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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 183 198 152 0.3 it is the complementary color RGBA 72 57 103 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 183 198 152 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 183 198 152 0.3 shade: RGBA 188 198 147 0.3, RGBA 205 216 166 0.3, RGBA 222 234 185 0.3, RGBA 239 252 204 0.3 and RGBA 255 255 223 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 183 198 152 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 183 198 152 0.3 shade: RGBA 183 198 152 0.3, RGBA 166 180 133 0.3, RGBA 149 162 114 0.3, RGBA 132 144 95 0.3 and RGBA 115 126 76 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 183 198 152 0.3 shade: RGB 184 199 153, RGB 196 199 153, RGB 199 189 153, RGB 199 177 153 and RGB 199 164 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 183 198 152 0.3 shade: RGB 184 199 153, RGB 172 199 153, RGB 159 199 153, RGB 153 199 159 and RGB 153 199 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 183 198 152 0.3 shade matches the following richer shades: RGB 184 199 153, RGB 188 212 140, RGB 193 224 127, RGB 197 237 115 and RGB 202 250 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 183 198 152 0.3 shade: RGB 184 199 153, RGB 179 186 166, RGB 175 173 179, RGB 171 161 191 and RGB 166 148 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 183 198 152 0.3 shade: RGB 199 189 153, RGB 197 199 153, RGB 184 199 153, RGB 172 199 153 and RGB 160 199 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 183 198 152 0.3 shade: RGB 147 170 100, RGB 165 184 126, RGB 184 199 153, RGB 202 214 180 and RGB 221 228 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 183 198 152 0.3 shade: RGB 183 198 152, RGB 153 199 177 and RGB 195 153 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 183 198 152 0.3 shade: RGB 183 198 152, RGB 153 184 199 and RGB 199 153 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 183 198 152 0.3 shade: RGB 183 198 152, RGB 153 199 177, RGB 168 153 199 and RGB 199 153 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 183 198 152 0.3 shade: RGB 183 198 152, RGB 153 199 190, RGB 168 153 199 and RGB 199 153 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 7 / 7

HEX #B7C6984C

RGBA 183 198 152 0.3

HSLA 79.57, 0.29%, 0.69%, 0.3

LABA 77.71, -13.11, 21.39, 0.3

 

Complementary color

CMYK 9 / 13 / 0 / 18

HEX #4839674C

RGBA 72 57 103 0.3

HSLA 259.57, 0.29%, 0.31%, 0.3

LABA 27.53, 17.73, -24.69, 0.3

 

CMYK 2 / 0 / 8 / 7

HEX #BCC6934C

RGBA 188 198 147 0.3

HSLA 71.76, 0.31%, 0.68%, 0.3

LABA 77.98, -11.98, 24.47, 0.3

 

CMYK 2 / 0 / 7 / 5

HEX #CDD8A64C

RGBA 205 216 166 0.3

HSLA 73.2, 0.39%, 0.75%, 0.3

LABA 84.4, -12.08, 23.47, 0.3

 

CMYK 2 / 0 / 6 / 2

HEX #DEEAB94C

RGBA 222 234 185 0.3

HSLA 74.69, 0.54%, 0.82%, 0.3

LABA 90.72, -12.16, 22.51, 0.3

 

CMYK 2 / 0 / 6 / 0

HEX #EFFCCC4C

RGBA 239 252 204 0.3

HSLA 76.25, 0.89%, 0.89%, 0.3

LABA 96.96, -12.24, 21.59, 0.3

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFDF4C

RGBA 255 255 223 0.3

HSLA 60, 1%, 0.94%, 0.3

LABA 99.26, -5.26, 15.31, 0.3

 

CMYK 2 / 0 / 7 / 7

HEX #B7C6984C

RGBA 183 198 152 0.3

HSLA 79.57, 0.29%, 0.69%, 0.3

LABA 77.71, -13.11, 21.39, 0.3

 

CMYK 2 / 0 / 8 / 9

HEX #A6B4854C

RGBA 166 180 133 0.3

HSLA 77.87, 0.24%, 0.61%, 0.3

LABA 71.18, -13.05, 22.41, 0.3

 

CMYK 2 / 0 / 9 / 11

HEX #95A2724C

RGBA 149 162 114 0.3

HSLA 76.25, 0.21%, 0.54%, 0.3

LABA 64.52, -12.99, 23.49, 0.3

 

CMYK 3 / 0 / 10 / 13

HEX #84905F4C

RGBA 132 144 95 0.3

HSLA 74.69, 0.21%, 0.47%, 0.3

LABA 57.73, -12.89, 24.64, 0.3

 

