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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 187 113 253 0.75 it is the complementary color RGBA 68 142 2 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 187 113 253 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 187 113 253 0.75 shade: RGBA 192 113 248 0.75, RGBA 209 131 255 0.75, RGBA 226 149 255 0.75, RGBA 243 167 255 0.75 and RGBA 255 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 187 113 253 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 187 113 253 0.75 shade: RGBA 187 113 253 0.75, RGBA 170 95 234 0.75, RGBA 153 77 215 0.75, RGBA 136 59 196 0.75 and RGBA 119 41 177 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 187 113 253 0.75 shade: RGB 188 114 253, RGB 225 114 253, RGB 253 114 243, RGB 253 114 206 and RGB 253 114 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 187 113 253 0.75 shade: RGB 188 114 253, RGB 150 114 253 and RGB 114 114 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 187 113 253 0.75 shade matches the following richer shades: RGB 188 114 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 187 113 253 0.75 shade: RGB 188 114 253, RGB 187 126 241, RGB 186 137 230, RGB 186 149 218 and RGB 185 161 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 187 113 253 0.75 shade: RGB 114 117 253, RGB 149 114 253, RGB 186 114 253, RGB 223 114 253 and RGB 253 114 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 187 113 253 0.75 shade: RGB 149 33 252, RGB 168 74 252, RGB 188 114 253, RGB 207 155 253 and RGB 227 196 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 187 113 253 0.75 shade: RGB 187 113 253, RGB 253 114 154 and RGB 114 253 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 187 113 253 0.75 shade: RGB 187 113 253, RGB 253 186 114 and RGB 114 253 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 187 113 253 0.75 shade: RGB 187 113 253, RGB 253 114 154, RGB 181 253 114 and RGB 114 253 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 187 113 253 0.75 shade: RGB 187 113 253, RGB 253 117 114, RGB 181 253 114 and RGB 114 251 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 42 / 0 / 1

HEX #BB71FDBF

RGBA 187 113 253 0.75

HSLA 271.71, 0.97%, 0.72%, 0.75

LABA 61.19, 54.44, -58.88, 0.75

 

Complementary color

CMYK 39 / 0 / 74 / 33

HEX #448E02BF

RGBA 68 142 2 0.75

HSLA 91.71, 0.97%, 0.28%, 0.75

LABA 52.49, -43.89, 55.14, 0.75

 

CMYK 17 / 41 / 0 / 2

HEX #C071F8BF

RGBA 192 113 248 0.75

HSLA 275.11, 0.91%, 0.71%, 0.75

LABA 61.48, 54.55, -55.64, 0.75

 

CMYK 14 / 36 / 0 / 0

HEX #D183FFBF

RGBA 209 131 255 0.75

HSLA 277.74, 1%, 0.76%, 0.75

LABA 67.28, 51.16, -50.16, 0.75

 

CMYK 9 / 31 / 0 / 0

HEX #E295FFBF

RGBA 226 149 255 0.75

HSLA 283.58, 1%, 0.79%, 0.75

LABA 72.82, 46.48, -41.34, 0.75

 

CMYK 4 / 26 / 0 / 0

HEX #F3A7FFBF

RGBA 243 167 255 0.75

HSLA 291.82, 1%, 0.83%, 0.75

LABA 78.41, 42.06, -32.52, 0.75

 

CMYK 0 / 21 / 0 / 0

HEX #FFB9FFBF

RGBA 255 185 255 0.75

HSLA 300, 1%, 0.86%, 0.75

LABA 83.54, 36.35, -24.57, 0.75

 

CMYK 20 / 42 / 0 / 1

HEX #BB71FDBF

RGBA 187 113 253 0.75

HSLA 271.71, 0.97%, 0.72%, 0.75

LABA 61.19, 54.44, -58.88, 0.75

 

CMYK 21 / 45 / 0 / 6

HEX #AA5FEABF

RGBA 170 95 234 0.75

HSLA 272.37, 0.77%, 0.65%, 0.75

LABA 54.73, 55.27, -58.78, 0.75

 

