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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 182 214 189 0.75 it is the complementary color RGBA 73 41 66 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 182 214 189 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 182 214 189 0.75 shade: RGBA 187 214 184 0.75, RGBA 204 232 203 0.75, RGBA 221 250 222 0.75, RGBA 238 255 241 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 182 214 189 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 182 214 189 0.75 shade: RGBA 182 214 189 0.75, RGBA 165 196 170 0.75, RGBA 148 178 151 0.75, RGBA 131 160 132 0.75 and RGBA 114 142 113 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 182 214 189 0.75 shade: RGB 183 215 190, RGB 185 215 183, RGB 193 215 183, RGB 202 215 183 and RGB 210 215 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 182 214 189 0.75 shade: RGB 183 215 190, RGB 183 215 199, RGB 183 215 207, RGB 183 214 215 and RGB 183 205 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 182 214 189 0.75 shade matches the following richer shades: RGB 183 215 190, RGB 174 224 185, RGB 165 233 180, RGB 156 242 175 and RGB 147 251 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 182 214 189 0.75 shade: RGB 183 215 190, RGB 192 206 195, RGB 201 196 200, RGB 210 187 205 and RGB 219 178 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 182 214 189 0.75 shade: RGB 193 215 183, RGB 185 215 183, RGB 183 215 190, RGB 183 215 198 and RGB 183 215 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 182 214 189 0.75 shade: RGB 130 185 142, RGB 157 200 166, RGB 183 215 190, RGB 210 229 214 and RGB 236 244 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 182 214 189 0.75 shade: RGB 182 214 189, RGB 183 202 215 and RGB 215 183 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 182 214 189 0.75 shade: RGB 182 214 189, RGB 190 183 215 and RGB 215 190 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 182 214 189 0.75 shade: RGB 182 214 189, RGB 183 202 215, RGB 215 183 208 and RGB 215 196 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 182 214 189 0.75 shade: RGB 182 214 189, RGB 183 192 215, RGB 215 183 208 and RGB 215 206 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 9 / 12

HEX #B6D6BDBF

RGBA 182 214 189 0.75

HSLA 133.13, 0.28%, 0.78%, 0.75

LABA 82.76, -15.38, 8.82, 0.75

 

Complementary color

CMYK 0 / 33 / 7 / 54

HEX #492942BF

RGBA 73 41 66 0.75

HSLA 313.13, 0.28%, 0.22%, 0.75

LABA 21.56, 19.29, -9.48, 0.75

 

CMYK 9 / 0 / 11 / 12

HEX #BBD6B8BF

RGBA 187 214 184 0.75

HSLA 114, 0.27%, 0.78%, 0.75

LABA 82.98, -14.58, 11.82, 0.75

 

CMYK 9 / 0 / 9 / 7

HEX #CCE8CBBF

RGBA 204 232 203 0.75

HSLA 117.93, 0.39%, 0.85%, 0.75

LABA 89.33, -14.53, 11.03, 0.75

 

CMYK 9 / 0 / 8 / 1

HEX #DDFADEBF

RGBA 221 250 222 0.75

HSLA 122.07, 0.74%, 0.92%, 0.75

LABA 95.59, -14.49, 10.27, 0.75

 

CMYK 5 / 0 / 4 / 0

HEX #EEFFF1BF

RGBA 238 255 241 0.75

HSLA 130.59, 1%, 0.97%, 0.75

LABA 98.45, -8.04, 4.77, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 11 / 0 / 9 / 12

HEX #B6D6BDBF

RGBA 182 214 189 0.75

HSLA 133.13, 0.28%, 0.78%, 0.75

LABA 82.76, -15.38, 8.82, 0.75

 

CMYK 12 / 0 / 10 / 17

HEX #A5C4AABF

RGBA 165 196 170 0.75

HSLA 129.68, 0.21%, 0.71%, 0.75

LABA 76.3, -15.48, 9.6, 0.75

 

CMYK 13 / 0 / 11 / 23

HEX #94B297BF

RGBA 148 178 151 0.75

HSLA 126, 0.16%, 0.64%, 0.75

LABA 69.73, -15.58, 10.43, 0.75

 

CMYK 14 / 0 / 13 / 28

HEX #83A084BF

RGBA 131 160 132 0.75

HSLA 122.07, 0.13%, 0.57%, 0.75

LABA 63.04, -15.71, 11.31, 0.75

 

CMYK 15 / 0 / 15 / 33

HEX #728E71BF

RGBA 114 142 113 0.75

HSLA 117.93, 0.11%, 0.5%, 0.75

LABA 56.2, -15.86, 12.25, 0.75

 

