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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 177 36 53 0 it is the complementary color RGBA 78 219 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 177 36 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 177 36 53 0 shade: RGBA 182 36 48 0, RGBA 199 54 67 0, RGBA 216 72 86 0, RGBA 233 90 105 0 and RGBA 250 108 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 177 36 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 177 36 53 0 shade: RGBA 177 36 53 0, RGBA 160 18 34 0, RGBA 143 0 15 0, RGBA 126 0 0 0 and RGBA 109 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 177 36 53 0 shade: RGB 178 36 53 and RGB 178 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 177 36 53 0 shade: RGB 178 36 53, RGB 178 36 92, RGB 178 36 130, RGB 178 36 168 and RGB 150 36 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 177 36 53 0 shade matches the following richer shades: RGB 178 36 53, RGB 195 19 40 and RGB 212 2 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 177 36 53 0 shade: RGB 178 36 53, RGB 160 54 67, RGB 143 71 80, RGB 126 88 93 and RGB 108 106 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 177 36 53 0 shade: RGB 178 36 131, RGB 178 36 93, RGB 178 36 55, RGB 178 55 36 and RGB 178 93 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 177 36 53 0 shade: RGB 109 22 33, RGB 144 29 43, RGB 178 36 53, RGB 212 44 64 and RGB 219 78 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 177 36 53 0 shade: RGB 177 36 53, RGB 168 178 36 and RGB 36 112 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 177 36 53 0 shade: RGB 177 36 53, RGB 55 178 36 and RGB 36 55 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 177 36 53 0 shade: RGB 177 36 53, RGB 168 178 36, RGB 36 178 159 and RGB 46 36 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 177 36 53 0 shade: RGB 177 36 53, RGB 126 178 36, RGB 36 178 159 and RGB 88 36 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #B1243500

RGBA 177 36 53 0

HSLA 352.77, 0.66%, 0.42%, 0

LABA 39.35, 55.82, 26.58, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #4EDBCA00

RGBA 78 219 202 0

HSLA 172.77, 0.66%, 0.58%, 0

LABA 79.92, -41.5, -2.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B6243000

RGBA 182 36 48 0

HSLA 355.07, 0.67%, 0.43%, 0

LABA 40.28, 57.05, 30.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C7364300

RGBA 199 54 67 0

HSLA 354.62, 0.57%, 0.5%, 0

LABA 45.89, 57.34, 27.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D8485600

RGBA 216 72 86 0

HSLA 354.17, 0.65%, 0.56%, 0

LABA 51.73, 57.04, 23.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E95A6900

RGBA 233 90 105 0

HSLA 353.71, 0.76%, 0.63%, 0

LABA 57.71, 56.39, 21.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FA6C7C00

RGBA 250 108 124 0

HSLA 353.24, 0.93%, 0.7%, 0

LABA 63.76, 55.56, 18.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B1243500

RGBA 177 36 53 0

HSLA 352.77, 0.66%, 0.42%, 0

LABA 39.35, 55.82, 26.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A0122200

RGBA 160 18 34 0

HSLA 353.24, 0.8%, 0.35%, 0

LABA 34.03, 54.58, 31.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8F000F00

RGBA 143 0 15 0

HSLA 353.71, 1%, 0.28%, 0

LABA 29.09, 52.32, 36.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E000000

RGBA 126 0 0 0

HSLA 0, 1%, 0.25%, 0

LABA 25.06, 47.51, 37.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D000000

RGBA 109 0 0 0

HSLA 0, 1%, 0.21%, 0

LABA 21.02, 42.84, 32.03, 0

 

CMYK 0 / 80 / 70 / 30

HEX #B22435

RGB 178 36 53

HSL 352.82, 0.66%, 0.42%

LAB 39.55, 56.11, 26.87

 

CMYK 0 / 80 / 80 / 30

HEX #B22424

RGB 178 36 36

HSL 0, 0.66%, 0.42%

LAB 39.33, 55.42, 36.75

 

CMYK 0 / 80 / 70 / 30

HEX #B22435

RGB 178 36 53

HSL 352.82, 0.66%, 0.42%

LAB 39.55, 56.11, 26.87

 

CMYK 0 / 80 / 48 / 30

HEX #B2245C

RGB 178 36 92

HSL 336.34, 0.66%, 0.42%

LAB 40.41, 58.76, 3.43

 

CMYK 0 / 80 / 27 / 30

HEX #B22482

RGB 178 36 130

HSL 320.28, 0.66%, 0.42%

LAB 41.75, 62.75, -18.3

 

CMYK 0 / 80 / 6 / 30

HEX #B224A8

RGB 178 36 168

HSL 304.23, 0.66%, 0.42%

LAB 43.59, 67.98, -38.43

 

CMYK 16 / 80 / 0 / 30

HEX #9624B2

RGB 150 36 178

HSL 288.17, 0.66%, 0.42%

LAB 39.51, 64.16, -51.15

 

CMYK 0 / 80 / 70 / 30

HEX #B22435

RGB 178 36 53

HSL 352.82, 0.66%, 0.42%

LAB 39.55, 56.11, 26.87

 

CMYK 0 / 90 / 79 / 24

HEX #C31328

RGB 195 19 40

HSL 352.84, 0.82%, 0.42%

LAB 41.57, 64, 37.87

 

CMYK 0 / 99 / 87 / 17

HEX #D4021B

RGB 212 2 27

HSL 352.86, 0.98%, 0.42%

LAB 44.4, 69.82, 48.7

 

CMYK 0 / 80 / 70 / 30

HEX #B22435

RGB 178 36 53

HSL 352.82, 0.66%, 0.42%

LAB 39.55, 56.11, 26.87

 