CMYK 22 / 48 / 0 / 12

HEX #994DD7BF

RGBA 153 77 215 0.75

HSLA 273.04, 0.63%, 0.57%, 0.75

LABA 48.24, 56.01, -58.57, 0.75

 

CMYK 23 / 52 / 0 / 17

HEX #883BC4BF

RGBA 136 59 196 0.75

HSLA 273.72, 0.54%, 0.5%, 0.75

LABA 41.76, 56.52, -58.19, 0.75

 

CMYK 25 / 58 / 0 / 23

HEX #7729B1BF

RGBA 119 41 177 0.75

HSLA 274.41, 0.62%, 0.43%, 0.75

LABA 35.36, 56.6, -57.5, 0.75

 

CMYK 26 / 55 / 0 / 1

HEX #BC72FD

RGB 188 114 253

HSL 271.94, 0.97%, 0.72%

LAB 61.5, 54.17, -58.39

 

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

CMYK 0 / 55 / 4 / 1

HEX #FD72F3

RGB 253 114 243

HSL 304.32, 0.97%, 0.72%

LAB 69.03, 68.75, -40.46

 

CMYK 0 / 55 / 19 / 1

HEX #FD72CE

RGB 253 114 206

HSL 320.29, 0.97%, 0.72%

LAB 67.56, 63.13, -22.21

 

CMYK 0 / 55 / 33 / 1

HEX #FD72A9

RGB 253 114 169

HSL 336.26, 0.97%, 0.72%

LAB 66.35, 58.34, -3.15

 

CMYK 26 / 55 / 0 / 1

HEX #BC72FD

RGB 188 114 253

HSL 271.94, 0.97%, 0.72%

LAB 61.5, 54.17, -58.39

 

CMYK 41 / 55 / 0 / 1

HEX #9672FD

RGB 150 114 253

HSL 255.54, 0.97%, 0.72%

LAB 57.67, 45.32, -64.74

 

CMYK 55 / 55 / 0 / 1

HEX #7272FD

RGB 114 114 253

HSL 240, 0.97%, 0.72%

LAB 54.77, 37.98, -69.56

 

CMYK 26 / 55 / 0 / 1

HEX #BC72FD

RGB 188 114 253

HSL 271.94, 0.97%, 0.72%

LAB 61.5, 54.17, -58.39

 

CMYK 26 / 55 / 0 / 1

HEX #BC72FD

RGB 188 114 253

HSL 271.94, 0.97%, 0.72%

LAB 61.5, 54.17, -58.39

 

CMYK 22 / 48 / 0 / 5

HEX #BB7EF1

RGB 187 126 241

HSL 271.83, 0.8%, 0.72%

LAB 63.21, 44.88, -49.06

 

CMYK 19 / 40 / 0 / 10

HEX #BA89E6

RGB 186 137 230

HSL 271.61, 0.65%, 0.72%

LAB 65, 36.13, -40.17

 

CMYK 15 / 32 / 0 / 15

HEX #BA95DA

RGB 186 149 218

HSL 272.17, 0.48%, 0.72%

LAB 67.27, 26.83, -29.99

 

CMYK 11 / 22 / 0 / 19

HEX #B9A1CF

RGB 185 161 207

HSL 271.3, 0.32%, 0.72%

LAB 69.69, 17.48, -20.22

 

CMYK 55 / 54 / 0 / 1

HEX #7275FD

RGB 114 117 253

HSL 238.71, 0.97%, 0.72%

LAB 55.47, 36.21, -68.42

 

CMYK 41 / 55 / 0 / 1

HEX #9572FD

RGB 149 114 253

HSL 255.11, 0.97%, 0.72%

LAB 57.57, 45.1, -64.89

 

CMYK 26 / 55 / 0 / 1

HEX #BA72FD

RGB 186 114 253

HSL 271.08, 0.97%, 0.72%

LAB 61.28, 53.69, -58.75

 

CMYK 12 / 55 / 0 / 1

HEX #DF72FD

RGB 223 114 253

HSL 287.05, 0.97%, 0.72%

LAB 65.6, 62.83, -51.61

 

