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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 175 181 195 0 it is the complementary color RGBA 80 74 60 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 175 181 195 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 175 181 195 0 shade: RGBA 180 181 190 0, RGBA 197 199 209 0, RGBA 214 217 228 0, RGBA 231 235 247 0 and RGBA 248 253 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 175 181 195 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 175 181 195 0 shade: RGBA 175 181 195 0, RGBA 158 163 176 0, RGBA 141 145 157 0, RGBA 124 127 138 0 and RGBA 107 109 119 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 175 181 195 0 shade: RGB 177 182 196, RGB 177 177 196, RGB 181 177 196, RGB 186 177 196 and RGB 192 177 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 175 181 195 0 shade: RGB 177 182 196 and RGB 177 177 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 175 181 195 0 shade matches the following richer shades: RGB 177 182 196, RGB 165 178 207, RGB 154 173 218, RGB 143 169 229 and RGB 132 164 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 175 181 195 0 shade: RGB 177 182 196, RGB 188 187 185, RGB 199 191 174, RGB 210 196 162 and RGB 221 200 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 175 181 195 0 shade: RGB 177 193 196, RGB 177 187 196, RGB 177 182 196, RGB 177 177 196 and RGB 181 177 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 175 181 195 0 shade: RGB 129 139 160, RGB 153 161 178, RGB 177 182 196, RGB 200 204 214 and RGB 224 226 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 175 181 195 0 shade: RGB 175 181 195, RGB 194 177 196 and RGB 190 196 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 175 181 195 0 shade: RGB 175 181 195, RGB 196 177 182 and RGB 182 196 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 175 181 195 0 shade: RGB 175 181 195, RGB 194 177 196, RGB 196 190 177 and RGB 178 196 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 175 181 195 0 shade: RGB 175 181 195, RGB 196 177 192, RGB 196 190 177 and RGB 177 196 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AFB5C300

RGBA 175 181 195 0

HSLA 222, 0.14%, 0.73%, 0

LABA 73.61, 0.69, -7.82, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #504A3C00

RGBA 80 74 60 0

HSLA 42, 0.14%, 0.27%, 0

LABA 31.65, -0.14, 9.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4B5BE00

RGBA 180 181 190 0

HSLA 234, 0.07%, 0.73%, 0

LABA 73.85, 1.38, -4.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5C7D100

RGBA 197 199 209 0

HSLA 230, 0.12%, 0.8%, 0

LABA 80.36, 1.21, -5.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6D9E400

RGBA 214 217 228 0

HSLA 227.14, 0.21%, 0.87%, 0

LABA 86.76, 1.04, -5.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7EBF700

RGBA 231 235 247 0

HSLA 225, 0.5%, 0.94%, 0

LABA 93.07, 0.89, -6.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8FDFF00

RGBA 248 253 255 0

HSLA 197.14, 1%, 0.99%, 0

LABA 99, -1.28, -1.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFB5C300

RGBA 175 181 195 0

HSLA 222, 0.14%, 0.73%, 0

LABA 73.61, 0.69, -7.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EA3B000

RGBA 158 163 176 0

HSLA 223.33, 0.1%, 0.65%, 0

LABA 66.97, 0.85, -7.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D919D00

RGBA 141 145 157 0

HSLA 225, 0.08%, 0.58%, 0

LABA 60.2, 1.02, -6.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C7F8A00

RGBA 124 127 138 0

HSLA 227.14, 0.06%, 0.51%, 0

LABA 53.27, 1.2, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B6D7700

RGBA 107 109 119 0

HSLA 230, 0.05%, 0.44%, 0

LABA 46.17, 1.39, -5.81, 0

 

CMYK 10 / 7 / 0 / 23

HEX #B1B6C4

RGB 177 182 196

HSL 224.21, 0.14%, 0.73%

LAB 74.05, 1.02, -7.69

 

CMYK 10 / 10 / 0 / 23

HEX #B1B1C4

RGB 177 177 196

HSL 240, 0.14%, 0.73%

LAB 72.74, 3.73, -9.64

 

