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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 175 201 91 0.75 it is the complementary color RGBA 80 54 164 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 175 201 91 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 175 201 91 0.75 shade: RGBA 180 201 86 0.75, RGBA 197 219 105 0.75, RGBA 214 237 124 0.75, RGBA 231 255 143 0.75 and RGBA 248 255 162 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 175 201 91 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 175 201 91 0.75 shade: RGBA 175 201 91 0.75, RGBA 158 183 72 0.75, RGBA 141 165 53 0.75, RGBA 124 147 34 0.75 and RGBA 107 129 15 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 175 201 91 0.75 shade: RGB 174 200 91, RGB 200 197 91, RGB 200 167 91, RGB 200 137 91 and RGB 200 108 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 175 201 91 0.75 shade: RGB 174 200 91, RGB 145 200 91, RGB 115 200 91, RGB 91 200 95 and RGB 91 200 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 175 201 91 0.75 shade matches the following richer shades: RGB 174 200 91, RGB 184 218 73, RGB 193 236 55 and RGB 202 253 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 175 201 91 0.75 shade: RGB 174 200 91, RGB 165 182 108, RGB 156 165 126, RGB 146 147 144 and RGB 137 129 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 175 201 91 0.75 shade: RGB 200 167 91, RGB 200 197 91, RGB 175 200 91, RGB 145 200 91 and RGB 116 200 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 175 201 91 0.75 shade: RGB 132 156 52, RGB 158 187 62, RGB 174 200 91, RGB 189 210 121 and RGB 205 221 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 175 201 91 0.75 shade: RGB 175 201 91, RGB 91 200 138 and RGB 182 91 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 175 201 91 0.75 shade: RGB 175 201 91, RGB 91 175 200 and RGB 200 91 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 175 201 91 0.75 shade: RGB 175 201 91, RGB 91 200 138, RGB 116 91 200 and RGB 200 91 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 175 201 91 0.75 shade: RGB 175 201 91, RGB 91 200 171, RGB 116 91 200 and RGB 200 91 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 41 / 16

HEX #AFC95BBF

RGBA 175 201 91 0.75

HSLA 74.18, 0.5%, 0.57%, 0.75

LABA 77.07, -25.04, 51.24, 0.75

 

Complementary color

CMYK 38 / 50 / 0 / 27

HEX #5036A4BF

RGBA 80 54 164 0.75

HSLA 254.18, 0.5%, 0.43%, 0.75

LABA 31.86, 39.76, -55.62, 0.75

 

CMYK 8 / 0 / 43 / 16

HEX #B4C956BF

RGBA 180 201 86 0.75

HSLA 70.96, 0.52%, 0.56%, 0.75

LABA 77.37, -23.47, 53.95, 0.75

 

CMYK 8 / 0 / 39 / 11

HEX #C5DB69BF

RGBA 197 219 105 0.75

HSLA 71.58, 0.61%, 0.64%, 0.75

LABA 83.73, -23.83, 52.93, 0.75

 

CMYK 7 / 0 / 36 / 5

HEX #D6ED7CBF

RGBA 214 237 124 0.75

HSLA 72.21, 0.76%, 0.71%, 0.75

LABA 90.01, -24.11, 51.84, 0.75

 

CMYK 7 / 0 / 33 / 0

HEX #E7FF8FBF

RGBA 231 255 143 0.75

HSLA 72.86, 1%, 0.78%, 0.75

LABA 96.2, -24.33, 50.72, 0.75

 

CMYK 2 / 0 / 27 / 0

HEX #F8FFA2BF

RGBA 248 255 162 0.75

HSLA 64.52, 1%, 0.82%, 0.75

LABA 97.67, -15.91, 43.68, 0.75

 

CMYK 10 / 0 / 41 / 16

HEX #AFC95BBF

RGBA 175 201 91 0.75

HSLA 74.18, 0.5%, 0.57%, 0.75

LABA 77.07, -25.04, 51.24, 0.75

 

CMYK 10 / 0 / 45 / 21

HEX #9EB748BF

RGBA 158 183 72 0.75

HSLA 73.51, 0.44%, 0.5%, 0.75

LABA 70.6, -24.69, 52.2, 0.75

 

CMYK 11 / 0 / 51 / 26

HEX #8DA535BF

RGBA 141 165 53 0.75

HSLA 72.86, 0.51%, 0.43%, 0.75

LABA 64.02, -24.22, 52.89, 0.75

 

