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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 147 185 0.75 it is the complementary color RGBA 66 108 70 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 147 185 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 147 185 0.75 shade: RGBA 194 147 180 0.75, RGBA 211 165 199 0.75, RGBA 228 183 218 0.75, RGBA 245 201 237 0.75 and RGBA 255 219 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 147 185 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 147 185 0.75 shade: RGBA 189 147 185 0.75, RGBA 172 129 166 0.75, RGBA 155 111 147 0.75, RGBA 138 93 128 0.75 and RGBA 121 75 109 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 189 147 174, RGB 189 147 163, RGB 189 147 151 and RGB 189 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 182 147 189, RGB 171 147 189, RGB 159 147 189 and RGB 148 147 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 147 185 0.75 shade matches the following richer shades: RGB 189 147 185, RGB 203 133 197, RGB 217 119 208, RGB 231 105 219 and RGB 245 91 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 175 162 174, RGB 161 176 162, RGB 147 190 151 and RGB 133 204 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 147 185 0.75 shade: RGB 170 147 189, RGB 181 147 189, RGB 189 147 186, RGB 189 147 175 and RGB 189 147 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 147 185 0.75 shade: RGB 158 97 152, RGB 173 122 169, RGB 189 147 185, RGB 205 173 202 and RGB 220 199 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 189 159 147 and RGB 147 189 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 186 189 147 and RGB 147 186 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 189 159 147, RGB 147 189 151 and RGB 147 177 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 147 185 0.75 shade: RGB 189 147 185, RGB 189 172 147, RGB 147 189 151 and RGB 147 165 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 2 / 19

HEX #BD93B9BF

RGBA 189 147 185 0.75

HSLA 305.71, 0.24%, 0.66%, 0.75

LABA 65.9, 22.25, -13.69, 0.75

 

Complementary color

CMYK 29 / 0 / 26 / 43

HEX #426C46BF

RGBA 66 108 70 0.75

HSLA 125.71, 0.24%, 0.34%, 0.75

LABA 41.73, -23.37, 16.78, 0.75

 

CMYK 0 / 18 / 5 / 18

HEX #C293B4BF

RGBA 194 147 180 0.75

HSLA 317.87, 0.28%, 0.67%, 0.75

LABA 66.24, 23.07, -10.32, 0.75

 

CMYK 0 / 16 / 4 / 13

HEX #D3A5C7BF

RGBA 211 165 199 0.75

HSLA 315.65, 0.34%, 0.74%, 0.75

LABA 72.81, 22.49, -10.87, 0.75

 

CMYK 0 / 15 / 3 / 8

HEX #E4B7DABF

RGBA 228 183 218 0.75

HSLA 313.33, 0.45%, 0.81%, 0.75

LABA 79.28, 21.95, -11.38, 0.75

 

CMYK 0 / 13 / 2 / 3

HEX #F5C9EDBF

RGBA 245 201 237 0.75

HSLA 310.91, 0.69%, 0.87%, 0.75

LABA 85.66, 21.45, -11.89, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFBF

RGBA 255 219 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.3, 18.51, -12.86, 0.75

 

CMYK 0 / 17 / 2 / 19

HEX #BD93B9BF

RGBA 189 147 185 0.75

HSLA 305.71, 0.24%, 0.66%, 0.75

LABA 65.9, 22.25, -13.69, 0.75

 

CMYK 0 / 19 / 3 / 24

HEX #AC81A6BF

RGBA 172 129 166 0.75

HSLA 308.37, 0.21%, 0.59%, 0.75

LABA 59.18, 22.86, -13.21, 0.75

 

CMYK 0 / 21 / 4 / 29

HEX #9B6F93BF

RGBA 155 111 147 0.75

HSLA 310.91, 0.18%, 0.52%, 0.75

LABA 52.34, 23.52, -12.7, 0.75

 

CMYK 0 / 24 / 5 / 34

HEX #8A5D80BF

RGBA 138 93 128 0.75

HSLA 313.33, 0.19%, 0.45%, 0.75

LABA 45.35, 24.25, -12.14, 0.75

 

CMYK 0 / 29 / 7 / 39

HEX #794B6DBF

RGBA 121 75 109 0.75

HSLA 315.65, 0.23%, 0.38%, 0.75

LABA 38.2, 25.05, -11.52, 0.75

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 22 / 8 / 26

HEX #BD93AE

RGB 189 147 174

HSL 321.43, 0.24%, 0.66%

LAB 65.55, 20.24, -8.04

 

CMYK 0 / 22 / 14 / 26

HEX #BD93A3

RGB 189 147 163

HSL 337.14, 0.24%, 0.66%

LAB 65.22, 18.34, -2.32

 

CMYK 0 / 22 / 20 / 26

HEX #BD9397

RGB 189 147 151

HSL 354.29, 0.24%, 0.66%

LAB 64.9, 16.4, 3.96

 

CMYK 0 / 22 / 22 / 26

HEX #BD9393

RGB 189 147 147

HSL 0, 0.24%, 0.66%

LAB 64.8, 15.78, 6.07

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 4 / 22 / 0 / 26

HEX #B693BD

RGB 182 147 189

HSL 290, 0.24%, 0.66%

LAB 65.35, 20.63, -16.83

 

CMYK 10 / 22 / 0 / 26

HEX #AB93BD

RGB 171 147 189

HSL 274.29, 0.24%, 0.66%

LAB 64.32, 16.93, -18.48

 

CMYK 16 / 22 / 0 / 26

HEX #9F93BD

RGB 159 147 189

HSL 257.14, 0.24%, 0.66%

LAB 63.27, 12.96, -20.17

 

