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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 175 113 174 0.75 it is the complementary color RGBA 80 142 81 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 175 113 174 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 175 113 174 0.75 shade: RGBA 180 113 169 0.75, RGBA 197 131 188 0.75, RGBA 214 149 207 0.75, RGBA 231 167 226 0.75 and RGBA 248 185 245 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 175 113 174 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 175 113 174 0.75 shade: RGBA 175 113 174 0.75, RGBA 158 95 155 0.75, RGBA 141 77 136 0.75, RGBA 124 59 117 0.75 and RGBA 107 41 98 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 175 113 174 0.75 shade: RGB 174 111 173, RGB 174 111 156, RGB 174 111 139, RGB 174 111 122 and RGB 174 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 175 113 174 0.75 shade: RGB 174 111 173, RGB 158 111 174, RGB 141 111 174, RGB 124 111 174 and RGB 111 111 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 175 113 174 0.75 shade matches the following richer shades: RGB 174 111 173, RGB 192 93 191, RGB 211 75 208, RGB 229 57 226 and RGB 247 39 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 175 113 174 0.75 shade: RGB 174 111 173, RGB 156 130 156, RGB 138 148 138, RGB 120 166 120 and RGB 102 184 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 175 113 174 0.75 shade: RGB 141 111 174, RGB 157 111 174, RGB 174 111 174, RGB 174 111 157 and RGB 174 111 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 175 113 174 0.75 shade: RGB 130 73 129, RGB 156 88 155, RGB 174 111 173, RGB 189 138 188 and RGB 204 164 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 175 113 174 0.75 shade: RGB 175 113 174, RGB 174 124 111 and RGB 111 174 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 175 113 174 0.75 shade: RGB 175 113 174, RGB 174 174 111 and RGB 111 174 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 175 113 174 0.75 shade: RGB 175 113 174, RGB 174 124 111, RGB 111 174 111 and RGB 111 162 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 175 113 174 0.75 shade: RGB 175 113 174, RGB 174 143 111, RGB 111 174 111 and RGB 111 143 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 0 / 24

HEX #AF71AEBF

RGBA 175 113 174 0.75

HSLA 300.97, 0.28%, 0.56%, 0.75

LABA 56.07, 34.36, -22.51, 0.75

 

Complementary color

CMYK 33 / 0 / 32 / 33

HEX #508E51BF

RGBA 80 142 81 0.75

HSLA 120.97, 0.28%, 0.44%, 0.75

LABA 53.65, -33.25, 26.37, 0.75

 

CMYK 0 / 28 / 5 / 22

HEX #B471A9BF

RGBA 180 113 169 0.75

HSLA 309.85, 0.31%, 0.57%, 0.75

LABA 56.46, 35.09, -18.97, 0.75

 

CMYK 0 / 25 / 3 / 17

HEX #C583BCBF

RGBA 197 131 188 0.75

HSLA 308.18, 0.36%, 0.64%, 0.75

LABA 63.12, 34.33, -19.49, 0.75

 

CMYK 0 / 23 / 2 / 12

HEX #D695CFBF

RGBA 214 149 207 0.75

HSLA 306.46, 0.44%, 0.71%, 0.75

LABA 69.68, 33.62, -19.97, 0.75

 

CMYK 0 / 21 / 2 / 7

HEX #E7A7E2BF

RGBA 231 167 226 0.75

HSLA 304.69, 0.57%, 0.78%, 0.75

LABA 76.14, 32.95, -20.42, 0.75

 

CMYK 0 / 19 / 1 / 2

HEX #F8B9F5BF

RGBA 248 185 245 0.75

HSLA 302.86, 0.82%, 0.85%, 0.75

LABA 82.51, 32.32, -20.85, 0.75

 

CMYK 0 / 27 / 0 / 24

HEX #AF71AEBF

RGBA 175 113 174 0.75

HSLA 300.97, 0.28%, 0.56%, 0.75

LABA 56.07, 34.36, -22.51, 0.75

 

CMYK 0 / 30 / 1 / 29

HEX #9E5F9BBF

RGBA 158 95 155 0.75

HSLA 302.86, 0.25%, 0.5%, 0.75

LABA 49.28, 35.14, -22.04, 0.75

 

CMYK 0 / 34 / 3 / 34

HEX #8D4D88BF

RGBA 141 77 136 0.75

HSLA 304.69, 0.29%, 0.43%, 0.75

LABA 42.38, 35.93, -21.48, 0.75

 

CMYK 0 / 39 / 4 / 39

HEX #7C3B75BF

RGBA 124 59 117 0.75

HSLA 306.46, 0.36%, 0.36%, 0.75

LABA 35.39, 36.66, -20.78, 0.75

 

