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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 149 190 0.75 it is the complementary color RGBA 66 106 65 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 149 190 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 149 190 0.75 shade: RGBA 194 149 185 0.75, RGBA 211 167 204 0.75, RGBA 228 185 223 0.75, RGBA 245 203 242 0.75 and RGBA 255 221 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 149 190 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 149 190 0.75 shade: RGBA 189 149 190 0.75, RGBA 172 131 171 0.75, RGBA 155 113 152 0.75, RGBA 138 95 133 0.75 and RGBA 121 77 114 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 149 190 0.75 shade: RGB 188 147 189, RGB 189 147 179, RGB 189 147 168, RGB 189 147 156 and RGB 189 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 149 190 0.75 shade: RGB 188 147 189, RGB 177 147 189, RGB 166 147 189, RGB 154 147 189 and RGB 147 147 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 149 190 0.75 shade matches the following richer shades: RGB 188 147 189, RGB 201 133 203, RGB 215 119 217, RGB 228 105 231 and RGB 241 91 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 149 190 0.75 shade: RGB 188 147 189, RGB 175 162 175, RGB 161 176 161, RGB 148 190 147 and RGB 135 204 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 149 190 0.75 shade: RGB 166 147 189, RGB 177 147 189, RGB 188 147 189, RGB 189 147 179 and RGB 189 147 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 149 190 0.75 shade: RGB 156 97 158, RGB 172 122 173, RGB 188 147 189, RGB 204 173 205 and RGB 220 199 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 149 190 0.75 shade: RGB 189 149 190, RGB 189 154 147 and RGB 147 189 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 149 190 0.75 shade: RGB 189 149 190, RGB 189 188 147 and RGB 147 189 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 149 190 0.75 shade: RGB 189 149 190, RGB 189 154 147, RGB 149 189 147 and RGB 147 182 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 149 190 0.75 shade: RGB 189 149 190, RGB 189 167 147, RGB 149 189 147 and RGB 147 170 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 0 / 19

HEX #BD95BEBF

RGBA 189 149 190 0.75

HSLA 298.54, 0.24%, 0.66%, 0.75

LABA 66.54, 22.08, -15.51, 0.75

 

Complementary color

CMYK 28 / 0 / 29 / 44

HEX #426A41BF

RGBA 66 106 65 0.75

HSLA 118.54, 0.24%, 0.34%, 0.75

LABA 40.97, -23.26, 18.7, 0.75

 

CMYK 0 / 17 / 3 / 18

HEX #C295B9BF

RGBA 194 149 185 0.75

HSLA 312, 0.27%, 0.67%, 0.75

LABA 66.88, 22.87, -12.17, 0.75

 

CMYK 0 / 16 / 2 / 13

HEX #D3A7CCBF

RGBA 211 167 204 0.75

HSLA 309.55, 0.33%, 0.74%, 0.75

LABA 73.45, 22.3, -12.67, 0.75

 

CMYK 0 / 14 / 2 / 8

HEX #E4B9DFBF

RGBA 228 185 223 0.75

HSLA 306.98, 0.44%, 0.81%, 0.75

LABA 79.91, 21.77, -13.15, 0.75

 

CMYK 0 / 13 / 1 / 3

HEX #F5CBF2BF

RGBA 245 203 242 0.75

HSLA 304.29, 0.68%, 0.88%, 0.75

LABA 86.27, 21.28, -13.62, 0.75

 

CMYK 0 / 10 / 0 / 0

HEX #FFDDFFBF

RGBA 255 221 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.77, 17.47, -12.16, 0.75

 

CMYK 0 / 16 / 0 / 19

HEX #BD95BEBF

RGBA 189 149 190 0.75

HSLA 298.54, 0.24%, 0.66%, 0.75

LABA 66.54, 22.08, -15.51, 0.75

 

CMYK 0 / 18 / 0 / 24

HEX #AC83ABBF

RGBA 172 131 171 0.75

HSLA 301.46, 0.2%, 0.59%, 0.75

LABA 59.84, 22.68, -15.08, 0.75

 

CMYK 0 / 20 / 1 / 29

HEX #9B7198BF

RGBA 155 113 152 0.75

HSLA 304.29, 0.17%, 0.53%, 0.75

LABA 53, 23.33, -14.62, 0.75

 

CMYK 0 / 23 / 3 / 34

HEX #8A5F85BF

RGBA 138 95 133 0.75

HSLA 306.98, 0.18%, 0.46%, 0.75

LABA 46.02, 24.05, -14.14, 0.75

 

