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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 174 201 220 0.3 it is the complementary color RGBA 81 54 35 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 174 201 220 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 174 201 220 0.3 shade: RGBA 179 201 215 0.3, RGBA 196 219 234 0.3, RGBA 213 237 253 0.3, RGBA 230 255 255 0.3 and RGBA 247 255 255 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 174 201 220 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 174 201 220 0.3 shade: RGBA 174 201 220 0.3, RGBA 157 183 201 0.3, RGBA 140 165 182 0.3, RGBA 123 147 163 0.3 and RGBA 106 129 144 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 174 201 220 0.3 shade: RGB 173 200 220, RGB 173 188 220, RGB 173 175 220, RGB 183 173 220 and RGB 196 173 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 174 201 220 0.3 shade: RGB 173 200 220, RGB 173 188 220, RGB 173 175 220 and RGB 173 173 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 174 201 220 0.3 shade matches the following richer shades: RGB 173 200 220, RGB 163 202 229, RGB 154 204 239 and RGB 144 205 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 174 201 220 0.3 shade: RGB 173 200 220, RGB 182 199 210, RGB 192 197 201, RGB 201 195 191 and RGB 211 194 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 174 201 220 0.3 shade: RGB 173 220 214, RGB 173 214 220, RGB 173 201 220, RGB 173 189 220 and RGB 173 176 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 174 201 220 0.3 shade: RGB 115 162 195, RGB 144 181 207, RGB 173 200 220, RGB 202 220 232 and RGB 231 239 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 174 201 220 0.3 shade: RGB 174 201 220, RGB 201 173 220 and RGB 220 220 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 174 201 220 0.3 shade: RGB 174 201 220, RGB 220 173 201 and RGB 201 220 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 174 201 220 0.3 shade: RGB 174 201 220, RGB 201 173 220, RGB 220 192 173 and RGB 192 220 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 174 201 220 0.3 shade: RGB 174 201 220, RGB 215 173 220, RGB 220 192 173 and RGB 178 220 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 3 / 0 / 4

HEX #AEC9DC4C

RGBA 174 201 220 0.3

HSLA 204.78, 0.4%, 0.77%, 0.3

LABA 79.58, -4.99, -12.47, 0.3

 

Complementary color

CMYK 0 / 10 / 17 / 20

HEX #5136234C

RGBA 81 54 35 0.3

HSLA 24.78, 0.4%, 0.23%, 0.3

LABA 25.29, 9.58, 16.74, 0.3

 

CMYK 5 / 2 / 0 / 5

HEX #B3C9D74C

RGBA 179 201 215 0.3

HSLA 203.33, 0.31%, 0.77%, 0.3

LABA 79.76, -4.51, -9.47, 0.3

 

CMYK 5 / 2 / 0 / 2

HEX #C4DBEA4C

RGBA 196 219 234 0.3

HSLA 203.68, 0.48%, 0.84%, 0.3

LABA 86.18, -4.58, -9.93, 0.3

 

CMYK 5 / 2 / 0 / 0

HEX #D5EDFD4C

RGBA 213 237 253 0.3

HSLA 204, 0.91%, 0.91%, 0.3

LABA 92.49, -4.66, -10.38, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E6FFFF4C

RGBA 230 255 255 0.3

HSLA 180, 1%, 0.95%, 0.3

LABA 98.26, -8.06, -2.77, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F7FFFF4C

RGBA 247 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.42, -2.61, -0.92, 0.3

 

CMYK 6 / 3 / 0 / 4

HEX #AEC9DC4C

RGBA 174 201 220 0.3

HSLA 204.78, 0.4%, 0.77%, 0.3

LABA 79.58, -4.99, -12.47, 0.3

 

CMYK 7 / 3 / 0 / 6

HEX #9DB7C94C

RGBA 157 183 201 0.3

HSLA 204.55, 0.29%, 0.7%, 0.3

LABA 73.06, -4.91, -12.06, 0.3

 

CMYK 7 / 3 / 0 / 9

HEX #8CA5B64C

RGBA 140 165 182 0.3

HSLA 204.29, 0.22%, 0.63%, 0.3

LABA 66.42, -4.83, -11.64, 0.3

 

CMYK 7 / 3 / 0 / 11

HEX #7B93A34C

RGBA 123 147 163 0.3

HSLA 204, 0.18%, 0.56%, 0.3

LABA 59.64, -4.76, -11.23, 0.3

 

