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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 185 221 185 0.75 it is the complementary color RGBA 70 34 70 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 185 221 185 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 185 221 185 0.75 shade: RGBA 190 221 180 0.75, RGBA 207 239 199 0.75, RGBA 224 255 218 0.75, RGBA 241 255 237 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 185 221 185 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 185 221 185 0.75 shade: RGBA 185 221 185 0.75, RGBA 168 203 166 0.75, RGBA 151 185 147 0.75, RGBA 134 167 128 0.75 and RGBA 117 149 109 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 185 221 185 0.75 shade: RGB 186 222 186, RGB 196 222 186, RGB 205 222 186, RGB 215 222 186 and RGB 222 219 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 185 221 185 0.75 shade: RGB 186 222 186, RGB 186 222 196, RGB 186 222 205, RGB 186 222 215 and RGB 186 219 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 185 221 185 0.75 shade matches the following richer shades: RGB 186 222 186, RGB 178 230 178, RGB 170 238 170, RGB 161 247 161 and RGB 153 255 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 185 221 185 0.75 shade: RGB 186 222 186, RGB 194 214 194, RGB 203 205 203, RGB 211 197 211 and RGB 219 189 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 185 221 185 0.75 shade: RGB 205 222 186, RGB 196 222 186, RGB 186 222 186, RGB 186 222 196 and RGB 186 222 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 185 221 185 0.75 shade: RGB 130 195 130, RGB 158 208 158, RGB 186 222 186, RGB 214 235 214 and RGB 242 249 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 185 221 185 0.75 shade: RGB 185 221 185, RGB 186 215 222 and RGB 222 186 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 185 221 185 0.75 shade: RGB 185 221 185, RGB 186 186 222 and RGB 222 186 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 185 221 185 0.75 shade: RGB 185 221 185, RGB 186 215 222, RGB 222 186 222 and RGB 222 193 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 185 221 185 0.75 shade: RGB 185 221 185, RGB 186 204 222, RGB 222 186 222 and RGB 222 204 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 12 / 10

HEX #B9DDB9BF

RGBA 185 221 185 0.75

HSLA 120, 0.35%, 0.8%, 0.75

LABA 84.76, -18.6, 13.79, 0.75

 

Complementary color

CMYK 0 / 39 / 0 / 54

HEX #462246BF

RGBA 70 34 70 0.75

HSLA 300, 0.35%, 0.2%, 0.75

LABA 19.59, 23.41, -15.29, 0.75

 

CMYK 11 / 0 / 14 / 10

HEX #BEDDB4BF

RGBA 190 221 180 0.75

HSLA 105.37, 0.38%, 0.79%, 0.75

LABA 84.97, -17.74, 16.77, 0.75

 

CMYK 10 / 0 / 13 / 5

HEX #CFEFC7BF

RGBA 207 239 199 0.75

HSLA 108, 0.56%, 0.86%, 0.75

LABA 91.29, -17.67, 15.91, 0.75

 

CMYK 9 / 0 / 11 / 0

HEX #E0FFDABF

RGBA 224 255 218 0.75

HSLA 110.27, 1%, 0.93%, 0.75

LABA 97, -16.63, 14.35, 0.75

 

CMYK 4 / 0 / 5 / 0

HEX #F1FFEDBF

RGBA 241 255 237 0.75

HSLA 106.67, 1%, 0.96%, 0.75

LABA 98.57, -7.75, 7.01, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 12 / 0 / 12 / 10

HEX #B9DDB9BF

RGBA 185 221 185 0.75

HSLA 120, 0.35%, 0.8%, 0.75

LABA 84.76, -18.6, 13.79, 0.75

 

CMYK 13 / 0 / 14 / 15

HEX #A8CBA6BF

RGBA 168 203 166 0.75

HSLA 116.76, 0.26%, 0.72%, 0.75

LABA 78.34, -18.71, 14.66, 0.75

 

CMYK 14 / 0 / 15 / 21

HEX #97B993BF

RGBA 151 185 147 0.75

HSLA 113.68, 0.21%, 0.65%, 0.75

LABA 71.81, -18.84, 15.57, 0.75

 

CMYK 15 / 0 / 18 / 26

HEX #86A780BF

RGBA 134 167 128 0.75

HSLA 110.77, 0.18%, 0.58%, 0.75

LABA 65.17, -18.99, 16.54, 0.75

 

