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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 176 232 204 0.75 it is the complementary color RGBA 79 23 51 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 176 232 204 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 176 232 204 0.75 shade: RGBA 181 232 199 0.75, RGBA 198 250 218 0.75, RGBA 215 255 237 0.75, RGBA 232 255 255 0.75 and RGBA 249 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 176 232 204 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 176 232 204 0.75 shade: RGBA 176 232 204 0.75, RGBA 159 214 185 0.75, RGBA 142 196 166 0.75, RGBA 125 178 147 0.75 and RGBA 108 160 128 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 176 232 189, RGB 178 232 176, RGB 193 232 176 and RGB 208 232 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 176 232 219, RGB 176 230 232, RGB 176 215 232 and RGB 176 200 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 176 232 204 0.75 shade matches the following richer shades: RGB 176 232 204, RGB 168 240 204 and RGB 159 249 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 184 224 204, RGB 192 216 204, RGB 201 207 204 and RGB 209 199 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 176 232 204 0.75 shade: RGB 178 232 176, RGB 176 232 189, RGB 176 232 204, RGB 176 232 219 and RGB 176 230 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 176 232 204 0.75 shade: RGB 112 213 163, RGB 144 223 183, RGB 176 232 204, RGB 208 241 225 and RGB 240 251 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 176 193 232 and RGB 232 182 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 204 176 232 and RGB 232 204 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 176 193 232, RGB 232 176 204 and RGB 232 215 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 176 232 204 0.75 shade: RGB 176 232 204, RGB 176 176 232, RGB 232 176 204 and RGB 232 232 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 9 / 7

HEX #B0E8CCBF

RGBA 176 232 204 0.75

HSLA 150, 0.55%, 0.8%, 0.75

LABA 87.63, -23.42, 7.85, 0.75

 

Complementary color

CMYK 0 / 53 / 27 / 52

HEX #4F1733BF

RGBA 79 23 51 0.75

HSLA 330, 0.55%, 0.2%, 0.75

LABA 17.98, 29.28, -4.39, 0.75

 

CMYK 16 / 0 / 11 / 7

HEX #B5E8C7BF

RGBA 181 232 199 0.75

HSLA 141.18, 0.53%, 0.81%, 0.75

LABA 87.8, -22.8, 10.75, 0.75

 

CMYK 16 / 0 / 10 / 1

HEX #C6FADABF

RGBA 198 250 218 0.75

HSLA 143.08, 0.84%, 0.88%, 0.75

LABA 94.07, -22.64, 9.97, 0.75

 

CMYK 12 / 0 / 5 / 0

HEX #D7FFEDBF

RGBA 215 255 237 0.75

HSLA 153, 1%, 0.92%, 0.75

LABA 96.85, -16.19, 4.32, 0.75

 

CMYK 7 / 0 / 0 / 0

HEX #E8FFFFBF

RGBA 232 255 255 0.75

HSLA 180, 1%, 0.95%, 0.75

LABA 98.39, -7.43, -2.56, 0.75

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFFBF

RGBA 249 255 255 0.75

HSLA 180, 1%, 0.99%, 0.75

LABA 99.57, -1.96, -0.7, 0.75

 

CMYK 18 / 0 / 9 / 7

HEX #B0E8CCBF

RGBA 176 232 204 0.75

HSLA 150, 0.55%, 0.8%, 0.75

LABA 87.63, -23.42, 7.85, 0.75

 

CMYK 19 / 0 / 10 / 12

HEX #9FD6B9BF

RGBA 159 214 185 0.75

HSLA 148.36, 0.4%, 0.73%, 0.75

LABA 81.27, -23.61, 8.63, 0.75

 

CMYK 21 / 0 / 11 / 17

HEX #8EC4A6BF

RGBA 142 196 166 0.75

HSLA 146.67, 0.31%, 0.66%, 0.75

LABA 74.81, -23.82, 9.45, 0.75

 

CMYK 22 / 0 / 13 / 23

HEX #7DB293BF

RGBA 125 178 147 0.75

HSLA 144.91, 0.26%, 0.59%, 0.75

LABA 68.25, -24.05, 10.32, 0.75

 

CMYK 24 / 0 / 15 / 28

HEX #6CA080BF

RGBA 108 160 128 0.75

HSLA 143.08, 0.21%, 0.53%, 0.75

LABA 61.56, -24.3, 11.26, 0.75

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 24 / 0 / 19 / 9

HEX #B0E8BD

RGB 176 232 189

HSL 133.93, 0.55%, 0.8%

LAB 87.3, -26.22, 15.21

 

CMYK 23 / 0 / 24 / 9

HEX #B2E8B0

RGB 178 232 176

HSL 117.86, 0.55%, 0.8%

LAB 87.15, -27.82, 21.77

 

CMYK 17 / 0 / 24 / 9

HEX #C1E8B0

RGB 193 232 176

HSL 101.79, 0.55%, 0.8%

LAB 88.06, -22.76, 23.16

 

CMYK 10 / 0 / 24 / 9

HEX #D0E8B0

RGB 208 232 176

HSL 85.71, 0.55%, 0.8%

LAB 89.04, -17.51, 24.68

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 24 / 0 / 6 / 9

HEX #B0E8DB

RGB 176 232 219

HSL 166.07, 0.55%, 0.8%

LAB 88, -20.42, 0.51

 

CMYK 24 / 1 / 0 / 9

HEX #B0E6E8

RGB 176 230 232

HSL 182.14, 0.55%, 0.8%

LAB 87.8, -16.68, -6.6

 