CMYK 8 / 3 / 0 / 13

HEX #6A81904C

RGBA 106 129 144 0.3

HSLA 203.68, 0.15%, 0.49%, 0.3

LABA 52.71, -4.68, -10.82, 0.3

 

CMYK 21 / 9 / 0 / 14

HEX #ADC8DC

RGB 173 200 220

HSL 205.53, 0.4%, 0.77%

LAB 79.25, -4.77, -12.97

 

CMYK 21 / 15 / 0 / 14

HEX #ADBCDC

RGB 173 188 220

HSL 220.85, 0.4%, 0.77%

LAB 76.08, 1.65, -17.74

 

CMYK 21 / 20 / 0 / 14

HEX #ADAFDC

RGB 173 175 220

HSL 237.45, 0.4%, 0.77%

LAB 72.7, 8.75, -22.86

 

CMYK 17 / 21 / 0 / 14

HEX #B7ADDC

RGB 183 173 220

HSL 252.77, 0.4%, 0.77%

LAB 72.97, 12.98, -22.38

 

CMYK 11 / 21 / 0 / 14

HEX #C4ADDC

RGB 196 173 220

HSL 269.36, 0.4%, 0.77%

LAB 74.06, 17.14, -20.63

 

CMYK 21 / 9 / 0 / 14

HEX #ADC8DC

RGB 173 200 220

HSL 205.53, 0.4%, 0.77%

LAB 79.25, -4.77, -12.97

 

CMYK 21 / 15 / 0 / 14

HEX #ADBCDC

RGB 173 188 220

HSL 220.85, 0.4%, 0.77%

LAB 76.08, 1.65, -17.74

 

CMYK 21 / 20 / 0 / 14

HEX #ADAFDC

RGB 173 175 220

HSL 237.45, 0.4%, 0.77%

LAB 72.7, 8.75, -22.86

 

CMYK 21 / 21 / 0 / 14

HEX #ADADDC

RGB 173 173 220

HSL 240, 0.4%, 0.77%

LAB 72.19, 9.85, -23.65

 

CMYK 21 / 9 / 0 / 14

HEX #ADC8DC

RGB 173 200 220

HSL 205.53, 0.4%, 0.77%

LAB 79.25, -4.77, -12.97

 

CMYK 29 / 12 / 0 / 10

HEX #A3CAE5

RGB 163 202 229

HSL 204.55, 0.56%, 0.77%

LAB 79.43, -6.74, -17.59

 

CMYK 36 / 15 / 0 / 6

HEX #9ACCEF

RGB 154 204 239

HSL 204.71, 0.73%, 0.77%

LAB 79.78, -7.87, -22.47

 

CMYK 42 / 17 / 0 / 3

HEX #90CDF8

RGB 144 205 248

HSL 204.81, 0.88%, 0.77%

LAB 79.82, -8.66, -27.25

 

CMYK 21 / 9 / 0 / 14

HEX #ADC8DC

RGB 173 200 220

HSL 205.53, 0.4%, 0.77%

LAB 79.25, -4.77, -12.97

 

CMYK 13 / 5 / 0 / 18

HEX #B6C7D2

RGB 182 199 210

HSL 203.57, 0.24%, 0.77%

LAB 79.3, -3.54, -7.46

 

CMYK 4 / 2 / 0 / 21

HEX #C0C5C9

RGB 192 197 201

HSL 206.67, 0.08%, 0.77%

LAB 79.25, -0.96, -2.61

 

CMYK 0 / 3 / 5 / 21

HEX #C9C3BF

RGB 201 195 191

HSL 24, 0.08%, 0.77%

LAB 79.16, 1.38, 2.74

 

CMYK 0 / 8 / 14 / 17

HEX #D3C2B6

RGB 211 194 182

HSL 24.83, 0.25%, 0.77%

LAB 79.51, 3.98, 8.18

 

CMYK 21 / 0 / 3 / 14

HEX #ADDCD6

RGB 173 220 214

HSL 172.34, 0.4%, 0.77%

LAB 84.45, -16.39, -2.07

 

CMYK 21 / 3 / 0 / 14

HEX #ADD6DC

RGB 173 214 220

HSL 187.66, 0.4%, 0.77%

LAB 82.99, -12.06, -7.4

 

CMYK 21 / 9 / 0 / 14

HEX #ADC9DC

RGB 173 201 220

HSL 204.26, 0.4%, 0.77%

LAB 79.51, -5.3, -12.57

 

