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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 177 60 7 0.6 it is the complementary color RGBA 78 195 248 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 177 60 7 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 177 60 7 0.6 shade: RGBA 182 60 2 0.6, RGBA 199 78 21 0.6, RGBA 216 96 40 0.6, RGBA 233 114 59 0.6 and RGBA 250 132 78 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 177 60 7 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 177 60 7 0.6 shade: RGBA 177 60 7 0.6, RGBA 160 42 0 0.6, RGBA 143 24 0 0.6, RGBA 126 6 0 0.6 and RGBA 109 0 0 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 177 60 7 0.6 shade: RGB 176 60 7, RGB 176 14 7 and RGB 176 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 177 60 7 0.6 shade: RGB 176 60 7, RGB 176 106 7, RGB 176 151 7, RGB 156 176 7 and RGB 110 176 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 177 60 7 0.6 shade matches the following richer shades: RGB 176 60 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 177 60 7 0.6 shade: RGB 176 60 7, RGB 161 66 22, RGB 147 71 37, RGB 132 77 52 and RGB 117 82 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 177 60 7 0.6 shade: RGB 176 7 47, RGB 176 13 7, RGB 176 58 7, RGB 176 103 7 and RGB 176 148 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 177 60 7 0.6 shade: RGB 97 33 4, RGB 137 47 6, RGB 176 60 7, RGB 216 74 9 and RGB 245 91 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 177 60 7 0.6 shade: RGB 177 60 7, RGB 92 176 7 and RGB 7 24 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 177 60 7 0.6 shade: RGB 177 60 7, RGB 7 176 58 and RGB 58 7 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 177 60 7 0.6 shade: RGB 177 60 7, RGB 92 176 7, RGB 7 126 176 and RGB 92 7 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 177 60 7 0.6 shade: RGB 177 60 7, RGB 41 176 7, RGB 7 126 176 and RGB 142 7 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 58 / 18

HEX #B13C0799

RGBA 177 60 7 0.6

HSLA 18.71, 0.92%, 0.36%, 0.6

LABA 42.15, 45.7, 51.37, 0.6

 

Complementary color

CMYK 41 / 13 / 0 / 2

HEX #4EC3F899

RGBA 78 195 248 0.6

HSLA 198.71, 0.92%, 0.64%, 0.6

LABA 74.46, -16.48, -35.73, 0.6

 

CMYK 0 / 40 / 59 / 17

HEX #B63C0299

RGBA 182 60 2 0.6

HSLA 19.33, 0.98%, 0.36%, 0.6

LABA 43.03, 47.42, 53.85, 0.6

 

CMYK 0 / 36 / 54 / 13

HEX #C74E1599

RGBA 199 78 21 0.6

HSLA 19.21, 0.81%, 0.43%, 0.6

LABA 49.06, 45.84, 53.69, 0.6

 

CMYK 0 / 33 / 49 / 9

HEX #D8602899

RGBA 216 96 40 0.6

HSLA 19.09, 0.69%, 0.5%, 0.6

LABA 55.19, 44.14, 52.41, 0.6

 

CMYK 0 / 31 / 45 / 5

HEX #E9723B99

RGBA 233 114 59 0.6

HSLA 18.97, 0.8%, 0.57%, 0.6

LABA 61.37, 42.47, 50.57, 0.6

 

CMYK 0 / 28 / 41 / 1

HEX #FA844E99

RGBA 250 132 78 0.6

HSLA 18.84, 0.95%, 0.64%, 0.6

LABA 67.56, 40.89, 48.61, 0.6

 

CMYK 0 / 40 / 58 / 18

HEX #B13C0799

RGBA 177 60 7 0.6

HSLA 18.71, 0.92%, 0.36%, 0.6

LABA 42.15, 45.7, 51.37, 0.6

 

CMYK 0 / 44 / 60 / 22

HEX #A02A0099

RGBA 160 42 0 0.6

HSLA 15.75, 1%, 0.31%, 0.6

LABA 36.23, 47, 48.82, 0.6

 