CMYK 15 / 0 / 12 / 16

HEX #B7D7BE

RGB 183 215 190

HSL 133.13, 0.29%, 0.78%

LAB 83.12, -15.37, 8.81

 

CMYK 14 / 0 / 15 / 16

HEX #B9D7B7

RGB 185 215 183

HSL 116.25, 0.29%, 0.78%

LAB 83.09, -15.95, 12.49

 

CMYK 10 / 0 / 15 / 16

HEX #C1D7B7

RGB 193 215 183

HSL 101.25, 0.29%, 0.78%

LAB 83.63, -13.19, 13.33

 

CMYK 6 / 0 / 15 / 16

HEX #CAD7B7

RGB 202 215 183

HSL 84.38, 0.29%, 0.78%

LAB 84.26, -10.03, 14.32

 

CMYK 2 / 0 / 15 / 16

HEX #D2D7B7

RGB 210 215 183

HSL 69.38, 0.29%, 0.78%

LAB 84.85, -7.17, 15.23

 

CMYK 15 / 0 / 12 / 16

HEX #B7D7BE

RGB 183 215 190

HSL 133.13, 0.29%, 0.78%

LAB 83.12, -15.37, 8.81

 

CMYK 15 / 0 / 7 / 16

HEX #B7D7C7

RGB 183 215 199

HSL 150, 0.29%, 0.78%

LAB 83.33, -13.69, 4.34

 

CMYK 15 / 0 / 4 / 16

HEX #B7D7CF

RGB 183 215 207

HSL 165, 0.29%, 0.78%

LAB 83.53, -12.14, 0.39

 

CMYK 15 / 0 / 0 / 16

HEX #B7D6D7

RGB 183 214 215

HSL 181.88, 0.29%, 0.78%

LAB 83.48, -10.01, -3.95

 

CMYK 15 / 5 / 0 / 16

HEX #B7CDD7

RGB 183 205 215

HSL 198.75, 0.29%, 0.78%

LAB 81.09, -5.34, -7.47

 

CMYK 15 / 0 / 12 / 16

HEX #B7D7BE

RGB 183 215 190

HSL 133.13, 0.29%, 0.78%

LAB 83.12, -15.37, 8.81

 

CMYK 22 / 0 / 17 / 12

HEX #AEE0B9

RGB 174 224 185

HSL 133.2, 0.45%, 0.78%

LAB 84.9, -23.72, 13.9

 

CMYK 29 / 0 / 23 / 9

HEX #A5E9B4

RGB 165 233 180

HSL 133.24, 0.61%, 0.78%

LAB 86.79, -31.78, 19.08

 

CMYK 36 / 0 / 28 / 5

HEX #9CF2AF

RGB 156 242 175

HSL 133.26, 0.77%, 0.78%

LAB 88.77, -39.51, 24.33

 

CMYK 41 / 0 / 32 / 2

HEX #93FBAA

RGB 147 251 170

HSL 133.27, 0.93%, 0.78%

LAB 90.83, -46.89, 29.6

 

CMYK 15 / 0 / 12 / 16

HEX #B7D7BE

RGB 183 215 190

HSL 133.13, 0.29%, 0.78%

LAB 83.12, -15.37, 8.81

 

CMYK 7 / 0 / 5 / 19

HEX #C0CEC3

RGB 192 206 195

HSL 132.86, 0.13%, 0.78%

LAB 81.45, -6.8, 3.83

 

CMYK 0 / 2 / 0 / 21

HEX #C9C4C8

RGB 201 196 200

HSL 312, 0.04%, 0.78%

LAB 79.65, 2.47, -1.39

 

CMYK 0 / 11 / 2 / 18

HEX #D2BBCD

RGB 210 187 205

HSL 313.04, 0.2%, 0.78%

LAB 78.26, 11.3, -6.06

 

CMYK 0 / 19 / 4 / 14

HEX #DBB2D2

RGB 219 178 210

HSL 313.17, 0.36%, 0.78%

LAB 77.01, 20.15, -10.53

 

CMYK 10 / 0 / 15 / 16

HEX #C1D7B7

RGB 193 215 183

HSL 101.25, 0.29%, 0.78%

LAB 83.63, -13.19, 13.33

 

CMYK 14 / 0 / 15 / 16

HEX #B9D7B7

RGB 185 215 183

HSL 116.25, 0.29%, 0.78%

LAB 83.09, -15.95, 12.49

 