CMYK 3 / 0 / 12 / 15

HEX #737E4C4C

RGBA 115 126 76 0.3

HSLA 73.2, 0.25%, 0.4%, 0.3

LABA 50.79, -12.76, 25.87, 0.3

 

CMYK 8 / 0 / 23 / 22

HEX #B8C799

RGB 184 199 153

HSL 79.57, 0.29%, 0.69%

LAB 78.07, -13.1, 21.37

 

CMYK 2 / 0 / 23 / 22

HEX #C4C799

RGB 196 199 153

HSL 63.91, 0.29%, 0.69%

LAB 78.97, -8.62, 22.75

 

CMYK 0 / 5 / 23 / 22

HEX #C7BD99

RGB 199 189 153

HSL 46.96, 0.29%, 0.69%

LAB 76.58, -2.27, 19.5

 

CMYK 0 / 11 / 23 / 22

HEX #C7B199

RGB 199 177 153

HSL 31.3, 0.29%, 0.69%

LAB 73.47, 4.12, 15.17

 

CMYK 0 / 18 / 23 / 22

HEX #C7A499

RGB 199 164 153

HSL 14.35, 0.29%, 0.69%

LAB 70.17, 11.15, 10.52

 

CMYK 8 / 0 / 23 / 22

HEX #B8C799

RGB 184 199 153

HSL 79.57, 0.29%, 0.69%

LAB 78.07, -13.1, 21.37

 

CMYK 14 / 0 / 23 / 22

HEX #ACC799

RGB 172 199 153

HSL 95.22, 0.29%, 0.69%

LAB 77.23, -17.47, 20.08

 

CMYK 20 / 0 / 23 / 22

HEX #9FC799

RGB 159 199 153

HSL 112.17, 0.29%, 0.69%

LAB 76.39, -22.06, 18.78

 

CMYK 23 / 0 / 20 / 22

HEX #99C79F

RGB 153 199 159

HSL 127.83, 0.29%, 0.69%

LAB 76.14, -23.05, 15.18

 

CMYK 23 / 0 / 14 / 22

HEX #99C7AC

RGB 153 199 172

HSL 144.78, 0.29%, 0.69%

LAB 76.43, -20.61, 8.61

 

CMYK 8 / 0 / 23 / 22

HEX #B8C799

RGB 184 199 153

HSL 79.57, 0.29%, 0.69%

LAB 78.07, -13.1, 21.37

 

CMYK 11 / 0 / 34 / 17

HEX #BCD48C

RGB 188 212 140

HSL 80, 0.46%, 0.69%

LAB 81.66, -19.98, 33.03

 

CMYK 14 / 0 / 43 / 12

HEX #C1E07F

RGB 193 224 127

HSL 79.18, 0.61%, 0.69%

LAB 85.09, -25.54, 44.02

 

CMYK 17 / 0 / 51 / 7

HEX #C5ED73

RGB 197 237 115

HSL 79.67, 0.77%, 0.69%

LAB 88.77, -31.42, 54.26

 

CMYK 19 / 0 / 59 / 2

HEX #CAFA66

RGB 202 250 102

HSL 79.46, 0.94%, 0.69%

LAB 92.52, -36.63, 64.38

 

CMYK 8 / 0 / 23 / 22

HEX #B8C799

RGB 184 199 153

HSL 79.57, 0.29%, 0.69%

LAB 78.07, -13.1, 21.37

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA6

RGB 179 186 166

HSL 81, 0.13%, 0.69%

LAB 74.48, -6.07, 9.3

 

CMYK 2 / 3 / 0 / 30

HEX #AFADB3

RGB 175 173 179

HSL 260, 0.04%, 0.69%

LAB 71.05, 1.85, -2.82

 

CMYK 10 / 16 / 0 / 25

HEX #ABA1BF

RGB 171 161 191

HSL 260, 0.19%, 0.69%

LAB 67.95, 9.5, -14.1

 

CMYK 19 / 27 / 0 / 20

HEX #A694CC

RGB 166 148 204

HSL 259.29, 0.35%, 0.69%

LAB 64.68, 18.03, -26.36

 

CMYK 0 / 5 / 23 / 22

HEX #C7BD99

RGB 199 189 153

HSL 46.96, 0.29%, 0.69%

LAB 76.58, -2.27, 19.5

 

CMYK 1 / 0 / 23 / 22

HEX #C5C799

RGB 197 199 153

HSL 62.61, 0.29%, 0.69%

LAB 79.05, -8.24, 22.87

 