CMYK 0 / 50 / 60 / 26

HEX #8F180099

RGBA 143 24 0 0.6

HSLA 10.07, 1%, 0.28%, 0.6

LABA 30.62, 47.44, 43.66, 0.6

 

CMYK 0 / 57 / 60 / 30

HEX #7E060099

RGBA 126 6 0 0.6

HSLA 2.86, 1%, 0.25%, 0.6

LABA 25.46, 46.36, 37.83, 0.6

 

CMYK 0 / 60 / 60 / 34

HEX #6D000099

RGBA 109 0 0 0.6

HSLA 0, 1%, 0.21%, 0.6

LABA 21.02, 42.84, 32.03, 0.6

 

CMYK 0 / 66 / 96 / 31

HEX #B03C07

RGB 176 60 7

HSL 18.82, 0.92%, 0.36%

LAB 41.96, 45.34, 51.17

 

CMYK 0 / 92 / 96 / 31

HEX #B00E07

RGB 176 14 7

HSL 2.49, 0.92%, 0.36%

LAB 37.04, 59.04, 48.31

 

CMYK 0 / 96 / 96 / 31

HEX #B00707

RGB 176 7 7

HSL 0, 0.92%, 0.36%

LAB 36.74, 59.91, 48.15

 

CMYK 0 / 66 / 96 / 31

HEX #B03C07

RGB 176 60 7

HSL 18.82, 0.92%, 0.36%

LAB 41.96, 45.34, 51.17

 

CMYK 0 / 40 / 96 / 31

HEX #B06A07

RGB 176 106 7

HSL 35.15, 0.92%, 0.36%

LAB 51.33, 21.81, 57.35

 

CMYK 0 / 14 / 96 / 31

HEX #B09707

RGB 176 151 7

HSL 51.12, 0.92%, 0.36%

LAB 62.83, -3.12, 65.61

 

CMYK 11 / 0 / 96 / 31

HEX #9CB007

RGB 156 176 7

HSL 67.1, 0.92%, 0.36%

LAB 68.12, -24.92, 68.85

 

CMYK 38 / 0 / 96 / 31

HEX #6EB007

RGB 110 176 7

HSL 83.43, 0.92%, 0.36%

LAB 65.26, -43.31, 65.39

 

CMYK 0 / 66 / 96 / 31

HEX #B03C07

RGB 176 60 7

HSL 18.82, 0.92%, 0.36%

LAB 41.96, 45.34, 51.17

 

CMYK 0 / 66 / 96 / 31

HEX #B03C07

RGB 176 60 7

HSL 18.82, 0.92%, 0.36%

LAB 41.96, 45.34, 51.17

 

CMYK 0 / 59 / 86 / 37

HEX #A14216

RGB 161 66 22

HSL 18.99, 0.76%, 0.36%

LAB 40.46, 37.19, 43.71

 

CMYK 0 / 52 / 75 / 42

HEX #934725

RGB 147 71 37

HSL 18.55, 0.6%, 0.36%

LAB 39.31, 29.47, 34.48

 

CMYK 0 / 42 / 61 / 48

HEX #844D34

RGB 132 77 52

HSL 18.75, 0.43%, 0.36%

LAB 38.66, 20.62, 24.61

 

CMYK 0 / 30 / 43 / 54

HEX #755243

RGB 117 82 67

HSL 18, 0.27%, 0.36%

LAB 38.24, 12.56, 14.62

 

CMYK 0 / 96 / 73 / 31

HEX #B0072F

RGB 176 7 47

HSL 345.8, 0.92%, 0.36%

LAB 37.09, 60.89, 27.55

 

CMYK 0 / 93 / 96 / 31

HEX #B00D07

RGB 176 13 7

HSL 2.13, 0.92%, 0.36%

LAB 36.99, 59.18, 48.29

 

CMYK 0 / 67 / 96 / 31

HEX #B03A07

RGB 176 58 7

HSL 18.11, 0.92%, 0.36%

LAB 41.64, 46.21, 50.98

 

CMYK 0 / 41 / 96 / 31

HEX #B06707

RGB 176 103 7

HSL 34.08, 0.92%, 0.36%

LAB 50.62, 23.47, 56.86

 

