27%, 0.48%, 0.5

LABA 55.49, 4.39, 24.86, 0.5

 

CMYK 0 / 10 / 24 / 23

HEX #8A6F477F

RGBA 138 111 71 0.5

HSLA 35.82, 0.32%, 0.41%, 0.5

LABA 48.54, 5.17, 26.23, 0.5

 

CMYK 0 / 12 / 29 / 26

HEX #795D347F

RGBA 121 93 52 0.5

HSLA 35.65, 0.4%, 0.34%, 0.5

LABA 41.44, 6.13, 27.71, 0.5

 

CMYK 0 / 13 / 33 / 26

HEX #BDA57F

RGB 189 165 127

HSL 36.77, 0.32%, 0.62%

LAB 68.94, 3.1, 22.94

 

CMYK 0 / 22 / 33 / 26

HEX #BD947F

RGB 189 148 127

HSL 20.32, 0.32%, 0.62%

LAB 64.59, 12.4, 16.99

 

CMYK 0 / 31 / 33 / 26

HEX #BD837F

RGB 189 131 127

HSL 3.87, 0.32%, 0.62%

LAB 60.41, 21.82, 11.17

 

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 13 / 33 / 26

HEX #BDA57F

RGB 189 165 127

HSL 36.77, 0.32%, 0.62%

LAB 68.94, 3.1, 22.94

 

CMYK 0 / 4 / 33 / 26

HEX #BDB57F

RGB 189 181 127

HSL 52.26, 0.32%, 0.62%

LAB 73.15, -5.45, 28.59

 

CMYK 5 / 0 / 33 / 26

HEX #B4BD7F

RGB 180 189 127

HSL 68.71, 0.32%, 0.62%

LAB 74.59, -13.15, 30.36

 

CMYK 14 / 0 / 33 / 26

HEX #A3BD7F

RGB 163 189 127

HSL 85.16, 0.32%, 0.62%

LAB 73.36, -19.65, 28.5

 

CMYK 22 / 0 / 33 / 26

HEX #93BD7F

RGB 147 189 127

HSL 100.65, 0.32%, 0.62%

LAB 72.32, -25.52, 26.93

 

CMYK 0 / 13 / 33 / 26

HEX #BDA57F

RGB 189 165 127

HSL 36.77, 0.32%, 0.62%

LAB 68.94, 3.1, 22.94

 

CMYK 0 / 18 / 46 / 20

HEX #CDA86F

RGB 205 168 111

HSL 36.38, 0.48%, 0.62%

LAB 70.96, 6.15, 34.46

 

CMYK 0 / 22 / 56 / 14

HEX #DCAB60

RGB 220 171 96

HSL 36.29, 0.64%, 0.62%

LAB 73.01, 9.42, 45.04

 

CMYK 0 / 26 / 66 / 7

HEX #ECAF50

RGB 236 175 80

HSL 36.54, 0.8%, 0.62%

LAB 75.5, 12.9, 55.96

 

CMYK 0 / 29 / 75 / 1

HEX #FCB240

RGB 252 178 64

HSL 36.38, 0.97%, 0.62%

LAB 77.82, 17.23, 65.71

 

CMYK 0 / 13 / 33 / 26

HEX #BDA57F

RGB 189 165 127

HSL 36.77, 0.32%, 0.62%

LAB 68.94, 3.1, 22.94

 

CMYK 0 / 7 / 17 / 32

HEX #ADA18F

RGB 173 161 143

HSL 36, 0.15%, 0.62%

LAB 66.79, 1.3, 10.94

 

CMYK 18 / 11 / 0 / 32

HEX #8E9BAE

RGB 142 155 174

HSL 215.63, 0.16%, 0.62%

LAB 63.55, -0.51, -11.45

NCS® S4000-N

CMYK 34 / 21 / 0 / 25

HEX #7E97BE

RGB 126 151 190

HSL 216.56, 0.33%, 0.62%

LAB 61.9, 0.69, -23.05

NCS® S4000-N

CMYK 0 / 31 / 33 / 26

HEX #BD837F

RGB 189 131 127

HSL 3.87, 0.32%, 0.62%

LAB 60.41, 21.82, 11.17

 

CMYK 0 / 22 / 33 / 26

HEX #BD947F

RGB 189 148 127

HSL 20.32, 0.32%, 0.62%

LAB 64.59, 12.4, 16.99

 