CMYK 0 / 46 / 6 / 44

HEX #6B2962BF

RGBA 107 41 98 0.75

HSLA 308.18, 0.45%, 0.29%, 0.75

LABA 28.36, 37.19, -19.82, 0.75

 

CMYK 0 / 36 / 1 / 32

HEX #AE6FAD

RGB 174 111 173

HSL 300.95, 0.28%, 0.56%

LAB 55.47, 34.95, -22.87

 

CMYK 0 / 36 / 10 / 32

HEX #AE6F9C

RGB 174 111 156

HSL 317.14, 0.28%, 0.56%

LAB 54.83, 31.84, -13.97

 

CMYK 0 / 36 / 20 / 32

HEX #AE6F8B

RGB 174 111 139

HSL 333.33, 0.28%, 0.56%

LAB 54.27, 29, -4.88

 

CMYK 0 / 36 / 30 / 32

HEX #AE6F7A

RGB 174 111 122

HSL 349.52, 0.28%, 0.56%

LAB 53.78, 26.47, 4.38

 

CMYK 0 / 36 / 36 / 32

HEX #AE6F6F

RGB 174 111 111

HSL 0, 0.28%, 0.56%

LAB 53.51, 25.01, 10.44

 

CMYK 0 / 36 / 1 / 32

HEX #AE6FAD

RGB 174 111 173

HSL 300.95, 0.28%, 0.56%

LAB 55.47, 34.95, -22.87

 

CMYK 9 / 36 / 0 / 32

HEX #9E6FAE

RGB 158 111 174

HSL 284.76, 0.28%, 0.56%

LAB 53.7, 29.96, -26.32

 

CMYK 19 / 36 / 0 / 32

HEX #8D6FAE

RGB 141 111 174

HSL 268.57, 0.28%, 0.56%

LAB 51.94, 24.55, -29.19

 

CMYK 29 / 36 / 0 / 32

HEX #7C6FAE

RGB 124 111 174

HSL 252.38, 0.28%, 0.56%

LAB 50.35, 19.32, -31.79

 

CMYK 36 / 36 / 0 / 32

HEX #6F6FAE

RGB 111 111 174

HSL 240, 0.28%, 0.56%

LAB 49.26, 15.51, -33.57

 

CMYK 0 / 36 / 1 / 32

HEX #AE6FAD

RGB 174 111 173

HSL 300.95, 0.28%, 0.56%

LAB 55.47, 34.95, -22.87

 

CMYK 0 / 52 / 1 / 25

HEX #C05DBF

RGB 192 93 191

HSL 300.61, 0.44%, 0.56%

LAB 54.86, 53.13, -34

 

CMYK 0 / 64 / 1 / 17

HEX #D34BD0

RGB 211 75 208

HSL 301.32, 0.61%, 0.56%

LAB 55.52, 68.8, -42.51

 

CMYK 0 / 75 / 1 / 10

HEX #E539E2

RGB 229 57 226

HSL 301.05, 0.77%, 0.56%

LAB 57.15, 81.5, -49.95

 

CMYK 0 / 84 / 2 / 3

HEX #F727F3

RGB 247 39 243

HSL 301.15, 0.93%, 0.56%

LAB 59.61, 91.39, -55.38

 

CMYK 0 / 36 / 1 / 32

HEX #AE6FAD

RGB 174 111 173

HSL 300.95, 0.28%, 0.56%

LAB 55.47, 34.95, -22.87

 

CMYK 0 / 17 / 0 / 39

HEX #9C829C

RGB 156 130 156

HSL 300, 0.12%, 0.56%

LAB 57.5, 14.68, -10.16

 

CMYK 7 / 0 / 7 / 42

HEX #8A948A

RGB 138 148 138

HSL 120, 0.04%, 0.56%

LAB 60.26, -5.58, 4.04

 

CMYK 28 / 0 / 28 / 35

HEX #78A678

RGB 120 166 120

HSL 120, 0.21%, 0.56%

LAB 63.85, -24.81, 18.98

 

CMYK 45 / 0 / 44 / 28

HEX #66B867

RGB 102 184 103

HSL 120.73, 0.37%, 0.56%

LAB 68.08, -41.78, 33.48

 

CMYK 19 / 36 / 0 / 32

HEX #8D6FAE

RGB 141 111 174

HSL 268.57, 0.28%, 0.56%

LAB 51.94, 24.55, -29.19

 

CMYK 10 / 36 / 0 / 32

HEX #9D6FAE

RGB 157 111 174

HSL 283.81, 0.28%, 0.56%

LAB 53.59, 29.64, -26.49

 