CMYK 16 / 0 / 20 / 31

HEX #75956DBF

RGBA 117 149 109 0.75

HSLA 108, 0.16%, 0.51%, 0.75

LABA 58.4, -19.16, 17.57, 0.75

 

CMYK 16 / 0 / 16 / 13

HEX #BADEBA

RGB 186 222 186

HSL 120, 0.35%, 0.8%

LAB 85.11, -18.58, 13.78

 

CMYK 12 / 0 / 16 / 13

HEX #C4DEBA

RGB 196 222 186

HSL 103.33, 0.35%, 0.8%

LAB 85.77, -15.17, 14.8

 

CMYK 8 / 0 / 16 / 13

HEX #CDDEBA

RGB 205 222 186

HSL 88.33, 0.35%, 0.8%

LAB 86.39, -12.03, 15.76

 

CMYK 3 / 0 / 16 / 13

HEX #D7DEBA

RGB 215 222 186

HSL 71.67, 0.35%, 0.8%

LAB 87.11, -8.48, 16.88

 

CMYK 0 / 1 / 16 / 13

HEX #DEDBBA

RGB 222 219 186

HSL 55, 0.35%, 0.8%

LAB 86.87, -4.43, 16.62

 

CMYK 16 / 0 / 16 / 13

HEX #BADEBA

RGB 186 222 186

HSL 120, 0.35%, 0.8%

LAB 85.11, -18.58, 13.78

 

CMYK 16 / 0 / 12 / 13

HEX #BADEC4

RGB 186 222 196

HSL 136.67, 0.35%, 0.8%

LAB 85.34, -16.79, 8.84

 

CMYK 16 / 0 / 8 / 13

HEX #BADECD

RGB 186 222 205

HSL 151.67, 0.35%, 0.8%

LAB 85.55, -15.1, 4.4

 

CMYK 16 / 0 / 3 / 13

HEX #BADED7

RGB 186 222 215

HSL 168.33, 0.35%, 0.8%

LAB 85.8, -13.15, -0.52

 

CMYK 16 / 1 / 0 / 13

HEX #BADBDE

RGB 186 219 222

HSL 185, 0.35%, 0.8%

LAB 85.19, -10.2, -5.12

 

CMYK 16 / 0 / 16 / 13

HEX #BADEBA

RGB 186 222 186

HSL 120, 0.35%, 0.8%

LAB 85.11, -18.58, 13.78

 

CMYK 23 / 0 / 23 / 10

HEX #B2E6B2

RGB 178 230 178

HSL 120, 0.51%, 0.8%

LAB 86.64, -26.53, 20.03

 

CMYK 29 / 0 / 29 / 7

HEX #AAEEAA

RGB 170 238 170

HSL 120, 0.67%, 0.8%

LAB 88.26, -34.22, 26.3

 

CMYK 35 / 0 / 35 / 3

HEX #A1F7A1

RGB 161 247 161

HSL 120, 0.84%, 0.8%

LAB 90.17, -42.52, 33.36

 

CMYK 40 / 0 / 40 / 0

HEX #99FF99

RGB 153 255 153

HSL 120, 1%, 0.8%

LAB 91.95, -49.54, 39.6

 

CMYK 16 / 0 / 16 / 13

HEX #BADEBA

RGB 186 222 186

HSL 120, 0.35%, 0.8%

LAB 85.11, -18.58, 13.78

 

CMYK 9 / 0 / 9 / 16

HEX #C2D6C2

RGB 194 214 194

HSL 120, 0.2%, 0.8%

LAB 83.68, -10.42, 7.59

 

CMYK 1 / 0 / 1 / 20

HEX #CBCDCB

RGB 203 205 203

HSL 120, 0.02%, 0.8%

LAB 82.2, -1.05, 0.74

 

CMYK 0 / 7 / 0 / 17

HEX #D3C5D3

RGB 211 197 211

HSL 300, 0.14%, 0.8%

LAB 81.01, 7.39, -5.22

 

CMYK 0 / 14 / 0 / 14

HEX #DBBDDB

RGB 219 189 219

HSL 300, 0.29%, 0.8%

LAB 79.94, 15.87, -11.04

 

CMYK 8 / 0 / 16 / 13

HEX #CDDEBA

RGB 205 222 186

HSL 88.33, 0.35%, 0.8%

LAB 86.39, -12.03, 15.76

 

CMYK 12 / 0 / 16 / 13

HEX #C4DEBA

RGB 196 222 186

HSL 103.33, 0.35%, 0.8%

LAB 85.77, -15.17, 14.8

 