CMYK 8 / 10 / 0 / 23

HEX #B5B1C4

RGB 181 177 196

HSL 252.63, 0.14%, 0.73%

LAB 73.06, 5.08, -9.14

 

CMYK 5 / 10 / 0 / 23

HEX #BAB1C4

RGB 186 177 196

HSL 268.42, 0.14%, 0.73%

LAB 73.46, 6.78, -8.49

 

CMYK 2 / 10 / 0 / 23

HEX #C0B1C4

RGB 192 177 196

HSL 287.37, 0.14%, 0.73%

LAB 73.96, 8.83, -7.7

 

CMYK 10 / 7 / 0 / 23

HEX #B1B6C4

RGB 177 182 196

HSL 224.21, 0.14%, 0.73%

LAB 74.05, 1.02, -7.69

 

CMYK 10 / 10 / 0 / 23

HEX #B1B1C4

RGB 177 177 196

HSL 240, 0.14%, 0.73%

LAB 72.74, 3.73, -9.64

 

CMYK 10 / 7 / 0 / 23

HEX #B1B6C4

RGB 177 182 196

HSL 224.21, 0.14%, 0.73%

LAB 74.05, 1.02, -7.69

 

CMYK 20 / 14 / 0 / 19

HEX #A5B2CF

RGB 165 178 207

HSL 221.43, 0.3%, 0.73%

LAB 72.46, 1.65, -16.18

 

CMYK 29 / 21 / 0 / 15

HEX #9AADDA

RGB 154 173 218

HSL 222.19, 0.46%, 0.73%

LAB 70.75, 3.66, -24.88

 

CMYK 38 / 26 / 0 / 10

HEX #8FA9E5

RGB 143 169 229

HSL 221.86, 0.62%, 0.73%

LAB 69.38, 5.61, -33.07

 

CMYK 45 / 32 / 0 / 6

HEX #84A4F0

RGB 132 164 240

HSL 222.22, 0.78%, 0.73%

LAB 67.83, 8.66, -41.54

 

CMYK 10 / 7 / 0 / 23

HEX #B1B6C4

RGB 177 182 196

HSL 224.21, 0.14%, 0.73%

LAB 74.05, 1.02, -7.69

 

CMYK 0 / 1 / 2 / 26

HEX #BCBBB9

RGB 188 187 185

HSL 40, 0.02%, 0.73%

LAB 75.91, -0.01, 1.13

 

CMYK 0 / 4 / 13 / 22

HEX #C7BFAE

RGB 199 191 174

HSL 40.8, 0.18%, 0.73%

LAB 77.55, -0.1, 9.57

 

CMYK 0 / 7 / 23 / 18

HEX #D2C4A2

RGB 210 196 162

HSL 42.5, 0.35%, 0.73%

LAB 79.49, -0.48, 18.87

 

CMYK 0 / 10 / 32 / 13

HEX #DDC897

RGB 221 200 151

HSL 42, 0.51%, 0.73%

LAB 81.24, 0.15, 27.23

 

CMYK 10 / 2 / 0 / 23

HEX #B1C1C4

RGB 177 193 196

HSL 189.47, 0.14%, 0.73%

LAB 76.96, -4.86, -3.39

 

CMYK 10 / 5 / 0 / 23

HEX #B1BBC4

RGB 177 187 196

HSL 208.42, 0.14%, 0.73%

LAB 75.37, -1.67, -5.74

 

CMYK 10 / 7 / 0 / 23

HEX #B1B6C4

RGB 177 182 196

HSL 224.21, 0.14%, 0.73%

LAB 74.05, 1.02, -7.69

 

CMYK 10 / 10 / 0 / 23

HEX #B1B1C4

RGB 177 177 196

HSL 240, 0.14%, 0.73%

LAB 72.74, 3.73, -9.64

 

CMYK 8 / 10 / 0 / 23

HEX #B5B1C4

RGB 181 177 196

HSL 252.63, 0.14%, 0.73%

LAB 73.06, 5.08, -9.14

 

