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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 185 221 181 0.75 it is the complementary color RGBA 70 34 74 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 185 221 181 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 185 221 181 0.75 shade: RGBA 190 221 176 0.75, RGBA 207 239 195 0.75, RGBA 224 255 214 0.75, RGBA 241 255 233 0.75 and RGBA 255 255 252 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 185 221 181 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 185 221 181 0.75 shade: RGBA 185 221 181 0.75, RGBA 168 203 162 0.75, RGBA 151 185 143 0.75, RGBA 134 167 124 0.75 and RGBA 117 149 105 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 185 221 181 0.75 shade: RGB 186 221 182, RGB 196 221 182, RGB 207 221 182, RGB 218 221 182 and RGB 221 214 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 185 221 181 0.75 shade: RGB 186 221 182, RGB 182 221 188, RGB 182 221 199, RGB 182 221 210 and RGB 182 221 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 185 221 181 0.75 shade matches the following richer shades: RGB 186 221 182, RGB 179 230 173, RGB 172 239 164 and RGB 165 247 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 185 221 181 0.75 shade: RGB 186 221 182, RGB 193 213 190, RGB 199 204 199, RGB 206 195 208 and RGB 213 187 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 185 221 181 0.75 shade: RGB 207 221 182, RGB 196 221 182, RGB 186 221 182, RGB 182 221 188 and RGB 182 221 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 185 221 181 0.75 shade: RGB 132 195 125, RGB 159 208 153, RGB 186 221 182, RGB 212 234 210 and RGB 239 247 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 185 221 181 0.75 shade: RGB 185 221 181, RGB 182 217 221 and RGB 221 182 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 185 221 181 0.75 shade: RGB 185 221 181, RGB 182 186 221 and RGB 221 182 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 185 221 181 0.75 shade: RGB 185 221 181, RGB 182 217 221, RGB 217 182 221 and RGB 221 186 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 185 221 181 0.75 shade: RGB 185 221 181, RGB 182 205 221, RGB 217 182 221 and RGB 221 197 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 14 / 10

HEX #B9DDB5BF

RGBA 185 221 181 0.75

HSLA 114, 0.37%, 0.79%, 0.75

LABA 84.67, -19.29, 15.77, 0.75

 

Complementary color

CMYK 4 / 41 / 0 / 53

HEX #46224ABF

RGBA 70 34 74 0.75

HSLA 294, 0.37%, 0.21%, 0.75

LABA 19.8, 24.3, -17.69, 0.75

 

CMYK 11 / 0 / 15 / 10

HEX #BEDDB0BF

RGBA 190 221 176 0.75

HSLA 101.33, 0.4%, 0.78%, 0.75

LABA 84.89, -18.4, 18.75, 0.75

 

CMYK 10 / 0 / 14 / 5

HEX #CFEFC3BF

RGBA 207 239 195 0.75

HSLA 103.64, 0.58%, 0.85%, 0.75

LABA 91.21, -18.33, 17.86, 0.75

 

CMYK 9 / 0 / 12 / 0

HEX #E0FFD6BF

RGBA 224 255 214 0.75

HSLA 105.37, 1%, 0.92%, 0.75

LABA 96.91, -17.29, 16.28, 0.75

 

CMYK 4 / 0 / 6 / 0

HEX #F1FFE9BF

RGBA 241 255 233 0.75

HSLA 98.18, 1%, 0.96%, 0.75

LABA 98.47, -8.43, 8.93, 0.75

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFCBF

RGBA 255 255 252 0.75

HSLA 60, 1%, 0.99%, 0.75

LABA 99.93, -0.52, 1.42, 0.75

NCS® S0300-N

CMYK 12 / 0 / 14 / 10

HEX #B9DDB5BF

RGBA 185 221 181 0.75

HSLA 114, 0.37%, 0.79%, 0.75

LABA 84.67, -19.29, 15.77, 0.75

 

CMYK 13 / 0 / 15 / 15

HEX #A8CBA2BF

RGBA 168 203 162 0.75

HSLA 111.22, 0.28%, 0.72%, 0.75

LABA 78.25, -19.4, 16.67, 0.75

 