CMYK 12 / 0 / 58 / 32

HEX #7C9322BF

RGBA 124 147 34 0.75

HSLA 72.21, 0.62%, 0.35%, 0.75

LABA 57.34, -23.57, 53.02, 0.75

 

CMYK 13 / 0 / 66 / 37

HEX #6B810FBF

RGBA 107 129 15 0.75

HSLA 71.58, 0.79%, 0.28%, 0.75

LABA 50.52, -22.68, 52, 0.75

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85B

RGB 174 200 91

HSL 74.31, 0.5%, 0.57%

LAB 76.72, -24.95, 50.82

 

CMYK 0 / 1 / 55 / 22

HEX #C8C55B

RGB 200 197 91

HSL 58.35, 0.5%, 0.57%

LAB 77.86, -12.92, 52.64

 

CMYK 0 / 17 / 55 / 22

HEX #C8A75B

RGB 200 167 91

HSL 41.83, 0.5%, 0.57%

LAB 69.95, 2.75, 43.38

 

CMYK 0 / 32 / 55 / 22

HEX #C8895B

RGB 200 137 91

HSL 25.32, 0.5%, 0.57%

LAB 62.45, 19.07, 34.21

 

CMYK 0 / 46 / 55 / 22

HEX #C86C5B

RGB 200 108 91

HSL 9.36, 0.5%, 0.57%

LAB 55.85, 34.75, 25.78

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85B

RGB 174 200 91

HSL 74.31, 0.5%, 0.57%

LAB 76.72, -24.95, 50.82

 

CMYK 28 / 0 / 55 / 22

HEX #91C85B

RGB 145 200 91

HSL 90.28, 0.5%, 0.57%

LAB 74.88, -36.02, 48.21

 

CMYK 43 / 0 / 55 / 22

HEX #73C85B

RGB 115 200 91

HSL 106.79, 0.5%, 0.57%

LAB 73.36, -46.19, 46.03

 

CMYK 55 / 0 / 53 / 22

HEX #5BC85F

RGB 91 200 95

HSL 122.2, 0.5%, 0.57%

LAB 72.47, -52.5, 42.84

 

CMYK 55 / 0 / 38 / 22

HEX #5BC87D

RGB 91 200 125

HSL 138.72, 0.5%, 0.57%

LAB 72.9, -47.87, 28.28

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85B

RGB 174 200 91

HSL 74.31, 0.5%, 0.57%

LAB 76.72, -24.95, 50.82

 

CMYK 16 / 0 / 67 / 15

HEX #B8DA49

RGB 184 218 73

HSL 74.07, 0.66%, 0.57%

LAB 82.28, -30.93, 64.76

 

CMYK 18 / 0 / 77 / 7

HEX #C1EC37

RGB 193 236 55

HSL 74.25, 0.83%, 0.57%

LAB 87.78, -36.61, 76.42

 

CMYK 20 / 0 / 85 / 1

HEX #CAFD25

RGB 202 253 37

HSL 74.17, 0.98%, 0.57%

LAB 92.99, -41.3, 85.53

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85B

RGB 174 200 91

HSL 74.31, 0.5%, 0.57%

LAB 76.72, -24.95, 50.82

 

CMYK 9 / 0 / 41 / 29

HEX #A5B66C

RGB 165 182 108

HSL 73.78, 0.34%, 0.57%

LAB 71.24, -17.82, 35.68

 

CMYK 5 / 0 / 24 / 35

HEX #9CA57E

RGB 156 165 126

HSL 73.85, 0.18%, 0.57%

LAB 66.12, -10.06, 19.19

 

CMYK 1 / 0 / 2 / 42

HEX #929390

RGB 146 147 144

HSL 80, 0.01%, 0.57%

LAB 60.77, -0.94, 1.45

 

CMYK 15 / 20 / 0 / 37

HEX #8981A1

RGB 137 129 161

HSL 255, 0.15%, 0.57%

LAB 55.68, 9.69, -15.95

 

CMYK 0 / 17 / 55 / 22

HEX #C8A75B

RGB 200 167 91

HSL 41.83, 0.5%, 0.57%

LAB 69.95, 2.75, 43.38

 

CMYK 0 / 1 / 55 / 22

HEX #C8C55B

RGB 200 197 91

HSL 58.35, 0.5%, 0.57%

LAB 77.86, -12.92, 52.64

 