CMYK 16 / 0 / 16 / 13

HEX #BADEBA

RGB 186 222 186

HSL 120, 0.35%, 0.8%

LAB 85.11, -18.58, 13.78

 

CMYK 16 / 0 / 12 / 13

HEX #BADEC4

RGB 186 222 196

HSL 136.67, 0.35%, 0.8%

LAB 85.34, -16.79, 8.84

 

CMYK 16 / 0 / 8 / 13

HEX #BADECD

RGB 186 222 205

HSL 151.67, 0.35%, 0.8%

LAB 85.55, -15.1, 4.4

 

CMYK 33 / 0 / 33 / 24

HEX #82C382

RGB 130 195 130

HSL 120, 0.35%, 0.64%

LAB 73.15, -33.72, 26.29

 

CMYK 24 / 0 / 24 / 18

HEX #9ED09E

RGB 158 208 158

HSL 120, 0.35%, 0.72%

LAB 78.95, -25.96, 19.67

 

CMYK 16 / 0 / 16 / 13

HEX #BADEBA

RGB 186 222 186

HSL 120, 0.35%, 0.8%

LAB 85.11, -18.58, 13.78

 

CMYK 9 / 0 / 9 / 8

HEX #D6EBD6

RGB 214 235 214

HSL 120, 0.34%, 0.88%

LAB 91.04, -10.75, 7.83

 

CMYK 3 / 0 / 3 / 2

HEX #F2F9F2

RGB 242 249 242

HSL 120, 0.37%, 0.96%

LAB 97.24, -3.54, 2.54

 

CMYK 16 / 0 / 16 / 13

HEX #B9DDB9

RGB 185 221 185

HSL 120, 0.35%, 0.8%

LAB 84.76, -18.6, 13.79

 

CMYK 16 / 3 / 0 / 13

HEX #BAD7DE

RGB 186 215 222

HSL 191.67, 0.35%, 0.8%

LAB 84.13, -8.14, -6.68

 

CMYK 0 / 16 / 10 / 13

HEX #DEBAC8

RGB 222 186 200

HSL 336.67, 0.35%, 0.8%

LAB 78.94, 15.16, -2.23

 

CMYK 16 / 0 / 16 / 13

HEX #B9DDB9

RGB 185 221 185

HSL 120, 0.35%, 0.8%

LAB 84.76, -18.6, 13.79

 

CMYK 16 / 16 / 0 / 13

HEX #BABADE

RGB 186 186 222

HSL 240, 0.35%, 0.8%

LAB 76.58, 7.25, -17.98

 

CMYK 0 / 16 / 16 / 13

HEX #DEBABA

RGB 222 186 186

HSL 0, 0.35%, 0.8%

LAB 78.57, 12.88, 4.81

 

CMYK 16 / 0 / 16 / 13

HEX #B9DDB9

RGB 185 221 185

HSL 120, 0.35%, 0.8%

LAB 84.76, -18.6, 13.79

 

CMYK 16 / 3 / 0 / 13

HEX #BAD7DE

RGB 186 215 222

HSL 191.67, 0.35%, 0.8%

LAB 84.13, -8.14, -6.68

 

CMYK 0 / 16 / 0 / 13

HEX #DEBADE

RGB 222 186 222

HSL 300, 0.35%, 0.8%

LAB 79.57, 19.04, -13.17

 

CMYK 0 / 13 / 16 / 13

HEX #DEC1BA

RGB 222 193 186

HSL 11.67, 0.35%, 0.8%

LAB 80.3, 9.15, 7.3

 

CMYK 16 / 0 / 16 / 13

HEX #B9DDB9

RGB 185 221 185

HSL 120, 0.35%, 0.8%

LAB 84.76, -18.6, 13.79

 

CMYK 16 / 8 / 0 / 13

HEX #BACCDE

RGB 186 204 222

HSL 210, 0.35%, 0.8%

LAB 81.24, -2.39, -10.98

 

CMYK 0 / 16 / 0 / 13

HEX #DEBADE

RGB 222 186 222

HSL 300, 0.35%, 0.8%

LAB 79.57, 19.04, -13.17

 

CMYK 0 / 8 / 16 / 13

HEX #DECCBA

RGB 222 204 186

HSL 30, 0.35%, 0.8%

LAB 83.05, 3.35, 11.23

 

Description

Color code: RGBA 185 221 185 0.75 | qconv.com Color code: RGBA 185 221 185 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 221 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 221 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 12 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 12% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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