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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 185 234 229 0.75 it is the complementary color RGBA 70 21 26 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 185 234 229 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 185 234 229 0.75 shade: RGBA 190 234 224 0.75, RGBA 207 252 243 0.75, RGBA 224 255 255 0.75, RGBA 241 255 255 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 185 234 229 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 185 234 229 0.75 shade: RGBA 185 234 229 0.75, RGBA 168 216 210 0.75, RGBA 151 198 191 0.75, RGBA 134 180 172 0.75 and RGBA 117 162 153 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 185 234 229 0.75 shade: RGB 184 234 229, RGB 184 234 215, RGB 184 234 202, RGB 184 234 189 and RGB 193 234 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 185 234 229 0.75 shade: RGB 184 234 229, RGB 184 226 234, RGB 184 212 234, RGB 184 199 234 and RGB 184 185 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 185 234 229 0.75 shade matches the following richer shades: RGB 184 234 229, RGB 177 241 235 and RGB 169 249 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 185 234 229 0.75 shade: RGB 184 234 229, RGB 192 226 223, RGB 199 219 217, RGB 207 212 211 and RGB 214 204 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 185 234 229 0.75 shade: RGB 184 234 202, RGB 184 234 215, RGB 184 234 228, RGB 184 226 234 and RGB 184 213 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 185 234 229 0.75 shade: RGB 121 215 205, RGB 153 224 217, RGB 184 234 229, RGB 216 243 241 and RGB 248 253 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 185 234 229 0.75 shade: RGB 185 234 229, RGB 188 184 234 and RGB 234 208 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 185 234 229 0.75 shade: RGB 185 234 229, RGB 228 184 234 and RGB 234 228 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 185 234 229 0.75 shade: RGB 185 234 229, RGB 188 184 234, RGB 234 184 190 and RGB 230 234 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 185 234 229 0.75 shade: RGB 185 234 229, RGB 203 184 234, RGB 234 184 190 and RGB 215 234 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 2 / 6

HEX #B9EAE5BF

RGBA 185 234 229 0.75

HSLA 173.88, 0.54%, 0.82%, 0.75

LABA 89.31, -16.64, -2.75, 0.75

 

Complementary color

CMYK 0 / 53 / 47 / 54

HEX #46151ABF

RGBA 70 21 26 0.75

HSLA 353.88, 0.54%, 0.18%, 0.75

LABA 15.02, 23.95, 9.11, 0.75

 

CMYK 14 / 0 / 3 / 6

HEX #BEEAE0BF

RGBA 190 234 224 0.75

HSLA 166.36, 0.51%, 0.83%, 0.75

LABA 89.47, -16.13, 0.15, 0.75

 

CMYK 13 / 0 / 3 / 1

HEX #CFFCF3BF

RGBA 207 252 243 0.75

HSLA 168, 0.88%, 0.9%, 0.75

LABA 95.73, -16.05, -0.46, 0.75

 

CMYK 9 / 0 / 0 / 0

HEX #E0FFFFBF

RGBA 224 255 255 0.75

HSLA 180, 1%, 0.94%, 0.75

LABA 97.87, -9.94, -3.38, 0.75

 

CMYK 4 / 0 / 0 / 0

HEX #F1FFFFBF

RGBA 241 255 255 0.75

HSLA 180, 1%, 0.97%, 0.75

LABA 99, -4.55, -1.59, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

RAL® 9010

CMYK 16 / 0 / 2 / 6

HEX #B9EAE5BF

RGBA 185 234 229 0.75

HSLA 173.88, 0.54%, 0.82%, 0.75

LABA 89.31, -16.64, -2.75, 0.75

 

CMYK 17 / 0 / 2 / 11

HEX #A8D8D2BF

RGBA 168 216 210 0.75

HSLA 172.5, 0.38%, 0.75%, 0.75

LABA 82.96, -16.74, -2.15, 0.75

 

CMYK 18 / 0 / 3 / 17

HEX #97C6BFBF

RGBA 151 198 191 0.75

HSLA 171.06, 0.29%, 0.68%, 0.75

LABA 76.51, -16.85, -1.54, 0.75

 

CMYK 19 / 0 / 3 / 22

HEX #86B4ACBF

RGBA 134 180 172 0.75

HSLA 169.57, 0.23%, 0.62%, 0.75

LABA 69.96, -16.97, -0.9, 0.75

 