CMYK 0 / 66 / 58 / 37

HEX #A03643

RGB 160 54 67

HSL 352.64, 0.5%, 0.42%

LAB 38.76, 44.75, 16.43

 

CMYK 0 / 50 / 44 / 44

HEX #8F4750

RGB 143 71 80

HSL 352.5, 0.34%, 0.42%

LAB 39.45, 31.35, 8.79

 

CMYK 0 / 30 / 26 / 51

HEX #7E585D

RGB 126 88 93

HSL 352.11, 0.18%, 0.42%

LAB 41.54, 16.48, 3.4

 

CMYK 0 / 2 / 2 / 58

HEX #6C6A6A

RGB 108 106 106

HSL 0, 0.01%, 0.42%

LAB 44.99, 0.78, 0.27

 

CMYK 0 / 80 / 26 / 30

HEX #B22483

RGB 178 36 131

HSL 319.86, 0.66%, 0.42%

LAB 41.79, 62.87, -18.85

 

CMYK 0 / 80 / 48 / 30

HEX #B2245D

RGB 178 36 93

HSL 335.92, 0.66%, 0.42%

LAB 40.44, 58.84, 2.84

 

CMYK 0 / 80 / 69 / 30

HEX #B22437

RGB 178 36 55

HSL 351.97, 0.66%, 0.42%

LAB 39.58, 56.21, 25.67

 

CMYK 0 / 69 / 80 / 30

HEX #B23724

RGB 178 55 36

HSL 8.03, 0.66%, 0.42%

LAB 41.73, 48.79, 39.18

 

CMYK 0 / 48 / 80 / 30

HEX #B25D24

RGB 178 93 36

HSL 24.08, 0.66%, 0.42%

LAB 48.79, 30.48, 46.11

 

CMYK 0 / 80 / 70 / 57

HEX #6D1621

RGB 109 22 33

HSL 352.41, 0.66%, 0.26%

LAB 23.45, 38.19, 16.74

 

CMYK 0 / 80 / 70 / 44

HEX #901D2B

RGB 144 29 43

HSL 352.7, 0.66%, 0.34%

LAB 31.77, 47.54, 22.08

 

CMYK 0 / 80 / 70 / 30

HEX #B22435

RGB 178 36 53

HSL 352.82, 0.66%, 0.42%

LAB 39.55, 56.11, 26.87

 

CMYK 0 / 79 / 70 / 17

HEX #D42C40

RGB 212 44 64

HSL 352.86, 0.66%, 0.5%

LAB 47.19, 64.13, 31.02

 

CMYK 0 / 64 / 57 / 14

HEX #DB4E5F

RGB 219 78 95

HSL 352.77, 0.66%, 0.58%

LAB 53.31, 56.18, 20.64

 

CMYK 0 / 80 / 70 / 31

HEX #B12435

RGB 177 36 53

HSL 352.77, 0.66%, 0.42%

LAB 39.35, 55.82, 26.58

 

CMYK 6 / 0 / 80 / 30

HEX #A8B224

RGB 168 178 36

HSL 64.23, 0.66%, 0.42%

LAB 69.68, -20.07, 64.87

 

CMYK 80 / 37 / 0 / 30

HEX #2470B2

RGB 36 112 178

HSL 207.89, 0.66%, 0.42%

LAB 45.88, 0.81, -41.49

 

CMYK 0 / 80 / 70 / 31

HEX #B12435

RGB 177 36 53

HSL 352.77, 0.66%, 0.42%

LAB 39.35, 55.82, 26.58

 

CMYK 69 / 0 / 80 / 30

HEX #37B224

RGB 55 178 36

HSL 111.97, 0.66%, 0.42%

LAB 63.98, -58.61, 57.56

 

CMYK 80 / 69 / 0 / 30

HEX #2437B2

RGB 36 55 178

HSL 231.97, 0.66%, 0.42%

LAB 30.21, 37.88, -66.84

 

CMYK 0 / 80 / 70 / 31

HEX #B12435

RGB 177 36 53

HSL 352.77, 0.66%, 0.42%

LAB 39.35, 55.82, 26.58

 

CMYK 6 / 0 / 80 / 30

HEX #A8B224

RGB 168 178 36

HSL 64.23, 0.66%, 0.42%

LAB 69.68, -20.07, 64.87

 

CMYK 80 / 0 / 11 / 30

HEX #24B29F

RGB 36 178 159

HSL 171.97, 0.66%, 0.42%

LAB 65.53, -40.27, -0.61

 

CMYK 74 / 80 / 0 / 30

HEX #2E24B2

RGB 46 36 178

HSL 244.23, 0.66%, 0.42%

LAB 26.9, 49.51, -72.3

 

CMYK 0 / 80 / 70 / 31

HEX #B12435

RGB 177 36 53

HSL 352.77, 0.66%, 0.42%

LAB 39.35, 55.82, 26.58

 

CMYK 29 / 0 / 80 / 30

HEX #7EB224

RGB 126 178 36

HSL 81.97, 0.66%, 0.42%

LAB 66.83, -37.33, 61.24

 

CMYK 80 / 0 / 11 / 30

HEX #24B29F

RGB 36 178 159

HSL 171.97, 0.66%, 0.42%

LAB 65.53, -40.27, -0.61

 

CMYK 51 / 80 / 0 / 30

HEX #5824B2

RGB 88 36 178

HSL 261.97, 0.66%, 0.42%

LAB 30.76, 54, -65.79

 

Description

Color code: RGBA 177 36 53 0 | qconv.com Color code: RGBA 177 36 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 36 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 36 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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