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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 182 219 231 0.75 it is the complementary color RGBA 73 36 24 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 182 219 231 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 182 219 231 0.75 shade: RGBA 187 219 226 0.75, RGBA 204 237 245 0.75, RGBA 221 255 255 0.75, RGBA 238 255 255 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 182 219 231 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 182 219 231 0.75 shade: RGBA 182 219 231 0.75, RGBA 165 201 212 0.75, RGBA 148 183 193 0.75, RGBA 131 165 174 0.75 and RGBA 114 147 155 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 182 206 231, RGB 182 193 231, RGB 185 182 231 and RGB 198 182 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 182 206 231, RGB 182 193 231 and RGB 182 182 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 182 219 231 0.75 shade matches the following richer shades: RGB 182 219 231, RGB 174 223 239, RGB 166 227 247 and RGB 158 231 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 190 215 223, RGB 198 211 216, RGB 205 207 208 and RGB 213 203 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 182 219 231 0.75 shade: RGB 182 231 216, RGB 182 231 230, RGB 182 220 231, RGB 182 207 231 and RGB 182 193 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 182 219 231 0.75 shade: RGB 120 189 211, RGB 151 204 221, RGB 182 219 231, RGB 213 234 241 and RGB 244 250 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 203 182 231 and RGB 231 223 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 231 182 220 and RGB 220 231 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 203 182 231, RGB 231 193 182 and RGB 210 231 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 182 219 231 0.75 shade: RGB 182 219 231, RGB 218 182 231, RGB 231 193 182 and RGB 195 231 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 4 / 0 / 7

HEX #B6DBE7BF

RGBA 182 219 231 0.75

HSLA 194.69, 0.51%, 0.81%, 0.75

LABA 85.19, -9.52, -9.91, 0.75

 

Complementary color

CMYK 0 / 38 / 50 / 54

HEX #492418BF

RGBA 73 36 24 0.75

HSLA 14.69, 0.51%, 0.19%, 0.75

LABA 18.99, 16.22, 15.73, 0.75

 

CMYK 13 / 2 / 0 / 9

HEX #BBDBE2BF

RGBA 187 219 226 0.75

HSLA 190.77, 0.4%, 0.81%, 0.75

LABA 85.36, -9.06, -6.97, 0.75

 

CMYK 13 / 2 / 0 / 3

HEX #CCEDF5BF

RGBA 204 237 245 0.75

HSLA 191.71, 0.67%, 0.88%, 0.75

LABA 91.68, -9.07, -7.47, 0.75

 

CMYK 10 / 0 / 0 / 0

HEX #DDFFFFBF

RGBA 221 255 255 0.75

HSLA 180, 1%, 0.93%, 0.75

LABA 97.68, -10.87, -3.69, 0.75

 

CMYK 5 / 0 / 0 / 0

HEX #EEFFFFBF

RGBA 238 255 255 0.75

HSLA 180, 1%, 0.97%, 0.75

LABA 98.8, -5.52, -1.92, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 16 / 4 / 0 / 7

HEX #B6DBE7BF

RGBA 182 219 231 0.75

HSLA 194.69, 0.51%, 0.81%, 0.75

LABA 85.19, -9.52, -9.91, 0.75

 

CMYK 17 / 4 / 0 / 13

HEX #A5C9D4BF

RGBA 165 201 212 0.75

HSLA 194.04, 0.35%, 0.74%, 0.75

LABA 78.77, -9.52, -9.44, 0.75

 

CMYK 17 / 4 / 0 / 18

HEX #94B7C1BF

RGBA 148 183 193 0.75

HSLA 193.33, 0.27%, 0.67%, 0.75

LABA 72.24, -9.51, -8.97, 0.75

 

CMYK 19 / 4 / 0 / 24

HEX #83A5AEBF

RGBA 131 165 174 0.75

HSLA 192.56, 0.21%, 0.6%, 0.75

LABA 65.59, -9.52, -8.48, 0.75

 

CMYK 20 / 4 / 0 / 29

HEX #72939BBF

RGBA 114 147 155 0.75

HSLA 191.71, 0.17%, 0.53%, 0.75

LABA 58.8, -9.53, -7.98, 0.75

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 21 / 11 / 0 / 9

HEX #B6CEE7

RGB 182 206 231

HSL 210.61, 0.51%, 0.81%

LAB 81.76, -2.75, -15.03

 

CMYK 21 / 16 / 0 / 9

HEX #B6C1E7

RGB 182 193 231

HSL 226.53, 0.51%, 0.81%

LAB 78.38, 4.19, -20.14

 

CMYK 20 / 21 / 0 / 9

HEX #B9B6E7

RGB 185 182 231

HSL 243.67, 0.51%, 0.81%

LAB 75.79, 11.09, -24.06

 

CMYK 14 / 21 / 0 / 9

HEX #C6B6E7

RGB 198 182 231

HSL 259.59, 0.51%, 0.81%

LAB 76.82, 15.16, -22.39

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 21 / 11 / 0 / 9

HEX #B6CEE7

RGB 182 206 231

HSL 210.61, 0.51%, 0.81%

LAB 81.76, -2.75, -15.03

 

CMYK 21 / 16 / 0 / 9

HEX #B6C1E7

RGB 182 193 231

HSL 226.53, 0.51%, 0.81%

LAB 78.38, 4.19, -20.14

 