CMYK 8 / 0 / 23 / 22

HEX #B8C799

RGB 184 199 153

HSL 79.57, 0.29%, 0.69%

LAB 78.07, -13.1, 21.37

 

CMYK 14 / 0 / 23 / 22

HEX #ACC799

RGB 172 199 153

HSL 95.22, 0.29%, 0.69%

LAB 77.23, -17.47, 20.08

 

CMYK 20 / 0 / 23 / 22

HEX #A0C799

RGB 160 199 153

HSL 110.87, 0.29%, 0.69%

LAB 76.45, -21.71, 18.87

 

CMYK 14 / 0 / 41 / 33

HEX #93AA64

RGB 147 170 100

HSL 79.71, 0.29%, 0.53%

LAB 66.42, -19.8, 33.43

 

CMYK 10 / 0 / 32 / 28

HEX #A5B87E

RGB 165 184 126

HSL 79.66, 0.29%, 0.61%

LAB 72.09, -16.5, 27.36

 

CMYK 8 / 0 / 23 / 22

HEX #B8C799

RGB 184 199 153

HSL 79.57, 0.29%, 0.69%

LAB 78.07, -13.1, 21.37

 

CMYK 6 / 0 / 16 / 16

HEX #CAD6B4

RGB 202 214 180

HSL 81.18, 0.29%, 0.77%

LAB 83.94, -10, 15.44

 

CMYK 3 / 0 / 10 / 11

HEX #DDE4CE

RGB 221 228 206

HSL 79.09, 0.29%, 0.85%

LAB 89.54, -6.19, 9.92

 

CMYK 8 / 0 / 23 / 22

HEX #B7C698

RGB 183 198 152

HSL 79.57, 0.29%, 0.69%

LAB 77.71, -13.11, 21.39

 

CMYK 23 / 0 / 11 / 22

HEX #99C7B1

RGB 153 199 177

HSL 151.3, 0.29%, 0.69%

LAB 76.55, -19.63, 6.09

 

CMYK 2 / 23 / 0 / 22

HEX #C399C7

RGB 195 153 199

HSL 294.78, 0.29%, 0.69%

LAB 68.39, 23.63, -17.67

 

CMYK 8 / 0 / 23 / 22

HEX #B7C698

RGB 183 198 152

HSL 79.57, 0.29%, 0.69%

LAB 77.71, -13.11, 21.39

 

CMYK 23 / 8 / 0 / 22

HEX #99B8C7

RGB 153 184 199

HSL 199.57, 0.29%, 0.69%

LAB 73.01, -7.14, -11.06

 

CMYK 0 / 23 / 8 / 22

HEX #C799B8

RGB 199 153 184

HSL 319.57, 0.29%, 0.69%

LAB 68.3, 22.22, -9.42

 

CMYK 8 / 0 / 23 / 22

HEX #B7C698

RGB 183 198 152

HSL 79.57, 0.29%, 0.69%

LAB 77.71, -13.11, 21.39

 

CMYK 23 / 0 / 11 / 22

HEX #99C7B1

RGB 153 199 177

HSL 151.3, 0.29%, 0.69%

LAB 76.55, -19.63, 6.09

 

CMYK 16 / 23 / 0 / 22

HEX #A899C7

RGB 168 153 199

HSL 259.57, 0.29%, 0.69%

LAB 65.93, 14.71, -21.65

 

CMYK 0 / 23 / 12 / 22

HEX #C799AF

RGB 199 153 175

HSL 331.3, 0.29%, 0.69%

LAB 68.04, 20.67, -4.8

 

CMYK 8 / 0 / 23 / 22

HEX #B7C698

RGB 183 198 152

HSL 79.57, 0.29%, 0.69%

LAB 77.71, -13.11, 21.39

 

CMYK 23 / 0 / 5 / 22

HEX #99C7BE

RGB 153 199 190

HSL 168.26, 0.29%, 0.69%

LAB 76.88, -16.95, -0.45

 

CMYK 16 / 23 / 0 / 22

HEX #A899C7

RGB 168 153 199

HSL 259.57, 0.29%, 0.69%

LAB 65.93, 14.71, -21.65

 

CMYK 0 / 23 / 19 / 22

HEX #C799A1

RGB 199 153 161

HSL 349.57, 0.29%, 0.69%

LAB 67.65, 18.39, 2.46

 

Description

Color code: RGBA 183 198 152 0.3 | qconv.com Color code: RGBA 183 198 152 0.3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 198 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 198 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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