CMYK 0 / 13 / 33 / 26

HEX #BDA47F

RGB 189 164 127

HSL 35.81, 0.32%, 0.62%

LAB 68.68, 3.64, 22.59

 

CMYK 0 / 4 / 33 / 26

HEX #BDB57F

RGB 189 181 127

HSL 52.26, 0.32%, 0.62%

LAB 73.15, -5.45, 28.59

 

CMYK 4 / 0 / 33 / 26

HEX #B5BD7F

RGB 181 189 127

HSL 67.74, 0.32%, 0.62%

LAB 74.67, -12.76, 30.47

 

CMYK 0 / 19 / 49 / 40

HEX #9A7D4F

RGB 154 125 79

HSL 36.8, 0.32%, 0.46%

LAB 54.13, 5.02, 29.21

 

CMYK 0 / 17 / 43 / 31

HEX #AF9164

RGB 175 145 100

HSL 36, 0.32%, 0.54%

LAB 61.9, 5.06, 28.08

 

CMYK 0 / 13 / 33 / 26

HEX #BDA57F

RGB 189 165 127

HSL 36.77, 0.32%, 0.62%

LAB 68.94, 3.1, 22.94

 

CMYK 0 / 9 / 24 / 20

HEX #CBB89A

RGB 203 184 154

HSL 36.73, 0.32%, 0.7%

LAB 75.64, 2.05, 17.72

 

CMYK 0 / 6 / 16 / 15

HEX #D9CBB6

RGB 217 203 182

HSL 36, 0.32%, 0.78%

LAB 82.29, 1.43, 12.22

 

CMYK 0 / 13 / 32 / 26

HEX #BDA580

RGB 189 165 128

HSL 36.39, 0.32%, 0.62%

LAB 68.96, 3.23, 22.43

 

CMYK 26 / 0 / 33 / 26

HEX #8BBD7F

RGB 139 189 127

HSL 108.39, 0.32%, 0.62%

LAB 71.84, -28.34, 26.2

 

CMYK 26 / 33 / 0 / 26

HEX #8B7FBD

RGB 139 127 189

HSL 251.61, 0.32%, 0.62%

LAB 56.43, 18.2, -30.85

 

CMYK 0 / 13 / 32 / 26

HEX #BDA580

RGB 189 165 128

HSL 36.39, 0.32%, 0.62%

LAB 68.96, 3.23, 22.43

 

CMYK 33 / 0 / 13 / 26

HEX #7FBDA4

RGB 127 189 164

HSL 155.81, 0.32%, 0.62%

LAB 71.95, -25.39, 6.33

 

CMYK 13 / 33 / 0 / 26

HEX #A47FBD

RGB 164 127 189

HSL 275.81, 0.32%, 0.62%

LAB 58.74, 26, -27.09

 

CMYK 0 / 13 / 32 / 26

HEX #BDA580

RGB 189 165 128

HSL 36.39, 0.32%, 0.62%

LAB 68.96, 3.23, 22.43

 

CMYK 26 / 0 / 33 / 26

HEX #8BBD7F

RGB 139 189 127

HSL 108.39, 0.32%, 0.62%

LAB 71.84, -28.34, 26.2

 

CMYK 33 / 20 / 0 / 26

HEX #7F98BD

RGB 127 152 189

HSL 215.81, 0.32%, 0.62%

LAB 62.2, 0.16, -22.02

 

CMYK 6 / 33 / 0 / 26

HEX #B17FBD

RGB 177 127 189

HSL 288.39, 0.32%, 0.62%

LAB 60.07, 30.18, -24.92

 

CMYK 0 / 13 / 32 / 26

HEX #BDA580

RGB 189 165 128

HSL 36.39, 0.32%, 0.62%

LAB 68.96, 3.23, 22.43

 

CMYK 33 / 0 / 30 / 26

HEX #7FBD85

RGB 127 189 133

HSL 125.81, 0.32%, 0.62%

LAB 71.28, -31.37, 22.15

 

CMYK 33 / 20 / 0 / 26

HEX #7F98BD

RGB 127 152 189

HSL 215.81, 0.32%, 0.62%

LAB 62.2, 0.16, -22.02

 

CMYK 0 / 33 / 3 / 26

HEX #BD7FB7

RGB 189 127 183

HSL 305.81, 0.32%, 0.62%

LAB 61.15, 32.95, -19.75

 

Description

Color code: RGBA 189 165 128 0.5 | qconv.com Color code: RGBA 189 165 128 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 165 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 165 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 16 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 16% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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