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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 188 219 92 0.75 it is the complementary color RGBA 67 36 163 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 188 219 92 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 188 219 92 0.75 shade: RGBA 193 219 87 0.75, RGBA 210 237 106 0.75, RGBA 227 255 125 0.75, RGBA 244 255 144 0.75 and RGBA 255 255 163 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 188 219 92 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 188 219 92 0.75 shade: RGBA 188 219 92 0.75, RGBA 171 201 73 0.75, RGBA 154 183 54 0.75, RGBA 137 165 35 0.75 and RGBA 120 147 16 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 219 216 92, RGB 219 182 92, RGB 219 147 92 and RGB 219 113 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 154 219 92, RGB 119 219 92, RGB 92 219 99 and RGB 92 219 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 188 219 92 0.75 shade matches the following richer shades: RGB 188 219 92, RGB 196 235 76 and RGB 205 251 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 180 203 108, RGB 172 187 124, RGB 163 171 140 and RGB 155 155 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 188 219 92 0.75 shade: RGB 219 181 92, RGB 219 215 92, RGB 189 219 92, RGB 156 219 92 and RGB 122 219 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 188 219 92 0.75 shade: RGB 152 187 41, RGB 174 212 58, RGB 188 219 92, RGB 202 227 126 and RGB 216 234 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 92 219 147 and RGB 198 92 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 92 189 219 and RGB 219 92 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 92 219 147, RGB 122 92 219 and RGB 219 92 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 188 219 92 0.75 shade: RGB 188 219 92, RGB 92 219 185, RGB 122 92 219 and RGB 219 92 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 43 / 11

HEX #BCDB5CBF

RGBA 188 219 92 0.75

HSLA 74.65, 0.64%, 0.61%, 0.75

LABA 82.98, -28.46, 57.76, 0.75

 

Complementary color

CMYK 44 / 58 / 0 / 27

HEX #4324A3BF

RGBA 67 36 163 0.75

HSLA 254.65, 0.64%, 0.39%, 0.75

LABA 27.02, 47.09, -63.01, 0.75

 

CMYK 9 / 0 / 45 / 11

HEX #C1DB57BF

RGBA 193 219 87 0.75

HSLA 71.82, 0.65%, 0.6%, 0.75

LABA 83.28, -26.88, 60.33, 0.75

 

CMYK 9 / 0 / 41 / 5

HEX #D2ED6ABF

RGBA 210 237 106 0.75

HSLA 72.37, 0.78%, 0.67%, 0.75

LABA 89.54, -27.27, 59.43, 0.75

 

CMYK 8 / 0 / 38 / 0

HEX #E3FF7DBF

RGBA 227 255 125 0.75

HSLA 72.92, 1%, 0.75%, 0.75

LABA 95.72, -27.57, 58.42, 0.75

 

CMYK 3 / 0 / 33 / 0

HEX #F4FF90BF

RGBA 244 255 144 0.75

HSLA 65.95, 1%, 0.78%, 0.75

LABA 97.13, -19.32, 51.61, 0.75

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFA3BF

RGBA 255 255 163 0.75

HSLA 60, 1%, 0.82%, 0.75

LABA 98.2, -13.17, 43.99, 0.75

 

CMYK 11 / 0 / 43 / 11

HEX #BCDB5CBF

RGBA 188 219 92 0.75

HSLA 74.65, 0.64%, 0.61%, 0.75

LABA 82.98, -28.46, 57.76, 0.75

 

CMYK 11 / 0 / 48 / 16

HEX #ABC949BF

RGBA 171 201 73 0.75

HSLA 74.06, 0.54%, 0.54%, 0.75

LABA 76.63, -28.07, 58.56, 0.75

 

CMYK 12 / 0 / 53 / 21

HEX #9AB736BF

RGBA 154 183 54 0.75

HSLA 73.49, 0.54%, 0.46%, 0.75

LABA 70.18, -27.56, 59.03, 0.75

 

CMYK 13 / 0 / 59 / 26

HEX #89A523BF

RGBA 137 165 35 0.75

HSLA 72.92, 0.65%, 0.39%, 0.75

LABA 63.63, -26.88, 58.87, 0.75

 

CMYK 14 / 0 / 67 / 32

HEX #789310BF

RGBA 120 147 16 0.75

HSLA 72.37, 0.8%, 0.32%, 0.75

LABA 56.98, -25.97, 57.54, 0.75

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 0 / 1 / 58 / 14

HEX #DBD85C

RGB 219 216 92

HSL 58.58, 0.64%, 0.61%

LAB 84.46, -14.58, 60.03

 

CMYK 0 / 17 / 58 / 14

HEX #DBB65C

RGB 219 182 92

HSL 42.52, 0.64%, 0.61%

LAB 75.63, 2.86, 50.05

 

CMYK 0 / 33 / 58 / 14

HEX #DB935C

RGB 219 147 92

HSL 25.98, 0.64%, 0.61%

LAB 67.05, 21.58, 39.86

 

CMYK 0 / 48 / 58 / 14

HEX #DB715C

RGB 219 113 92

HSL 9.92, 0.64%, 0.61%

LAB 59.56, 39.54, 30.54

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 30 / 0 / 58 / 14

HEX #9ADB5C

RGB 154 219 92

HSL 90.71, 0.64%, 0.61%

LAB 80.91, -41.18, 54.85

 

CMYK 46 / 0 / 58 / 14

HEX #77DB5C

RGB 119 219 92

HSL 107.24, 0.64%, 0.61%

LAB 79.25, -52.61, 52.51

 