CMYK 0 / 16 / 96 / 31

HEX #B09407

RGB 176 148 7

HSL 50.06, 0.92%, 0.36%

LAB 62.02, -1.5, 65.01

 

CMYK 0 / 66 / 96 / 62

HEX #612104

RGB 97 33 4

HSL 18.71, 0.92%, 0.2%

LAB 22.44, 27.67, 31.14

 

CMYK 0 / 66 / 96 / 46

HEX #892F06

RGB 137 47 6

HSL 18.78, 0.92%, 0.28%

LAB 32.62, 36.75, 42.02

 

CMYK 0 / 66 / 96 / 31

HEX #B03C07

RGB 176 60 7

HSL 18.82, 0.92%, 0.36%

LAB 41.96, 45.34, 51.17

 

CMYK 0 / 66 / 96 / 15

HEX #D84A09

RGB 216 74 9

HSL 18.84, 0.92%, 0.44%

LAB 51.29, 53.47, 59.92

 

CMYK 0 / 63 / 91 / 4

HEX #F55B15

RGB 245 91 21

HSL 18.75, 0.92%, 0.52%

LAB 58.93, 56.46, 64.28

 

CMYK 0 / 66 / 96 / 31

HEX #B13C07

RGB 177 60 7

HSL 18.71, 0.92%, 0.36%

LAB 42.15, 45.7, 51.37

 

CMYK 48 / 0 / 96 / 31

HEX #5CB007

RGB 92 176 7

HSL 89.82, 0.92%, 0.36%

LAB 64.44, -49.43, 64.38

 

CMYK 96 / 86 / 0 / 31

HEX #0718B0

RGB 7 24 176

HSL 233.96, 0.92%, 0.36%

LAB 23.11, 52.8, -77.43

 

CMYK 0 / 66 / 96 / 31

HEX #B13C07

RGB 177 60 7

HSL 18.71, 0.92%, 0.36%

LAB 42.15, 45.7, 51.37

 

CMYK 96 / 0 / 67 / 31

HEX #07B03A

RGB 7 176 58

HSL 138.11, 0.92%, 0.36%

LAB 62.84, -61.62, 48.17

 

CMYK 67 / 96 / 0 / 31

HEX #3A07B0

RGB 58 7 176

HSL 258.11, 0.92%, 0.36%

LAB 24.28, 59.71, -75.42

 

CMYK 0 / 66 / 96 / 31

HEX #B13C07

RGB 177 60 7

HSL 18.71, 0.92%, 0.36%

LAB 42.15, 45.7, 51.37

 

CMYK 48 / 0 / 96 / 31

HEX #5CB007

RGB 92 176 7

HSL 89.82, 0.92%, 0.36%

LAB 64.44, -49.43, 64.38

 

CMYK 96 / 28 / 0 / 31

HEX #077EB0

RGB 7 126 176

HSL 197.75, 0.92%, 0.36%

LAB 49.62, -10.35, -34.46

 

CMYK 48 / 96 / 0 / 31

HEX #5C07B0

RGB 92 7 176

HSL 270.18, 0.92%, 0.36%

LAB 28.28, 62.23, -68.66

 

CMYK 0 / 66 / 96 / 31

HEX #B13C07

RGB 177 60 7

HSL 18.71, 0.92%, 0.36%

LAB 42.15, 45.7, 51.37

 

CMYK 77 / 0 / 96 / 31

HEX #29B007

RGB 41 176 7

HSL 107.93, 0.92%, 0.36%

LAB 62.96, -61.54, 62.56

 

CMYK 96 / 28 / 0 / 31

HEX #077EB0

RGB 7 126 176

HSL 197.75, 0.92%, 0.36%

LAB 49.62, -10.35, -34.46

 

CMYK 19 / 96 / 0 / 31

HEX #8E07B0

RGB 142 7 176

HSL 287.93, 0.92%, 0.36%

LAB 36.06, 68.32, -55.62

 

Description

Color code: RGBA 177 60 7 0.6 | qconv.com Color code: RGBA 177 60 7 0.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 60 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 60 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 58 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 58% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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