CMYK 24 / 7 / 0 / 9

HEX #B0D7E8

RGB 176 215 232

HSL 198.21, 0.55%, 0.8%

LAB 83.79, -9.04, -12.57

 

CMYK 24 / 14 / 0 / 9

HEX #B0C8E8

RGB 176 200 232

HSL 214.29, 0.55%, 0.8%

LAB 79.82, -1.16, -18.53

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 30 / 0 / 15 / 6

HEX #A8F0CC

RGB 168 240 204

HSL 150, 0.71%, 0.8%

LAB 89.4, -29.69, 10.31

 

CMYK 36 / 0 / 18 / 2

HEX #9FF9CC

RGB 159 249 204

HSL 150, 0.88%, 0.8%

LAB 91.45, -36.46, 13.18

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 18 / 0 / 9 / 12

HEX #B8E0CC

RGB 184 224 204

HSL 150, 0.39%, 0.8%

LAB 85.94, -16.94, 5.47

 

CMYK 11 / 0 / 6 / 15

HEX #C0D8CC

RGB 192 216 204

HSL 150, 0.24%, 0.8%

LAB 84.32, -10.28, 3.19

 

CMYK 3 / 0 / 1 / 19

HEX #C9CFCC

RGB 201 207 204

HSL 150, 0.06%, 0.8%

LAB 82.59, -2.59, 0.76

 

CMYK 0 / 5 / 2 / 18

HEX #D1C7CC

RGB 209 199 204

HSL 330, 0.1%, 0.8%

LAB 81.16, 4.37, -1.26

 

CMYK 23 / 0 / 24 / 9

HEX #B2E8B0

RGB 178 232 176

HSL 117.86, 0.55%, 0.8%

LAB 87.15, -27.82, 21.77

 

CMYK 24 / 0 / 19 / 9

HEX #B0E8BD

RGB 176 232 189

HSL 133.93, 0.55%, 0.8%

LAB 87.3, -26.22, 15.21

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 24 / 0 / 6 / 9

HEX #B0E8DB

RGB 176 232 219

HSL 166.07, 0.55%, 0.8%

LAB 88, -20.42, 0.51

 

CMYK 24 / 1 / 0 / 9

HEX #B0E6E8

RGB 176 230 232

HSL 182.14, 0.55%, 0.8%

LAB 87.8, -16.68, -6.6

 

CMYK 47 / 0 / 23 / 16

HEX #70D5A3

RGB 112 213 163

HSL 150.3, 0.55%, 0.64%

LAB 78.27, -40.98, 15.74

 

CMYK 35 / 0 / 18 / 13

HEX #90DFB7

RGB 144 223 183

HSL 149.62, 0.55%, 0.72%

LAB 82.98, -32.83, 12.01

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 14 / 0 / 7 / 5

HEX #D0F1E1

RGB 208 241 225

HSL 150.91, 0.54%, 0.88%

LAB 92.47, -13.73, 4.12

 

CMYK 4 / 0 / 2 / 2

HEX #F0FBF5

RGB 240 251 245

HSL 147.27, 0.58%, 0.96%

LAB 97.68, -4.68, 1.61

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 24 / 17 / 0 / 9

HEX #B0C1E8

RGB 176 193 232

HSL 221.79, 0.55%, 0.8%

LAB 77.99, 2.6, -21.3

 

CMYK 0 / 22 / 24 / 9

HEX #E8B6B0

RGB 232 182 176

HSL 6.43, 0.55%, 0.8%

LAB 78.31, 17.19, 9.97

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 12 / 24 / 0 / 9

HEX #CCB0E8

RGB 204 176 232

HSL 270, 0.55%, 0.8%

LAB 75.89, 20.55, -24.29

 

CMYK 0 / 12 / 24 / 9

HEX #E8CCB0

RGB 232 204 176

HSL 30, 0.55%, 0.8%

LAB 83.69, 5.57, 17.56

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 24 / 17 / 0 / 9

HEX #B0C1E8

RGB 176 193 232

HSL 221.79, 0.55%, 0.8%

LAB 77.99, 2.6, -21.3

 

CMYK 0 / 24 / 12 / 9

HEX #E8B0CC

RGB 232 176 204

HSL 330, 0.55%, 0.8%

LAB 77.62, 24.68, -6.23

 

CMYK 0 / 7 / 24 / 9

HEX #E8D7B0

RGB 232 215 176

HSL 41.79, 0.55%, 0.8%

LAB 86.45, -0.14, 21.39

 

CMYK 24 / 0 / 12 / 9

HEX #B0E8CC

RGB 176 232 204

HSL 150, 0.55%, 0.8%

LAB 87.63, -23.42, 7.85

 

CMYK 24 / 24 / 0 / 9

HEX #B0B0E8

RGB 176 176 232

HSL 240, 0.55%, 0.8%

LAB 73.61, 11.89, -27.98

 

CMYK 0 / 24 / 12 / 9

HEX #E8B0CC

RGB 232 176 204

HSL 330, 0.55%, 0.8%

LAB 77.62, 24.68, -6.23

 

CMYK 0 / 0 / 24 / 9

HEX #E8E8B0

RGB 232 232 176

HSL 60, 0.55%, 0.8%

LAB 90.78, -8.79, 27.33

 

Description

Color code: RGBA 176 232 204 0.75 | qconv.com Color code: RGBA 176 232 204 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 232 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 232 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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