CMYK 0 / 55 / 3 / 1

HEX #FD72F6

RGB 253 114 246

HSL 303.02, 0.97%, 0.72%

LAB 69.16, 69.24, -41.9

 

CMYK 41 / 87 / 0 / 1

HEX #9521FC

RGB 149 33 252

HSL 271.78, 0.97%, 0.56%

LAB 44.95, 79.63, -84.87

 

CMYK 33 / 71 / 0 / 1

HEX #A84AFC

RGB 168 74 252

HSL 271.69, 0.97%, 0.64%

LAB 52.12, 68.71, -73.06

 

CMYK 26 / 55 / 0 / 1

HEX #BC72FD

RGB 188 114 253

HSL 271.94, 0.97%, 0.72%

LAB 61.5, 54.17, -58.39

 

CMYK 18 / 39 / 0 / 1

HEX #CF9BFD

RGB 207 155 253

HSL 271.84, 0.96%, 0.8%

LAB 72.09, 37.4, -41.53

 

CMYK 11 / 23 / 0 / 0

HEX #E3C4FE

RGB 227 196 254

HSL 272.07, 0.97%, 0.88%

LAB 83.42, 21.49, -24.44

 

CMYK 26 / 55 / 0 / 1

HEX #BB71FD

RGB 187 113 253

HSL 271.71, 0.97%, 0.72%

LAB 61.19, 54.44, -58.88

 

CMYK 0 / 55 / 39 / 1

HEX #FD729A

RGB 253 114 154

HSL 342.73, 0.97%, 0.72%

LAB 65.94, 56.67, 4.78

 

CMYK 55 / 0 / 48 / 1

HEX #72FD83

RGB 114 253 131

HSL 127.34, 0.97%, 0.72%

LAB 89.61, -62.2, 46.93

 

CMYK 26 / 55 / 0 / 1

HEX #BB71FD

RGB 187 113 253

HSL 271.71, 0.97%, 0.72%

LAB 61.19, 54.44, -58.88

 

CMYK 0 / 26 / 55 / 1

HEX #FDBA72

RGB 253 186 114

HSL 31.08, 0.97%, 0.72%

LAB 80.3, 16.44, 45.66

 

CMYK 55 / 0 / 26 / 1

HEX #72FDBA

RGB 114 253 186

HSL 151.08, 0.97%, 0.72%

LAB 90.49, -52.91, 20.83

 

CMYK 26 / 55 / 0 / 1

HEX #BB71FD

RGB 187 113 253

HSL 271.71, 0.97%, 0.72%

LAB 61.19, 54.44, -58.88

 

CMYK 0 / 55 / 39 / 1

HEX #FD729A

RGB 253 114 154

HSL 342.73, 0.97%, 0.72%

LAB 65.94, 56.67, 4.78

 

CMYK 28 / 0 / 55 / 1

HEX #B5FD72

RGB 181 253 114

HSL 91.08, 0.97%, 0.72%

LAB 92.26, -44.45, 58.58

 

CMYK 55 / 0 / 15 / 1

HEX #72FDD6

RGB 114 253 214

HSL 163.17, 0.97%, 0.72%

LAB 91.09, -46.97, 7.27

 

CMYK 26 / 55 / 0 / 1

HEX #BB71FD

RGB 187 113 253

HSL 271.71, 0.97%, 0.72%

LAB 61.19, 54.44, -58.88

 

CMYK 0 / 54 / 55 / 1

HEX #FD7572

RGB 253 117 114

HSL 1.29, 0.97%, 0.72%

LAB 65.61, 51.62, 27

 

CMYK 28 / 0 / 55 / 1

HEX #B5FD72

RGB 181 253 114

HSL 91.08, 0.97%, 0.72%

LAB 92.26, -44.45, 58.58

 

CMYK 55 / 1 / 0 / 1

HEX #72FBFD

RGB 114 251 253

HSL 180.86, 0.97%, 0.72%

LAB 91.53, -36.59, -12.31

 

Description

Color code: RGBA 187 113 253 0.75 | qconv.com Color code: RGBA 187 113 253 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 113 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 113 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 42 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 42% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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