CMYK 13 / 0 / 55 / 22

HEX #AFC85B

RGB 175 200 91

HSL 73.76, 0.5%, 0.57%

LAB 76.79, -24.56, 50.91

 

CMYK 28 / 0 / 55 / 22

HEX #91C85B

RGB 145 200 91

HSL 90.28, 0.5%, 0.57%

LAB 74.88, -36.02, 48.21

 

CMYK 42 / 0 / 55 / 22

HEX #74C85B

RGB 116 200 91

HSL 106.24, 0.5%, 0.57%

LAB 73.4, -45.88, 46.1

 

CMYK 15 / 0 / 67 / 39

HEX #849C34

RGB 132 156 52

HSL 73.85, 0.5%, 0.41%

LAB 60.72, -23.58, 49.67

 

CMYK 16 / 0 / 67 / 27

HEX #9EBB3E

RGB 158 187 62

HSL 73.92, 0.5%, 0.49%

LAB 71.66, -27.35, 57.54

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85B

RGB 174 200 91

HSL 74.31, 0.5%, 0.57%

LAB 76.72, -24.95, 50.82

 

CMYK 10 / 0 / 42 / 18

HEX #BDD279

RGB 189 210 121

HSL 74.16, 0.5%, 0.65%

LAB 80.9, -20.94, 41.67

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD98

RGB 205 221 152

HSL 73.91, 0.5%, 0.73%

LAB 85.48, -16.52, 32.16

NCS® S1030-G50Y

CMYK 13 / 0 / 55 / 21

HEX #AFC95B

RGB 175 201 91

HSL 74.18, 0.5%, 0.57%

LAB 77.07, -25.04, 51.24

 

CMYK 55 / 0 / 31 / 22

HEX #5BC88A

RGB 91 200 138

HSL 145.87, 0.5%, 0.57%

LAB 73.13, -45.45, 21.76

 

CMYK 9 / 55 / 0 / 22

HEX #B65BC8

RGB 182 91 200

HSL 290.09, 0.5%, 0.57%

LAB 53.6, 53.05, -41.24

 

CMYK 13 / 0 / 55 / 21

HEX #AFC95B

RGB 175 201 91

HSL 74.18, 0.5%, 0.57%

LAB 77.07, -25.04, 51.24

 

CMYK 55 / 13 / 0 / 22

HEX #5BAFC8

RGB 91 175 200

HSL 193.76, 0.5%, 0.57%

LAB 67.32, -18.43, -20.51

 

CMYK 0 / 55 / 13 / 22

HEX #C85BAF

RGB 200 91 175

HSL 313.76, 0.5%, 0.57%

LAB 54.92, 53.69, -24.57

 

CMYK 13 / 0 / 55 / 21

HEX #AFC95B

RGB 175 201 91

HSL 74.18, 0.5%, 0.57%

LAB 77.07, -25.04, 51.24

 

CMYK 55 / 0 / 31 / 22

HEX #5BC88A

RGB 91 200 138

HSL 145.87, 0.5%, 0.57%

LAB 73.13, -45.45, 21.76

 

CMYK 42 / 55 / 0 / 22

HEX #745BC8

RGB 116 91 200

HSL 253.76, 0.5%, 0.57%

LAB 46.13, 36.23, -53.58

 

CMYK 0 / 55 / 24 / 22

HEX #C85B99

RGB 200 91 153

HSL 325.87, 0.5%, 0.57%

LAB 54.09, 50.4, -13

 

CMYK 13 / 0 / 55 / 21

HEX #AFC95B

RGB 175 201 91

HSL 74.18, 0.5%, 0.57%

LAB 77.07, -25.04, 51.24

 

CMYK 55 / 0 / 15 / 22

HEX #5BC8AB

RGB 91 200 171

HSL 164.04, 0.5%, 0.57%

LAB 73.85, -38.3, 5.07

 

CMYK 42 / 55 / 0 / 22

HEX #745BC8

RGB 116 91 200

HSL 253.76, 0.5%, 0.57%

LAB 46.13, 36.23, -53.58

 

CMYK 0 / 55 / 40 / 22

HEX #C85B78

RGB 200 91 120

HSL 344.04, 0.5%, 0.57%

LAB 53.08, 46.24, 5.01

 

Description

Color code: RGBA 175 201 91 0.75 | qconv.com Color code: RGBA 175 201 91 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 201 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 201 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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