CMYK 21 / 0 / 4 / 27

HEX #75A299BF

RGBA 117 162 153 0.75

HSLA 168, 0.19%, 0.55%, 0.75

LABA 63.28, -17.12, -0.22, 0.75

 

CMYK 21 / 0 / 2 / 8

HEX #B8EAE5

RGB 184 234 229

HSL 174, 0.54%, 0.82%

LAB 89.25, -16.94, -2.84

 

CMYK 21 / 0 / 8 / 8

HEX #B8EAD7

RGB 184 234 215

HSL 157.2, 0.54%, 0.82%

LAB 88.9, -19.78, 3.97

 

CMYK 21 / 0 / 14 / 8

HEX #B8EACA

RGB 184 234 202

HSL 141.6, 0.54%, 0.82%

LAB 88.59, -22.26, 10.33

 

CMYK 21 / 0 / 19 / 8

HEX #B8EABD

RGB 184 234 189

HSL 126, 0.54%, 0.82%

LAB 88.31, -24.6, 16.7

 

CMYK 18 / 0 / 21 / 8

HEX #C1EAB8

RGB 193 234 184

HSL 109.2, 0.54%, 0.82%

LAB 88.75, -22.45, 19.99

 

CMYK 21 / 0 / 2 / 8

HEX #B8EAE5

RGB 184 234 229

HSL 174, 0.54%, 0.82%

LAB 89.25, -16.94, -2.84

 

CMYK 21 / 3 / 0 / 8

HEX #B8E2EA

RGB 184 226 234

HSL 189.6, 0.54%, 0.82%

LAB 87.25, -11.86, -8.41

 

CMYK 21 / 9 / 0 / 8

HEX #B8D4EA

RGB 184 212 234

HSL 206.4, 0.54%, 0.82%

LAB 83.56, -4.63, -13.92

 

CMYK 21 / 15 / 0 / 8

HEX #B8C7EA

RGB 184 199 234

HSL 222, 0.54%, 0.82%

LAB 80.17, 2.25, -19.02

 

CMYK 21 / 21 / 0 / 8

HEX #B8B9EA

RGB 184 185 234

HSL 238.8, 0.54%, 0.82%

LAB 76.58, 9.82, -24.48

 

CMYK 21 / 0 / 2 / 8

HEX #B8EAE5

RGB 184 234 229

HSL 174, 0.54%, 0.82%

LAB 89.25, -16.94, -2.84

 

CMYK 27 / 0 / 2 / 5

HEX #B1F1EB

RGB 177 241 235

HSL 174.38, 0.7%, 0.82%

LAB 90.9, -21.19, -3.6

 

CMYK 32 / 0 / 3 / 2

HEX #A9F9F1

RGB 169 249 241

HSL 174, 0.87%, 0.82%

LAB 92.81, -25.99, -3.95

 

CMYK 21 / 0 / 2 / 8

HEX #B8EAE5

RGB 184 234 229

HSL 174, 0.54%, 0.82%

LAB 89.25, -16.94, -2.84

 

CMYK 15 / 0 / 1 / 11

HEX #C0E2DF

RGB 192 226 223

HSL 174.71, 0.37%, 0.82%

LAB 87.45, -11.68, -2.28

 

CMYK 9 / 0 / 1 / 14

HEX #C7DBD9

RGB 199 219 217

HSL 174, 0.22%, 0.82%

LAB 85.91, -7.03, -1.31

 

CMYK 2 / 0 / 0 / 17

HEX #CFD4D3

RGB 207 212 211

HSL 168, 0.05%, 0.82%

LAB 84.51, -1.88, -0.11

 

CMYK 0 / 5 / 4 / 16

HEX #D6CCCD

RGB 214 204 205

HSL 354, 0.11%, 0.82%

LAB 82.85, 3.64, 0.73

 

CMYK 21 / 0 / 14 / 8

HEX #B8EACA

RGB 184 234 202

HSL 141.6, 0.54%, 0.82%

LAB 88.59, -22.26, 10.33

 

CMYK 21 / 0 / 8 / 8

HEX #B8EAD7

RGB 184 234 215

HSL 157.2, 0.54%, 0.82%

LAB 88.9, -19.78, 3.97

 

CMYK 21 / 0 / 3 / 8

HEX #B8EAE4

RGB 184 234 228

HSL 172.8, 0.54%, 0.82%

LAB 89.22, -17.15, -2.36

 