CMYK 14 / 0 / 17 / 21

HEX #97B98FBF

RGBA 151 185 143 0.75

HSLA 108.57, 0.23%, 0.64%, 0.75

LABA 71.73, -19.53, 17.62, 0.75

 

CMYK 15 / 0 / 19 / 26

HEX #86A77CBF

RGBA 134 167 124 0.75

HSLA 106.05, 0.2%, 0.57%, 0.75

LABA 65.09, -19.68, 18.62, 0.75

 

CMYK 16 / 0 / 22 / 31

HEX #759569BF

RGBA 117 149 105 0.75

HSLA 103.64, 0.17%, 0.5%, 0.75

LABA 58.32, -19.83, 19.7, 0.75

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 11 / 0 / 18 / 13

HEX #C4DDB6

RGB 196 221 182

HSL 98.46, 0.36%, 0.79%

LAB 85.42, -15.33, 16.4

 

CMYK 6 / 0 / 18 / 13

HEX #CFDDB6

RGB 207 221 182

HSL 81.54, 0.36%, 0.79%

LAB 86.18, -11.45, 17.59

 

CMYK 1 / 0 / 18 / 13

HEX #DADDB6

RGB 218 221 182

HSL 64.62, 0.36%, 0.79%

LAB 86.99, -7.5, 18.84

 

CMYK 0 / 3 / 18 / 13

HEX #DDD6B6

RGB 221 214 182

HSL 49.23, 0.36%, 0.79%

LAB 85.42, -2.82, 16.68

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 18 / 0 / 15 / 13

HEX #B6DDBC

RGB 182 221 188

HSL 129.23, 0.36%, 0.79%

LAB 84.63, -19.07, 12.01

 

CMYK 18 / 0 / 10 / 13

HEX #B6DDC7

RGB 182 221 199

HSL 146.15, 0.36%, 0.79%

LAB 84.88, -17.04, 6.57

 

CMYK 18 / 0 / 5 / 13

HEX #B6DDD2

RGB 182 221 210

HSL 163.08, 0.36%, 0.79%

LAB 85.15, -14.91, 1.15

 

CMYK 18 / 0 / 0 / 13

HEX #B6DDDC

RGB 182 221 220

HSL 178.46, 0.36%, 0.79%

LAB 85.42, -12.88, -3.75

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 22 / 0 / 25 / 10

HEX #B3E6AD

RGB 179 230 173

HSL 113.68, 0.53%, 0.79%

LAB 86.6, -27.03, 22.57

 

CMYK 28 / 0 / 31 / 6

HEX #ACEFA4

RGB 172 239 164

HSL 113.6, 0.7%, 0.79%

LAB 88.54, -34.99, 29.76

 

CMYK 33 / 0 / 37 / 3

HEX #A5F79C

RGB 165 247 156

HSL 114.07, 0.85%, 0.79%

LAB 90.29, -42.03, 36.05

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 9 / 0 / 11 / 16

HEX #C1D5BE

RGB 193 213 190

HSL 112.17, 0.21%, 0.79%

LAB 83.25, -10.96, 9.09

 

CMYK 2 / 0 / 2 / 20

HEX #C7CCC7

RGB 199 204 199

HSL 120, 0.05%, 0.79%

LAB 81.54, -2.63, 1.88

 

CMYK 1 / 6 / 0 / 18

HEX #CEC3D0

RGB 206 195 208

HSL 290.77, 0.12%, 0.79%

LAB 80.01, 6.19, -5.12

 

CMYK 1 / 13 / 0 / 15

HEX #D5BBD8

RGB 213 187 216

HSL 293.79, 0.27%, 0.79%

LAB 78.84, 14.36, -11.12

 

CMYK 6 / 0 / 18 / 13

HEX #CFDDB6

RGB 207 221 182

HSL 81.54, 0.36%, 0.79%

LAB 86.18, -11.45, 17.59

 

CMYK 11 / 0 / 18 / 13

HEX #C4DDB6

RGB 196 221 182

HSL 98.46, 0.36%, 0.79%

LAB 85.42, -15.33, 16.4

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 18 / 0 / 15 / 13

HEX #B6DDBC

RGB 182 221 188

HSL 129.23, 0.36%, 0.79%

LAB 84.63, -19.07, 12.01

 