CMYK 22 / 22 / 0 / 26

HEX #9493BD

RGB 148 147 189

HSL 241.43, 0.24%, 0.66%

LAB 62.37, 9.42, -21.63

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 34 / 3 / 20

HEX #CB85C5

RGB 203 133 197

HSL 305.14, 0.4%, 0.66%

LAB 64.57, 36.85, -22.3

 

CMYK 0 / 45 / 4 / 15

HEX #D977D0

RGB 217 119 208

HSL 305.51, 0.56%, 0.66%

LAB 63.75, 50.49, -29.58

 

CMYK 0 / 55 / 5 / 9

HEX #E769DB

RGB 231 105 219

HSL 305.71, 0.72%, 0.66%

LAB 63.51, 63.02, -35.98

 

CMYK 0 / 63 / 6 / 4

HEX #F55BE7

RGB 245 91 231

HSL 305.45, 0.89%, 0.66%

LAB 63.89, 74.37, -41.95

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 7 / 1 / 31

HEX #AFA2AE

RGB 175 162 174

HSL 304.62, 0.08%, 0.66%

LAB 68.03, 6.92, -4.5

NCS® S3010-R40B

CMYK 9 / 0 / 8 / 31

HEX #A1B0A2

RGB 161 176 162

HSL 124, 0.09%, 0.66%

LAB 70.34, -7.92, 5.38

NCS® S3010-R40B

CMYK 23 / 0 / 21 / 25

HEX #93BE97

RGB 147 190 151

HSL 125.58, 0.25%, 0.66%

LAB 73.07, -22.03, 15.12

NCS® S3010-R40B

CMYK 35 / 0 / 31 / 20

HEX #85CC8C

RGB 133 204 140

HSL 125.92, 0.41%, 0.66%

LAB 76.11, -35.26, 25.04

NCS® S3010-R40B

CMYK 10 / 22 / 0 / 26

HEX #AA93BD

RGB 170 147 189

HSL 272.86, 0.24%, 0.66%

LAB 64.23, 16.59, -18.62

 

CMYK 4 / 22 / 0 / 26

HEX #B593BD

RGB 181 147 189

HSL 288.57, 0.24%, 0.66%

LAB 65.25, 20.29, -16.98

 

CMYK 0 / 22 / 2 / 26

HEX #BD93BA

RGB 189 147 186

HSL 304.29, 0.24%, 0.66%

LAB 65.93, 22.44, -14.2

 

CMYK 0 / 22 / 7 / 26

HEX #BD93AF

RGB 189 147 175

HSL 320, 0.24%, 0.66%

LAB 65.58, 20.42, -8.55

 

CMYK 0 / 22 / 14 / 26

HEX #BD93A3

RGB 189 147 163

HSL 337.14, 0.24%, 0.66%

LAB 65.22, 18.34, -2.32

 

CMYK 0 / 39 / 4 / 38

HEX #9E6198

RGB 158 97 152

HSL 305.9, 0.24%, 0.5%

LAB 49.6, 33.46, -19.77

 

CMYK 0 / 29 / 2 / 32

HEX #AD7AA9

RGB 173 122 169

HSL 304.71, 0.24%, 0.58%

LAB 57.72, 27.72, -17.13

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 16 / 1 / 20

HEX #CDADCA

RGB 205 173 202

HSL 305.63, 0.24%, 0.74%

LAB 74.27, 16.61, -10.39

 

CMYK 0 / 10 / 1 / 14

HEX #DCC7DA

RGB 220 199 218

HSL 305.71, 0.23%, 0.82%

LAB 82.45, 10.68, -6.76

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 16 / 22 / 26

HEX #BD9F93

RGB 189 159 147

HSL 17.14, 0.24%, 0.66%

LAB 67.81, 9.16, 10.37

 

CMYK 22 / 0 / 7 / 26

HEX #93BDB0

RGB 147 189 176

HSL 161.43, 0.24%, 0.66%

LAB 73.37, -16.67, 1.99

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 2 / 0 / 22 / 26

HEX #BABD93

RGB 186 189 147

HSL 64.29, 0.24%, 0.66%

LAB 75.41, -8.08, 20.94

 

CMYK 22 / 2 / 0 / 26

HEX #93BABD

RGB 147 186 189

HSL 184.29, 0.24%, 0.66%

LAB 72.89, -12.3, -5.82

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 16 / 22 / 26

HEX #BD9F93

RGB 189 159 147

HSL 17.14, 0.24%, 0.66%

LAB 67.81, 9.16, 10.37

 

CMYK 22 / 0 / 20 / 26

HEX #93BD97

RGB 147 189 151

HSL 125.71, 0.24%, 0.66%

LAB 72.78, -21.53, 14.72

 

CMYK 22 / 6 / 0 / 26

HEX #93B1BD

RGB 147 177 189

HSL 197.14, 0.24%, 0.66%

LAB 70.4, -7.53, -9.51

 

CMYK 0 / 22 / 2 / 26

HEX #BD93B9

RGB 189 147 185

HSL 305.71, 0.24%, 0.66%

LAB 65.9, 22.25, -13.69

 

CMYK 0 / 9 / 22 / 26

HEX #BDAC93

RGB 189 172 147

HSL 35.71, 0.24%, 0.66%

LAB 71.17, 2.09, 15.09

 

CMYK 22 / 0 / 20 / 26

HEX #93BD97

RGB 147 189 151

HSL 125.71, 0.24%, 0.66%

LAB 72.78, -21.53, 14.72

 

CMYK 22 / 13 / 0 / 26

HEX #93A5BD

RGB 147 165 189

HSL 214.29, 0.24%, 0.66%

LAB 67.12, -1, -14.43

 

Description

Color code: RGBA 189 147 185 0.75 | qconv.com Color code: RGBA 189 147 185 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 147 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 147 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 2 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 2% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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