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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 176 211 136 0.5 it is the complementary color RGBA 79 44 119 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 176 211 136 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 176 211 136 0.5 shade: RGBA 181 211 131 0.5, RGBA 198 229 150 0.5, RGBA 215 247 169 0.5, RGBA 232 255 188 0.5 and RGBA 249 255 207 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 176 211 136 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 176 211 136 0.5 shade: RGBA 176 211 136 0.5, RGBA 159 193 117 0.5, RGBA 142 175 98 0.5, RGBA 125 157 79 0.5 and RGBA 108 139 60 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 196 211 136, RGB 211 205 136, RGB 211 185 136 and RGB 211 165 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 156 211 136, RGB 136 211 136, RGB 136 211 157 and RGB 136 211 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 176 211 136 0.5 shade matches the following richer shades: RGB 176 211 136, RGB 177 224 123, RGB 178 237 109 and RGB 179 251 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 175 198 149, RGB 174 185 162, RGB 173 171 175 and RGB 172 158 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 176 211 136 0.5 shade: RGB 211 206 136, RGB 196 211 136, RGB 176 211 136, RGB 156 211 136 and RGB 136 211 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 176 211 136 0.5 shade: RGB 136 189 76, RGB 156 200 106, RGB 176 211 136, RGB 196 222 166 and RGB 216 233 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 136 211 186 and RGB 211 136 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 136 176 211 and RGB 211 136 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 136 211 186, RGB 171 136 211 and RGB 211 136 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 176 211 136 0.5 shade: RGB 176 211 136, RGB 136 211 208, RGB 171 136 211 and RGB 211 136 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 18 / 9

HEX #B0D3887F

RGBA 176 211 136 0.5

HSLA 88, 0.46%, 0.68%, 0.5

LABA 80.51, -24.46, 33.43, 0.5

 

Complementary color

CMYK 17 / 32 / 0 / 27

HEX #4F2C777F

RGBA 79 44 119 0.5

HSLA 268, 0.46%, 0.32%, 0.5

LABA 26.14, 32.37, -37.07, 0.5

 

CMYK 7 / 0 / 19 / 9

HEX #B5D3837F

RGBA 181 211 131 0.5

HSLA 82.5, 0.48%, 0.67%, 0.5

LABA 80.77, -23.27, 36.37, 0.5

 

CMYK 7 / 0 / 17 / 5

HEX #C6E5967F

RGBA 198 229 150 0.5

HSLA 83.54, 0.6%, 0.74%, 0.5

LABA 87.12, -23.29, 35.25, 0.5

 

CMYK 6 / 0 / 16 / 2

HEX #D7F7A97F

RGBA 215 247 169 0.5

HSLA 84.62, 0.83%, 0.82%, 0.5

LABA 93.38, -23.29, 34.17, 0.5

 

CMYK 5 / 0 / 13 / 0

HEX #E8FFBC7F

RGBA 232 255 188 0.5

HSLA 80.6, 1%, 0.87%, 0.5

LABA 96.95, -18.48, 29.61, 0.5

 

CMYK 1 / 0 / 9 / 0

HEX #F9FFCF7F

RGBA 249 255 207 0.5

HSLA 67.5, 1%, 0.91%, 0.5

LABA 98.5, -9.75, 22.32, 0.5

 

CMYK 8 / 0 / 18 / 9

HEX #B0D3887F

RGBA 176 211 136 0.5

HSLA 88, 0.46%, 0.68%, 0.5

LABA 80.51, -24.46, 33.43, 0.5

 

CMYK 9 / 0 / 20 / 12

HEX #9FC1757F

RGBA 159 193 117 0.5

HSLA 86.84, 0.38%, 0.61%, 0.5

LABA 74.06, -24.49, 34.57, 0.5

 

CMYK 9 / 0 / 22 / 16

HEX #8EAF627F

RGBA 142 175 98 0.5

HSLA 85.71, 0.32%, 0.54%, 0.5

LABA 67.5, -24.49, 35.76, 0.5

 

CMYK 10 / 0 / 25 / 19

HEX #7D9D4F7F

RGBA 125 157 79 0.5

HSLA 84.62, 0.33%, 0.46%, 0.5

LABA 60.82, -24.45, 36.96, 0.5

 

CMYK 11 / 0 / 28 / 23

HEX #6C8B3C7F

RGBA 108 139 60 0.5

HSLA 83.54, 0.4%, 0.39%, 0.5

LABA 54.01, -24.34, 38.13, 0.5

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 7 / 0 / 36 / 17

HEX #C4D388

RGB 196 211 136

HSL 72, 0.46%, 0.68%

LAB 81.89, -16.98, 35.49

 

CMYK 0 / 3 / 36 / 17

HEX #D3CD88

RGB 211 205 136

HSL 55.2, 0.46%, 0.68%

LAB 81.45, -8.14, 35.13

 

CMYK 0 / 12 / 36 / 17

HEX #D3B988

RGB 211 185 136

HSL 39.2, 0.46%, 0.68%

LAB 76.27, 2.27, 28.31

 

CMYK 0 / 22 / 36 / 17

HEX #D3A588

RGB 211 165 136

HSL 23.2, 0.46%, 0.68%

LAB 71.24, 12.98, 21.52

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 26 / 0 / 36 / 17

HEX #9CD388

RGB 156 211 136

HSL 104, 0.46%, 0.68%

LAB 79.29, -31.57, 31.59

 

CMYK 36 / 0 / 36 / 17

HEX #88D388

RGB 136 211 136

HSL 120, 0.46%, 0.68%

LAB 78.23, -38.16, 29.99

 