CMYK 21 / 21 / 0 / 9

HEX #B6B6E7

RGB 182 182 231

HSL 240, 0.51%, 0.81%

LAB 75.56, 10.17, -24.42

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 27 / 7 / 0 / 6

HEX #AEDFEF

RGB 174 223 239

HSL 194.77, 0.67%, 0.81%

LAB 86.01, -12.16, -12.96

 

CMYK 33 / 8 / 0 / 3

HEX #A6E3F7

RGB 166 227 247

HSL 194.81, 0.84%, 0.81%

LAB 86.88, -14.57, -15.92

 

CMYK 38 / 9 / 0 / 0

HEX #9EE7FF

RGB 158 231 255

HSL 194.85, 1%, 0.81%

LAB 87.8, -16.75, -18.78

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 15 / 4 / 0 / 13

HEX #BED7DF

RGB 190 215 223

HSL 194.55, 0.34%, 0.81%

LAB 84.42, -6.67, -6.75

 

CMYK 8 / 2 / 0 / 15

HEX #C6D3D8

RGB 198 211 216

HSL 196.67, 0.19%, 0.81%

LAB 83.73, -3.41, -3.99

 

CMYK 1 / 0 / 0 / 18

HEX #CDCFD0

RGB 205 207 208

HSL 200, 0.03%, 0.81%

LAB 83, -0.49, -0.74

 

CMYK 0 / 5 / 6 / 16

HEX #D5CBC8

RGB 213 203 200

HSL 13.85, 0.13%, 0.81%

LAB 82.39, 2.94, 2.72

 

CMYK 21 / 0 / 6 / 9

HEX #B6E7D8

RGB 182 231 216

HSL 161.63, 0.51%, 0.81%

LAB 87.99, -18.71, 2.13

 

CMYK 21 / 0 / 0 / 9

HEX #B6E7E6

RGB 182 231 230

HSL 178.78, 0.51%, 0.81%

LAB 88.36, -15.83, -4.69

 

CMYK 21 / 5 / 0 / 9

HEX #B6DCE7

RGB 182 220 231

HSL 193.47, 0.51%, 0.81%

LAB 85.45, -10.04, -9.51

 

CMYK 21 / 10 / 0 / 9

HEX #B6CFE7

RGB 182 207 231

HSL 209.39, 0.51%, 0.81%

LAB 82.02, -3.28, -14.64

 

CMYK 21 / 16 / 0 / 9

HEX #B6C1E7

RGB 182 193 231

HSL 226.53, 0.51%, 0.81%

LAB 78.38, 4.19, -20.14

 

CMYK 43 / 10 / 0 / 17

HEX #78BDD3

RGB 120 189 211

HSL 194.51, 0.51%, 0.65%

LAB 72.95, -16.04, -17.88

 

CMYK 32 / 8 / 0 / 13

HEX #97CCDD

RGB 151 204 221

HSL 194.57, 0.51%, 0.73%

LAB 79.03, -13.1, -13.97

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 12 / 3 / 0 / 5

HEX #D5EAF1

RGB 213 234 241

HSL 195, 0.5%, 0.89%

LAB 91.39, -5.53, -5.76

 

CMYK 3 / 0 / 0 / 2

HEX #F4FAFB

RGB 244 250 251

HSL 188.57, 0.47%, 0.97%

LAB 97.86, -1.79, -1.18

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 12 / 21 / 0 / 9

HEX #CBB6E7

RGB 203 182 231

HSL 265.71, 0.51%, 0.81%

LAB 77.23, 16.75, -21.72

 

CMYK 0 / 3 / 21 / 9

HEX #E7DFB6

RGB 231 223 182

HSL 50.2, 0.51%, 0.81%

LAB 88.52, -3.77, 21.11

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 0 / 21 / 5 / 9

HEX #E7B6DC

RGB 231 182 220

HSL 313.47, 0.51%, 0.81%

LAB 79.39, 23.85, -12.27

 

CMYK 5 / 0 / 21 / 9

HEX #DCE7B6

RGB 220 231 182

HSL 73.47, 0.51%, 0.81%

LAB 89.74, -11.82, 22.67

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 12 / 21 / 0 / 9

HEX #CBB6E7

RGB 203 182 231

HSL 265.71, 0.51%, 0.81%

LAB 77.23, 16.75, -21.72

 

CMYK 0 / 16 / 21 / 9

HEX #E7C1B6

RGB 231 193 182

HSL 13.47, 0.51%, 0.81%

LAB 81.02, 11.84, 10.58

 

CMYK 9 / 0 / 21 / 9

HEX #D2E7B6

RGB 210 231 182

HSL 85.71, 0.51%, 0.81%

LAB 89.03, -15.4, 21.58

 

CMYK 21 / 5 / 0 / 9

HEX #B6DBE7

RGB 182 219 231

HSL 194.69, 0.51%, 0.81%

LAB 85.19, -9.52, -9.91

 

CMYK 6 / 21 / 0 / 9

HEX #DAB6E7

RGB 218 182 231

HSL 284.08, 0.51%, 0.81%

LAB 78.54, 21.58, -19.62

 

CMYK 0 / 16 / 21 / 9

HEX #E7C1B6

RGB 231 193 182

HSL 13.47, 0.51%, 0.81%

LAB 81.02, 11.84, 10.58

 

CMYK 16 / 0 / 21 / 9

HEX #C3E7B6

RGB 195 231 182

HSL 104.08, 0.51%, 0.81%

LAB 88.03, -20.63, 20.04

 

Description

Color code: RGBA 182 219 231 0.75 | qconv.com Color code: RGBA 182 219 231 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 219 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 219 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 4 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 4% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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