CMYK 58 / 0 / 55 / 14

HEX #5CDB63

RGB 92 219 99

HSL 123.31, 0.64%, 0.61%

LAB 78.37, -58.93, 48.06

 

CMYK 58 / 0 / 39 / 14

HEX #5CDB85

RGB 92 219 133

HSL 139.37, 0.64%, 0.61%

LAB 78.83, -53.88, 32

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 17 / 0 / 68 / 8

HEX #C4EB4C

RGB 196 235 76

HSL 74.72, 0.8%, 0.61%

LAB 87.81, -33.92, 69.55

 

CMYK 18 / 0 / 76 / 2

HEX #CDFB3C

RGB 205 251 60

HSL 74.45, 0.96%, 0.61%

LAB 92.71, -38.48, 79.79

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 11 / 0 / 47 / 20

HEX #B4CB6C

RGB 180 203 108

HSL 74.53, 0.48%, 0.61%

LAB 78.17, -22.4, 44.55

 

CMYK 8 / 0 / 34 / 27

HEX #ACBB7C

RGB 172 187 124

HSL 74.29, 0.32%, 0.61%

LAB 73.39, -15.62, 30.24

 

CMYK 5 / 0 / 18 / 33

HEX #A3AB8C

RGB 163 171 140

HSL 75.48, 0.16%, 0.61%

LAB 68.61, -8.37, 15.04

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 0 / 17 / 58 / 14

HEX #DBB55C

RGB 219 181 92

HSL 42.05, 0.64%, 0.61%

LAB 75.38, 3.39, 49.75

 

CMYK 0 / 2 / 58 / 14

HEX #DBD75C

RGB 219 215 92

HSL 58.11, 0.64%, 0.61%

LAB 84.19, -14.08, 59.74

 

CMYK 14 / 0 / 58 / 14

HEX #BDDB5C

RGB 189 219 92

HSL 74.17, 0.64%, 0.61%

LAB 83.05, -28.07, 57.85

 

CMYK 29 / 0 / 58 / 14

HEX #9CDB5C

RGB 156 219 92

HSL 89.76, 0.64%, 0.61%

LAB 81.02, -40.47, 55.01

 

CMYK 44 / 0 / 58 / 14

HEX #7ADB5C

RGB 122 219 92

HSL 105.83, 0.64%, 0.61%

LAB 79.37, -51.71, 52.69

 

CMYK 19 / 0 / 78 / 27

HEX #98BB29

RGB 152 187 41

HSL 74.38, 0.64%, 0.45%

LAB 71.13, -30.94, 64.29

 

CMYK 18 / 0 / 73 / 17

HEX #AED43A

RGB 174 212 58

HSL 74.81, 0.64%, 0.53%

LAB 79.84, -32.97, 67.55

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 11 / 0 / 44 / 11

HEX #CAE37E

RGB 202 227 126

HSL 74.85, 0.64%, 0.69%

LAB 86.5, -23.68, 46.41

 

CMYK 8 / 0 / 32 / 8

HEX #D8EAA0

RGB 216 234 160

HSL 74.59, 0.64%, 0.77%

LAB 89.85, -17.81, 34.03

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 58 / 0 / 33 / 14

HEX #5CDB93

RGB 92 219 147

HSL 145.98, 0.64%, 0.61%

LAB 79.07, -51.35, 25.12

 

CMYK 10 / 58 / 0 / 14

HEX #C65CDB

RGB 198 92 219

HSL 290.08, 0.64%, 0.61%

LAB 56.86, 60.36, -46.75

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 58 / 14 / 0 / 14

HEX #5CBDDB

RGB 92 189 219

HSL 194.17, 0.64%, 0.61%

LAB 72.08, -19.94, -23.66

 

CMYK 0 / 58 / 14 / 14

HEX #DB5CBD

RGB 219 92 189

HSL 314.17, 0.64%, 0.61%

LAB 58.4, 60.81, -27.05

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 58 / 0 / 33 / 14

HEX #5CDB93

RGB 92 219 147

HSL 145.98, 0.64%, 0.61%

LAB 79.07, -51.35, 25.12

 

CMYK 44 / 58 / 0 / 14

HEX #7A5CDB

RGB 122 92 219

HSL 254.17, 0.64%, 0.61%

LAB 48.14, 42.34, -61.18

 

CMYK 0 / 58 / 25 / 14

HEX #DB5CA4

RGB 219 92 164

HSL 325.98, 0.64%, 0.61%

LAB 57.46, 57.26, -14.07

 

CMYK 14 / 0 / 58 / 14

HEX #BCDB5C

RGB 188 219 92

HSL 74.65, 0.64%, 0.61%

LAB 82.98, -28.46, 57.76

 

CMYK 58 / 0 / 16 / 14

HEX #5CDBB9

RGB 92 219 185

HSL 163.94, 0.64%, 0.61%

LAB 79.86, -43.25, 6.23

 

CMYK 44 / 58 / 0 / 14

HEX #7A5CDB

RGB 122 92 219

HSL 254.17, 0.64%, 0.61%

LAB 48.14, 42.34, -61.18

 

CMYK 0 / 58 / 42 / 14

HEX #DB5C7E

RGB 219 92 126

HSL 343.94, 0.64%, 0.61%

LAB 56.31, 52.77, 6.47

 

Description

Color code: RGBA 188 219 92 0.75 | qconv.com Color code: RGBA 188 219 92 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 219 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 219 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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