CMYK 18 / 0 / 10 / 13

HEX #B6DDC7

RGB 182 221 199

HSL 146.15, 0.36%, 0.79%

LAB 84.88, -17.04, 6.57

 

CMYK 32 / 0 / 36 / 24

HEX #84C37D

RGB 132 195 125

HSL 114, 0.37%, 0.63%

LAB 73.17, -33.86, 28.95

 

CMYK 24 / 0 / 26 / 18

HEX #9FD099

RGB 159 208 153

HSL 113.45, 0.37%, 0.71%

LAB 78.92, -26.47, 22.26

 

CMYK 16 / 0 / 18 / 13

HEX #BADDB6

RGB 186 221 182

HSL 113.85, 0.36%, 0.79%

LAB 84.76, -18.78, 15.38

 

CMYK 9 / 0 / 10 / 8

HEX #D4EAD2

RGB 212 234 210

HSL 115, 0.36%, 0.87%

LAB 90.55, -11.62, 9.19

 

CMYK 3 / 0 / 4 / 3

HEX #EFF7EE

RGB 239 247 238

HSL 113.33, 0.36%, 0.95%

LAB 96.43, -4.23, 3.39

NCS® S0505-G20Y

CMYK 16 / 0 / 18 / 13

HEX #B9DDB5

RGB 185 221 181

HSL 114, 0.37%, 0.79%

LAB 84.67, -19.29, 15.77

 

CMYK 18 / 2 / 0 / 13

HEX #B6D9DD

RGB 182 217 221

HSL 186.15, 0.36%, 0.79%

LAB 84.38, -10.63, -5.82

 

CMYK 0 / 18 / 9 / 13

HEX #DDB6C9

RGB 221 182 201

HSL 330.77, 0.36%, 0.79%

LAB 77.9, 17.12, -4.31

 

CMYK 16 / 0 / 18 / 13

HEX #B9DDB5

RGB 185 221 181

HSL 114, 0.37%, 0.79%

LAB 84.67, -19.29, 15.77

 

CMYK 18 / 16 / 0 / 13

HEX #B6BADD

RGB 182 186 221

HSL 233.85, 0.36%, 0.79%

LAB 76.24, 5.76, -17.97

 

CMYK 0 / 18 / 16 / 13

HEX #DDB6BA

RGB 221 182 186

HSL 353.85, 0.36%, 0.79%

LAB 77.5, 14.66, 3.25

 

CMYK 16 / 0 / 18 / 13

HEX #B9DDB5

RGB 185 221 181

HSL 114, 0.37%, 0.79%

LAB 84.67, -19.29, 15.77

 

CMYK 18 / 2 / 0 / 13

HEX #B6D9DD

RGB 182 217 221

HSL 186.15, 0.36%, 0.79%

LAB 84.38, -10.63, -5.82

 

CMYK 2 / 18 / 0 / 13

HEX #D9B6DD

RGB 217 182 221

HSL 293.85, 0.36%, 0.79%

LAB 78.13, 19.34, -14.84

 

CMYK 0 / 16 / 18 / 13

HEX #DDBAB6

RGB 221 186 182

HSL 6.15, 0.36%, 0.79%

LAB 78.38, 11.89, 6.69

 

CMYK 16 / 0 / 18 / 13

HEX #B9DDB5

RGB 185 221 181

HSL 114, 0.37%, 0.79%

LAB 84.67, -19.29, 15.77

 

CMYK 18 / 7 / 0 / 13

HEX #B6CDDD

RGB 182 205 221

HSL 204.62, 0.36%, 0.79%

LAB 81.2, -4.39, -10.53

 

CMYK 2 / 18 / 0 / 13

HEX #D9B6DD

RGB 217 182 221

HSL 293.85, 0.36%, 0.79%

LAB 78.13, 19.34, -14.84

 

CMYK 0 / 11 / 18 / 13

HEX #DDC5B6

RGB 221 197 182

HSL 23.08, 0.36%, 0.79%

LAB 81.12, 6.05, 10.6

 

Description

Color code: RGBA 185 221 181 0.75 | qconv.com Color code: RGBA 185 221 181 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 221 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 221 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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