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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGBA 179 163 161 0 it is the complementary color RGBA 76 92 94 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGBA 179 163 161 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGBA 179 163 161 0 shade: RGBA 184 163 156 0, RGBA 201 181 175 0, RGBA 218 199 194 0, RGBA 235 217 213 0 and RGBA 252 235 232 0
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGBA 179 163 161 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGBA 179 163 161 0 shade: RGBA 179 163 161 0, RGBA 162 145 142 0, RGBA 145 127 123 0, RGBA 128 109 104 0 and RGBA 111 91 85 0
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGBA 179 163 161 0 shade: RGB 180 164 162 and RGB 180 162 162
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGBA 179 163 161 0 shade: RGB 180 164 162, RGB 180 169 162, RGB 180 174 162, RGB 180 179 162 and RGB 177 180 162
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGBA 179 163 161 0 shade matches the following richer shades: RGB 180 164 162, RGB 194 153 148, RGB 207 142 134, RGB 221 132 121 and RGB 235 121 107
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGBA 179 163 161 0 shade: RGB 180 164 162, RGB 166 174 175, RGB 153 185 189, RGB 139 195 202 and RGB 126 206 216
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGBA 179 163 161 0 shade: RGB 180 162 170, RGB 180 162 165, RGB 180 163 162, RGB 180 168 162 and RGB 180 173 162
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGBA 179 163 161 0 shade: RGB 143 119 116, RGB 162 141 139, RGB 180 164 162, RGB 198 186 184 and RGB 217 208 207
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGBA 179 163 161 0 shade: RGB 179 163 161, RGB 175 180 162 and RGB 162 167 180
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGBA 179 163 161 0 shade: RGB 179 163 161, RGB 162 180 163 and RGB 163 162 180
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGBA 179 163 161 0 shade: RGB 179 163 161, RGB 175 180 162, RGB 162 178 180 and RGB 167 162 180
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGBA 179 163 161 0 shade: RGB 179 163 161, RGB 169 180 162, RGB 162 178 180 and RGB 173 162 180
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSLA 6.67, 0.11%, 0.67%, 0
LABA 68.28, 5.46, 3.14, 0
Complementary color
HSLA 186.67, 0.11%, 0.33%, 0
LABA 37.84, -5.64, -3.21, 0
Lighter colors
HSLA 13.85, 0.19%, 0.74%, 0
LABA 75.18, 6.13, 5.64, 0
HSLA 10.91, 0.35%, 0.88%, 0
LABA 88.01, 5.52, 4.19, 0
Darker colors
HSLA 6.67, 0.11%, 0.67%, 0
LABA 68.28, 5.46, 3.14, 0
HSLA 10.91, 0.09%, 0.53%, 0
LABA 54.69, 6.17, 4.69, 0
Warmer colors
Colder colors
Richer colors
Paler colors
Analogue colors
Monochromatic colors
Partial complementary colors
Triadic colors
Rectangular (tetradic) colors
Square colors
Description
Bright color: high color values create a bright impression.
The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 163 green and 161 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
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Sherwin Williams® to CMYK
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