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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 162 221 0.75 it is the complementary color RGBA 66 93 34 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 162 221 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 162 221 0.75 shade: RGBA 194 162 216 0.75, RGBA 211 180 235 0.75, RGBA 228 198 254 0.75, RGBA 245 216 255 0.75 and RGBA 255 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 162 221 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 162 221 0.75 shade: RGBA 189 162 221 0.75, RGBA 172 144 202 0.75, RGBA 155 126 183 0.75, RGBA 138 108 164 0.75 and RGBA 121 90 145 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 205 162 221, RGB 220 162 221, RGB 221 162 205 and RGB 221 162 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 173 162 221 and RGB 162 162 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 162 221 0.75 shade matches the following richer shades: RGB 189 162 221, RGB 188 152 231, RGB 187 141 241 and RGB 186 131 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 190 172 210, RGB 191 183 200, RGB 191 193 190 and RGB 192 203 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 162 221 0.75 shade: RGB 162 167 221, RGB 173 162 221, RGB 188 162 221, RGB 204 162 221 and RGB 220 162 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 162 221 0.75 shade: RGB 146 102 198, RGB 167 132 209, RGB 189 162 221, RGB 210 192 232 and RGB 232 222 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 221 162 182 and RGB 162 221 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 221 188 162 and RGB 162 221 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 221 162 182, RGB 194 221 162 and RGB 162 221 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 162 221 0.75 shade: RGB 189 162 221, RGB 221 162 165, RGB 194 221 162 and RGB 162 221 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 20 / 0 / 10

HEX #BDA2DDBF

RGBA 189 162 221 0.75

HSLA 267.46, 0.46%, 0.75%, 0.75

LABA 70.79, 21.18, -26.22, 0.75

 

Complementary color

CMYK 22 / 0 / 48 / 48

HEX #425D22BF

RGBA 66 93 34 0.75

HSLA 87.46, 0.46%, 0.25%, 0.75

LABA 36.18, -20.98, 30.03, 0.75

 

CMYK 8 / 19 / 0 / 11

HEX #C2A2D8BF

RGBA 194 162 216 0.75

HSLA 275.56, 0.41%, 0.74%, 0.75

LABA 71.06, 21.72, -23.02, 0.75

 

CMYK 8 / 18 / 0 / 6

HEX #D3B4EBBF

RGBA 211 180 235 0.75

HSLA 273.82, 0.58%, 0.81%, 0.75

LABA 77.57, 21.21, -23.3, 0.75

 

CMYK 8 / 17 / 0 / 0

HEX #E4C6FEBF

RGBA 228 198 254 0.75

HSLA 272.14, 0.97%, 0.89%, 0.75

LABA 83.99, 20.73, -23.58, 0.75

 

CMYK 3 / 11 / 0 / 0

HEX #F5D8FFBF

RGBA 245 216 255 0.75

HSLA 284.62, 1%, 0.92%, 0.75

LABA 89.74, 16.82, -15.28, 0.75

 

CMYK 0 / 6 / 0 / 0

HEX #FFEAFFBF

RGBA 255 234 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 94.88, 10.72, -7.54, 0.75

 

CMYK 11 / 20 / 0 / 10

HEX #BDA2DDBF

RGBA 189 162 221 0.75

HSLA 267.46, 0.46%, 0.75%, 0.75

LABA 70.79, 21.18, -26.22, 0.75

 

CMYK 11 / 22 / 0 / 16

HEX #AC90CABF

RGBA 172 144 202 0.75

HSLA 268.97, 0.35%, 0.68%, 0.75

LABA 64.15, 21.74, -26.02, 0.75

 

CMYK 11 / 23 / 0 / 21

HEX #9B7EB7BF

RGBA 155 126 183 0.75

HSLA 270.53, 0.28%, 0.61%, 0.75

LABA 57.38, 22.36, -25.84, 0.75

 

CMYK 12 / 26 / 0 / 27

HEX #8A6CA4BF

RGBA 138 108 164 0.75

HSLA 272.14, 0.24%, 0.53%, 0.75

LABA 50.46, 23.03, -25.68, 0.75

 

CMYK 12 / 28 / 0 / 32

HEX #795A91BF

RGBA 121 90 145 0.75

HSLA 273.82, 0.23%, 0.46%, 0.75

LABA 43.39, 23.78, -25.54, 0.75

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 7 / 27 / 0 / 13

HEX #CDA2DD

RGB 205 162 221

HSL 283.73, 0.46%, 0.75%

LAB 72.26, 26.28, -23.84

 

CMYK 0 / 27 / 0 / 13

HEX #DCA2DD

RGB 220 162 221

HSL 298.98, 0.46%, 0.75%

LAB 73.72, 31.14, -21.47

 

CMYK 0 / 27 / 7 / 13

HEX #DDA2CD

RGB 221 162 205

HSL 316.27, 0.46%, 0.75%

LAB 73.3, 28.59, -13.33

 

CMYK 0 / 27 / 14 / 13

HEX #DDA2BD

RGB 221 162 189

HSL 332.54, 0.46%, 0.75%

LAB 72.82, 25.91, -5.25

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 22 / 27 / 0 / 13

HEX #ADA2DD

RGB 173 162 221

HSL 251.19, 0.46%, 0.75%

LAB 69.43, 16.21, -28.42

 