CMYK 15 / 0 / 12 / 16

HEX #B7D7BE

RGB 183 215 190

HSL 133.13, 0.29%, 0.78%

LAB 83.12, -15.37, 8.81

 

CMYK 15 / 0 / 8 / 16

HEX #B7D7C6

RGB 183 215 198

HSL 148.13, 0.29%, 0.78%

LAB 83.31, -13.88, 4.84

 

CMYK 15 / 0 / 4 / 16

HEX #B7D7CF

RGB 183 215 207

HSL 165, 0.29%, 0.78%

LAB 83.53, -12.14, 0.39

 

CMYK 30 / 0 / 23 / 27

HEX #82B98E

RGB 130 185 142

HSL 133.09, 0.28%, 0.62%

LAB 70.45, -26.86, 16.19

 

CMYK 22 / 0 / 17 / 22

HEX #9DC8A6

RGB 157 200 166

HSL 132.56, 0.28%, 0.7%

LAB 76.82, -20.93, 12.41

 

CMYK 15 / 0 / 12 / 16

HEX #B7D7BE

RGB 183 215 190

HSL 133.13, 0.29%, 0.78%

LAB 83.12, -15.37, 8.81

 

CMYK 8 / 0 / 7 / 10

HEX #D2E5D6

RGB 210 229 214

HSL 132.63, 0.27%, 0.86%

LAB 89.2, -9.06, 5.15

 

CMYK 3 / 0 / 2 / 4

HEX #ECF4EE

RGB 236 244 238

HSL 135, 0.27%, 0.94%

LAB 95.46, -3.71, 1.95

 

CMYK 15 / 0 / 12 / 16

HEX #B6D6BD

RGB 182 214 189

HSL 133.13, 0.28%, 0.78%

LAB 82.76, -15.38, 8.82

 

CMYK 15 / 6 / 0 / 16

HEX #B7CAD7

RGB 183 202 215

HSL 204.38, 0.29%, 0.78%

LAB 80.3, -3.76, -8.65

 

CMYK 0 / 15 / 12 / 16

HEX #D7B7BD

RGB 215 183 189

HSL 348.75, 0.29%, 0.78%

LAB 77.27, 12.44, 1.22

 

CMYK 15 / 0 / 12 / 16

HEX #B6D6BD

RGB 182 214 189

HSL 133.13, 0.28%, 0.78%

LAB 82.76, -15.38, 8.82

 

CMYK 12 / 15 / 0 / 16

HEX #BEB7D7

RGB 190 183 215

HSL 253.13, 0.29%, 0.78%

LAB 75.9, 8.68, -15.17

 

CMYK 0 / 12 / 15 / 16

HEX #D7BEB7

RGB 215 190 183

HSL 13.13, 0.29%, 0.78%

LAB 78.86, 7.72, 6.77

 

CMYK 15 / 0 / 12 / 16

HEX #B6D6BD

RGB 182 214 189

HSL 133.13, 0.28%, 0.78%

LAB 82.76, -15.38, 8.82

 

CMYK 15 / 6 / 0 / 16

HEX #B7CAD7

RGB 183 202 215

HSL 204.38, 0.29%, 0.78%

LAB 80.3, -3.76, -8.65

 

CMYK 0 / 15 / 3 / 16

HEX #D7B7D0

RGB 215 183 208

HSL 313.13, 0.29%, 0.78%

LAB 77.8, 15.72, -8.32

 

CMYK 0 / 9 / 15 / 16

HEX #D7C4B7

RGB 215 196 183

HSL 24.38, 0.29%, 0.78%

LAB 80.37, 4.54, 8.93

Pantone® 4755 C

CMYK 15 / 0 / 12 / 16

HEX #B6D6BD

RGB 182 214 189

HSL 133.13, 0.28%, 0.78%

LAB 82.76, -15.38, 8.82

 

CMYK 15 / 11 / 0 / 16

HEX #B7C0D7

RGB 183 192 215

HSL 223.13, 0.29%, 0.78%

LAB 77.68, 1.55, -12.55

 

CMYK 0 / 15 / 3 / 16

HEX #D7B7D0

RGB 215 183 208

HSL 313.13, 0.29%, 0.78%

LAB 77.8, 15.72, -8.32

 

CMYK 0 / 4 / 15 / 16

HEX #D7CEB7

RGB 215 206 183

HSL 43.13, 0.29%, 0.78%

LAB 82.92, -0.71, 12.55

 

Description

Color code: RGBA 182 214 189 0.75 | qconv.com Color code: RGBA 182 214 189 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 214 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 214 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 9 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 9% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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