CMYK 0 / 36 / 0 / 32

HEX #AE6FAE

RGB 174 111 174

HSL 300, 0.28%, 0.56%

LAB 55.51, 35.14, -23.38

 

CMYK 0 / 36 / 10 / 32

HEX #AE6F9D

RGB 174 111 157

HSL 316.19, 0.28%, 0.56%

LAB 54.87, 32.01, -14.5

 

CMYK 0 / 36 / 19 / 32

HEX #AE6F8D

RGB 174 111 141

HSL 331.43, 0.28%, 0.56%

LAB 54.33, 29.32, -5.96

 

CMYK 0 / 44 / 1 / 49

HEX #824981

RGB 130 73 129

HSL 301.05, 0.28%, 0.4%

LAB 39.74, 33.2, -21.41

 

CMYK 0 / 44 / 1 / 39

HEX #9C589B

RGB 156 88 155

HSL 300.88, 0.28%, 0.48%

LAB 47.51, 38.34, -24.78

 

CMYK 0 / 36 / 1 / 32

HEX #AE6FAD

RGB 174 111 173

HSL 300.95, 0.28%, 0.56%

LAB 55.47, 34.95, -22.87

 

CMYK 0 / 27 / 1 / 26

HEX #BD8ABC

RGB 189 138 188

HSL 301.18, 0.28%, 0.64%

LAB 63.86, 27.81, -18.46

 

CMYK 0 / 20 / 0 / 20

HEX #CCA4CB

RGB 204 164 203

HSL 301.5, 0.28%, 0.72%

LAB 72.03, 21.37, -14.31

 

CMYK 0 / 35 / 1 / 31

HEX #AF71AE

RGB 175 113 174

HSL 300.97, 0.28%, 0.56%

LAB 56.07, 34.36, -22.51

 

CMYK 0 / 29 / 36 / 32

HEX #AE7C6F

RGB 174 124 111

HSL 12.38, 0.28%, 0.56%

LAB 56.65, 17.7, 14.82

 

CMYK 36 / 0 / 14 / 32

HEX #6FAE95

RGB 111 174 149

HSL 156.19, 0.28%, 0.56%

LAB 66.38, -25.94, 6.46

 

CMYK 0 / 35 / 1 / 31

HEX #AF71AE

RGB 175 113 174

HSL 300.97, 0.28%, 0.56%

LAB 56.07, 34.36, -22.51

 

CMYK 0 / 0 / 36 / 32

HEX #AEAE6F

RGB 174 174 111

HSL 60, 0.28%, 0.56%

LAB 69.77, -9.74, 32.37

 

CMYK 36 / 0 / 0 / 32

HEX #6FAEAE

RGB 111 174 174

HSL 180, 0.28%, 0.56%

LAB 67.06, -20.12, -6.41

 

CMYK 0 / 35 / 1 / 31

HEX #AF71AE

RGB 175 113 174

HSL 300.97, 0.28%, 0.56%

LAB 56.07, 34.36, -22.51

 

CMYK 0 / 29 / 36 / 32

HEX #AE7C6F

RGB 174 124 111

HSL 12.38, 0.28%, 0.56%

LAB 56.65, 17.7, 14.82

 

CMYK 36 / 0 / 36 / 32

HEX #6FAE6F

RGB 111 174 111

HSL 120, 0.28%, 0.56%

LAB 65.59, -33.22, 26.12

 

CMYK 36 / 7 / 0 / 32

HEX #6FA2AE

RGB 111 162 174

HSL 191.43, 0.28%, 0.56%

LAB 63.57, -13.82, -11.61

 

CMYK 0 / 35 / 1 / 31

HEX #AF71AE

RGB 175 113 174

HSL 300.97, 0.28%, 0.56%

LAB 56.07, 34.36, -22.51

 

CMYK 0 / 18 / 36 / 32

HEX #AE8F6F

RGB 174 143 111

HSL 30.48, 0.28%, 0.56%

LAB 61.47, 7.05, 21.42

 

CMYK 36 / 0 / 36 / 32

HEX #6FAE6F

RGB 111 174 111

HSL 120, 0.28%, 0.56%

LAB 65.59, -33.22, 26.12

 

CMYK 36 / 18 / 0 / 32

HEX #6F8FAE

RGB 111 143 174

HSL 209.52, 0.28%, 0.56%

LAB 58.11, -3.35, -19.87

 

Description

Color code: RGBA 175 113 174 0.75 | qconv.com Color code: RGBA 175 113 174 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 113 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 113 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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