CMYK 27 / 27 / 0 / 13

HEX #A2A2DD

RGB 162 162 221

HSL 240, 0.46%, 0.75%

LAB 68.56, 12.9, -29.83

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 19 / 34 / 0 / 9

HEX #BC98E7

RGB 188 152 231

HSL 267.34, 0.62%, 0.75%

LAB 68.69, 28.62, -34.95

 

CMYK 22 / 41 / 0 / 5

HEX #BB8DF1

RGB 187 141 241

HSL 267.6, 0.78%, 0.75%

LAB 66.49, 36.69, -43.88

 

CMYK 26 / 48 / 0 / 1

HEX #BA83FC

RGB 186 131 252

HSL 267.27, 0.95%, 0.75%

LAB 64.72, 44.44, -52.72

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 10 / 18 / 0 / 18

HEX #BEACD2

RGB 190 172 210

HSL 268.42, 0.3%, 0.75%

LAB 72.96, 13.67, -16.87

 

CMYK 5 / 9 / 0 / 22

HEX #BFB7C8

RGB 191 183 200

HSL 268.24, 0.13%, 0.75%

LAB 75.52, 6, -7.57

 

CMYK 1 / 0 / 2 / 24

HEX #BFC1BE

RGB 191 193 190

HSL 100, 0.02%, 0.75%

LAB 77.84, -1.24, 1.26

 

CMYK 5 / 0 / 12 / 20

HEX #C0CBB3

RGB 192 203 179

HSL 87.5, 0.19%, 0.75%

LAB 80.28, -8.07, 10.69

 

CMYK 27 / 24 / 0 / 13

HEX #A2A7DD

RGB 162 167 221

HSL 234.92, 0.46%, 0.75%

LAB 69.85, 10.09, -27.84

 

CMYK 22 / 27 / 0 / 13

HEX #ADA2DD

RGB 173 162 221

HSL 251.19, 0.46%, 0.75%

LAB 69.43, 16.21, -28.42

 

CMYK 15 / 27 / 0 / 13

HEX #BCA2DD

RGB 188 162 221

HSL 266.44, 0.46%, 0.75%

LAB 70.7, 20.87, -26.36

 

CMYK 8 / 27 / 0 / 13

HEX #CCA2DD

RGB 204 162 221

HSL 282.71, 0.46%, 0.75%

LAB 72.16, 25.96, -24

 

CMYK 0 / 27 / 0 / 13

HEX #DCA2DD

RGB 220 162 221

HSL 298.98, 0.46%, 0.75%

LAB 73.72, 31.14, -21.47

 

CMYK 26 / 48 / 0 / 22

HEX #9266C6

RGB 146 102 198

HSL 267.5, 0.46%, 0.59%

LAB 51.49, 36.98, -43.71

 

CMYK 20 / 37 / 0 / 18

HEX #A784D1

RGB 167 132 209

HSL 267.27, 0.46%, 0.67%

LAB 61.06, 28.57, -34.75

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 9 / 17 / 0 / 9

HEX #D2C0E8

RGB 210 192 232

HSL 267, 0.47%, 0.83%

LAB 80.31, 13.79, -17.55

 

CMYK 5 / 9 / 0 / 5

HEX #E8DEF3

RGB 232 222 243

HSL 268.57, 0.47%, 0.91%

LAB 89.8, 7.19, -9

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 0 / 27 / 18 / 13

HEX #DDA2B6

RGB 221 162 182

HSL 339.66, 0.46%, 0.75%

LAB 72.62, 24.8, -1.67

 

CMYK 27 / 0 / 25 / 13

HEX #A2DDA5

RGB 162 221 165

HSL 123.05, 0.46%, 0.75%

LAB 82.97, -29.69, 21.58

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 0 / 15 / 27 / 13

HEX #DDBCA2

RGB 221 188 162

HSL 26.44, 0.46%, 0.75%

LAB 78.43, 7.91, 17.53

 

CMYK 27 / 0 / 15 / 13

HEX #A2DDBC

RGB 162 221 188

HSL 146.44, 0.46%, 0.75%

LAB 83.46, -25.51, 10.18

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 0 / 27 / 18 / 13

HEX #DDA2B6

RGB 221 162 182

HSL 339.66, 0.46%, 0.75%

LAB 72.62, 24.8, -1.67

 

CMYK 12 / 0 / 27 / 13

HEX #C2DDA2

RGB 194 221 162

HSL 87.46, 0.46%, 0.75%

LAB 84.89, -19.16, 26.08

 

CMYK 27 / 0 / 10 / 13

HEX #A2DDC8

RGB 162 221 200

HSL 158.64, 0.46%, 0.75%

LAB 83.74, -23.12, 4.24

 

CMYK 14 / 27 / 0 / 13

HEX #BDA2DD

RGB 189 162 221

HSL 267.46, 0.46%, 0.75%

LAB 70.79, 21.18, -26.22

 

CMYK 0 / 27 / 25 / 13

HEX #DDA2A5

RGB 221 162 165

HSL 356.95, 0.46%, 0.75%

LAB 72.18, 22.27, 7.07

 

CMYK 12 / 0 / 27 / 13

HEX #C2DDA2

RGB 194 221 162

HSL 87.46, 0.46%, 0.75%

LAB 84.89, -19.16, 26.08

 

CMYK 27 / 0 / 1 / 13

HEX #A2DDDA

RGB 162 221 218

HSL 176.95, 0.46%, 0.75%

LAB 84.2, -19.3, -4.61

 

Description

Color code: RGBA 189 162 221 0.75 | qconv.com Color code: RGBA 189 162 221 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 162 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 162 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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