CMYK 21 / 3 / 0 / 8

HEX #B8E2EA

RGB 184 226 234

HSL 189.6, 0.54%, 0.82%

LAB 87.25, -11.86, -8.41

 

CMYK 21 / 9 / 0 / 8

HEX #B8D5EA

RGB 184 213 234

HSL 205.2, 0.54%, 0.82%

LAB 83.82, -5.15, -13.53

 

CMYK 44 / 0 / 5 / 16

HEX #79D7CD

RGB 121 215 205

HSL 173.62, 0.54%, 0.66%

LAB 80.22, -30.3, -3.79

 

CMYK 32 / 0 / 3 / 12

HEX #99E0D9

RGB 153 224 217

HSL 174.08, 0.53%, 0.74%

LAB 84.53, -23.56, -3.65

 

CMYK 21 / 0 / 2 / 8

HEX #B8EAE5

RGB 184 234 229

HSL 174, 0.54%, 0.82%

LAB 89.25, -16.94, -2.84

 

CMYK 11 / 0 / 1 / 5

HEX #D8F3F1

RGB 216 243 241

HSL 175.56, 0.53%, 0.9%

LAB 93.91, -9.14, -2.03

 

CMYK 2 / 0 / 0 / 1

HEX #F8FDFC

RGB 248 253 252

HSL 168, 0.56%, 0.98%

LAB 98.92, -1.81, -0.11

 

CMYK 21 / 0 / 2 / 8

HEX #B9EAE5

RGB 185 234 229

HSL 173.88, 0.54%, 0.82%

LAB 89.31, -16.64, -2.75

 

CMYK 20 / 21 / 0 / 8

HEX #BCB8EA

RGB 188 184 234

HSL 244.8, 0.54%, 0.82%

LAB 76.63, 11.59, -24.37

 

CMYK 0 / 11 / 21 / 8

HEX #EAD0B8

RGB 234 208 184

HSL 28.8, 0.54%, 0.82%

LAB 85.03, 5.36, 15.23

 

CMYK 21 / 0 / 2 / 8

HEX #B9EAE5

RGB 185 234 229

HSL 173.88, 0.54%, 0.82%

LAB 89.31, -16.64, -2.75

 

CMYK 3 / 21 / 0 / 8

HEX #E4B8EA

RGB 228 184 234

HSL 292.8, 0.54%, 0.82%

LAB 80.02, 24.34, -18.9

 

CMYK 0 / 3 / 21 / 8

HEX #EAE4B8

RGB 234 228 184

HSL 52.8, 0.54%, 0.82%

LAB 90.06, -4.93, 22.25

 

CMYK 21 / 0 / 2 / 8

HEX #B9EAE5

RGB 185 234 229

HSL 173.88, 0.54%, 0.82%

LAB 89.31, -16.64, -2.75

 

CMYK 20 / 21 / 0 / 8

HEX #BCB8EA

RGB 188 184 234

HSL 244.8, 0.54%, 0.82%

LAB 76.63, 11.59, -24.37

 

CMYK 0 / 21 / 19 / 8

HEX #EAB8BE

RGB 234 184 190

HSL 352.8, 0.54%, 0.82%

LAB 79.32, 18.91, 3.88

 

CMYK 2 / 0 / 21 / 8

HEX #E6EAB8

RGB 230 234 184

HSL 64.8, 0.54%, 0.82%

LAB 91.29, -9.42, 23.9

 

CMYK 21 / 0 / 2 / 8

HEX #B9EAE5

RGB 185 234 229

HSL 173.88, 0.54%, 0.82%

LAB 89.31, -16.64, -2.75

 

CMYK 13 / 21 / 0 / 8

HEX #CBB8EA

RGB 203 184 234

HSL 262.8, 0.54%, 0.82%

LAB 77.83, 16.28, -22.44

 

CMYK 0 / 21 / 19 / 8

HEX #EAB8BE

RGB 234 184 190

HSL 352.8, 0.54%, 0.82%

LAB 79.32, 18.91, 3.88

 

CMYK 8 / 0 / 21 / 8

HEX #D7EAB8

RGB 215 234 184

HSL 82.8, 0.54%, 0.82%

LAB 90.21, -14.81, 22.23

 

Description

Color code: RGBA 185 234 229 0.75 | qconv.com Color code: RGBA 185 234 229 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 234 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 234 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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