CMYK 0 / 27 / 4 / 39

HEX #794D72BF

RGBA 121 77 114 0.75

HSLA 309.55, 0.22%, 0.39%, 0.75

LABA 38.88, 24.83, -13.6, 0.75

 

CMYK 1 / 22 / 0 / 26

HEX #BC93BD

RGB 188 147 189

HSL 298.57, 0.24%, 0.66%

LAB 65.93, 22.66, -15.89

 

CMYK 0 / 22 / 5 / 26

HEX #BD93B3

RGB 189 147 179

HSL 314.29, 0.24%, 0.66%

LAB 65.7, 21.14, -10.61

 

CMYK 0 / 22 / 11 / 26

HEX #BD93A8

RGB 189 147 168

HSL 330, 0.24%, 0.66%

LAB 65.37, 19.19, -4.93

 

CMYK 0 / 22 / 17 / 26

HEX #BD939C

RGB 189 147 156

HSL 347.14, 0.24%, 0.66%

LAB 65.03, 17.19, 1.34

 

CMYK 0 / 22 / 22 / 26

HEX #BD9393

RGB 189 147 147

HSL 0, 0.24%, 0.66%

LAB 64.8, 15.78, 6.07

 

CMYK 1 / 22 / 0 / 26

HEX #BC93BD

RGB 188 147 189

HSL 298.57, 0.24%, 0.66%

LAB 65.93, 22.66, -15.89

 

CMYK 6 / 22 / 0 / 26

HEX #B193BD

RGB 177 147 189

HSL 282.86, 0.24%, 0.66%

LAB 64.87, 18.94, -17.59

 

CMYK 12 / 22 / 0 / 26

HEX #A693BD

RGB 166 147 189

HSL 267.14, 0.24%, 0.66%

LAB 63.88, 15.27, -19.2

 

CMYK 19 / 22 / 0 / 26

HEX #9A93BD

RGB 154 147 189

HSL 250, 0.24%, 0.66%

LAB 62.85, 11.34, -20.85

 

CMYK 22 / 22 / 0 / 26

HEX #9393BD

RGB 147 147 189

HSL 240, 0.24%, 0.66%

LAB 62.29, 9.11, -21.76

 

CMYK 1 / 22 / 0 / 26

HEX #BC93BD

RGB 188 147 189

HSL 298.57, 0.24%, 0.66%

LAB 65.93, 22.66, -15.89

 

CMYK 1 / 34 / 0 / 20

HEX #C985CB

RGB 201 133 203

HSL 298.29, 0.4%, 0.66%

LAB 64.57, 37.32, -25.68

 

CMYK 1 / 45 / 0 / 15

HEX #D777D9

RGB 215 119 217

HSL 298.78, 0.56%, 0.66%

LAB 63.88, 51.5, -34.45

 

CMYK 1 / 55 / 0 / 9

HEX #E469E7

RGB 228 105 231

HSL 298.57, 0.72%, 0.66%

LAB 63.64, 64.25, -42.5

 

CMYK 2 / 63 / 0 / 4

HEX #F15BF5

RGB 241 91 245

HSL 298.44, 0.89%, 0.66%

LAB 63.98, 75.67, -49.62

 

CMYK 1 / 22 / 0 / 26

HEX #BC93BD

RGB 188 147 189

HSL 298.57, 0.24%, 0.66%

LAB 65.93, 22.66, -15.89

 

CMYK 0 / 7 / 0 / 31

HEX #AFA2AF

RGB 175 162 175

HSL 300, 0.08%, 0.66%

LAB 68.06, 7.11, -5.02

 

CMYK 9 / 0 / 9 / 31

HEX #A1B0A1

RGB 161 176 161

HSL 120, 0.09%, 0.66%

LAB 70.32, -8.11, 5.89

 

CMYK 22 / 0 / 23 / 25

HEX #94BE93

RGB 148 190 147

HSL 118.6, 0.25%, 0.66%

LAB 73.04, -22.4, 17.25

 

CMYK 34 / 0 / 35 / 20

HEX #87CC85

RGB 135 204 133

HSL 118.31, 0.41%, 0.66%

LAB 76.09, -35.78, 28.69

 

CMYK 12 / 22 / 0 / 26

HEX #A693BD

RGB 166 147 189

HSL 267.14, 0.24%, 0.66%

LAB 63.88, 15.27, -19.2

 

