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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 189 124 160 0.75 it is the complementary color RGBA 66 131 95 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 189 124 160 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 189 124 160 0.75 shade: RGBA 194 124 155 0.75, RGBA 211 142 174 0.75, RGBA 228 160 193 0.75, RGBA 245 178 212 0.75 and RGBA 255 196 231 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 189 124 160 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 189 124 160 0.75 shade: RGBA 189 124 160 0.75, RGBA 172 106 141 0.75, RGBA 155 88 122 0.75, RGBA 138 70 103 0.75 and RGBA 121 52 84 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 189 124 160 0.75 shade: RGB 188 123 159, RGB 188 123 141, RGB 188 123 124 and RGB 188 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 189 124 160 0.75 shade: RGB 188 123 159, RGB 188 123 177, RGB 182 123 188, RGB 165 123 188 and RGB 147 123 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 189 124 160 0.75 shade matches the following richer shades: RGB 188 123 159, RGB 204 107 161, RGB 221 91 163, RGB 237 74 164 and RGB 253 58 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 189 124 160 0.75 shade: RGB 188 123 159, RGB 172 139 157, RGB 156 155 156, RGB 140 171 154 and RGB 124 187 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 189 124 160 0.75 shade: RGB 182 123 188, RGB 188 123 177, RGB 188 123 160, RGB 188 123 142 and RGB 188 123 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 189 124 160 0.75 shade: RGB 152 77 118, RGB 175 95 139, RGB 188 123 159, RGB 202 150 179 and RGB 216 178 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 189 124 160 0.75 shade: RGB 189 124 160, RGB 188 164 123 and RGB 123 186 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 189 124 160 0.75 shade: RGB 189 124 160, RGB 160 188 123 and RGB 123 160 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 189 124 160 0.75 shade: RGB 189 124 160, RGB 188 164 123, RGB 123 188 151 and RGB 123 147 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 189 124 160 0.75 shade: RGB 189 124 160, RGB 188 184 123, RGB 123 188 151 and RGB 123 127 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 12 / 19

HEX #BD7CA0BF

RGBA 189 124 160 0.75

HSLA 326.77, 0.33%, 0.61%, 0.75

LABA 59.68, 30.59, -8.82, 0.75

 

Complementary color

CMYK 37 / 0 / 21 / 36

HEX #42835FBF

RGBA 66 131 95 0.75

HSLA 146.77, 0.33%, 0.39%, 0.75

LABA 49.76, -29.66, 13.19, 0.75

 

CMYK 0 / 27 / 15 / 18

HEX #C27C9BBF

RGBA 194 124 155 0.75

HSLA 333.43, 0.36%, 0.62%, 0.75

LABA 60.12, 31.57, -5.25, 0.75

 

CMYK 0 / 25 / 13 / 13

HEX #D38EAEBF

RGBA 211 142 174 0.75

HSLA 332.17, 0.44%, 0.69%, 0.75

LABA 66.71, 30.79, -6.05, 0.75

 

CMYK 0 / 22 / 12 / 8

HEX #E4A0C1BF

RGBA 228 160 193 0.75

HSLA 330.88, 0.56%, 0.76%, 0.75

LABA 73.21, 30.08, -6.79, 0.75

 

CMYK 0 / 21 / 10 / 3

HEX #F5B2D4BF

RGBA 245 178 212 0.75

HSLA 329.55, 0.77%, 0.83%, 0.75

LABA 79.62, 29.41, -7.47, 0.75

 

CMYK 0 / 17 / 7 / 0

HEX #FFC4E7BF

RGBA 255 196 231 0.75

HSLA 324.41, 1%, 0.88%, 0.75

LABA 85.26, 26.42, -9.19, 0.75

 

CMYK 0 / 26 / 12 / 19

HEX #BD7CA0BF

RGBA 189 124 160 0.75

HSLA 326.77, 0.33%, 0.61%, 0.75

LABA 59.68, 30.59, -8.82, 0.75

 

CMYK 0 / 29 / 14 / 24

HEX #AC6A8DBF

RGBA 172 106 141 0.75

HSLA 328.18, 0.28%, 0.55%, 0.75

LABA 52.95, 31.38, -8.05, 0.75

 

CMYK 0 / 32 / 16 / 29

HEX #9B587ABF

RGBA 155 88 122 0.75

HSLA 329.55, 0.28%, 0.48%, 0.75

LABA 46.11, 32.22, -7.15, 0.75

 