CMYK 19 / 13 / 0 / 37

HEX #818BA0

RGB 129 139 160

HSL 220.65, 0.14%, 0.57%

LAB 57.72, 1, -12.35

 

CMYK 14 / 10 / 0 / 30

HEX #99A1B2

RGB 153 161 178

HSL 220.8, 0.14%, 0.65%

LAB 66.12, 0.69, -9.76

 

CMYK 10 / 7 / 0 / 23

HEX #B1B6C4

RGB 177 182 196

HSL 224.21, 0.14%, 0.73%

LAB 74.05, 1.02, -7.69

 

CMYK 7 / 5 / 0 / 16

HEX #C8CCD6

RGB 200 204 214

HSL 222.86, 0.15%, 0.81%

LAB 82.01, 0.53, -5.44

 

CMYK 3 / 2 / 0 / 9

HEX #E0E2E7

RGB 224 226 231

HSL 222.86, 0.13%, 0.89%

LAB 89.86, 0.24, -2.68

 

CMYK 10 / 7 / 0 / 24

HEX #AFB5C3

RGB 175 181 195

HSL 222, 0.14%, 0.73%

LAB 73.61, 0.69, -7.82

 

CMYK 1 / 10 / 0 / 23

HEX #C2B1C4

RGB 194 177 196

HSL 293.68, 0.14%, 0.73%

LAB 74.13, 9.52, -7.43

 

CMYK 3 / 0 / 10 / 23

HEX #BEC4B1

RGB 190 196 177

HSL 78.95, 0.14%, 0.73%

LAB 78.23, -5.48, 8.82

 

CMYK 10 / 7 / 0 / 24

HEX #AFB5C3

RGB 175 181 195

HSL 222, 0.14%, 0.73%

LAB 73.61, 0.69, -7.82

 

CMYK 0 / 10 / 7 / 23

HEX #C4B1B6

RGB 196 177 182

HSL 344.21, 0.14%, 0.73%

LAB 73.91, 7.67, -0.08

 

CMYK 7 / 0 / 10 / 23

HEX #B6C4B1

RGB 182 196 177

HSL 104.21, 0.14%, 0.73%

LAB 77.64, -8.32, 7.9

 

CMYK 10 / 7 / 0 / 24

HEX #AFB5C3

RGB 175 181 195

HSL 222, 0.14%, 0.73%

LAB 73.61, 0.69, -7.82

 

CMYK 1 / 10 / 0 / 23

HEX #C2B1C4

RGB 194 177 196

HSL 293.68, 0.14%, 0.73%

LAB 74.13, 9.52, -7.43

 

CMYK 0 / 3 / 10 / 23

HEX #C4BEB1

RGB 196 190 177

HSL 41.05, 0.14%, 0.73%

LAB 77.12, -0.16, 7.3

 

CMYK 9 / 0 / 10 / 23

HEX #B2C4B1

RGB 178 196 177

HSL 116.84, 0.14%, 0.73%

LAB 77.35, -9.71, 7.45

 

CMYK 10 / 7 / 0 / 24

HEX #AFB5C3

RGB 175 181 195

HSL 222, 0.14%, 0.73%

LAB 73.61, 0.69, -7.82

 

CMYK 0 / 10 / 2 / 23

HEX #C4B1C0

RGB 196 177 192

HSL 312.63, 0.14%, 0.73%

LAB 74.18, 9.47, -5.15

 

CMYK 0 / 3 / 10 / 23

HEX #C4BEB1

RGB 196 190 177

HSL 41.05, 0.14%, 0.73%

LAB 77.12, -0.16, 7.3

 

CMYK 10 / 0 / 8 / 23

HEX #B1C4B4

RGB 177 196 180

HSL 129.47, 0.14%, 0.73%

LAB 77.35, -9.51, 5.83

 

Description

Color code: RGBA 175 181 195 0 | qconv.com Color code: RGBA 175 181 195 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 181 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 181 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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