CMYK 36 / 0 / 26 / 17

HEX #88D39D

RGB 136 211 157

HSL 136.8, 0.46%, 0.68%

LAB 78.61, -34.58, 19.54

 

CMYK 36 / 0 / 16 / 17

HEX #88D3B1

RGB 136 211 177

HSL 152.8, 0.46%, 0.68%

LAB 79.04, -30.69, 9.53

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 21 / 0 / 45 / 12

HEX #B1E07B

RGB 177 224 123

HSL 87.92, 0.62%, 0.68%

LAB 84.01, -31.91, 44.41

 

CMYK 25 / 0 / 54 / 7

HEX #B2ED6D

RGB 178 237 109

HSL 87.66, 0.78%, 0.68%

LAB 87.55, -38.97, 55.28

 

CMYK 29 / 0 / 62 / 2

HEX #B3FB60

RGB 179 251 96

HSL 87.87, 0.95%, 0.68%

LAB 91.43, -45.88, 65.27

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 12 / 0 / 25 / 22

HEX #AFC695

RGB 175 198 149

HSL 88.16, 0.3%, 0.68%

LAB 77.08, -16.5, 22.03

 

CMYK 6 / 0 / 12 / 27

HEX #AEB9A2

RGB 174 185 162

HSL 88.7, 0.14%, 0.68%

LAB 73.74, -8.03, 10.37

 

CMYK 1 / 2 / 0 / 31

HEX #ADABAF

RGB 173 171 175

HSL 270, 0.02%, 0.68%

LAB 70.25, 1.47, -1.81

 

CMYK 9 / 16 / 0 / 26

HEX #AC9EBD

RGB 172 158 189

HSL 267.1, 0.19%, 0.68%

LAB 67.2, 11.09, -14.11

 

CMYK 0 / 2 / 36 / 17

HEX #D3CE88

RGB 211 206 136

HSL 56, 0.46%, 0.68%

LAB 81.71, -8.65, 35.48

 

CMYK 7 / 0 / 36 / 17

HEX #C4D388

RGB 196 211 136

HSL 72, 0.46%, 0.68%

LAB 81.89, -16.98, 35.49

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 26 / 0 / 36 / 17

HEX #9CD388

RGB 156 211 136

HSL 104, 0.46%, 0.68%

LAB 79.29, -31.57, 31.59

 

CMYK 36 / 0 / 36 / 17

HEX #88D388

RGB 136 211 136

HSL 120, 0.46%, 0.68%

LAB 78.23, -38.16, 29.99

 

CMYK 28 / 0 / 60 / 26

HEX #88BD4C

RGB 136 189 76

HSL 88.14, 0.46%, 0.52%

LAB 70.98, -35.77, 50.45

 

CMYK 22 / 0 / 47 / 22

HEX #9CC86A

RGB 156 200 106

HSL 88.09, 0.46%, 0.6%

LAB 75.71, -30.33, 42.15

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 12 / 0 / 25 / 13

HEX #C4DEA6

RGB 196 222 166

HSL 87.86, 0.46%, 0.76%

LAB 85.37, -18.34, 24.68

 

CMYK 7 / 0 / 16 / 9

HEX #D8E9C4

RGB 216 233 196

HSL 87.57, 0.46%, 0.84%

LAB 90.26, -12.09, 16.1

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 36 / 0 / 12 / 17

HEX #88D3BA

RGB 136 211 186

HSL 160, 0.46%, 0.68%

LAB 79.25, -28.8, 5.03

 

CMYK 0 / 36 / 2 / 17

HEX #D388CE

RGB 211 136 206

HSL 304, 0.46%, 0.68%

LAB 66.45, 39.45, -24.37

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 36 / 17 / 0 / 17

HEX #88B0D3

RGB 136 176 211

HSL 208, 0.46%, 0.68%

LAB 70.17, -4.9, -22.03

 

CMYK 0 / 36 / 17 / 17

HEX #D388B0

RGB 211 136 176

HSL 328, 0.46%, 0.68%

LAB 65.43, 34.34, -9.08

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 36 / 0 / 12 / 17

HEX #88D3BA

RGB 136 211 186

HSL 160, 0.46%, 0.68%

LAB 79.25, -28.8, 5.03

 

CMYK 19 / 36 / 0 / 17

HEX #AB88D3

RGB 171 136 211

HSL 268, 0.46%, 0.68%

LAB 62.48, 27.97, -33.64

 

CMYK 0 / 36 / 24 / 17

HEX #D388A1

RGB 211 136 161

HSL 340, 0.46%, 0.68%

LAB 64.99, 32.06, -1.26

 

CMYK 17 / 0 / 36 / 17

HEX #B0D388

RGB 176 211 136

HSL 88, 0.46%, 0.68%

LAB 80.51, -24.46, 33.43

 

CMYK 36 / 0 / 1 / 17

HEX #88D3D0

RGB 136 211 208

HSL 177.6, 0.46%, 0.68%

LAB 79.83, -23.84, -5.9

 

CMYK 19 / 36 / 0 / 17

HEX #AB88D3

RGB 171 136 211

HSL 268, 0.46%, 0.68%

LAB 62.48, 27.97, -33.64

 

CMYK 0 / 36 / 35 / 17

HEX #D3888A

RGB 211 136 138

HSL 358.4, 0.46%, 0.68%

LAB 64.4, 28.95, 10.91

 

Description

Color code: RGBA 176 211 136 0.5 | qconv.com Color code: RGBA 176 211 136 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 211 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 211 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 18 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 18% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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