CMYK 0 / 37 / 19 / 34

HEX #8A4667BF

RGBA 138 70 103 0.75

HSLA 330.88, 0.33%, 0.41%, 0.75

LABA 39.18, 33.08, -6.08, 0.75

 

CMYK 0 / 43 / 23 / 39

HEX #793454BF

RGBA 121 52 84 0.75

HSLA 332.17, 0.4%, 0.34%, 0.75

LABA 32.17, 33.89, -4.73, 0.75

 

CMYK 0 / 35 / 15 / 26

HEX #BC7B9F

RGB 188 123 159

HSL 326.77, 0.33%, 0.61%

LAB 59.31, 30.62, -8.82

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 35 / 34 / 26

HEX #BC7B7C

RGB 188 123 124

HSL 359.08, 0.33%, 0.61%

LAB 58.33, 25.47, 9.94

 

CMYK 0 / 35 / 35 / 26

HEX #BC7B7B

RGB 188 123 123

HSL 0, 0.33%, 0.61%

LAB 58.31, 25.34, 10.48

 

CMYK 0 / 35 / 15 / 26

HEX #BC7B9F

RGB 188 123 159

HSL 326.77, 0.33%, 0.61%

LAB 59.31, 30.62, -8.82

 

CMYK 0 / 35 / 6 / 26

HEX #BC7BB1

RGB 188 123 177

HSL 310.15, 0.33%, 0.61%

LAB 59.92, 33.72, -18.22

 

CMYK 3 / 35 / 0 / 26

HEX #B67BBC

RGB 182 123 188

HSL 294.46, 0.33%, 0.61%

LAB 59.65, 33.82, -24.95

 

CMYK 12 / 35 / 0 / 26

HEX #A57BBC

RGB 165 123 188

HSL 278.77, 0.33%, 0.61%

LAB 57.84, 28.37, -27.89

 

CMYK 22 / 35 / 0 / 26

HEX #937BBC

RGB 147 123 188

HSL 262.15, 0.33%, 0.61%

LAB 56.09, 22.73, -30.75

 

CMYK 0 / 35 / 15 / 26

HEX #BC7B9F

RGB 188 123 159

HSL 326.77, 0.33%, 0.61%

LAB 59.31, 30.62, -8.82

 

CMYK 0 / 48 / 21 / 20

HEX #CC6BA1

RGB 204 107 161

HSL 326.6, 0.49%, 0.61%

LAB 57.97, 44.92, -11.78

 

CMYK 0 / 59 / 26 / 13

HEX #DD5BA3

RGB 221 91 163

HSL 326.77, 0.66%, 0.61%

LAB 57.56, 58.17, -13.31

 

CMYK 0 / 69 / 31 / 7

HEX #ED4AA4

RGB 237 74 164

HSL 326.87, 0.82%, 0.61%

LAB 57.64, 69.6, -13.52

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA6

RGB 253 58 166

HSL 326.77, 0.98%, 0.61%

LAB 58.66, 78.85, -12.88

 

CMYK 0 / 35 / 15 / 26

HEX #BC7B9F

RGB 188 123 159

HSL 326.77, 0.33%, 0.61%

LAB 59.31, 30.62, -8.82

 

CMYK 0 / 19 / 9 / 33

HEX #AC8B9D

RGB 172 139 157

HSL 327.27, 0.17%, 0.61%

LAB 61.37, 15.55, -4.8

 

CMYK 0 / 1 / 0 / 39

HEX #9C9B9C

RGB 156 155 156

HSL 300, 0.01%, 0.61%

LAB 64.09, 0.56, -0.4

 

CMYK 18 / 0 / 10 / 33

HEX #8CAB9A

RGB 140 171 154

HSL 147.1, 0.16%, 0.61%

LAB 67.3, -14.11, 5.23

 

CMYK 34 / 0 / 19 / 27

HEX #7CBB98

RGB 124 187 152

HSL 146.67, 0.32%, 0.61%

LAB 70.93, -27.79, 11.39

 

CMYK 3 / 35 / 0 / 26

HEX #B67BBC

RGB 182 123 188

HSL 294.46, 0.33%, 0.61%

LAB 59.65, 33.82, -24.95

 

CMYK 0 / 35 / 6 / 26

HEX #BC7BB1

RGB 188 123 177

HSL 310.15, 0.33%, 0.61%

LAB 59.92, 33.72, -18.22

 