CMYK 21 / 14 / 0 / 14

HEX #ADBDDC

RGB 173 189 220

HSL 219.57, 0.4%, 0.77%

LAB 76.34, 1.11, -17.34

 

CMYK 21 / 20 / 0 / 14

HEX #ADB0DC

RGB 173 176 220

HSL 236.17, 0.4%, 0.77%

LAB 72.96, 8.2, -22.47

 

CMYK 41 / 17 / 0 / 24

HEX #73A2C3

RGB 115 162 195

HSL 204.75, 0.4%, 0.61%

LAB 64.5, -7.17, -21.92

 

CMYK 30 / 13 / 0 / 19

HEX #90B5CF

RGB 144 181 207

HSL 204.76, 0.4%, 0.69%

LAB 71.88, -6.34, -17.19

 

CMYK 21 / 9 / 0 / 14

HEX #ADC8DC

RGB 173 200 220

HSL 205.53, 0.4%, 0.77%

LAB 79.25, -4.77, -12.97

 

CMYK 13 / 5 / 0 / 9

HEX #CADCE8

RGB 202 220 232

HSL 204, 0.39%, 0.85%

LAB 86.79, -3.62, -7.92

 

CMYK 6 / 2 / 0 / 4

HEX #E7EFF5

RGB 231 239 245

HSL 205.71, 0.41%, 0.93%

LAB 94.02, -1.54, -3.82

 

CMYK 21 / 9 / 0 / 14

HEX #AEC9DC

RGB 174 201 220

HSL 204.78, 0.4%, 0.77%

LAB 79.58, -4.99, -12.47

 

CMYK 9 / 21 / 0 / 14

HEX #C9ADDC

RGB 201 173 220

HSL 275.74, 0.4%, 0.77%

LAB 74.49, 18.76, -19.93

 

CMYK 0 / 0 / 21 / 14

HEX #DCDCAD

RGB 220 220 173

HSL 60, 0.4%, 0.77%

LAB 86.71, -7.58, 23.17

 

CMYK 21 / 9 / 0 / 14

HEX #AEC9DC

RGB 174 201 220

HSL 204.78, 0.4%, 0.77%

LAB 79.58, -4.99, -12.47

 

CMYK 0 / 21 / 9 / 14

HEX #DCADC9

RGB 220 173 201

HSL 324.26, 0.4%, 0.77%

LAB 75.65, 21.62, -7.65

 

CMYK 9 / 0 / 21 / 14

HEX #C9DCAD

RGB 201 220 173

HSL 84.26, 0.4%, 0.77%

LAB 85.31, -14.49, 21.02

 

CMYK 21 / 9 / 0 / 14

HEX #AEC9DC

RGB 174 201 220

HSL 204.78, 0.4%, 0.77%

LAB 79.58, -4.99, -12.47

 

CMYK 9 / 21 / 0 / 14

HEX #C9ADDC

RGB 201 173 220

HSL 275.74, 0.4%, 0.77%

LAB 74.49, 18.76, -19.93

 

CMYK 0 / 13 / 21 / 14

HEX #DCC0AD

RGB 220 192 173

HSL 24.26, 0.4%, 0.77%

LAB 79.58, 6.97, 13.22

 

CMYK 13 / 0 / 21 / 14

HEX #C0DCAD

RGB 192 220 173

HSL 95.74, 0.4%, 0.77%

LAB 84.69, -17.69, 20.07

 

CMYK 21 / 9 / 0 / 14

HEX #AEC9DC

RGB 174 201 220

HSL 204.78, 0.4%, 0.77%

LAB 79.58, -4.99, -12.47

 

CMYK 2 / 21 / 0 / 14

HEX #D7ADDC

RGB 215 173 220

HSL 293.62, 0.4%, 0.77%

LAB 75.76, 23.36, -17.88

 

CMYK 0 / 13 / 21 / 14

HEX #DCC0AD

RGB 220 192 173

HSL 24.26, 0.4%, 0.77%

LAB 79.58, 6.97, 13.22

 

CMYK 19 / 0 / 21 / 14

HEX #B2DCAD

RGB 178 220 173

HSL 113.62, 0.4%, 0.77%

LAB 83.79, -22.53, 18.68

 

Description

Color code: RGBA 174 201 220 0.3 | qconv.com Color code: RGBA 174 201 220 0.3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 201 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 201 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 3 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 3% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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