CMYK 6 / 22 / 0 / 26

HEX #B193BD

RGB 177 147 189

HSL 282.86, 0.24%, 0.66%

LAB 64.87, 18.94, -17.59

 

CMYK 1 / 22 / 0 / 26

HEX #BC93BD

RGB 188 147 189

HSL 298.57, 0.24%, 0.66%

LAB 65.93, 22.66, -15.89

 

CMYK 0 / 22 / 5 / 26

HEX #BD93B3

RGB 189 147 179

HSL 314.29, 0.24%, 0.66%

LAB 65.7, 21.14, -10.61

 

CMYK 0 / 22 / 11 / 26

HEX #BD93A8

RGB 189 147 168

HSL 330, 0.24%, 0.66%

LAB 65.37, 19.19, -4.93

 

CMYK 1 / 39 / 0 / 38

HEX #9C619E

RGB 156 97 158

HSL 298.03, 0.24%, 0.5%

LAB 49.6, 33.96, -23.33

 

CMYK 1 / 29 / 0 / 32

HEX #AC7AAD

RGB 172 122 173

HSL 298.82, 0.24%, 0.58%

LAB 57.76, 28.15, -19.38

 

CMYK 1 / 22 / 0 / 26

HEX #BC93BD

RGB 188 147 189

HSL 298.57, 0.24%, 0.66%

LAB 65.93, 22.66, -15.89

 

CMYK 0 / 16 / 0 / 20

HEX #CCADCD

RGB 204 173 205

HSL 298.13, 0.24%, 0.74%

LAB 74.27, 16.83, -12.04

 

CMYK 0 / 10 / 0 / 14

HEX #DCC7DC

RGB 220 199 220

HSL 300, 0.23%, 0.82%

LAB 82.5, 11.04, -7.75

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BE

RGB 189 149 190

HSL 298.54, 0.24%, 0.66%

LAB 66.54, 22.08, -15.51

 

CMYK 0 / 19 / 22 / 26

HEX #BD9A93

RGB 189 154 147

HSL 10, 0.24%, 0.66%

LAB 66.55, 11.91, 8.57

 

CMYK 22 / 0 / 10 / 26

HEX #93BDAB

RGB 147 189 171

HSL 154.29, 0.24%, 0.66%

LAB 73.25, -17.69, 4.52

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BE

RGB 189 149 190

HSL 298.54, 0.24%, 0.66%

LAB 66.54, 22.08, -15.51

 

CMYK 0 / 1 / 22 / 26

HEX #BDBC93

RGB 189 188 147

HSL 58.57, 0.24%, 0.66%

LAB 75.38, -6.42, 20.94

 

CMYK 22 / 0 / 1 / 26

HEX #93BDBC

RGB 147 189 188

HSL 178.57, 0.24%, 0.66%

LAB 73.69, -14.09, -4.08

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BE

RGB 189 149 190

HSL 298.54, 0.24%, 0.66%

LAB 66.54, 22.08, -15.51

 

CMYK 0 / 19 / 22 / 26

HEX #BD9A93

RGB 189 154 147

HSL 10, 0.24%, 0.66%

LAB 66.55, 11.91, 8.57

 

CMYK 21 / 0 / 22 / 26

HEX #95BD93

RGB 149 189 147

HSL 117.14, 0.24%, 0.66%

LAB 72.82, -21.56, 16.95

 

CMYK 22 / 4 / 0 / 26

HEX #93B6BD

RGB 147 182 189

HSL 190, 0.24%, 0.66%

LAB 71.78, -10.2, -7.46

 

CMYK 1 / 22 / 0 / 25

HEX #BD95BE

RGB 189 149 190

HSL 298.54, 0.24%, 0.66%

LAB 66.54, 22.08, -15.51

 

CMYK 0 / 12 / 22 / 26

HEX #BDA793

RGB 189 167 147

HSL 28.57, 0.24%, 0.66%

LAB 69.87, 4.79, 13.27

 

CMYK 21 / 0 / 22 / 26

HEX #95BD93

RGB 149 189 147

HSL 117.14, 0.24%, 0.66%

LAB 72.82, -21.56, 16.95

 

CMYK 22 / 10 / 0 / 26

HEX #93AABD

RGB 147 170 189

HSL 207.14, 0.24%, 0.66%

LAB 68.48, -3.74, -12.38

 

Description

Color code: RGBA 189 149 190 0.75 | qconv.com Color code: RGBA 189 149 190 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 149 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 149 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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