CMYK 0 / 35 / 15 / 26

HEX #BC7BA0

RGB 188 123 160

HSL 325.85, 0.33%, 0.61%

LAB 59.34, 30.78, -9.35

 

CMYK 0 / 35 / 24 / 26

HEX #BC7B8E

RGB 188 123 142

HSL 342.46, 0.33%, 0.61%

LAB 58.8, 27.96, 0.22

 

CMYK 0 / 35 / 34 / 26

HEX #BC7B7D

RGB 188 123 125

HSL 358.15, 0.33%, 0.61%

LAB 58.36, 25.6, 9.39

 

CMYK 0 / 49 / 22 / 40

HEX #984D76

RGB 152 77 118

HSL 327.2, 0.33%, 0.45%

LAB 43.2, 36.53, -9.12

 

CMYK 0 / 46 / 21 / 31

HEX #AF5F8B

RGB 175 95 139

HSL 327, 0.33%, 0.53%

LAB 50.88, 38.1, -9.93

 

CMYK 0 / 35 / 15 / 26

HEX #BC7B9F

RGB 188 123 159

HSL 326.77, 0.33%, 0.61%

LAB 59.31, 30.62, -8.82

 

CMYK 0 / 26 / 11 / 21

HEX #CA96B3

RGB 202 150 179

HSL 326.54, 0.33%, 0.69%

LAB 67.74, 24.06, -7.43

 

CMYK 0 / 18 / 8 / 15

HEX #D8B2C7

RGB 216 178 199

HSL 326.84, 0.33%, 0.77%

LAB 76.41, 17.18, -5.47

 

CMYK 0 / 34 / 15 / 26

HEX #BD7CA0

RGB 189 124 160

HSL 326.77, 0.33%, 0.61%

LAB 59.68, 30.59, -8.82

 

CMYK 0 / 13 / 35 / 26

HEX #BCA47B

RGB 188 164 123

HSL 37.85, 0.33%, 0.61%

LAB 68.51, 2.73, 24.53

 

CMYK 35 / 1 / 0 / 26

HEX #7BBABC

RGB 123 186 188

HSL 181.85, 0.33%, 0.61%

LAB 71.53, -19.56, -7.43

 

CMYK 0 / 34 / 15 / 26

HEX #BD7CA0

RGB 189 124 160

HSL 326.77, 0.33%, 0.61%

LAB 59.68, 30.59, -8.82

 

CMYK 15 / 0 / 35 / 26

HEX #A0BC7B

RGB 160 188 123

HSL 85.85, 0.33%, 0.61%

LAB 72.81, -20.84, 29.84

 

CMYK 35 / 15 / 0 / 26

HEX #7BA0BC

RGB 123 160 188

HSL 205.85, 0.33%, 0.61%

LAB 64.15, -5.73, -18.52

 

CMYK 0 / 34 / 15 / 26

HEX #BD7CA0

RGB 189 124 160

HSL 326.77, 0.33%, 0.61%

LAB 59.68, 30.59, -8.82

 

CMYK 0 / 13 / 35 / 26

HEX #BCA47B

RGB 188 164 123

HSL 37.85, 0.33%, 0.61%

LAB 68.51, 2.73, 24.53

 

CMYK 35 / 0 / 20 / 26

HEX #7BBC97

RGB 123 188 151

HSL 145.85, 0.33%, 0.61%

LAB 71.15, -28.78, 12.24

 

CMYK 35 / 22 / 0 / 26

HEX #7B93BC

RGB 123 147 188

HSL 217.85, 0.33%, 0.61%

LAB 60.52, 1.57, -24.05

 

CMYK 0 / 34 / 15 / 26

HEX #BD7CA0

RGB 189 124 160

HSL 326.77, 0.33%, 0.61%

LAB 59.68, 30.59, -8.82

 

CMYK 0 / 2 / 35 / 26

HEX #BCB87B

RGB 188 184 123

HSL 56.31, 0.33%, 0.61%

LAB 73.81, -7.91, 31.54

 

CMYK 35 / 0 / 20 / 26

HEX #7BBC97

RGB 123 188 151

HSL 145.85, 0.33%, 0.61%

LAB 71.15, -28.78, 12.24

 

CMYK 35 / 32 / 0 / 26

HEX #7B7FBC

RGB 123 127 188

HSL 236.31, 0.33%, 0.61%

LAB 55.09, 13.21, -32.45

 

Description

Color code: RGBA 189 124 160 0.75 | qconv.com Color code: RGBA 189 124 160 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 124 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 124 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 12 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 12% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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